Popularity: 16 (history)
Director: | Joe Russo, Anthony Russo |
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Writer: | Christopher Markus, Stephen McFeely |
Staring: |
After the devastating events of Avengers: Infinity War, the universe is in ruins due to the efforts of the Mad Titan, Thanos. With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos' actions and restore order to the universe once and for all, no matter what consequences may be in store. | |
Release Date: | Apr 24, 2019 |
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Director: | Joe Russo, Anthony Russo |
Writer: | Christopher Markus, Stephen McFeely |
Genres: | Adventure, Action, Science Fiction |
Keywords | space travel, time travel, time machine, sequel, superhero, based on comic, alien invasion, superhero team, marvel cinematic universe (mcu), alternate timeline, father daughter relationship, sister sister relationship, awestruck, powerful, vibrant |
Production Companies | Marvel Studios |
Box Office |
Revenue: $2,799,439,100
Budget: $356,000,000 |
Updates |
Updated: Aug 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Robert Downey Jr. | Tony Stark / Iron Man |
Chris Evans | Steve Rogers / Captain America |
Mark Ruffalo | Bruce Banner / Hulk |
Chris Hemsworth | Thor |
Scarlett Johansson | Natasha Romanoff / Black Widow |
Jeremy Renner | Clint Barton / Hawkeye |
Josh Brolin | Thanos |
Don Cheadle | James Rhodes / War Machine |
Paul Rudd | Scott Lang / Ant-Man |
Benedict Cumberbatch | Doctor Strange |
Chadwick Boseman | T'Challa / Black Panther |
Brie Larson | Carol Danvers / Captain Marvel |
Tom Holland | Peter Parker / Spider-Man |
Karen Gillan | Nebula |
Zoe Saldaña | Gamora |
Evangeline Lilly | Hope Van Dyne / Wasp |
Tessa Thompson | Valkyrie |
Rene Russo | Frigga |
Elizabeth Olsen | Wanda Maximoff / Scarlet Witch |
Anthony Mackie | Sam Wilson / Falcon |
Sebastian Stan | Bucky Barnes / Winter Soldier |
Tom Hiddleston | Loki |
Danai Gurira | Okoye |
Benedict Wong | Wong |
Pom Klementieff | Mantis |
Dave Bautista | Drax |
Letitia Wright | Shuri |
John Slattery | Howard Stark |
Tilda Swinton | The Ancient One |
Jon Favreau | Happy Hogan |
Hayley Atwell | Peggy Carter |
Natalie Portman | Jane Foster |
Marisa Tomei | Aunt May |
Taika Waititi | Korg (voice) |
Angela Bassett | Ramonda |
Michael Douglas | Hank Pym |
Michelle Pfeiffer | Janet Van Dyne |
William Hurt | Secretary of State Thaddeus Ross |
Cobie Smulders | Maria Hill |
Sean Gunn | On-Set Rocket / Kraglin |
Winston Duke | M'Baku |
Linda Cardellini | Laura Barton |
Maximiliano Hernández | Agent Sitwell |
Frank Grillo | Brock Rumlow |
Hiroyuki Sanada | Akihiko |
Tom Vaughan-Lawlor | Ebony Maw |
James D'Arcy | Jarvis |
Jacob Batalon | Ned |
Vin Diesel | Groot (voice) |
Bradley Cooper | Rocket (voice) |
Gwyneth Paltrow | Pepper Potts |
Robert Redford | Alexander Pierce |
Chris Pratt | Peter Quill / Star-Lord |
Samuel L. Jackson | Nick Fury |
Lexi Rabe | Morgan Stark |
Ross Marquand | Red Skull (Stonekeeper) |
Joe Russo | Grieving Man |
Emma Fuhrmann | Cassie Lang |
Michael James Shaw | Corvus Glaive |
Terry Notary | On-Set Groot / Cull Obsidian |
Kerry Condon | Friday (voice) |
Ben Sakamoto | Cooper Barton |
Ava Russo | Lila Barton |
Cade Woodward | Nathaniel Barton |
Stan Lee | Driver |
Yvette Nicole Brown | S.H.I.E.L.D. Agent |
Callan Mulvey | Jack Rollins |
Lia Mariella Russo | Lia |
Julian Russo | Julian |
Taylor Patterson | Taylor |
Agostino Rosalina | Augie |
Ken Jeong | Security Guard |
Ty Simpkins | Harley Keener |
Jackson A. Dunn | Scott Lang (12 Y.O.) |
Lee Moore | Scott Lang (93 Y.O.) |
Bazlo LeClair | Scott Lang (Baby) |
Loen LeClair | Scott Lang (Baby) |
Matthew Berry | S.H.I.E.L.D. Agent |
Joy McAvoy | Asgardian Maiden |
John Michael Morris | Young Hank Pym |
Michael A. Cook | Male S.H.I.E.L.D. Agent |
Brent McGee | Camp Lehigh Guard |
Brian Schaeffer | Military Police |
Jamie Wedel | Drill Sergeant |
Anthony G Breed | Young Stan Lee Double |
Erica Ribley | Car Girl |
Monique Ganderton | On-Set Proxima Midnight |
Jim Starlin | Support Group Man #1 |
Jimmy Ray Pickens | Support Group Man #2 |
Hye Jin Jang | Japanese Girl |
Russell Bobbitt | Diner Owner |
James Lin | Diner Cook |
Jack Champion | Kid on Bike |
Sam Hargrave | New Asgard Truck Driver |
Patrick Gorman | Old Steve Rogers Double |
Aaron Lazar | Doctor Strange Double |
Robert Pralgo | Thanos Reader |
Tom Wisdom | Loki Reader |
John Posey | Alexander Pierce Reader |
Ameenah Kaplan | Gamora Reader |
Olaniyan Thurmon | Teenage Groot Reader |
Jennifer Elmore | On Set Reader #1 |
Mike Lutz | On Set Reader #2 |
Donald Mustard | Kamar-Taj Sorcerer (uncredited) |
Robert Tinsley | Military Officer (uncredited) |
Name | Job |
---|---|
Joe Russo | Director |
Keith Giffen | Characters |
Riley Flanagan | Key Set Production Assistant |
Monique Ganderton | Stunt Coordinator |
Janene Carleton | Stunts |
Shauna Galligan | Stunt Double |
Casey Ann Zeller | Stunts |
Daniel Hargrave | Stunt Double |
Jess Durham | Stunts |
Matt Leonard | Stunts |
Dena Sodano | Stunts |
Anthony N. | Stunts |
Corrina Roshea Bobb | Stunt Double |
Amy Lynn Tuttle | Stunts |
Tamiko Brownlee | Stunts |
John Roesch | Foley Artist |
Kevin Houlihan | Art Direction |
Loyd Bateman | Stunts |
Sarah Irwin | Stunts |
Elena Sanchez | Stunts |
Chase Paris | Casting |
Valli O'Reilly | Makeup Artist |
Heba Thorisdottir | Makeup Artist |
Kerrie Smith | Hairstylist |
Douglas Noe | Makeup Artist |
Donald McInnes | Makeup Artist |
Deborah La Mia Denaver | Makeup Artist |
