 
  Popularity: 2 (history)
| Director: | Francis Ford Coppola | 
|---|---|
| Writer: | Arnold Schulman, David Seidler | 
| Staring: | 
| Ypsilanti, Michigan, 1945. Engineer Preston Tucker dreams of designing the car of future, but his innovative envision will be repeatedly sabotaged by his own unrealistic expectations and the Detroit automobile industry tycoons. | |
| Release Date: | Aug 12, 1988 | 
|---|---|
| Director: | Francis Ford Coppola | 
| Writer: | Arnold Schulman, David Seidler | 
| Genres: | Drama | 
| Keywords | chicago, illinois, biography, automobile industry, based on true story, 1940s, industrial espionage, car designer | 
| Production Companies | Lucasfilm Ltd., American Zoetrope | 
| Box Office | Revenue: $19,652,638 Budget: $23,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Jeff Bridges | Preston Tucker | 
| Joan Allen | Vera | 
| Martin Landau | Abe | 
| Frederic Forrest | Eddie | 
| Mako | Jimmy | 
| Dean Stockwell | Howard Hughes | 
| Christian Slater | Junior | 
| Nina Siemaszko | Marilyn Lee | 
| Marshall Bell | Frank | 
| Peter Donat | Kerner | 
| Elias Koteas | Alex | 
| Jay O. Sanders | Kirby | 
| Corin Nemec | Noble | 
| Don Novello | Stan | 
| Anders Johnson | Johnny | 
| Dean Goodman | Bennington | 
| John X. Heart | Ferguson's Agent | 
| Patti Austin | Millie | 
| Sandy Bull | Stan's Assistant | 
| Joe Miksak | Judge | 
| Scott Beach | Floyd Cerf | 
| Roland Scrivner | Oscar Beasley | 
| Bob Safford | Narrator (voice) | 
| Larry Menkin | Doc | 
| Ron Close | Fritz | 
| Joe Flood | Dutch | 
| Leonard Gardner | Gas Station Owner | 
| Bill Bonham | Garage Owner | 
| Abigail van Alyn | Ferguson's Secretary #1 | 
| Taylor Gilbert | Ferguson's Secretary #2 | 
| David Booth | Man in Hall | 
| David Booth | Woman on Steps | 
| Al Hart | Newscaster (voice) | 
| Cab Covay | Security Guard | 
| James Cranna | Man in Audience | 
| Bill Reddick | Board Member | 
| Ed Loerke | Mayor | 
| Jay Jacobus | Head Engineer | 
| Anne Lawder | Bennington's Secretary | 
| Jeanette Lana Sartain | Singing Girl #1 | 
| Mary Buffett | Singing Girl #2 | 
| Annie Stocking | Singing Girl #3 | 
| Michael McShane | Recording Engineer | 
| Hope Alexander-Willis | Tucker's Secretary #1 | 
| Taylor Young | Tucker's Secretary #2 | 
| Jim Giovanni | Police Sergeant | 
| Joe Lerer | Reporter at Trial | 
| Morgan Upton | Ingram | 
| Ken Grantham | SEC Agent | 
| Mark Anger | Blue | 
| Al Nalbandian | Jury Foreman | 
| Lloyd Bridges | Senator Homer Ferguson (uncredited) | 
| Sofia Coppola | Girl at Mellon Publicity Event (uncredited) | 
| Name | Job | 
|---|---|
| Francis Ford Coppola | Director | 
| Mark Adler | Music Editor | 
| Vittorio Storaro | Director of Photography | 
| Janet Hirshenson | Casting | 
| Jane Jenkins | Casting | 
| Dean Tavoularis | Production Design | 
| Judianna Makovsky | Assistant Costume Designer | 
| David Heron | Dolly Grip | 
| Milena Canonero | Costume Designer | 
| Buddy Joe Hooker | Second Unit Director, Stunt Coordinator | 
| Randy Thom | Sound Re-Recording Mixer | 
| Steve M. Davison | Stunts | 
| D. G. Fisher | Boom Operator | 
| Tim Holland | Sound Effects Editor | 
| Richard Beggs | Sound Re-Recording Mixer, Sound Designer | 
| Armin Ganz | Set Decoration | 
| Wilma Garscadden-Gahret | Script Supervisor | 
| Pat Fitzsimmons | Gaffer | 
| Ralph Nelson Jr. | Still Photographer | 
| Arnold Schulman | Screenplay | 
| David Seidler | Screenplay | 
| Lyndell Quiyou | Hairstylist | 
| Winnie D. Brown | Costume Supervisor | 
| David Pier | Special Effects Supervisor | 
| Alex Tavoularis | Art Direction | 
| Robert Shoup | Sound Effects Editor | 
| Douglas E. Madison | Property Master | 
| Dennie Thorpe | Foley Artist | 
| Robert Finley Jr. | Visual Effects | 
| Richard Dova Spah | Key Grip | 
| Daniel R. Suhart | Second Assistant Director | 
| Bob Goldstein | Set Designer | 
| Doug von Koss | Leadman | 
| Susan Griffin | Assistant Location Manager | 
| Kimberly Nelson | Production Secretary | 
| Billy Clevenger | First Assistant Camera | 
| Deborah Morgan | Second Assistant Camera | 
| Louise Rubacky | First Assistant Editor, ADR Editor | 
| Gloria S. Borders | Supervising Sound Editor | 
| Richard Dean | Makeup Artist | 
| Jamie Anderson | Camera Operator | 
| Enrico Umetelli | Technical Advisor | 
