Popularity: 7 (history)
| Director: | Glenn Ficarra, John Requa |
|---|---|
| Writer: | Glenn Ficarra, John Requa |
| Staring: |
| Nicky, an accomplished con artist, gets romantically involved with his disciple Jess but later ends their relationship. Years later, she returns as a femme fatale to spoil his plans. | |
| Release Date: | Feb 25, 2015 |
|---|---|
| Director: | Glenn Ficarra, John Requa |
| Writer: | Glenn Ficarra, John Requa |
| Genres: | Comedy, Romance, Crime |
| Keywords | seduction, con man, illusion, femme fatale, deception, rivalry, con artist, illusionist |
| Production Companies | Warner Bros. Pictures, Di Novi Pictures, K & S Films, RatPac Entertainment, Zaftig Films |
| Box Office |
Revenue: $153,962,963
Budget: $50,100,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Will Smith | Nicky Spurgeon |
| Margot Robbie | Jess Barrett |
| Rodrigo Santoro | Garriga |
| Gerald McRaney | Owens |
| Adrian Martinez | Farhad |
| Robert Taylor | McEwen |
| BD Wong | Liyuan |
| Brennan Brown | Horst |
| Dominic Fumusa | Jared |
| Dotan Bonen | Gordon |
| Griff Furst | Gareth |
| Stephanie Honoré | Janice |
| David Stanford | Drunken Stranger |
| Steve Kim | Liyuan's Bodyguard |
| Don Yesso | Card Player / Football Coach |
| Juan Minujín | Marcello |
| Jano Seitun | Bartender |
| Melania Lenoir | Pretty Woman |
| Pietro Gian | Massive Security Guard |
| Justina Bustos | Blonde Bartender |
| Paula Brasca | Saleswoman |
| Antonella Macchi | Apollonia |
| Aaron Jay Rome | Bartender |
| Armando Leduc | Bald Guy |
| Jon Eyez | Bruiser |
| Clay Chamberlin | Mark #1 |
| Danny Ladmirault | Mark #2 |
| Chip Carriere | Lead Official |
| Daniella Short | Naked Woman |
| Frank J. Monteleone | Tech |
| Alan Sabbagh | Team Argentina Head Engineer |
| Hervé Segata | France Team Engineer |
| Jorge Takashima | Team Korea Engineer |
| Pierre Marquille | HRT Team Owner |
| Nas Mehdi | Head of Team India |
| Federico Bongiorno | Head of Team Russia |
| Kate Adair | Tourist Thief |
| Billy Slaughter | Passing Thief |
| Lindsay Clift | Another Thief |
| Thomas Francis Murphy | Hustler |
| Nicoye Banks | Card Shark |
| Ruy Gatti | French Tech |
| Cacilie Hughes | Jenny |
| Alvin Chon | Liyuan's Bodyguard #2 |
| Brett Baker | Another Thief |
| Taylor Persh | Sous Chef |
| Mariano Bertolini | Waiter |
| Scott M. Jefferson | Add'l McEwen Tech |
| Billy Louviere | Rowdy Guy #1 |
| Thomas Thomason | Rowdy Guy #2 |
| Antonella Saldicco | Party Guest #1 |
| Joaquín Berthold | Party Guest #2 |
| Marina Artigas | Party Guest #3 |
| Dario Dukah | Party Guest #4 |
| Martin Covert | Doctor |
| Apollo Robbins | Apollo |
| Michael Dardant | Card Mechanic #1 |
| Victor Moran | Card Mechanic #2 |
| Eric McMullen | Doc |
| Han Soto | Head of Team Japan |
| Yeshi Tenzin | Head of Team Japan #2 |
| Laney Chouest | Head of Team |
| Darrell Foster | Head of Team Italy |
| Hilary Tuttle | Waitress Thieff |
| Guillermo Miguel | Team Argentina |
| Nina Leon | BA Reporter |
| Nick Reasons | Sideline Reporter |
| Chris Dieker | Coin Toss Rhino |
| Stevie Baggs Jr. | Coin Toss Thresher |
| Thomas Holley | Announcer #1 |
| Walter Prestenberg, Jr. | Announcer #2 |
| Nic Harris | Interview Thresher |
| Patrick O'Hara | Team Owner |
| David Haines | Nicky's Crew Tommy |
| Steve Hammond | Cafe Host Mark |
| Derrick Townsend | Frat Guy #1 |
| Juan Gaspard | Fan in Stands (uncredited) |
| Joe Chrest | Jeweler (uncredited) |
| Sheena Sakai | Skybox Model (uncredited) |
| Name | Job |
|---|---|
| Tiffany Little Canfield | Casting |
| Glenn Ficarra | Director, Writer |
