Menu
After Earth Poster

After Earth

Danger is real, fear is a choice
2013 | 100m | English

(214459 votes)

TMDb IMDb

Popularity: 4 (history)

Details

One thousand years after cataclysmic events forced humanity's escape from Earth, Nova Prime has become mankind's new home. Legendary General Cypher Raige returns from an extended tour of duty to his estranged family, ready to be a father to his 13-year-old son, Kitai. When an asteroid storm damages Cypher and Kitai's craft, they crash-land on a now unfamiliar and dangerous Earth. As his father lies dying in the cockpit, Kitai must trek across the hostile terrain to recover their rescue beacon. His whole life, Kitai has wanted nothing more than to be a soldier like his father. Today, he gets his chance.
Release Date: May 30, 2013
Director: M. Night Shyamalan
Writer: Gary Whitta, M. Night Shyamalan, Will Smith
Genres: Adventure, Action, Science Fiction
Keywords dystopia
Production Companies Columbia Pictures, Overbrook Entertainment, Blinding Edge Pictures
Box Office Revenue: $243,843,127
Budget: $130,000,000
Updates Updated: Aug 10, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Jaden Smith Kitai Raige
Will Smith Cypher Raige
Sophie Okonedo Faia Raige
Zoë Kravitz Senshi Raige
Glenn Morshower Commander Velan
Kristofer Hivju Security Chief
Sacha Dhawan Hesper Pilot
Chris Geere Hesper Navigator
Diego Klattenhoff Veteran Ranger
David Denman Private McQuarrie
Lincoln Lewis Running Cadet
Jaden Martin Nine Year Old Kitai
Sincere L. Bobb Three-Year-Old Kitai
Monika Jolly Female Ranger
Matthew Andrews Flirting Cadet (uncredited)
Isabelle Fuhrman Rayna (uncredited)
Jon Mack Psychiatrist (uncredited)
Darrell Foster Ranger Instructor (uncredited)
Name Job
James Newton Howard Original Music Composer
Amy Westcott Costume Design
Randy Thom Sound Designer
Deb Adair Sound Re-Recording Mixer
Chad Stahelski Stunt Coordinator, Second Unit Director
Claudette Barius Still Photographer
Shutchai Tym Buacharern Key Makeup Artist
Michael Fitzgerald Epk Camera Operator
Jack Serino Rigging Grip
Mark Boal Script Consultant
Stephen Gaghan Script Consultant
Hilary Momberger-Powers Script Supervisor
Joshua LaCross Compositing Supervisor
William Groebe Lead Animator
Niketa Roman Visual Effects Coordinator
Barbara Harris ADR Voice Casting
Kurt Kaufman Concept Artist
Jim Wallis Set Designer
Theodore Sharps Set Designer
J. Bryan Holloway Sculptor
Dean Wolcott Art Direction
Thomas E. Sanders Production Design
Stephen Morahan Set Designer
David Meyer Set Designer
Naaman Marshall Art Direction
Robert Joseph Art Direction
Gary Whitta Screenplay
Judy Murdock Makeup Department Head
Jenne Lee Art Department Coordinator
Forest P. Fischer Set Designer
Ineke Majoor Visual Effects Producer
Charlie Iturriaga Visual Effects Supervisor
Benjamin Woodward Sculptor
Mark Owen Forker Visual Effects Supervisor
Cuitlahuac Morales Velazquez Sculptor
C. Scott Baker Set Designer
David Olson Music Editor
Mick Rossman Sculptor
Alex Henning Visual Effects Supervisor
Lisa Lovaas Costume Supervisor
Jonathan Rothbart Visual Effects Supervisor
David P.I. James Visual Effects Producer
Fiona Chilton Visual Effects Producer
Robin L. D'Arcy Visual Effects Producer
Angeline Zeigler Set Costumer
Steve Tushar Sound Designer
Sarah Boardman Assistant Art Director
Magdalena Wolf Visual Effects Producer
Kundan Basnet Visual Effects Supervisor
Josie Batorski Studio Teachers
Val Drake Sculptor
Aditya Malla Visual Effects Producer
Jason Bedig Leadman
William Lance Sculptor
Robert Nederhorst Visual Effects Supervisor
Mitchell Landsman Scenic Artist
Frank Masi Still Photographer
David Giammarco Sound Re-Recording Mixer
Tom Frohling Set Designer
Jenny Fulle Visual Effects Producer
Charles Maynes Supervising Sound Editor
Chuck Duke Animation
Daniel Fotheringham Animation
Hugo Dominguez Visual Effects