Thomas du Crest | Concept Artist |
Jason Tamez | Production Supervisor |
Kristine Nadal | Visual Effects |
Jeff Murrell | Gaffer |
Nicholas A. Mudd | Casting, Casting Associate |
Nick Scarano | Costume Supervisor |
Isobel Griffiths | Orchestrator |
Joel Marrow | Transportation Coordinator |
Mitul Patel | Security |
John M. Pisani | Unit Publicist |
Julian Ashby | Art Direction |
Thomas Brown | Art Direction |
Jordan Crockett | Art Direction |
Mary Castor | Makeup Artist |
Amber Actaboski | Additional Set Dresser |
Michelle Diamantides | Key Hair Stylist, Hair Designer |
Anna Majewski | Hair Setup, Hair Designer |
Valerie Patterson | Makeup Artist |
Janine Rath-Thompson | Hair Department Head |
Prashant Sharan | Production Manager |
Nathan Alexander | Prop Maker |
Chris Arnold | Set Designer |
Autumn Atkinson | Set Dresser |
Mark Bialuski | Construction Foreman |
Cameron Blake | Additional Photography |
Jonathan Burdeshaw | Sculptor |
Wesley Burt | Concept Artist |
Gabe Harrington | Scenic Artist |
Rohan Harris | Scenic Artist |
Tyrone Anthony Jones | Set Decorating Coordinator |
Tyler Blythe | Sound |
Shelley Roden | Sound Mixer |
Scott Dwyer | Pyrotechnician |
James Sled | Pyrotechnic Supervisor |
Breanna Adams | Motion Capture Artist |
Charlotte Adams | Motion Capture Artist |
Juan Alonso | Digital Compositor |
Muhammad Junaid Baig | Visual Effects Supervisor |
Tommy Barry | Visual Effects |
Shidhyesh Bhogle | Lighting Artist |
Simon Butler | Special Effects Assistant |
Michael T. Chen | Animation |
Peter Chen | Senior Animator |
Abbie Kennedy | Layout Supervisor |
Charlie Lehmer | Data Wrangler |
Matthew Schmidt | Editor |
Justin Faith | Contact Lens Technician |
Derek Garcia | Makeup Artist |
Jonah Levy | Special Effects Makeup Artist |
Daniel Sudick | Special Effects Supervisor |
Briky Stone | Makeup Artist |
Vasilios Tanis | Key Makeup Artist |
Adam Cole | Post Production Supervisor |
Zack Duncan | Thanks, Assistant Production Manager, Stunt Coordinator |
Lulu Morgan | Production Supervisor |
Simon Downes | Second Assistant Director |
Mark Johnston | Third Assistant Director |
Chris Arnold | Set Designer |
Nicola Barnes | Art Department Coordinator |
Tony Bohorquez | Concept Artist |
Claudia Bonfe | Assistant Set Decoration |
Maxwell Britton | Set Dresser |
Robert Broadfoot | Set Designer |
Steven Brown | Sculptor |
Kurtis Campbell | Set Dresser |
Caleb Cascio | Graphic Designer |
Paul Chandler | Concept Artist |
Larry Clark | Paint Coordinator |
Michelle Spreuer | Painter |
Tully Summers | Concept Artist |
Brian A. Waits | Set Designer |
Aoife Warren | Draughtsman |
Robert Zavala | Propmaker |
Matt Aston | Boom Operator |
Kristin Catuogno | ADR Recordist |
Christopher Flick | Foley Supervisor |
Dan O'Connell | Foley Artist |
Jacob Riehle | Dialogue Editor |
David M. Roberts | Boom Operator |
Carl Rohrs | Sound Mixer |
David J. Barker | Pyrotechnician |
David Boucher | Special Effects Technician |
Marshall T. Broyles | Special Effects Technician |
Jonathan Faber | Modeling |
Steven Carlton Ficke | Special Effects |
Hayley Adams | Layout Supervisor |
Jayaraman Adhikesavan | Paint Coordinator |
Rohit Agarwal | Matchmove Supervisor |
Atyeb Ahmed | Compositor |
Daniil Alikov | Senior Modeller |
Juan Alonso | Digital Compositor |
Terence Alvares | Compositor |
Pedro Andrade | Compositing Lead |
Rob Andrews | CG Supervisor |
Louise Aubertin | Visual Effects |
Alessandra Aucello | VFX Production Coordinator |
Dan Ayling | Camera Technician |
Adam Baines | Concept Artist |
Magali Barbé | Senior Animator |
Kris Barone | Head of Animation |
Eric M. Beaver | Compositing Artist |
Mikael G. Betru | Motion Capture Artist |
Dheeraj Bhadani | Software Team Lead |
Jamie Blyth | Rigging Supervisor |
Fabrizia Bonaventura | Lighting Artist |
Sudeepto Bose | Compositing Lead |
Jason Lanier Brown | Digital Effects Supervisor |
Alexander Bucknell | Matchmove Supervisor |
Luca Cantani | Animation |
Andy Campion | Camera Department Manager |
Dan Carney | Technical Advisor |
Edward Catley | Layout |
Tristan Connors | Senior Modeller |
Silvia Colonna Romano | Modeling |
Vernessa Cook | Motion Capture Artist |
Ben Cowell-Thomas | Visual Effects |
Richard Edwards | Stereoscopic Editor |
Elmar Bragi Einarsson | Special Effects |
Charlotte Fearn | Runner Art Department |
Rick Harris | Libra Head Technician |
Nate Andrade | Stunts |
Christopher 'Critter' Antonucci | Stunts |
Riley Barnes | Stunt Double |
Stephane Feruch | Stunts |
Mark Fisher | Utility Stunts |
Akihiro Haga | Stunt Double |
Chris Adkins | Grip |
Amanda L. Akins | Grip Production Assistant |
Nolan Aldridge | Lighting Technician |
Reid Andrews | Electrician |
Scott Barnes | Lighting Programmer |
Stacy Barnhill | Key Grip |
Dacoda Bartels | Drone Pilot |
Beau Bellanich | Dolly Grip |
Zavier Bolton | Grip |
Jesse Cooper | Rigging Supervisor |
Sara Daily | Camera Production Assistant |
Thomas M. Dangcil | Lighting Technician |
Bradley C. Ferm | Electrician |
Storm Flejter | Playback Coordinator |
Michael-Ryan Fletchall | Aerial Camera |
John Garrett | Camera Operator |
Jordan Hager | Grip |
James Hatridge | Lighting Technician, Assistant Chief Lighting Technician |
Sam Haynes | Rigging Grip |
Jason Kay | Drone Operator |
Abbie Knights | Electrician |
Ryan L. Lizardi | Grip |
Nick Masters | Camera Technician |
Quinn McMillan | Steadicam Operator |
Scott Medcalf | Lighting Technician |
Justin Memovich | Lighting Technician |
Annabelle Nutt | Gaffer |
Nikhil Paniz | Camera Operator |