| Xavier Grobet | Director of Photography |
| Beth Mickle | Production Design |
| Bernard Telsey | Casting |
| Pola Zito | Line Producer |
| John Requa | Director, Writer |
| Charles Croughwell | Stunt Coordinator |
| Chelsea Bruland | Stunts |
| Kristin Lekki | Graphic Designer |
| Anne Morgan | Hair Department Head |
| Tony Ward | Key Hair Stylist |
| Joel Dougherty | Dialogue Editor |
| Skip Lievsay | Sound Re-Recording Mixer |
| Daniel Tkaczyk | Lighting Technician |
| Jan Kovac | Editor |
| Nick Urata | Original Music Composer |
| Dayna Pink | Costume Design |
| Kelly Curley | Art Direction |
| Lisa K. Sessions | Set Decoration |
| Pierce Austin | Hairstylist |
| Tania McComas | Makeup Department Head |
| Alice Alward | Art Department Coordinator |
| Chris Craine | Assistant Art Director |
| Randall S. Coe | Construction Coordinator |
| Frank Buono | Camera Operator |
| Keith Gruchala | Camera Operator |
| Remi Tournois | Camera Operator |
| Ryan Hosking | Helicopter Camera |
| Brian Heller | Helicopter Camera |
| Grayson Austin | Steadicam Operator, "B" Camera Operator |
| Frank Masi | Still Photographer |
| David A. Wolf | Additional Camera |
| Connie Balduzzi | Costume Supervisor |
| Meagan McLaughlin | Costume Supervisor |
| Lori Castano | Set Costumer |
| Donna Chance | Set Costumer |
| Kelly Herdus | Set Costumer |
| Misti Moreaux | Set Costumer |
| Des Carey | Digital Intermediate |
| Michael Matzdorff | First Assistant Editor |
| Christopher Kaller | Music Editor |
| Anna Rane | Script Supervisor |
| Stan Wlodkowski | Unit Production Manager |
| Stephen E. Hagen | First Assistant Director |
| Jon Recher | Second Assistant Director |
| Jason Ruder | Supervising Music Editor, Music Supervisor |
| Paul Urmson | Supervising Sound Editor |
| Will Blount | Property Master |
| Kiante Elam | Stunts |
| Thirl Haston | Stunts |
| Rob King | Stunts |
| Dave Kelsey | Set Designer |
| Trinh Vu | Set Designer |
| Dan Sweetman | Storyboard Artist |
| Landon Lott | Production Illustrator |
| Michael A. Johnson | Leadman |
| Lisa Tong | Set Decoration Buyer |
| Alexander Lasseigne III | Set Dresser |
| Shelly Sanchez | Set Dresser |
| Sidney J. Lambert | Set Dresser |
| Troy G. Acosta | Set Dresser |
| Todd Pecoul | Set Dresser |
| Jason Portera | Set Dresser |
| Mitch Dubin | "A" Camera Operator |
| Glenn Kaplan | First Assistant "A" Camera |
| Anthony DeFrancesco | Second Assistant "A" Camera |
| Zachary Sieffert | First Assistant "B" Camera |
| Frank D. Parrish | Second Assistant "B" Camera |
| Cid Swank | Unit Publicist |
| Paul Ledford | Production Sound Mixer |
| Anthony Ortiz | Boom Operator |
| Rachel Grissom | Utility Sound |
| Andy Ryan | Chief Lighting Technician |
| Jaim O'Neil | Assistant Chief Lighting Technician |
| Jason Prowell | Lighting Technician |
| Bradley Martin | Lighting Technician |
| Jordan Whaley | Lighting Technician |
| Karina Teismann | Lighting Technician |
| Ferdinand Duplantier Jr. | Rigging Gaffer |
| Jimi Ryan | Key Grip |
| Mike Satterfield | Best Boy Grip |
| Richard T. Hoover | Dolly Grip |
| Luke Cauthern | Dolly Grip |
| Kevin Luster | Grip |
| Joe Sökmen | Grip |
| Robert Zas | Grip |
| Rachel Perlis | Grip |
| Nathan Hughes | Grip |
| Max Patrucco | Key Rigging Grip |
| Charles B. Walker | Rigging Grip |
| Eric DePoorter | Rigging Grip |
| Dan Wyssmann | Rigging Grip |
| Lou Divincenti | Rigging Grip |
| Nate Selee | Rigging Grip |
| Dana McCall | Assistant Property Master |
| Terry Anderson | Assistant Costume Designer |
| Jen Wasson | Key Costumer |
| Robert Mata | Costumer |
