Popularity: 8 (history)
Director: | James Bobin |
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Writer: | Linda Woolverton, Lewis Carroll |
Staring: |
Alice Kingsleigh returns to Underland and faces a new adventure in saving the Mad Hatter. | |
Release Date: | May 25, 2016 |
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Director: | James Bobin |
Writer: | Linda Woolverton, Lewis Carroll |
Genres: | Family, Fantasy, Adventure |
Keywords | based on novel or book, clock, queen, sequel, dark fantasy, aftercreditsstinger, duringcreditsstinger, insecure, mad hatter, live action remake, demeaning, derogatory, disdainful, disgusted, disheartening |
Production Companies | Walt Disney Pictures, Team Todd, Tim Burton Productions, Roth Films, Legend3D |
Box Office |
Revenue: $299,457,024
Budget: $170,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Mia Wasikowska | Alice Kingsleigh |
Johnny Depp | Mad Hatter |
Anne Hathaway | White Queen |
Helena Bonham Carter | Red Queen |
Alan Rickman | Blue Caterpillar (voice) |
Michael Sheen | White Rabbit (voice) |
Sacha Baron Cohen | Time |
Andrew Scott | Addison Bennett |
Rhys Ifans | Zanik Hightopp |
Timothy Spall | Bayard (voice) |
Ed Speleers | James Harcourt |
Stephen Fry | Cheshire Cat (voice) |
Lindsay Duncan | Helen Kingsleigh |
Matt Lucas | Tweedledee / Tweedledum |
Tom Godwin | Pimlick Hightopp |
Richard Armitage | King Oleron |
Amelia Crouch | Young Mirana |
Leilah de Meza | Young Iracebeth |
Geraldine James | Lady Ascot |
Leo Bill | Hamish |
Barbara Windsor | Mallykun (voice) |
Meera Syal | Nobody (voice) |
Hattie Morahan | Queen Elsemere |
Simone Kirby | Tyva Hightopp |
Siobhan Redmond | Bumalig Hightopp |
Paul Whitehouse | Thackery (voice) |
Matt Vogel | Wilkins (voice) |
Paul Hunter | Chess King (voice) |
Wally Wingert | Humpty Dumpty (voice) |
Louis Ashbourne Serkis | Young Hatter |
Joanna Bobin | Alexandra |
Joe Hurst | Bim Hightopp |
Oliver Hawkes | Young Bim Hightopp |
Frederick Warder | Poomally Hightopp |
Eve Hedderwick Turner | Paloo Hightopp |
Daniel Hoffmann-Gill | Boatswain |
Jamie Baughan | First Mate |
Matt Wilman | Helmsman |
Siobhán McSweeney | Witzender |
Owain Rhys Davies | Delivery Frog (voice) |
Edward Petherbridge | Gentleman Fish (voice) |
Richard Syms | Board Member |
Neil Edmond | Footman |
Carol Been | Dancer |
Ross Carpenter | Dancer |
Melissa Collier | Dancer |
Heather Craig | Dancer |
Janine Craig | Dancer |
Leigh Daniels | Dancer |
Jules Davison | Dancer |
Matt Dempsey | Dancer |
Nikki Dunsford | Dancer |
Stephanie Elstob | Dancer |
Steve Fortune | Dancer |
Jane Fowler | Dancer |
Adam Galbraith | Dancer |
Chris Grierson | Dancer |
Dale Mercer | Dancer |
William Mowat | Dancer |
Cris Penfold | Dancer |
Kraig Thornber | Dancer |
Carl Walker | Dancer |
Claire Winsper | Dancer |
Isaac Andrews | Second Mate Tom (uncredited) |
Alexander Bracq | Witzender / Vendor (uncredited) |
Adam Burton | Goat (uncredited) |
Frances de la Tour | Aunt Imogene (uncredited) |
Ross Green | Unicorn (uncredited) |
Kyle Hebert | Young Bayard (voice) (uncredited) |
Matt Hookings | The Hour (uncredited) |
Bomber Hurley-Smith | Royal Guard (uncredited) |
Martyn Mayger | Gentleman (uncredited) |
Steve Saunders | Brilliam Hinkle (uncredited) |
Mike Simmrin | Fisherman (uncredited) |
Johanna Smitz | Village Girl (uncredited) |
Bill Thomas | Driver |
Name | Job |
---|---|
James Bobin | Director |
Linda Woolverton | Screenplay |
Danny Elfman | Original Music Composer |
John Papsidera | Casting |
Dan Hennah | Production Design |
Michael Semanick | Sound Re-Recording Mixer |
Al Nelson | Supervising Sound Editor |
Jonny Franklin | Electrician |
Peter Swords King | Hair Designer |
Joel Harlow | Makeup Artist |
Neil Corbould | Special Effects Supervisor |
Ken Ralston | Visual Effects Supervisor |
Andrew Lockley | Visual Effects Supervisor |
Colleen Atwood | Costume Design |
Lewis Carroll | Novel |
Ren Klyce | Sound Designer |
Gwendolyn Yates Whittle | ADR Supervisor |
John Roesch | Foley Artist |
Andrew Poole | Visual Effects Editor |
Chris Navarro | ADR Mixer |
Terry Woods | Property Master |
Shaun O'Dell | Second Unit Director of Photography, Second Unit Director |
John Marzano | Aerial Director of Photography |
Erin Oakley | ADR Supervisor |
Daniel Rogers | Health and Safety |
Grant McCord | Costume Assistant |
Richard Goodwin | First Assistant Director |
John G. Scotti | Unit Production Manager |
David Parker | Sound Re-Recording Mixer |