K.C. Roballo | Grip |
Brian Rosso | Dolly Grip |
Devon Stinson | Techno Crane Operator |
Jerry Wheat | Lighting Technician |
Terence Bannon | Lead Animator |
Stephen A. Buckley | Senior Animator |
Manjoe Chan | Animation |
Javier Cimentada | Animation |
Cecile Dubois-Herry | Animation |
Camilo Duarte Franco | Senior Animator |
Isaac Marcos Gonzalez | Animation |
Marco La Torre | Lead Animator |
Bradley J. Lincoln | Senior Animator |
Juan Sebastian Niño Florez | Animation |
Martin Rossi | Animation |
Edwina Ting | Senior Animator |
Ellen Hoffmann | Lead Animator |
Seckin Yalin | Animation |
Brad Bittner | Additional Photography |
Alex Cody | Casting Associate |
Molly Doyle | Casting |
Craig Anthony | Costumer |
Heather Armstrong | Costume Designer |
Javier Arrieta | Key Costumer |
Valentina Aulisi | Costumer |
Jason Blackman | Set Costumer |
Charelle Bronson | Set Costumer |
Samantha Burpee | Costume Assistant |
MacKenzie Cleveland | Costumer |
Joseph Richard Collins | Costume Design |
Wendy M. Craig | Costume Supervisor |
Kassia Dombroski | Costume Assistant |
Myra N. Foy | Costume Design |
Michelle Liu | Key Costumer |
Keith Muessigmann | Costume Coordinator |
Jenny Reyes | Costume Coordinator |
Valerie Rudolph | Set Costumer |
Robin Buday | First Assistant Editor |
Dave Cory | First Assistant Editor |
Cassie Dixon | First Assistant Editor |
Paul Ensby | First Assistant Editor |
Scott Fox | Colorist |
Hector Padilla | Assistant Editor |
Wayan Blue Palmieri | Stereoscopic Editor |
Dylan Suchesk | Dailies Operator |
Craig Tanner | Additional Editor |
Ted Alvarez | Location Manager |
Chris Cloud | Assistant Location Manager |
David Crigler | Location Assistant |
James Lin | Location Manager |
Justin Christopher Ray | Location Assistant |
Jorge Saumell | Location Assistant |
Antony Scott | Location Assistant |
Nancy Wong | Location Manager |
John Barrett | Score Engineer |
Peter Cobbin | Recording Supervision |
Jonathan Connaught | Musician |
Tom Kramer | Music Editor |
Shannon Murphy | Music Coordinator |
Nashia Wachsman | Music Editor |
Kirsty Whalley | Score Engineer |
Joe Zimmerman | Music Programmer |
Chris Basso | Vehicles Coordinator |
Sheri B. Burton | Driver |
Tyson Weatherford | Transportation Captain |
Nolan Ekberg | Thanks |
Dorina Markoff-McNulty | Musician |
Victor Pesavento | Musician |
James McMillan | Additional Director of Photography |
Ronan Binding | Animation |
Russell Earl | Visual Effects Supervisor |
Joe Howes | Visual Effects |
Jerad Marantz | Concept Artist |
Indrit Zabzuni | 3D Artist |
Jun Wei Puah | 3D Generalist |
Gaurav Singh | 3D Modeller |
Akshay Madansure | 3D Modeller |
Jan Philip Cramer | Animation Director |
Vishnu Simha | 3D Modeller |
Robert Hemmings | Animation Supervisor |
Michael Lum | Animation Supervisor |
Eamonn Butler | Animation Supervisor |
Thomas Ward | Animation Supervisor |
Ben Wiggs | Animation Supervisor |
Kevin Martel | Animation Supervisor |
Tonio Freitag | CG Artist |
Joshua Koilpillai | CG Artist |
Jenny Leupold | CG Artist |
Werner Reifberger | CG Artist |
Jan Roth | CG Artist |
Merten Tremer | CG Artist |
Mona Wiemer | CG Artist |
Cristiano Cesolari | CG Artist |
Robert Allman | CG Supervisor |
David Michaels | CG Supervisor |
Glen Sharah | CG Supervisor |
Chris Petts | CG Supervisor |
Martin Johansson | CG Supervisor |
Jeremy Bloch | CG Supervisor |
Steve Sauers | CG Supervisor |
Matthias Winkler | CG Supervisor |
Wasim Ali | Compositing Supervisor |
Aleksei Chernogorod | Compositing Supervisor |
Michael Melchiorre | Compositing Supervisor |
David Scott | Compositing Supervisor |
Zave Jackson | Compositing Supervisor |
Michelangelo Neri Orliani | Compositing Supervisor |
Eric Kasanowski | Compositing Supervisor |
Sameer Malik | Compositing Supervisor |
Enrik Pavdeja | Compositing Supervisor |
Scott Pritchard | Compositing Supervisor |
Erik Schneider | Compositing Supervisor |
Tim Walker | Compositing Supervisor |
Blake Winder | Compositing Supervisor |
Joan Buhigas | Creature Technical Director |
Felix Menguy | Creature Technical Director |
Sushant Kadam | Creature Technical Director |
Giulia Dell'Armi | Creature Technical Director |
Fabio Siino | Creature Technical Director |
Emanuele Pescatori | Creature Technical Director |
Jarrod Anderson | Creature Technical Director |
Chay Johansson | Creature Technical Director |
Benjamin Soh | Creature Technical Director |
Jonathan Dysart | Creature Technical Director |
Mike Stillwell | Digital Effects Supervisor |
Shawn Kelly | Lead Animator |
Simon Wottge | Lead Animator |
Justin Molush | Lead Animator |
Darren Rodriguez | Lead Animator |
Joseph Hayden | Lighting Artist |
Shoichi Matsubara | Lighting Artist |
Naveen Sabesan | Lighting Artist |
Roberto Clochiatti | Lighting Supervisor |
Nikos Gatos | Lighting Supervisor |
Alison Wortman | Lighting Supervisor |
Matt Boyer | Matchmove Supervisor |
Sujay Kumar G. | Matchmove Supervisor |
Chris Radcliffe | Modelling Supervisor |
Florent Limouzin | Senior Animator |
Matteo Sanna | Senior Animator |
Graham Binding | Senior Animator |
Marc Calvelo | Senior Animator |
Ryan Cronin | Senior Animator |
Vincent Désilets | Senior Animator |
Victor Huang | Senior Animator |
Simon D. Kern | Stereoscopic Supervisor |
Paul Ghezzo | VFX Supervisor |
Stephen Bassett | Visual Effects Coordinator |
Julie Brown | Visual Effects Coordinator |
Dan Curry | Visual Effects Coordinator |
Lisa Theresa Downey-Dent | Visual Effects Coordinator |
Rebecca Fair-Lien | Visual Effects Coordinator |