| L. Dean Jones Jr. | Second Assistant Director | 
| Rory Enke | Location Manager | 
| Jonathan Shedd | Assistant Location Manager | 
| Linda Knechtli | Assistant Accountant | 
| Paula Tracy-Smuin | Choreographer | 
| Doug Hunt | Second Assistant Camera | 
| Jill Maley | Key Costumer | 
| Terry Baliel | Assistant Hairstylist | 
| Mildred Iatrou | Assistant Sound Designer | 
| Clare C. Freeman | Assistant Sound Editor | 
| Nicole Boris | Assistant Sound Editor | 
| Michael Evje | Production Sound Mixer | 
| Priscilla Nedd-Friendly | Editor | 
| Maureen Murphy | Production Coordinator | 
| Douglas T. Madison | Assistant Property Master | 
| Jim Pohl | Set Designer | 
| Aleta Chappelle | Location Casting | 
| Anahid Nazarian | Researcher | 
| Melissa Dietz | Dialogue Editor | 
| John J. Rutchland Jr. | Construction Coordinator | 
| Joe Murphy | Production Accountant | 
| Susan Landau Finch | Unit Publicist | 
| Michael Santy | First Assistant Camera | 
| Anne Polland | Key Costumer | 
| Karen Bradley | Assistant Makeup Artist | 
| Leo Loverro | Dolly Grip | 
| Tom Bellfort | ADR Editor | 
| Sandina Bailo-Lape | Foley Editor | 
| Michele Perrone | Assistant Sound Editor | 
| E. Jeane Putnam | Assistant Sound Editor | 
| Steve Collins | Transportation Coordinator | 
| Louis Infante | Key Costumer | 
| Dennis Pope | Grip | 
| Roderick W. Finney | Assistant Editor | 
| Diana Pellegrini | Foley Editor | 
| Paige Sartorius | Assistant Sound Editor | 
| Martha Pike | Assistant Sound Editor | 
| Donah Bassett | Negative Cutter | 
| Joe Jackson | Original Music Composer | 
| Ian Bryce | Unit Production Manager | 
| H. Gordon Boos | First Assistant Director | 
| Tom Johnson | Sound Re-Recording Mixer | 
| Carmine Coppola | Additional Music | 
| Dick Ziker | Stunts | 
| Tim A. Davison | Stunts | 
| Gary McLarty | Stunts | 
| Jimmy Nickerson | Stunts | 
| Name | Title | 
|---|---|
| Fred Roos | Producer | 
| Fred Fuchs | Producer | 
| Teri Fettis-D'Ovidio | Associate Producer | 
| George Lucas | Executive Producer | 
| Francis Ford Coppola | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 20 | 34 | 13 | 
| 2024 | 5 | 24 | 33 | 18 | 
| 2024 | 6 | 19 | 33 | 11 | 
| 2024 | 7 | 22 | 39 | 11 | 
| 2024 | 8 | 20 | 32 | 11 | 
| 2024 | 9 | 15 | 28 | 10 | 
| 2024 | 10 | 19 | 31 | 12 | 
| 2024 | 11 | 18 | 43 | 11 | 
| 2024 | 12 | 17 | 29 | 12 | 
| 2025 | 1 | 15 | 26 | 10 | 
| 2025 | 2 | 11 | 17 | 3 | 
| 2025 | 3 | 6 | 17 | 1 | 
| 2025 | 4 | 3 | 7 | 1 | 
| 2025 | 5 | 2 | 6 | 1 | 
| 2025 | 6 | 2 | 4 | 1 | 
| 2025 | 7 | 1 | 1 | 1 | 
| 2025 | 8 | 2 | 3 | 2 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
***Fascinating story of a genius; done with kinetic and amusing style*** Based on the real-life story of Preston Tucker from the late 1930s-1950, the genius inventor (Jeff Bridges) designs the Tucker 48 sedan, aka the “Tucker Torpedo,” an automobile way ahead of its time with aerodynamic style, p ... added dash, seat belts, pop-out windows, fuel injection and disc brakes. He rounds up a team, develops the prototype and starts producing cars in his Chicago factor. But this didn’t sit well with the Big Three automakers in Detroit and the politicians & sharks (lawyers) in their pockets; so they try to squash him like a bug with a smear campaign and legal attacks. The setting is historical (mostly taking place during the 40s) while the tone is fun & snappy and the pace is quick, akin to “Seabiscuit” (2003), which shows that the movie itself was ahead of its time. It was released in 1988, but has a timeless feel, like it could be released today, no kidding; probably because it was directed by Francis Ford Coppola, a genius in his own right. Speaking of Francis, he was probably attracted to the story because Tucker’s experiences parallel his own in the movie business. The big shots who run any industry don’t want some new guy, virtuoso or not, waltzing in to their territory and taking a piece of their pie, making them look bad in the process. Tucker’s story parallels independent prodigies in any industry, like Trump strolling into D.C. and stirring up the slanderous ire of the Demonic-rats and their Left-leaning media, not to mention the RINOs. The film runs 1 hour, 50 minutes and was shot in the Bay Area, California. GRADE: A-/B+