| Aimee Stuit | Key Makeup Artist |
| Judy Murdock | Makeup Artist |
| Jason Waggenspack | Location Manager |
| W. Harry Fortuna | Location Coordinator |
| Christa Vausbinder | Production Supervisor |
| Kirk W. Johnson | Production Office Coordinator |
| Samantha Bonilla | Travel Coordinator |
| Desiree Stevenson | Second Second Assistant Director |
| Dorothy Precious | Production Accountant |
| John B. Clarey III | Construction Foreman |
| M.R. Seelig | Standby Painter |
| Sonia L. Garcia | Scenic Artist |
| Sonda L. Rowland | Scenic Artist |
| Melisa Coby | Scenic Artist |
| Matt Kutcher | Special Effects Supervisor |
| David Vaccari | Casting Associate |
| Jennifer Yoo | Casting Assistant |
| Robin Batherson | Extras Casting |
| Charley Bob Burnham | Transportation Coordinator |
| Tom Moore | Transportation Captain |
| Duke Foster | Transportation Captain |
| Lawrence Johnson | Transportation Captain |
| Paul Abraham | Craft Service |
| Elizabeth Himelstein | Dialect Coach |
| Jason Miller | Post Production Supervisor |
| Wyatt Sprague | Sound Effects Editor |
| Jac Rubenstein | Dialogue Editor |
| Thomas Jones | Supervising ADR Editor |
| Kenton Jakub | ADR Editor |
| Rick Chefalas | First Assistant Sound Editor |
| Igor Nikolic | Foley Editor |
| Marko Costanzo | Foley Artist |
| George A. Lara | Foley Mixer |
| Jim Rider | Visual Effects Supervisor |
| Ian Vertovec | Digital Intermediate Colorist |
| Katie Fellion | Digital Intermediate Producer |
| Derek Eby | Digital Intermediate Producer |
| Matt Blackshear | Digital Intermediate Editor |
| Ryan McKeague | Digital Intermediate Editor |
| Name | Title |
|---|---|
| Charlie Gogolak | Executive Producer |
| Steven Mnuchin | Executive Producer |
| Stan Wlodkowski | Executive Producer |
| Jeffrey Harlacker | Associate Producer |
| Denise Di Novi | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 45 | 67 | 29 |
| 2024 | 5 | 46 | 65 | 29 |
| 2024 | 6 | 45 | 62 | 34 |
| 2024 | 7 | 51 | 79 | 28 |
| 2024 | 8 | 38 | 70 | 25 |
| 2024 | 9 | 49 | 77 | 29 |
| 2024 | 10 | 32 | 56 | 19 |
| 2024 | 11 | 57 | 124 | 25 |
| 2024 | 12 | 33 | 42 | 23 |
| 2025 | 1 | 37 | 58 | 27 |
| 2025 | 2 | 25 | 42 | 4 |
| 2025 | 3 | 10 | 41 | 3 |
| 2025 | 4 | 6 | 7 | 4 |
| 2025 | 5 | 5 | 6 | 4 |
| 2025 | 6 | 5 | 6 | 3 |
| 2025 | 7 | 5 | 6 | 4 |
| 2025 | 8 | 4 | 7 | 3 |
| 2025 | 9 | 6 | 8 | 3 |
| 2025 | 10 | 5 | 7 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 793 | 901 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 690 | 822 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 717 | 888 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 819 | 890 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 576 | 778 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 806 | 894 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 519 | 795 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 502 | 643 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 759 | 804 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 501 | 799 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 427 | 760 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 747 | 887 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 254 | 550 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 164 | 536 |