Christopher Finley | Visual Effects Coordinator |
Julie Gauthier | Visual Effects Coordinator |
Bonnie Gosnell | Visual Effects Coordinator |
Yasmine Hausler | Visual Effects Coordinator |
Djordje Jugovic | Visual Effects Coordinator |
Hiro Kamegaya | Visual Effects Coordinator |
Lew Lewington-Pearce | Visual Effects Coordinator |
Victoria Liu | Visual Effects Coordinator |
Liam McCartin | Visual Effects Coordinator |
Shrijeet Modi | Visual Effects Coordinator |
Matthew Twyford | Compositing Supervisor |
Ryan Musante | Visual Effects Coordinator |
Daniel Paul Newman | Visual Effects Coordinator |
Lucas John Ng | Visual Effects Coordinator |
Sophie Olive-Calver | Visual Effects Coordinator |
Allison Paul | Visual Effects Coordinator |
Chaz Pizani | Visual Effects Coordinator |
Manasa Raghavan | Visual Effects Coordinator |
Leah Sargent | Visual Effects Coordinator |
Tamar Shaham | Visual Effects Coordinator |
Christian Smith | Visual Effects Coordinator |
Sarah Stauffer | Visual Effects Coordinator |
Ellis Trespalacios | Visual Effects Coordinator |
Kat Turner | Visual Effects Coordinator |
Mallika Worboys | Visual Effects Coordinator |
Tom Barrett | Visual Effects Editor |
Steve Bobertz | Visual Effects Editor |
Michael Harden | Visual Effects Editor |
Francisco Ramirez | Visual Effects Editor |
Lars Vinther | Visual Effects Editor |
Christopher Learmonth | Visual Effects Editor |
Andy Stevens | Visual Effects Editor |
Joe Frataccia | Visual Effects Editor |
Lorelei David | Visual Effects Editor |
Erik Pampel | Visual Effects Editor |
Mark S. Wright | Visual Effects Editor |
John Polyson | Visual Effects Editor |
Damien di Toro | Visual Effects Editor |
Anwei Chen | Visual Effects Producer |
Katherine Farrar | Visual Effects Producer |
Praveen Kilaru | Visual Effects Producer |
Alex Knudsen | Visual Effects Producer |
Georgina Street | Visual Effects Producer |
Grace Hendley | Visual Effects Producer |
Lara Lom | Visual Effects Producer |
Jenny Basen | Visual Effects Producer |
Ken Dailey | Visual Effects Producer |
Danielle Legovich | Visual Effects Producer |
Kacy McDonald | Visual Effects Producer |
Allison Glennon | Visual Effects Producer |
Katrin Arndt | Visual Effects Producer |
Matthew Dravitzki | Visual Effects Producer |
James Abunawass | Visual Effects Production Assistant |
Tiffany Herzog | Visual Effects Production Assistant |
Storm Nylen | Visual Effects Production Assistant |
LaNeisha Watson | Visual Effects Production Assistant |
Beverly Abbott | Visual Effects Production Manager |
David Masure-Bosco | Visual Effects Production Manager |
David McPhail | Visual Effects Production Manager |
Nick Thompson | Visual Effects Production Manager |
David Cordon | Visual Effects Production Manager |
Balendu Kurup | Visual Effects Production Manager |
Donna Smith | Visual Effects Production Manager |
Adrian Steel | Visual Effects Production Manager |
Mårten Larsson | Visual Effects Supervisor |
Sean Noel Walker | Visual Effects Supervisor |
Jamie Hallett | Visual Effects Supervisor |
Simon Stanley-Clamp | Visual Effects Supervisor |
Lisa Marra | Visual Effects Producer |
Graham Page | Visual Effects Supervisor |
Josh Dagg | Visual Effects Supervisor |
Darwin Go | Visual Effects Supervisor |
Jonathan Weber | Visual Effects Supervisor |
Aleksandar Chalyovski | Visual Effects Technical Director |
Eric Dvorsky | Aerial Camera Technician |
Jeremy Braben | Aerial Director of Photography |
Sagar Desai | Camera Loader |
Christopher Duskin | Camera Operator |
Maurice K. McGuire | Camera Operator |
Mark Mitchell | Camera Operator |
Cory Brandon Clay | Camera Operator |
Lexi Guenard | Camera Production Assistant |
Jamey Russell | Camera Production Assistant |
Alexander Talley | Camera Production Assistant |
Kerry Goodrum | Camera Production Assistant |
Darryl Humber | Dolly Grip |
Kenneth Bolton | Dolly Grip |
Sean Devine | Dolly Grip |
Jeffrey Steven Brink | Drone Cinematographer |
Peter Ayriss | Drone Pilot |
Alan Perrin | Drone Pilot |
Vareck Gober | Electrician |
Dan Lewis | Electrician |
Beaux Petit | Electrician |
Cameron Woodall | Electrician |
Sean Ricigliano | Epk Camera Operator |
Taylor Matheson | First Assistant "A" Camera |
Dan Snape | Visual Effects Supervisor |
Richard Masino | First Assistant "A" Camera |
Sean Hunter Moe | First Assistant "B" Camera |
Alessandro Di Meo | First Assistant "B" Camera |
Adam Castro | First Assistant "C" Camera |
Zach Steele | Gaffer |
George Selden | Gaffer |
Dan Riffel | Gaffer |
Pat Sweeney | Gaffer |
Davey Mayes | Generator Operator |
Michael J. Coo | Key Grip |
Brendon Phillips | Key Grip |
Henry Cantor | Lighting Technician |
Jonathan Irizarry | Lighting Technician |
Brad Irvin | Lighting Technician |
Lorne MacDougall | Lighting Technician |
Jonny Mackenzie | Lighting Technician |
David Oliveros | Lighting Technician |
Garry Thomson | Lighting Technician |
Jeff LaBaume | Lighting Technician |
Louis Rendemonti | Lighting Technician |
Jonathan Terpstra | Lighting Technician |
Ross Grimshaw | Lighting Technician |
Matthew Haskins | Second Assistant "A" Camera |
Trey Twitty | Second Assistant "B" Camera |
Daniel Wurschl | Second Assistant "B" Camera |
Alexandra Matheson | Second Assistant "C" Camera |
Paul Hughen | Second Unit Director of Photography |
Geoffrey Haley | "A" Camera Operator, Steadicam Operator |
Tim Fabrizio | Steadicam Operator |
Maciej Kuciara | Conceptual Illustrator |
Paul Schneider | Second Assistant Director |
John David Duncan | Assistant Set Decoration |
