Popularity: 4 (history)
Director: | M. Night Shyamalan |
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Writer: | Gary Whitta, M. Night Shyamalan, Will Smith |
Staring: |
One thousand years after cataclysmic events forced humanity's escape from Earth, Nova Prime has become mankind's new home. Legendary General Cypher Raige returns from an extended tour of duty to his estranged family, ready to be a father to his 13-year-old son, Kitai. When an asteroid storm damages Cypher and Kitai's craft, they crash-land on a now unfamiliar and dangerous Earth. As his father lies dying in the cockpit, Kitai must trek across the hostile terrain to recover their rescue beacon. His whole life, Kitai has wanted nothing more than to be a soldier like his father. Today, he gets his chance. | |
Release Date: | May 30, 2013 |
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Director: | M. Night Shyamalan |
Writer: | Gary Whitta, M. Night Shyamalan, Will Smith |
Genres: | Adventure, Action, Science Fiction |
Keywords | dystopia |
Production Companies | Columbia Pictures, Overbrook Entertainment, Blinding Edge Pictures |
Box Office |
Revenue: $243,843,127
Budget: $130,000,000 |
Updates |
Updated: Aug 10, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Jaden Smith | Kitai Raige |
Will Smith | Cypher Raige |
Sophie Okonedo | Faia Raige |
Zoë Kravitz | Senshi Raige |
Glenn Morshower | Commander Velan |
Kristofer Hivju | Security Chief |
Sacha Dhawan | Hesper Pilot |
Chris Geere | Hesper Navigator |
Diego Klattenhoff | Veteran Ranger |
David Denman | Private McQuarrie |
Lincoln Lewis | Running Cadet |
Jaden Martin | Nine Year Old Kitai |
Sincere L. Bobb | Three-Year-Old Kitai |
Monika Jolly | Female Ranger |
Matthew Andrews | Flirting Cadet (uncredited) |
Isabelle Fuhrman | Rayna (uncredited) |
Jon Mack | Psychiatrist (uncredited) |
Darrell Foster | Ranger Instructor (uncredited) |
Name | Job |
---|---|
James Newton Howard | Original Music Composer |
Amy Westcott | Costume Design |
Randy Thom | Sound Designer |
Deb Adair | Sound Re-Recording Mixer |
Chad Stahelski | Stunt Coordinator, Second Unit Director |
Claudette Barius | Still Photographer |
Shutchai Tym Buacharern | Key Makeup Artist |
Michael Fitzgerald | Epk Camera Operator |
Jack Serino | Rigging Grip |
Mark Boal | Script Consultant |
Stephen Gaghan | Script Consultant |
Hilary Momberger-Powers | Script Supervisor |
Joshua LaCross | Compositing Supervisor |
William Groebe | Lead Animator |
Niketa Roman | Visual Effects Coordinator |
Barbara Harris | ADR Voice Casting |
Kurt Kaufman | Concept Artist |
Jim Wallis | Set Designer |
Theodore Sharps | Set Designer |
J. Bryan Holloway | Sculptor |
Dean Wolcott | Art Direction |
Thomas E. Sanders | Production Design |
Stephen Morahan | Set Designer |
David Meyer | Set Designer |
Naaman Marshall | Art Direction |
Robert Joseph | Art Direction |
Gary Whitta | Screenplay |
Judy Murdock | Makeup Department Head |
Jenne Lee | Art Department Coordinator |
Forest P. Fischer | Set Designer |
Ineke Majoor | Visual Effects Producer |
Charlie Iturriaga | Visual Effects Supervisor |
Benjamin Woodward | Sculptor |
Mark Owen Forker | Visual Effects Supervisor |
Cuitlahuac Morales Velazquez | Sculptor |
C. Scott Baker | Set Designer |
David Olson | Music Editor |
Mick Rossman | Sculptor |
Alex Henning | Visual Effects Supervisor |
Lisa Lovaas | Costume Supervisor |
Jonathan Rothbart | Visual Effects Supervisor |