Carolina Jiménez | Layout |
Flora Moody | Makeup & Hair |
Stuart Dryburgh | Director of Photography |
Gabriela Dolenská | Art Department Coordinator |
Scott Herbertson | Set Designer |
Simon Elsley | Assistant Art Director |
Nicky Ackland-Snow | Construction Coordinator |
Shaun Cobley | Camera Operator |
Nick Gottschalk | Art Direction |
Gabriel Hyman | First Assistant Camera |
Hannah Moseley | Art Direction |
Richard Selway | Art Direction |
Jeff Markwith | Set Designer |
Donna O'Neal | Costume Supervisor |
Zoe Cranley | CG Supervisor |
Susie Allnutt | Additional Photography |
John Berger | Set Designer |
Francesca Jaynes | Choreographer |
Alex Cameron | Art Direction |
Denise Ball | Assistant Art Director |
Peter Mountain | Still Photographer |
Gary Jopling | Assistant Art Director |
Todd Cherniawsky | Supervising Art Director |
Max Tyrie | Animation Supervisor |
Niall Moroney | Supervising Art Director |
Lora E. Revitt | Assistant Costume Designer |
Pete Cavaciuti | Steadicam Operator |
Ryan Taggart | First Assistant Camera |
Lisa Jaime | Music Editor |
Ruth Key | Casting Associate |
Ian Franklin | Rigging Gaffer |
Tobias Eedy | First Assistant Camera |
Anna Worley | Script Supervisor |
Anna Lynch-Robinson | Set Decoration |
Harry Wiggins | Gaffer |
Bill Abbott | Music Editor |
Craig McPherson | Animation Supervisor |
Celebrity Booker | Casting Associate |
Jann K. Engel | Set Designer |
Chris Buckley | Animation Supervisor |
Tom Lea | Gaffer |
Gloria Pasqua Casny | Hairstylist |
Khanh Trance | Wigmaker |
Tina Pritchard | Makeup Artist |
Elizabeth Hitt | Digital Intermediate |
Ollie Rankin | Visual Effects Supervisor |
Melyssa Forget Turcotte | Visual Effects Coordinator |
Andy Kaplan | Digital Intermediate |
Paula Price | Hairstylist |
Megan Galbraith | Visual Effects Coordinator |
Bridget Swerecki | Visual Effects Coordinator |
Xinyi Puah | Visual Effects Editor |
Pinto Sasikumar | Visual Effects Producer |
Donald McInnes | Hairstylist |
Lei Zhang | Visual Effects Coordinator |
Tamsin Dorling | Makeup Artist |
Richard Muller | Hairstylist |
Joceline Andrews | Makeup Artist |
Eric Scott | Visual Effects Producer |
Vera Zivny | Visual Effects Producer |
Jesper Kjölsrud | Visual Effects Supervisor |
Jay Redd | Visual Effects Supervisor |
Elaine C. Andrianos | Visual Effects Editor |
Craig Andujar | Visual Effects Coordinator |
Patrick Lermitte | Visual Effects Coordinator |
Gian Ganziano | Visual Effects Editor |
Mike Chambers | Visual Effects Producer |
Tamara Watts Kent | Visual Effects Producer |
Joe Ken | Digital Intermediate |
Andrew Walton | First Assistant Editor |
Derrick Mitchell | Visual Effects Editor |
Richard Roles | Aerial Camera |
Darren Sunny Warkentin | ADR Editor |
Scott Guitteau | Sound Effects Editor |
David Cain | Production Supervisor |
Jeremy Johns | Unit Production Manager |
Peter Gleaves | ADR Mixer |
Ryan Young | ADR Recordist |
John Midgley | Production Sound Mixer |
Scott Curtis | Foley Mixer |
Shelley Roden | Foley Artist |
Dustin Cawood | Foley Editor |
Steve Hancock | Boom Operator |
Benjamin A. Burtt | Sound Effects Editor |
Andrew Weisblum | Editor |
Lucy Bevan | Casting |
Ra Vincent | Set Decoration |
Ben Wright | Stunts |
Name | Title |
---|---|
Joe Roth | Producer |
Jennifer Todd | Producer |
Suzanne Todd | Producer |
John G. Scotti | Executive Producer |
Jeremy Johns | Co-Producer |
Tim Burton | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 59 | 76 | 44 |
2024 | 5 | 60 | 71 | 50 |
2024 | 6 | 62 | 86 | 46 |
2024 | 7 | 83 | 117 | 52 |
2024 | 8 | 66 | 83 | 43 |
2024 | 9 | 50 | 70 | 38 |
2024 | 10 | 71 | 122 | 42 |
2024 | 11 | 53 | 113 | 37 |
2024 | 12 | 42 | 56 | 31 |
2025 | 1 | 42 | 69 | 34 |
2025 | 2 | 34 | 47 | 8 |
2025 | 3 | 14 | 42 | 3 |
2025 | 4 | 6 | 6 | 5 |
2025 | 5 | 5 | 5 | 4 |
2025 | 6 | 6 | 7 | 5 |
2025 | 7 | 6 | 6 | 4 |
2025 | 8 | 6 | 9 | 5 |
2025 | 9 | 8 | 10 | 7 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 589 | 758 |
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2025 | 8 | 534 | 709 |
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2025 | 7 | 396 | 685 |
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2025 | 6 | 540 | 809 |
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2025 | 5 | 568 | 766 |
Year | Month | High | Avg |
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2025 | 4 | 553 | 736 |
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2025 | 3 | 491 | 767 |