Carlos Pacheco | Thanks |
Don McGregor | Thanks |
Florian Boury | VFX Artist |
Oliver Cordwell | Visual Effects |
Alexander T.H. Browne | VFX Artist |
Kay Hoddy | Rotoscoping Artist |
Steve Gan | Characters |
Kevin R. Wright | Other |
Mike Wilson | Stunts |
Michael Jordan | Russian Arm Operator |
Kenneth Koh | VFX Artist |
Nick Pepin | Production Assistant |
Todd Harris | Storyboard Artist |
Andy Park | Conceptual Illustrator |
Noon Orsatti | Stunts |
Carrie Bernans | Stunts |
Matt Aitken | Visual Effects Supervisor |
Alan Silvestri | Original Music Composer |
Jack Kirby | Characters, Comic Book |
Sarah Halley Finn | Casting |
Christopher Markus | Screenplay |
Stephen McFeely | Screenplay |
Jason B. Stamey | Casting Associate |
Jimmy Ray Pickens | Transportation Captain |
David Farmer | Sound Designer |
Samson Neslund | Sound Effects Editor |
Stan Lee | In Memory Of, Characters, Comic Book |
Ray Chan | Supervising Art Director |
Lisa Walsh | Property Master |
Richard Binnington | VFX Production Coordinator |
Gee Alexander | Stunts |
Ben Aycrigg | Stunts |
Ryan Green | Stunts |
Jason Charles Hill | Stunt Driver |
Mike Stallion | Art Direction |
Jennifer Badger | Stunt Double |
Kelly Bellini | Stunts, Stunt Double |
Carlos Guity | Stunts |
Lydia Hand | Stunts |
Chris Castaldi | First Assistant Director |
Maria Hippolyte | Stunts |
Mike Lutz | Set Costumer |
Dylan Goss | Aerial Director of Photography |
Dave Jordan | Music Supervisor |
Johnny Gidcomb | ADR Voice Casting |
Dave Foster | Sound |
Russell Bobbitt | Property Master |
Trent Opaloch | Director of Photography |
Lloyd Pitts | Stunts |
Dan DeLeeuw | Visual Effects Supervisor |
Harrison Osterfield | Actor's Assistant |
Anthony Russo | Director |
Jackson Spidell | Stunts |
Zelda Tinska | Visual Effects Production Manager |
Kelly Port | Visual Effects Supervisor |
Stephane Ceretti | Visual Effects Supervisor |
Christian J Smith | Visual Effects |
Jim Starlin | Thanks, Characters |
Steve Englehart | Characters |
Bill Mantlo | Characters |
Larry Lieber | Characters |
Don Heck | Characters |
Terry Notary | Other, Motion Capture Artist |
Heidi Moneymaker | Stunt Double |
Renae Moneymaker | Stunts |
Gui DaSilva-Greene | Stunts |
Kandis Hargrave | Stunts |
Michelle Rose | Stunts |
Christopher Kelly | Visual Effects |
Joe Simon | Characters |
Leslie A. Pope | Set Decoration |
Nia Hansen | Sound Design Assistant, Sound Designer |
Doug Appleton | VFX Supervisor |
Carlos Ciudad | Visual Effects Producer |
Stuart Penn | Visual Effects Supervisor |
Trent Claus | Visual Effects Supervisor |
Mitch Lillian | Key Grip |
Luca Vannella | Hairstylist |
Allison Gainza | Special Effects Technician |
Bailey Eller | Special Effects Technician |
Jeanie King | Executive Visual Effects Producer |
James Lew | Stunts |
Hannah Long | VFX Editor |
Shannon Mills | Supervising Sound Editor |
Daniel Laurie | Supervising Sound Editor |
Tom Johnson | Sound Re-Recording Mixer |
Clinton Wayne | Special Effects Makeup Artist |
Jeffrey Ford | Editor |
Jen Underdahl | Visual Effects Producer |
Phillip Leonhardt | Visual Effects Supervisor |
Swen Gillberg | Visual Effects Supervisor |
Khalil La'Marr Pickett | Stunt Double |
Tara Macken | Stunts |
Josh Gold | Sound Effects Editor |
Charles Crivier | Key Grip |
Jane Oshita | Stunts |
Christopher Elke | Digital Producer |
Bobby Holland Hanton | Stunt Double |
Judianna Makovsky | Costume Design |
Charles Wood | Production Design |
John Pritchett | Sound Mixer |
Gianni Biasetti Jr. | Utility Stunts |
Alex R. Wagner | Production Secretary |
Sidney Kombo | Animation Supervisor |
Juan Peralta | Sound Re-Recording Mixer |
Jennifer Bell | Hairstylist |
Jeff Okabayashi | Second Assistant Director |
Adam Lytle | Utility Stunts |
Joanna Bennett | Stunt Double |
Matt LaBorde | Stunts |
Justin Howell | Stunts |
Shawn D. Bronson | Art Direction |
James Young | Fight Choreographer |
Name | Title |
---|---|
Ari Costa | Associate Producer |
Jon Favreau | Executive Producer |
Stan Lee | Executive Producer |
Michael Grillo | Executive Producer |
Christopher Markus | Co-Producer |
Stephen McFeely | Co-Producer |
Louis D'Esposito | Executive Producer |
Kevin Feige | Producer |
Trinh Tran | Executive Producer |
Victoria Alonso | Executive Producer |
James Gunn | Executive Producer |
Mitchell Bell | Co-Producer |
Jen Underdahl | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 161 | 287 | 114 |
2024 | 5 | 258 | 300 | 204 |
2024 | 6 | 192 | 240 | 149 |
2024 | 7 | 139 | 214 | 95 |
2024 | 8 | 196 | 255 | 154 |
2024 | 9 | 134 | 184 | 107 |
2024 | 10 | 129 | 214 | 103 |
2024 | 11 | 130 | 193 | 92 |
2024 | 12 | 103 | 124 | 89 |
2025 | 1 | 128 | 177 | 105 |
2025 | 2 | 115 | 188 | 28 |
2025 | 3 | 41 | 133 | 2 |
2025 | 4 | 36 | 84 | 20 |
2025 | 5 | 24 | 47 | 19 |
2025 | 6 | 40 | 120 | 16 |
2025 | 7 | 17 | 19 | 15 |
2025 | 8 | 17 | 19 | 15 |
2025 | 9 | 16 | 20 | 13 |
2025 | 10 | 17 | 18 | 16 |
Trending Position
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2025 | 10 | 71 | 173 |
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2025 | 9 | 60 | 222 |
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2025 | 8 | 60 | 202 |
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2025 | 7 | 19 | 171 |
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2025 | 6 | 38 | 171 |
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2025 | 5 | 43 | 146 |
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2025 | 4 | 42 | 167 |
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2025 | 3 | 35 | 150 |