David P.I. James | Visual Effects Producer |
Fiona Chilton | Visual Effects Producer |
Robin L. D'Arcy | Visual Effects Producer |
Angeline Zeigler | Set Costumer |
Steve Tushar | Sound Designer |
Sarah Boardman | Assistant Art Director |
Magdalena Wolf | Visual Effects Producer |
Kundan Basnet | Visual Effects Supervisor |
Josie Batorski | Studio Teachers |
Val Drake | Sculptor |
Aditya Malla | Visual Effects Producer |
Jason Bedig | Leadman |
William Lance | Sculptor |
Robert Nederhorst | Visual Effects Supervisor |
Mitchell Landsman | Scenic Artist |
Frank Masi | Still Photographer |
David Giammarco | Sound Re-Recording Mixer |
Tom Frohling | Set Designer |
Jenny Fulle | Visual Effects Producer |
Charles Maynes | Supervising Sound Editor |
Chuck Duke | Animation |
Daniel Fotheringham | Animation |
Hugo Dominguez | Visual Effects |
Matt Weaver | Animation |
Bruce Stubblefield | Dialogue Editor |
Amy Kane | Foley Artist |
Patrick Capone | Second Unit Director of Photography |
Marq Edwards | Aerial Camera |
Edward R. Geller | Rigging Grip |
David O'Brien | Second Assistant "A" Camera |
James Heerdegen | Dolly Grip |
Beverly Jo Pryor | Makeup Artist |
Klara Farberov | Costumer |
Robert Mata | Costumer |
Richard A. Mitchell | Generator Operator |
Christian Cordella | Costume Illustrator |
Araxi Lindsey | Hairstylist |
Jon Philion | Libra Head Technician |
Glen Magers | Lighting Technician |
Joseph Abbatecola | Best Boy Grip |
Darrin Smith | Best Boy Electric |
Ryan Rodriguez | Best Boy Electric |
Jason Cortazzo | Libra Head Technician |
Jozo Zovko | Second Assistant "B" Camera |
Stanley D. Williams | Script Consultant |
Charlie Marroquin | Key Grip |
John S. Moyer | Steadicam Operator |
Steven Cueva | First Assistant "B" Camera |
Paul Williams | Construction Coordinator |
Alessandro Rovere | Visual Effects Editor |
Derek Raser | Transportation Coordinator |
Duncan Smith | Scenic Artist |
Blair Clark | Visual Effects Supervisor |
Mitch Dubin | Camera Operator |
Aric Cheng | Set Designer |
Bryan Baker | Visual Effects Editor |
Steven Ticknor | Supervising Sound Editor |
Cyryl Koshyk | Visual Effects Producer |
Jimmy Almeida | Animation |
Nicholas Tripodi | Lead Animator, Animation |
Howard R. Campbell | Lighting Artist |
Yuhon Ng | VFX Artist |
Andrew Petrotta | Property Master |
Anita Cannella | Foley Artist |
John Jones | Hairstylist |
Troy David | Ager/Dyer |
Peter Clemence | Best Boy Grip |
Tyler Emmett | Second Assistant Camera |
Anna Rane | Script Supervisor |
Charlie Grubbs | Rigging Gaffer |
Brian Bishop | Rigging Grip |
Andrew Sweeney | Dolly Grip |
Herb Ault | Key Grip |
Laura Wolford | Key Costumer |
John Kairis | First Assistant "A" Camera |
Jim Grout | Lighting Technician |
Joe Mellon | Rigging Grip |
Nick Liampetchakul | Rigging Grip |
Nick Haines-Stiles | Best Boy Grip |
Caswell Cooke | Rigging Grip |
Shelli Nishino | Costumer |
Phil Pastuhov | Aerial Director of Photography |
Jesse Pelikan | Rigging Grip |
Toby Gallo | Digital Imaging Technician |
James Boniece | Key Rigging Grip |
Daniel Rieser | Rigging Grip |
Francine Natale | Assistant Chief Lighting Technician |
Morris Flam | Gaffer |
Craig Vaccaro | Key Rigging Grip |
Renee J. Vaca | Key Hair Stylist |
Guy Micheletti | Key Grip |
Stanley Fernandez Jr. | First Assistant "A" Camera |
Spencer Snygg | Lighting Technician |
Jeffrey Henderson | Storyboard Artist |
Chris Archer | Modeling |
Dane Wilson | Carpenter |
Steve Sysko | Set Dresser |