Matt Weaver Animation
Bruce Stubblefield Dialogue Editor
Amy Kane Foley Artist
Patrick Capone Second Unit Director of Photography
Marq Edwards Aerial Camera
Edward R. Geller Rigging Grip
David O'Brien Second Assistant "A" Camera
James Heerdegen Dolly Grip
Beverly Jo Pryor Makeup Artist
Klara Farberov Costumer
Robert Mata Costumer
Richard A. Mitchell Generator Operator
Christian Cordella Costume Illustrator
Araxi Lindsey Hairstylist
Jon Philion Libra Head Technician
Glen Magers Lighting Technician
Joseph Abbatecola Best Boy Grip
Darrin Smith Best Boy Electric
Ryan Rodriguez Best Boy Electric
Jason Cortazzo Libra Head Technician
Jozo Zovko Second Assistant "B" Camera
Stanley D. Williams Script Consultant
Charlie Marroquin Key Grip
John S. Moyer Steadicam Operator
Steven Cueva First Assistant "B" Camera
Paul Williams Construction Coordinator
Alessandro Rovere Visual Effects Editor
Derek Raser Transportation Coordinator
Duncan Smith Scenic Artist
Blair Clark Visual Effects Supervisor
Mitch Dubin Camera Operator
Aric Cheng Set Designer
Bryan Baker Visual Effects Editor
Steven Ticknor Supervising Sound Editor
Cyryl Koshyk Visual Effects Producer
Jimmy Almeida Animation
Nicholas Tripodi Lead Animator, Animation
Howard R. Campbell Lighting Artist
Yuhon Ng VFX Artist
Andrew Petrotta Property Master
Anita Cannella Foley Artist
John Jones Hairstylist
Troy David Ager/Dyer
Peter Clemence Best Boy Grip
Tyler Emmett Second Assistant Camera
Anna Rane Script Supervisor
Charlie Grubbs Rigging Gaffer
Brian Bishop Rigging Grip
Andrew Sweeney Dolly Grip
Herb Ault Key Grip
Laura Wolford Key Costumer
John Kairis First Assistant "A" Camera
Jim Grout Lighting Technician
Joe Mellon Rigging Grip
Nick Liampetchakul Rigging Grip
Nick Haines-Stiles Best Boy Grip
Caswell Cooke Rigging Grip
Shelli Nishino Costumer
Phil Pastuhov Aerial Director of Photography
Jesse Pelikan Rigging Grip
Toby Gallo Digital Imaging Technician
James Boniece Key Rigging Grip
Daniel Rieser Rigging Grip
Francine Natale Assistant Chief Lighting Technician
Morris Flam Gaffer
Craig Vaccaro Key Rigging Grip
Renee J. Vaca Key Hair Stylist
Guy Micheletti Key Grip
Stanley Fernandez Jr. First Assistant "A" Camera
Spencer Snygg Lighting Technician
Jeffrey Henderson Storyboard Artist
Chris Archer Modeling
Dane Wilson Carpenter
Steve Sysko Set Dresser
Patrick Janicke Concept Artist
Todd Harris Storyboard Artist
David Schnee Compositing Supervisor
Eoin Cannon Modeling
Cricket Sloat Lighting Technician
Jack Taggart Ager/Dyer
Jeff Andrus Dolly Grip
Violeta Grancelli Wardrobe Assistant
Pierce Austin Hair Department Head
Braden Belmonte First Assistant "C" Camera
Tracy Estes Lighting Technician
Patrick Lowry Key Grip
Edward J. Johnson Carpenter
Manuel Andrade Swing
Joshua Wassung Pre-Visualization Supervisor
Sharon Potts Props
James W. Brown Animation Supervisor
Niles Norton Carpenter
Scott M. Anderson Set Dresser
Fabian Lacey Conceptual Illustrator
Todd Gill CG Supervisor
David Hobbins Concept Artist
Steffen Reichstadt Concept Artist
Erika S. Katz Set Dresser
Carlos Fueyo CG Supervisor
Hugh Sicotte Concept Artist
Ed Mendez Compositing Supervisor
Jung Eun Kim Modeling
Jeremy Turley Painter
Natalia de la Garza Compositing Supervisor
Michelle Burnworth Carpenter
Chad Finnerty Animation Supervisor
Chris Morley Compositing Supervisor
Blaise Panfalone Visual Effects Coordinator
Ben Wolcott Graphic Designer
David Chow Set Designer
Edison Vargas Props
Jeffrey Kember CG Supervisor
Dean Sherriff Concept Artist
Bill 'Kauhane' Hoyt Standby Painter
Jorge Huerta Swing
Michael Broom Creature Design
Helen Jen Visual Effects Coordinator
Bill Wang Visual Effects Coordinator
Annika Hirsch Visual Effects Coordinator
Whitney Richman Visual Effects Coordinator
Alexander Dieckman Visual Effects Coordinator
Maren Dolzmann Visual Effects Coordinator
Shanshan Xie Visual Effects Coordinator
