Popularity: 2 (history)
Director: | Tod Browning |
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Writer: | Clarence Aaron 'Tod' Robbins |
Staring: |
Three sideshow performers form a conspiracy known as "The Unholy Three" - a ventriloquist, midget, and strongman working together to commit a series of robberies. | |
Release Date: | Jul 20, 1925 |
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Director: | Tod Browning |
Writer: | Clarence Aaron 'Tod' Robbins |
Genres: | Drama, Crime, Thriller |
Keywords | robbery, silent film, sideshow |
Production Companies | Metro-Goldwyn-Mayer |
Box Office |
Revenue: $704,000
Budget: $103,000 |
Updates |
Updated: Aug 10, 2025 Entered: Apr 14, 2024 |
Name | Character |
---|---|
Lon Chaney | Professor Echo / Granny O'Grady |
Mae Busch | Rosie O'Grady |
Matt Moore | Hector McDonald |
Victor McLaglen | Hercules |
Harry Earles | Tweedledee aka Little Willie |
Matthew Betz | Detective Regan |
Edward Connelly | Judge |
William Humphrey | Attorney for Defense |
E. Alyn Warren | Prosecuting Attorney |
Margie Angus | Twin (uncredited) |
Mary Angus | Twin (uncredited) |
Walter P. Cole | Human Skeleton (uncredited) |
Carrie Daumery | Pet Shop Customer (uncredited) |
Delmo Fritz | Sword Swallower (uncredited) |
Alice Julian | Fat Lady (uncredited) |
Peter Kortes | Sword Swallower (uncredited) |
Mickey McBan | Boy Watching Hercules' Act (uncredited) |
Wilmuth Merkyl | Jeweler (uncredited) |
John Millerta | Wild Borneo Man (uncredited) |
Louis Morrison | Police Commissioner (uncredited) |
Majorie Morton | Mrs. Arlington (uncredited) |
Walter Perry | Dime Museum Announcer (uncredited) |
Louis Shank | Newsboy (uncredited) |
Vera Vance | Dancer (uncredited) |
Charles Wellesley | John Arlington (uncredited) |
Percy Williams | Butler (uncredited) |
Name | Job |
---|---|
David Kesson | Director of Photography |
Daniel J. Gray | Editor |
Clarence Aaron 'Tod' Robbins | Story |
Joseph C. Wright | Set Decoration |
Tod Browning | Director |
Waldemar Young | Scenario Writer |
Harvey Parry | Stunts |
Cedric Gibbons | Set Decoration |
Name | Title |
---|---|
Tod Browning | Producer |
Irving Thalberg | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 6 | 10 | 3 |
2024 | 5 | 6 | 8 | 4 |
2024 | 6 | 6 | 15 | 2 |
2024 | 7 | 8 | 17 | 3 |
2024 | 8 | 7 | 18 | 4 |
2024 | 9 | 5 | 10 | 2 |
2024 | 10 | 5 | 10 | 2 |
2024 | 11 | 5 | 10 | 3 |
2024 | 12 | 5 | 13 | 3 |
2025 | 1 | 5 | 7 | 2 |
2025 | 2 | 4 | 7 | 2 |
2025 | 3 | 3 | 7 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 1 | 1 | 1 |
2025 | 10 | 1 | 2 | 1 |
Trending Position
The mighty "Hercules" (Victor McLaglen), ventriloquist "Echo" (Lon Chaney) and their diminutive pal "Tweedledee" (Harry Earles) make what passes for a living at sideshows keen to improve their lot. To that end they hit on the idea of using a bird shop as a conduit to find out who has things at home ... worth pinching and then, well, robbing them! Initially, their cunning pays off. "Echo" dons a frock and portrays a kindly old grandma; "Tweedledee" puts on some kids clothes and is her grandchild and that just leaves their mate to play the muscle. Unfortunately, the muscle hasn't much brain and when one robbery of a prominent banker results in a fatal shooting, the three find themselves on the end of an admittedly rather speculative, but nonetheless worrying, police investigation. They flee to a cabin in the woods but when poor old "Hector" (Matt Moore) is apprehended for the crime, "Echo" has pangs of a conscience. He goes to the trial but will he let the wrong man fry? Meantime, he takes a bit of a shine to "Rosie" (Mae Busch) but she's got eyes for the man in the firing line. Will anyone prove decent enough to do the right thing? It's perhaps a little too long this, it does take a while to find it's feet. Once it does though, the last half hour is actually quite tensely directed by Tod Browning and we have a few close shaves with the Lord's Prayer, a big ape and some notepaper. It's curious to appreciate almost one hundred years later, what we paid to see for entertainment and at just how widespread the rural subsistence existence in parts of the US was. This clearly illustrates the wealth divide, but in an engaging fashion with some gently comedic moments and a Chaney on good form.