Patrick Janicke | Concept Artist |
Todd Harris | Storyboard Artist |
David Schnee | Compositing Supervisor |
Eoin Cannon | Modeling |
Cricket Sloat | Lighting Technician |
Jack Taggart | Ager/Dyer |
Jeff Andrus | Dolly Grip |
Violeta Grancelli | Wardrobe Assistant |
Pierce Austin | Hair Department Head |
Braden Belmonte | First Assistant "C" Camera |
Tracy Estes | Lighting Technician |
Patrick Lowry | Key Grip |
Edward J. Johnson | Carpenter |
Manuel Andrade | Swing |
Joshua Wassung | Pre-Visualization Supervisor |
Sharon Potts | Props |
James W. Brown | Animation Supervisor |
Niles Norton | Carpenter |
Scott M. Anderson | Set Dresser |
Fabian Lacey | Conceptual Illustrator |
Todd Gill | CG Supervisor |
David Hobbins | Concept Artist |
Steffen Reichstadt | Concept Artist |
Erika S. Katz | Set Dresser |
Carlos Fueyo | CG Supervisor |
Hugh Sicotte | Concept Artist |
Ed Mendez | Compositing Supervisor |
Jung Eun Kim | Modeling |
Jeremy Turley | Painter |
Natalia de la Garza | Compositing Supervisor |
Michelle Burnworth | Carpenter |
Chad Finnerty | Animation Supervisor |
Chris Morley | Compositing Supervisor |
Blaise Panfalone | Visual Effects Coordinator |
Ben Wolcott | Graphic Designer |
David Chow | Set Designer |
Edison Vargas | Props |
Jeffrey Kember | CG Supervisor |
Dean Sherriff | Concept Artist |
Bill 'Kauhane' Hoyt | Standby Painter |
Jorge Huerta | Swing |
Michael Broom | Creature Design |
Helen Jen | Visual Effects Coordinator |
Bill Wang | Visual Effects Coordinator |
Annika Hirsch | Visual Effects Coordinator |
Whitney Richman | Visual Effects Coordinator |
Alexander Dieckman | Visual Effects Coordinator |
Maren Dolzmann | Visual Effects Coordinator |
Shanshan Xie | Visual Effects Coordinator |
Lena Amanda Koch | Visual Effects Coordinator |
Pip Wright | Visual Effects Coordinator |
Thomas Furukawa | Visual Effects Coordinator |
Momo Zhan | Visual Effects Coordinator |
Perry Kain | Visual Effects Coordinator |
Sarah Yunrong Yu | Visual Effects Coordinator |
Tommy Frazier | Special Effects Supervisor |
Gumby Kounthong | Extras Casting |
Cynthia E. Thornton | First Assistant Editor |
Bobby Maruvada | Colorist |
Gayle Minkevitch-Jensen | Extras Casting |
Jeffrey C. Price | First Assistant Editor |
Christine Wick | Set Decoration Buyer |
Lluis Barcelo | CG Supervisor |
Steven Hansen | Matchmove Supervisor |
Julian Dimsey | 2D Supervisor |
Carlos Guillén | Compositing Supervisor |
Robert S. Vanstone | Construction Foreman |
Brick Mason | Storyboard Artist |
Samuel Jensen | Modeling |
Emmanuel Shiu | Conceptual Design |
Charles Rose | CG Supervisor |
Scott Singer | Digital Effects Supervisor |
Dennis Madigan | Set Dresser |
Tim Leydecker | 3D Artist |
Brian Mendenhall | Lead Animator |
Aaron Sims | Concept Artist |
Jim Magdaleno | Storyboard Artist |
Samantha Higgins | Set Dresser |
Aaron Sowd | Storyboard Artist |
Tim Flattery | Concept Artist |
Andrew Roberts | CG Supervisor |
Trina Renee | Visual Effects Coordinator |
Rahul Basnyat | Visual Effects Coordinator |
Darnie Galloway | Visual Effects Production Manager |
Yimi Tong | Visual Effects Coordinator |
Kim Quiroz | Visual Effects Coordinator |
Tamar Shaham | Visual Effects Coordinator |
Yinai Sun | Visual Effects Coordinator |
Jennifer Wessner | Visual Effects Coordinator |
Karie Schwabl | Visual Effects Production Assistant |
Seda Yilmaz | Visual Effects Coordinator |
Georgia Smith | Visual Effects Production Manager |