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2025 | 2 | 980 | 988 |
Year | Month | High | Avg |
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2025 | 1 | 624 | 869 |
Year | Month | High | Avg |
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2024 | 12 | 366 | 617 |
Year | Month | High | Avg |
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2024 | 11 | 436 | 498 |
**Alice returns to the wonderland for a new adventure.** Based on the nearly 150 years old children's book, and a sequel to the 2010 film. Its quite a long gap for a follow up film, but the original cast has returned and directed by 'The Muppets' famed filmmaker. So, I was not expecting it since ... I considered the first film an average. All I wanted was a normal live-action 'Alice in Wonderland' films, but I disliked this weird make-ups and large head characters. In that perspective, this one was much better. Still, this is not the best, but definitely a lot better than the previous one. A simple adventure story with nice graphics and performances. The Alice returns to the Wonderland for a new adventure where she has to cross the layers of the present, past and future. So in one word, this is a time travel theme in the fantasy genre. Mia Wasikowska ruled it, she was everywhere. She overran all other characters and takes the toughest challenge to achieve impossible. Nearly a two hour journey into wonderland might make happy for little kids. Because it did not look like a normal fairytale, but very modern. This is not the Disney's best film, so I don't think there will be any more sequel. I want it to be rebooted, but not any time soon, at least a decade of gap needed. So I hope they won't rush and ruin this classic tale like three 'Spiderman' reboots in less than 20 years. Meantime, this film is okay for watching once, though I'm not in favour to recommend it to anybody except little children. _6/10_
A step down from the 2010 film, but <em>'Alice Through the Looking Glass'</em> is a solid film nonetheless. I enjoyed seeing this plot, largely about time, play out. The film is CGI heavy, but does look great for the vast majority. The cast are good, with Mia Wasikowska leading well and surrounde ... d by the likes of Johnny Depp, Anne Hathaway, Helena Bonham Carter and Sacha Baron Cohen. I do think the film could've been slightly shorter, with better pacing and less emphasis on the 'real world' stuff featuring Alice. The looking glass entry isn't as interesting/magical as the rabbit hole, also. Far superior to the 1998 adaptation of this 1871 Lewis Carroll novel, that's for certain.
I like sequels when the characters come into there own. Better then the 1st. ...
Six years after her first encounter with the creatures from "Wonderland", the feisty young "Alice" (Mia Wasikowska) finds herself outmanoeuvred by her scheming ex "Hamish" (Leo Bill) and disappointed with her mother (Lindsay Duncan) so a bit at a loss! What's left to do but follow a bug through a mi ... rror above the fireplace back into a realm where she quickly discovers that the "Mad Hatter" (Johnny Depp) is in a bad way. He's missing his family who have long since died, and so she decides to get hold of a time-travel enabling "Chronosphere" and go back in time to retro-fix this disaster. Of course it's not going to be a simple operation, especially as the two royal sisters "Iracebeth" (Helena Bonham Carter) and "Mirana" (Anne Hathaway) are at loggerheads after their father (Richard Armitage) decided to opt for his younger daughter to succeed him. To be fair, the irascible "Irecebeth" might not have been his best choice - but she's not taking this lying down, and soon their magical kingdom is rife with strife. Can the ingenious "Alice" manage to fix things? It's not really the strongest of stories, this one, and with Depp largely side-lined (or bed-ridden) it's left to the CGI to do most of the storytelling. It does look great this - à la "The Golden Compass" (2007), with loads of stunning visuals and imagination let loose, but the plot vacillates between the adventure and the sentimental all too weakly. Wasikowska turns in quite an amiable effort and HBC does try to imbue her character with a bit of tea-time menace, but neither really have enough to work with as the sibling rivalry elements are distinctly an rather predictably undercooked. It's all perfectly watchable on a big screen - colourful and lively, but it's just too "Alice Goes to Narnia".