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2025 | 2 | 47 | 151 |
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2024 | 12 | 66 | 219 |
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2024 | 11 | 61 | 121 |
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2024 | 10 | 122 | 213 |
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2024 | 9 | 102 | 190 |
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2024 | 8 | 58 | 114 |
The epic Marvel Saga that started over ten years ago has been building up to the inevitable clash with the powerful tyrant Thanos (Josh Brolin). Last year’s “Avengers: Infinity War” set the stage for the highly-anticipated conclusion; “Avengers: End Game” and at long last it has arrived. Picking ... up shortly after the events of the last film, the Avengers must deal with the aftermath of what Thanos has done. The team is naturally divided between wanting revenge, wanting to set things right, and just wanting to take what they have and go on. As time passes and they struggle to accept the reality of their situation; an unexpected individual returns and with them comes the seeds of a new plan to make things right. Naturally Tony Stark (Robert Downey Jr.) is skeptical but eventually warms to the possibilities of the idea thanks to a new scientific breakthrough that makes it possible. Inspired, Tony sets out to put an elaborate plan in motion that will allow the team to try to fix things and to stop Thanos once and for all. What follows is an extended and at times nostalgic heist where various members of the team work to assemble the pieces needed for the plan as they believe they only have one chance to make things right. The film is essentially three acts in one. The first deals with the recap and expansion of their situation and the planning. The second act is basically a heist where action and comedy are blended with some touching moments. This all leads to the final act which is the FX laden set piece where the ensemble cast gathers to fight the forces of evil in a battle to save the Universe. The film is epic in scale and length as it clocks in at over three hours but the movie is filled with so much content that the time goes by quickly and you have a hard time believing three hours have elapsed. It is also a difficult film to review as you cannot recap elements of the film in any great detail without giving away elements that are sure to delight the fans. Suffice it to say that my only real issue with the fil and it was minor; was that it took a while to get to the action but at least there was plenty to keep you entertained along the way. As this phase of the Marvel Film Universe winds down and plans are put in place for the next five years; “Avengers: End Game” is a satisfying conclusion to the epic saga that was started many years ago and weaves elements of many of the past Marvel films into an entertaining tale which features all of the best elements that have made the series of films such big hits. 4.5 stars out of 5
Hey, so, just some really quick thoughts I wanna get down, 'cause it's after 1 o'clock in the morning, and I wanna get some sleep so I can wake up well rested to see _Endgame_ again. Putting it out there right from the get-go, _Avengers: Endgame_ is my favourite MCU movie. It's my favourite movie ... of the year too, but I've only seen like ten or so 2019 releases, and this is the 22nd Marvel Cinematic Universe film, so that seems far and away the bigger deal. I can't say it's perfect, there's some conflicting stuff within its own runtime that really doesn't seem to gel (though a re-watch may prove me wrong on that), and it's not like every moment was the no-holds-barred-zero-exception best version of that moment from start to end. But God I loved this thing. I will say this though, the reason that I loved it, is this thing is fan service galore. If you do not care for the franchise's 21 movies preceding this point, then _Endgame_ is not the movie to turn you around on that. That may come in a future installment, but this one is a culmination. It's the end of _Infinity War_ but also Phase 3, but also a wrap-up and genuine ode to/send off for everything that Marvel has done over the past 11 years. That to me was incredible, and I am eternally greatful, but I cannot imagine it working for people who have no vested interest in these characters. To me though? My first 9 out of 10 rating in **three years**. _Final rating:★★★★½ - Ridiculously strong appeal. I can’t stop thinking about it._
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) Don't worry. This is going to be a pretty vague review. Right now, as I'm writing this sentence, I'm still processing what I saw and how am I going to explain how I felt without spoiling a single tiny thing. First of all, it's ... such a mix of feelings. On one hand, I'm extremely happy that I was lucky to be alive during this epic time and that I was able to follow these characters that I love and care about so much. On the other hand, I'm obviously sad that it finally reached the end of this (hopefully) first incredible saga. There are no perfect films and one with so many heroes will always have struggles balancing it all (Infinity War already had this issue). However, the Russo brothers did everything they could to deliver a phenomenal story, and they did. I don't think this could have been any better. Its last hour exceeds any expectations. It's epic, emotional, action-heavy, and it has