Jeury Tavares | Visual Effects Coordinator |
Phi Van Le | Visual Effects Coordinator |
Billy Dowd | Extras Casting |
Colleen Kay | Casting Associate |
Jason Loftus | Casting |
Benjamin Sutor | Online Editor |
Mandy Arnold | Digital Intermediate Editor |
Michelle Beatty | Extras Casting |
Douglas Dresser | Location Manager |
Morning Star Schott | Digital Intermediate Producer |
John R. Saunders | First Assistant Director |
Jim Weidman | Supervising Music Editor |
Cory C. Myler | Travel Coordinator |
J. Wilfrid White | Marine Coordinator |
Betsy Alton | Production Coordinator |
Tish Johnson | Production Accountant |
Samantha Bonilla | Travel Coordinator |
Jon Aschalew | Music Programmer |
John Nasraway | Second Assistant Director |
Diane Heery | Casting |
Ernst Aschi Michel | Location Manager |
Luke Ciarrocchi | Assistant Editor |
Lonnie Campbell | Location Manager |
Juan Pablo Noval | Location Manager |
Manohar Tahilramani | Location Manager |
Adam Schoon | Production Secretary |
Joel Goldes | Dialect Coach |
Steve Cainas | Production Coordinator |
Cid Swank | Unit Publicist |
Miles Burke | Production Secretary |
Belinda Uriegas | Production Coordinator |
Jonathan Gomez | Rigging Grip |
Aaron Vexler | Stunts |
M. Night Shyamalan | Screenplay, Director |
Peter Suschitzky | Director of Photography |
Steven Rosenblum | Editor |
Douglas Aibel | Casting |
Paul Massey | Sound Re-Recording Mixer |
John Frazier | Special Effects Supervisor |
Deborah Maxwell Dion | Casting Associate |
Cliff Fleming | Aerial Coordinator |
John Rusk | First Assistant Director |
Heidi Moneymaker | Stunts |
Jeff Imada | Fight Choreographer |
Caryn Mower | Stunts |
Jessica Harbeck | Stunts |
J.J. Perry | Stunts |
Mallory Thompson | Stunts |
Natalie Padilla | Stunts |
Renae Moneymaker | Stunts |
Marie Fink | Stunts |
Dane Farwell | Stunts |
Chris O'Hara | Stunts |
Hank Amos | Stunts |
Jon Valera | Utility Stunts |
Will Smith | Story |
Rosemary Brandenburg | Set Decoration |
Tara Macken | Stunts |
Peng Zhang | Visual Effects |
Name | Title |
---|---|
James Lassiter | Producer |
Jada Pinkett Smith | Producer |
Caleeb Pinkett | Producer |
E. Bennett Walsh | Executive Producer |
Ashwin Rajan | Co-Producer |
M. Night Shyamalan | Producer |
Will Smith | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 37 | 54 | 23 |
2024 | 5 | 39 | 64 | 28 |
2024 | 6 | 29 | 48 | 19 |
2024 | 7 | 45 | 64 | 30 |
2024 | 8 | 30 | 40 | 20 |
2024 | 9 | 29 | 54 | 20 |
2024 | 10 | 28 | 48 | 18 |
2024 | 11 | 24 | 34 | 18 |
2024 | 12 | 26 | 49 | 18 |
2025 | 1 | 29 | 53 | 18 |
2025 | 2 | 22 | 33 | 4 |
2025 | 3 | 8 | 25 | 2 |
2025 | 4 | 5 | 7 | 3 |
2025 | 5 | 4 | 8 | 2 |
2025 | 6 | 4 | 5 | 3 |
2025 | 7 | 3 | 5 | 3 |
2025 | 8 | 3 | 5 | 2 |
2025 | 9 | 5 | 6 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 967 | 967 |
Year | Month | High | Avg |
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2025 | 8 | 989 | 989 |
Year | Month | High | Avg |
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2025 | 7 | 886 | 927 |
Year | Month | High | Avg |
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2025 | 6 | 518 | 588 |
Year | Month | High | Avg |
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2025 | 5 | 869 | 869 |
Year | Month | High | Avg |
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2025 | 4 | 245 | 429 |
Year | Month | High | Avg |
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2025 | 3 | 844 | 844 |
Year | Month | High | Avg |
