Popularity: 2 (history)
Director: | Kevin Macdonald |
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Writer: | Dennis Kelly |
Staring: |
A rogue submarine captain pulls together a misfit crew to go after a sunken treasure rumored to be lost in the depths of the Black Sea. As greed and desperation take control on-board their claustrophobic vessel, the increasing uncertainty of the mission causes the men to turn on each other to fight for their own survival. | |
Release Date: | Dec 05, 2014 |
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Director: | Kevin Macdonald |
Writer: | Dennis Kelly |
Genres: | Adventure, Drama, Thriller |
Keywords | sea, gold, captain, submarine, underwater |
Production Companies | Cowboy Films, Film4 Productions, Focus Features |
Box Office |
Revenue: $4,070,789
Budget: $8,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Jude Law | Captain Robinson |
Karl Davies | Liam |
Jodie Whittaker | Chrissy |
Daniel Ryan | Kurston |
Scoot McNairy | Daniels |
Tobias Menzies | Lewis |
Michael Smiley | Reynolds |
David Threlfall | Peters |
Ben Mendelsohn | Fraser |
Konstantin Khabenskiy | Blackie |
Grigoriy Dobrygin | Morozov |
Bobby Schofield | Tobin |
Sergey Veksler | Baba |
Branwell Donaghey | Gittens |
Sergey Kolesnikov | Levchenko |
Llewella Gideon | Job Centre Worker |
Gus Barry | Martin (aged 12) |
Zaak Conway | Martin (aged 4) |
Yuri Klimov | Ukranian Admiral |
Dennis Kelly | Himself |
Kevin Macdonald | Himself |
Charles Steel | Himself |
Paulina Boneva | Job Center Worker (uncredited) |
Name | Job |
---|---|
Hattie Storey | Art Direction |
Ian Tapp | Sound Re-Recording Mixer |
Alena Garetovskaya | Casting Director, Casting |
Rob Huckle | Dolby Consultant |
Tim Caplan | Visual Effects Producer |
Jamie Edgell | Stunt Coordinator |
Simon Hughes | Visual Effects Supervisor |
Mark Clayton | Gaffer |
Ben Mangham | Location Manager |
Natalie Ward | Costume Design |
Rory Herbert | Script Supervisor |
Justine Wright | Editor |
Niv Adiri | Sound Designer |
Dillon Bennett | Sound Effects Editor |
Andrea King | Foley |
Graham Sutton | Music Editor |
Sophie Phillips | Set Decoration |
Jason Swanscott | Foley |
Ian Thomson | Unit Publicist |
Keith Mason | Visual Effects Editor, First Assistant Editor |
Nick Palmer | Production Design |
Iain Mackay | Camera Operator |
Kira Fitzpatrick | Digital Intermediate |
James Summers | Rigging Gaffer |
Emma Claire Johnson | Art Department Assistant |
Louis Phillips | Executive In Charge Of Production |
Paul Wrightson | ADR Editor, Dialogue Editor |
Chris Cull | Property Master |
Gillian Dodders | ADR Editor, Dialogue Editor |
Tasha Back | Second Assistant "A" Camera |
Marese Langan | Makeup Designer, Hair Designer |
Bill Turpin | Prosthetic Makeup Artist |
Tim Battersby | First Assistant "A" Camera |
Adrian Rigby | Prosthetic Makeup Artist |
Louise Seymour | Post Production Supervisor |
Peter Hanson | Foley Editor |
Matthew Penry-Davey | First Assistant Director |
Dominic Channing-Williams | Third Assistant Director |
Chris Newton | Stunts |
Theo Berman | Focus Puller |
Neil Ellis | Propmaker |
Mark Appleby | ADR Mixer |
Rowena Oven | Graphic Designer |
Glen Gathard | Foley Mixer |
Warwick Drucker | Key Grip |
Charlie Reed | Second Assistant Director |
Simon Bysshe | Boom Operator |
Kay Bilk | Makeup & Hair |
Alex King | Makeup & Hair |
Bruce Barnes | Carpenter |
Jack Dehaan | Carpenter |
Jed Evans | Props |
Carmelo Grasso | Props |
Robin Lawrence | Props |
Sergey Maximov | Props |
Gary Merrington | Prop Designer |
Alejandro Mackay | Standby Art Director |
Joe Withers | Standby Art Director |
Jonathan Maris | Storyboard Artist |
Giles Keyte | Additional Still Photographer |
John Marzano | Aerial Director of Photography |
Agnieszka Szeliga | Camera Trainee |
Anca Badita | Camera Trainee |
Mustafa Tyebkhan | Digital Imaging Technician |
Adam Ings | Digital Imaging Technician |
Tony Christie | Electrician |
James Harrison | Focus Puller |
Ed Lancaster | Grip |
Sergio Bernuzzi | Grip |
Damian Roberts | Grip |
Andrey Schtaff | Key Grip |
Felix Pickles | Second Assistant "B" Camera |
Gleb Nechaev | Assistant Costume Designer |
Arina Pakhomova | Assistant Costume Designer |
Luan Placks | Assistant Costume Designer |
Theo Park | Casting Associate |
George Moss | Extras Casting |
Hattie Mark | Extras Casting Assistant |
Lucas Manuel Cuenca | CG Artist |
Mervyn New | CG Supervisor |
Marta Cañavate | Digital Compositor |
Matthew Chan | Digital Compositor |
Agueda Del Castillo | Digital Compositor |