one of my favorite shots in the entire history of cinema. It's pure magic, and the VFX team will surely get an Oscar for it. The action reminded me of the biggest Lord of the Rings' battles, and it was impeccably filmed, filled with riveting and chill-inducing sequences. Nevertheless, don't expect this high-intensity feeling throughout the whole runtime. The other two acts are a slow-burn build-up to a payoff that's going to make you pretty much either "love" or "like" this movie. I absolutely love it! This is easily one of the best MCU films, if not my new number one. I can't deny that the 3-hour runtime has some unnecessary scenes, but even if they don't have a significant impact on the plot or even in the characters, they still contribute to the enormous build-up. Seeing this family that we grew up with just talking with each other or having lunch, at the same time that they deal with the consequences of Thanos' snap, is inexplicably captivating and heartwarming. Characters like Natasha (Scarlett Johansson) and Steve (Chris Evans) supporting each other is simply beautiful. Their comradery and chemistry are worthy of some tears here and there. Some people didn't really enjoy Infinity War so much due to the lack of screentime that some characters had. This time around, there are fewer characters to work with, so the balance is better. Everyone gets an important role, from Captain America to Ant-Man (Paul Rudd) to Nebula (Karen Gillan), and even Rocket (Bradley Cooper). Every single character has a major moment. If you take one out of the movie, it just doesn't work anymore. This is not only great work from the directors, but also from the writers. Christopher Markus and Stephen McFeely are not even going to be remembered because fans will always think of the cast first. Most of them will also remember the directors. But the writers?! If I stand at the door of the theater at the end of the film and question everyone about who are the writers, I strongly believe most of the audience won't know. Every dialogue, every sentence, every word carries so much impact on the narrative. Literally, I cried and got chills just by hearing two freaking words with the perfect timing in between. The amount of grief that the words of the ones who've lost everyone and everything carry is palpable and, for me, those are the most emotional moments of the movie: seeing how everyone is suffering from their own losses, not the deaths themselves. The humor is mostly on-point, but it's still connected to my only real issue with the film, which is the second act's tone. From the moment the team decides what to do, we already know that this is a 1 in 14 million chance of success like Dr. Strange (Benedict Cumberbatch) said, so the stakes and pressure are massive! With this level of tension, I didn't expect such an “easygoing” and “funny” vibe throughout, except for one particular sequence. They do a great job once again of pairing up certain Avengers together, but most of them go through these too comedic plot points for such a crucial and serious mission. Fortunately, this act carries enough action and emotional drive to make this problem not that big of an issue. Visually, this is arguably the best-looking superhero film ever. From the mind-blowing visual effects to the gorgeous cinematography, everything is perfect. The costumes are gritty and muddy when our heroes are in a battle, their faces are all filled with blood, and I have no words to describe how jaw-dropping that last act is. I can't wait to change my desktop wallpaper once THAT shot is available. I dropped a single tear just by looking at it. No one talks, no one does anything. It's just an amazingly beautiful image. The score is epic as hell. So much that I'm listening to it right now as I'm writing this review, and I'm getting chills all over my body. I can't really write much more, to be honest. I will acknowledge the cast because they are brilliant. Each and every single member delivers an outstanding performance, but if I had to choose the ones that both surprised me and had the most impact on me, they would be Johansson's, Evans', and Robert Downey Jr's (Tony Stark / Iron Man). “New” characters like Captain Marvel (Brie Larson) blend seamlessly, and the payoff is unbelievably satisfying. In terms of predictability, it goes more or less as I expected, but it still carries a few surprises throughout. Nothing is ever like we imagine or theorize about, so expect the unexpected, and don't judge a movie by if it fits your crazy, unrealistic theories that never crossed the producers and directors' minds in the first place! All in all, I don't know what to do now. The only thing I'm sure of is that I want to see it again, as soon as possible. The last hour is f*cking insane. I couldn't fall asleep properly because I couldn't stop thinking about it. Endgame surpasses all expectations. It's everything I wished for and so much more. I could easily spend a whole day at the movie theater and watch three sessions in a row. It's that good. One of the best comic-book films of all-time, without a single doubt. Thank you to Kevin Feige and everyone who worked hard to bring the MCU to where it stands now. I can't even think of how are they going to produce something at the level of Infinity Saga. Maybe they never will. Maybe we'll have to wait another decade or two for something like this. Until then, see you at the next Endgame screening! Enjoy! Oh and #DontSpoilTheEndgame! PS: it's not a perfect movie, I know. It doesn't exist one. Yes, Endgame has some issues regarding its pacing and tone, but I would be lying to myself if this isn't everything I dreamed of. I felt the same way with Civil War, regarding the rating to give, and I ended up giving it an A after a first viewing. As soon as I watched the second time, I changed it to an A+. I don’t need to wait for that second viewing with Endgame … And thank you to my audience for being incredibly respectful. No yelling, no crazy laughs, no stupid people doing stupid stuff. Thank you so much for not ruining one of the best cinematic experiences of my life! Rating: A+