Lena Amanda Koch Visual Effects Coordinator
Pip Wright Visual Effects Coordinator
Thomas Furukawa Visual Effects Coordinator
Momo Zhan Visual Effects Coordinator
Perry Kain Visual Effects Coordinator
Sarah Yunrong Yu Visual Effects Coordinator
Tommy Frazier Special Effects Supervisor
Gumby Kounthong Extras Casting
Cynthia E. Thornton First Assistant Editor
Bobby Maruvada Colorist
Gayle Minkevitch-Jensen Extras Casting
Jeffrey C. Price First Assistant Editor
Christine Wick Set Decoration Buyer
Lluis Barcelo CG Supervisor
Steven Hansen Matchmove Supervisor
Julian Dimsey 2D Supervisor
Carlos Guillén Compositing Supervisor
Robert S. Vanstone Construction Foreman
Brick Mason Storyboard Artist
Samuel Jensen Modeling
Emmanuel Shiu Conceptual Design
Charles Rose CG Supervisor
Scott Singer Digital Effects Supervisor
Dennis Madigan Set Dresser
Tim Leydecker 3D Artist
Brian Mendenhall Lead Animator
Aaron Sims Concept Artist
Jim Magdaleno Storyboard Artist
Samantha Higgins Set Dresser
Aaron Sowd Storyboard Artist
Tim Flattery Concept Artist
Andrew Roberts CG Supervisor
Trina Renee Visual Effects Coordinator
Rahul Basnyat Visual Effects Coordinator
Darnie Galloway Visual Effects Production Manager
Yimi Tong Visual Effects Coordinator
Kim Quiroz Visual Effects Coordinator
Tamar Shaham Visual Effects Coordinator
Yinai Sun Visual Effects Coordinator
Jennifer Wessner Visual Effects Coordinator
Karie Schwabl Visual Effects Production Assistant
Seda Yilmaz Visual Effects Coordinator
Georgia Smith Visual Effects Production Manager
Jeury Tavares Visual Effects Coordinator
Phi Van Le Visual Effects Coordinator
Billy Dowd Extras Casting
Colleen Kay Casting Associate
Jason Loftus Casting
Benjamin Sutor Online Editor
Mandy Arnold Digital Intermediate Editor
Michelle Beatty Extras Casting
Douglas Dresser Location Manager
Morning Star Schott Digital Intermediate Producer
John R. Saunders First Assistant Director
Jim Weidman Supervising Music Editor
Cory C. Myler Travel Coordinator
J. Wilfrid White Marine Coordinator
Betsy Alton Production Coordinator
Tish Johnson Production Accountant
Samantha Bonilla Travel Coordinator
Jon Aschalew Music Programmer
John Nasraway Second Assistant Director
Diane Heery Casting
Ernst Aschi Michel Location Manager
Luke Ciarrocchi Assistant Editor
Lonnie Campbell Location Manager
Juan Pablo Noval Location Manager
Manohar Tahilramani Location Manager
Adam Schoon Production Secretary
Joel Goldes Dialect Coach
Steve Cainas Production Coordinator
Cid Swank Unit Publicist
Miles Burke Production Secretary
Belinda Uriegas Production Coordinator
Jonathan Gomez Rigging Grip
Aaron Vexler Stunts
M. Night Shyamalan Screenplay, Director
Peter Suschitzky Director of Photography
Steven Rosenblum Editor
Douglas Aibel Casting
Paul Massey Sound Re-Recording Mixer
John Frazier Special Effects Supervisor
Deborah Maxwell Dion Casting Associate
Cliff Fleming Aerial Coordinator
John Rusk First Assistant Director
Heidi Moneymaker Stunts
Jeff Imada Fight Choreographer
Caryn Mower Stunts
Jessica Harbeck Stunts
J.J. Perry Stunts
Mallory Thompson Stunts
Natalie Padilla Stunts
Renae Moneymaker Stunts
Marie Fink Stunts
Dane Farwell Stunts
Chris O'Hara Stunts
Hank Amos Stunts
Jon Valera Utility Stunts
Will Smith Story
Rosemary Brandenburg Set Decoration
Tara Macken Stunts
Peng Zhang Visual Effects
Name Title
James Lassiter Producer
Jada Pinkett Smith Producer
Caleeb Pinkett Producer
E. Bennett Walsh Executive Producer
Ashwin Rajan Co-Producer
M. Night Shyamalan Producer
Will Smith Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 37 54 23
2024 5 39 64 28
2024 6 29 48 19
2024 7 45 64 30
2024 8 30 40 20
2024 9 29 54 20
2024 10 28 48 18
2024 11 24 34 18
2024 12 26 49 18
2025 1 29 53 18
2025 2 22 33 4
2025 3 8 25 2
2025 4 5 7 3
2025 5 4 8 2
2025 6 4 5 3
2025 7 3 5 3
2025 8 3 5 2
2025 9 5 6 4