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2025 | 2 | 473 | 726 |
Year | Month | High | Avg |
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2025 | 1 | 693 | 835 |
Year | Month | High | Avg |
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2024 | 11 | 828 | 927 |
I was not impressed by this movie. Having said that I do not think it deserves the many 1 star ratings that it have received nor do I think that the acting by neither Will Smith nor his son Jaden was as bad as some people claim. My gripe with this movie lies more with the actual implementation of th ... e story. The basic idea is not really a bad one. It could have been made into a rather good movie. However the result that we see is rather shallow. Worse it is riddled with stupidities and illogicalness. The movie starts off with the all too common humans are destroying the planet, we are so bad, bla bla. I am so tired of seeing that crap being stuffed into movies (and books) left right and center. When I read want to ponder those questions I read the appropriate science papers. Stop stuffing it in my face when I just want to be entertained. Then we get to know that some alien presence where dropping monsters on the humans. Monsters that where genetically bred to kill humans. Okay…? If they wanted to exterminate us why make it in such a long-winded way? And what happened afterward? When it apparently failed to exterminate us did they just go “oh well” and left? The basic story of the film is that the ship carrying Cypher and Katai crash lands on old Earth which are now supposedly inhabitable for humans. Okay but, apart from the fact that a thousand years in the future one would have thought that they could avoid meteor storms easily, what is this mumbo jumbo that Cypher can somehow “feel” the storm coming? Let us continue with Earth itself. It is supposed to be inhabitable for humans. Could they not have made a little better effort to make it look inhabitable then? It looks like a semi-tropical/tempered paradise to me. Also, the temperatures are supposed to drop to well below zero every night yet the vegetation is abundant and green? While we are on the subject of vegetation, how the bloody hell can they need “breathing pills” when the vegetation, and thus the oxygen production, is that abundant? Things like this just sticks out like a sore thumb and drags down the movie. Then we have these Ursa’s. They are bread for the purpose of exterminating humans. They are blind and tracks the humans by the fear pheremones. Say again? What kind of idiot alien would do such a thing? Any bioengineer worth their salary would ensure that such a creature had every advantage they could get. That would include sight and hearing as well as smell (and probably a few other senses like infrared as well). Also, this idea of having to be fearless is just dumb. Apart from simple things like staying downwind the only thing the humans would have to do was to outfit their soldiers with airtight combat suits. I am not saying that a science fiction movie (or any movie) should be all science and believable but this movie is just too filled with glaring stupidities. For me it is not the total turkey that some people seems to think it is. It has some entertainment value but not more than 4 out of 10 stars worth.
Decent movie. Nothing like dad giving you a lead role. There should have been more fighting in the movie instead of seeing him struggle so much. ...