"Focus" blends two different movies in roughly equal measure. One is a movie about con men, scam artists and hustlers, in the tradition of "The Sting," "Ocean's Eleven," "House of Games" and "Shade." The second movie is a romantic comedy between two people who are strongly attracted to one another, ... but who cannot and do not trust each other. The movie about con men is brilliant. The hustles and scams are clever and cleverly executed with excellent skill and tradecraft. Dramatically, the double-blinds and double- crosses are well executed. The players con their marks, one another and the audience with finesse and aplomb. The cinematography, choreography and editing are crisp. The reveals are plausible within the film's cosmos of reality. The romantic comedy is not bad. One can understand and believe the attraction between the two characters. Will Smith's character is hunky, clever, confident, successful and wealthy. Margot Robbie's character is gorgeous, sexy, vulnerable, clever and charming. But the major plot points in this boy finds girl, boy loses girl, boy wins girl back subplot seem contrived, while the intriguing aspect of their relationship (How can two con artists with a history of deceiving one another learn to trust one another?) isn't explored in a satisfactory manner. Instead we get a breakup for reasons that are never explained, a repeated gag involving a wallet, and a massive coincidence that leads the audience to believe one of them has a hidden agenda involving the other. The relationship between them works best when they are conning one another, but it needs resolution. Technically, the film is beautifully done. Cinematography, locations, wardrobe, make-up, editing, audio -- everything is polished. It's a movie that merits a second or third viewing, not only to see the cons played out, but also to appreciate some of the subtle foreshadowing.
> Kicked off well, kept the momentum, but the end was... It's a Will Smith's movie, anyway, I was going to watch it, but when the initial cast dropped out, followed by a couple more, simply intrigued me. Actually, I enjoyed the film, but did not like it because of the bad ending. It was a good tw ... ist, except the shooting thing. An example how a tiny part can decide the entire movie's fate. Well written crime-drama, with a touch of romance. After all the obstacles, the final cast were at their best. Heist movies always excite me because of the involvement of the tricks and thrills. Nicky, a con artist who recruits a small time thief, Jess to work with his gang. When the job and the romance advancing smoothly, an unexpected split happens. So the years passed, when they meet again, what comes is the crux of the remaining story. The first half let us know what kind of character the Nicky is. His overwhelmed dedication for his undertaking and his reliable team's the focus. Overall, it was the best portion of the movie, and the next half goes for the giant kill, but lacks enthusiasm. More like a revenge or jealousy type narration, but only until reaching the climax where it tries being a very clever and happen all the things at a brisk pace. The film was better than I thought, after learning it was criticised, mostly very badly. Would have been a bit better if the writing was cautious for the crucial parts. Importantly, like I said the end part. 'Yes' for the entertainment it provided and 'no' for one of the best products of the year, 6½/10
**Great twists. Great Fun. Great acting. Great movie!** As a sucker for heist/con films, I love this movie! Great cast, a fun plot, and just great escapism. After seeing hundreds upon hundreds of movies, I rarely am caught off guard by "surprising" twists, but this movie took turns I didn't expec ... t, and absolutely loved it! Probably not as great as my rating would imply, but if you love a good con artist flick, you will enjoy Focus thoroughly.