Trending Position


Year Month High Avg
2025 9 967 967
Year Month High Avg
2025 8 989 989
Year Month High Avg
2025 7 886 927
Year Month High Avg
2025 6 518 588
Year Month High Avg
2025 5 869 869
Year Month High Avg
2025 4 245 429
Year Month High Avg
2025 3 844 844
Year Month High Avg
2025 2 473 726
Year Month High Avg
2025 1 693 835
Year Month High Avg
2024 11 828 927

Return to Top

Reviews

Dark Jedi
4.0

I was not impressed by this movie. Having said that I do not think it deserves the many 1 star ratings that it have received nor do I think that the acting by neither Will Smith nor his son Jaden was as bad as some people claim. My gripe with this movie lies more with the actual implementation of th ... e story. The basic idea is not really a bad one. It could have been made into a rather good movie. However the result that we see is rather shallow. Worse it is riddled with stupidities and illogicalness. The movie starts off with the all too common humans are destroying the planet, we are so bad, bla bla. I am so tired of seeing that crap being stuffed into movies (and books) left right and center. When I read want to ponder those questions I read the appropriate science papers. Stop stuffing it in my face when I just want to be entertained. Then we get to know that some alien presence where dropping monsters on the humans. Monsters that where genetically bred to kill humans. Okay…? If they wanted to exterminate us why make it in such a long-winded way? And what happened afterward? When it apparently failed to exterminate us did they just go “oh well” and left? The basic story of the film is that the ship carrying Cypher and Katai crash lands on old Earth which are now supposedly inhabitable for humans. Okay but, apart from the fact that a thousand years in the future one would have thought that they could avoid meteor storms easily, what is this mumbo jumbo that Cypher can somehow “feel” the storm coming? Let us continue with Earth itself. It is supposed to be inhabitable for humans. Could they not have made a little better effort to make it look inhabitable then? It looks like a semi-tropical/tempered paradise to me. Also, the temperatures are supposed to drop to well below zero every night yet the vegetation is abundant and green? While we are on the subject of vegetation, how the bloody hell can they need “breathing pills” when the vegetation, and thus the oxygen production, is that abundant? Things like this just sticks out like a sore thumb and drags down the movie. Then we have these Ursa’s. They are bread for the purpose of exterminating humans. They are blind and tracks the humans by the fear pheremones. Say again? What kind of idiot alien would do such a thing? Any bioengineer worth their salary would ensure that such a creature had every advantage they could get. That would include sight and hearing as well as smell (and probably a few other senses like infrared as well). Also, this idea of having to be fearless is just dumb. Apart from simple things like staying downwind the only thing the humans would have to do was to outfit their soldiers with airtight combat suits. I am not saying that a science fiction movie (or any movie) should be all science and believable but this movie is just too filled with glaring stupidities. For me it is not the total turkey that some people seems to think it is. It has some entertainment value but not more than 4 out of 10 stars worth.

May 16, 2024
SoSmooth1982
4.0

Decent movie. Nothing like dad giving you a lead role. There should have been more fighting in the movie instead of seeing him struggle so much. ...

Apr 13, 2023