Kaveh Montazer | Digital Compositor |
Shani Hermoni | Visual Effects Compositor |
Ines Li | Visual Effects Coordinator |
Ed Smith | Special Effects Supervisor |
James Bainger | Special Effects Technician |
Daniel Massett | Special Effects Technician |
Herbert Butler | Digital Intermediate |
Lucia Foster Found | Aerial Coordinator |
Will Samuelson | Pilot |
Isaac Sananes | Production Accountant |
Jo Wallett | Production Coordinator |
Shayne Fiske | Production Executive |
Tom Leggett | Script Editor |
Ashley Harrington | Post-Production Manager |
Kevin Macdonald | Director |
Dennis Kelly | Screenplay |
Nina Gold | Casting |
Glenn Freemantle | Sound Designer, Supervising Sound Editor |
Peter Clarke | Music Editor |
Jo Cameron Brown | Dialect Coach |
Alex Bailey | Still Photographer |
Ilan Eshkeri | Original Music Composer |
Christopher Ross | Director of Photography |
Rashad Hall-Heinz | Sound Recordist |
Saul Metzstein | Second Unit Director |
Paul Kennington | Stunt Double |
Andy Wareham | Stunts |
John Lee | Second Unit Director of Photography |
Alice Pennefather | Underwater Stills Photographer |
Adam Inglis | Colorist |
Matt Curtis | Title Designer |
Name | Title |
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Charles Steel | Producer |
Alasdair Flind | Co-Producer |
Jim Cochrane | Executive Producer |
Jane Robertson | Co-Producer |
Merve Harzadin | Executive Producer |
Kevin Macdonald | Producer |
Tessa Ross | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 23 | 45 | 13 |
2024 | 5 | 28 | 47 | 17 |
2024 | 6 | 19 | 27 | 12 |
2024 | 7 | 23 | 42 | 12 |
2024 | 8 | 19 | 36 | 9 |
2024 | 9 | 13 | 24 | 9 |
2024 | 10 | 15 | 26 | 7 |
2024 | 11 | 15 | 25 | 9 |
2024 | 12 | 14 | 18 | 9 |
2025 | 1 | 18 | 31 | 11 |
2025 | 2 | 13 | 29 | 3 |
2025 | 3 | 6 | 17 | 1 |
2025 | 4 | 1 | 3 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 2 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 465 | 465 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 815 | 899 |
Clear the desk and clear the decks. There's a fabled Nazi U-Boat down in the depths of the ocean, aboard is gold, lots of gold. So it's time for a not so motley crew of submariners to go forth - in an antiquated submarine - and try to set themselves up for life. Naturally nothing goes as planned, ... there are hidden agendas, rival factions within, claustrophobia reigns supreme, will anyone survive? Will you want any of them to survive? Black Sea is not without problems, though the complaints about credibility and believability not being available? Well these are surely from folk who don't watch enough of, or understand the workings of, genre cinema of this ilk. Kevin Macdonald (director) and Dennis Kelly (writer) have crafted a tight and efficient submarine thriller. Characterisations are clichéd, with nods to other genre type of films evident, but the group dynamics pulse with danger and the inevitable peril sequences strike the requisite suspenseful chords. Black Sea doesn't define or reinvent the submarine thriller wheel, it just keeps the rotor shafts turning. Strong casting and earthy photography help matters, to make this - ropey accents aside - better than a time waster of a viewing. 6.5/10
Laid off from his job, "Robinson" (Jude Law) gets wind of a rumoured sunken horde of Nazi gold at the bottom of the Black Sea. He manages to cobble together some funds, recruit the ultimate in disparate crew - half British and half Russian, and somewhat implausibly obtain a WWII submarine that is on ... ly really held together by rust. Off they go in search of their loot and, as you might expect, tempers and superstitions run riot as the claustrophobic environment and cultural clashes cause difficulties for the increasingly isolated skipper. At times the imagery is quite effective at conveying some of the peril as their boat lurches from one disaster to another, but for the most part this is a really poorly constructed drama let down at pretty much every turn by Law's over-acting, his intermittent Scots accent, some very ropey dialogue and a cast of people who would usually perform better - Ben Mendelsohn and David Threfall, especially - but who really don't deliver anything substantial in this really cheap and cheerful looking effort. Some of the submarine interiors are authentic enough - a real one was used - but that can't really compensate for the lacklustre and repetitive narrative that can have but one conclusion. Not one of Kevin MacDonald's finer works - despite the decent cast.