okay so if your like me you questioned this movie due to the fact that i personally thought nothing could beat infinity war well after seeing it i can honestly say we have a new champion this was absolutley excelent so hilarious action packed the 3 hrs passes extremily fast my only thing is the use ... of god.... bothered me and i suggest if your offended by that wait till dvd so you can mute the parts also a reminder to parents 'no matter how bad you want to see the movie dont do like people in my theater did and bring your 3 year old 'but besides that awesome movie
We waited till day 5 of release in theaters. There was a slow start to the movie so i don't recommend taking little ones under the age of 10. After all the anticipation and hype,Avengers Endgame did not disappoint. Waa a perfect "ending' to the series. Very well done ...
These kind of movies are among the few movies that I can be bothered to go to an actual theater to watch nowadays. For most movies I just wait until they come out on disk (preferably Ultra HD Blu-ray if it’s available) and watch them on my home theater rig. So this weekend me and the kids went to th ... e theater to watch Avengers: Endgame. I have to say that it was better, even much better, than I feared. I really feared that the SJW retards at Marvel would take this opportunity to completely re-organize the Marvel universe to their liking. Like how they completely ruined both professor Xavier and Wolverine in that abysmal Logan movie. Luckily, this did not really happen. Maybe the financial reality of their failing SJW comics and Disney doing a bit of culling of the most extreme of the Marvel retards, the ones who fail to understand that super hero movies are meant to entertain and not be their personal agenda channel, are starting to take effect. It was actually a quite good movie with plenty of action, some humor and, of course, lots and lots of special effects. Even the story made somewhat sense, at least in the context of a Marvel movie, even though the writers resorted to time travel. The movie starts of somewhat dark and grim but I guess that was to be suspected. It cheered up as it moved along and then ending … well to me at least it was mostly satisfactory. I was not too thrilled about the “new” Hulk although I warmed up to him a bit during the film. Thor? The less that is said about him the better actually. The rest of the merry bunch was in pretty good shape and I am quite happy that we did not get to see to much of Quill’s usual shenanigans. I really hate that character. I was quite positively surprised at the huge and quite cool battle towards the end. I was thinking, or rather hoping, that at some time they were just going to reverse Thanos’ crap and that would be it but instead we get to watch another huge confrontation with pretty much everyone involved at the end. Very cool action and FX indeed. There were some silly plot holes of course. As always when writers resort to time travel. An obvious one would of course be that, when they knew they only had enough Pym particles to complete one trip for each person why did they just not go back in time to get more the first thing they did? Especially since they later did exactly that. Also, Captain Marvel (in her new SJW hairdo) flies through a barrage of fire, smashes through Thanos’ ship like it was nothing and then struggles to combat Thanos himself? There were a bit of this silliness spread around but not too much for me to be bothered by it. There were a few casualties of which I am saddened by two of them. I think at least one of them was unnecessary and probably agenda based. I also strongly disliked the rubbish with Captain America at the end. He has never been one of my favorite characters so I do not really care much about him being around or not but that rubbish sob-scene where he hands over his shield to a “politically correct” person was really unnecessary. I guess it must have been put there to appease the Marvel SJW retards. Anyway, my bottom line is that I was greatly entertained by this movie. It had all the good stuff, real super heroes, action, special effects and not too much of the crap that has been spewing out of Marvel the last years.
Awesome! ...
***How can they possibly save half of all living beings in the Universe?*** How are the surviving Avengers & Co. possibly going to save half of the Universe that died? My wife & I had this discussion before viewing. It basically comes down to two options (assuming the events in "Infinity War" wer ... en’t just a dream): magic or time travel. All I’ll say is: What they came up with was in ways reminiscent of the plot convolutions of "Back to the Future II" (1989). “Endgame” (2019) begins strong with the devastating reality of half of all living beings in the Universe suddenly vanishing. It starts to get lethargic about an hour in, but perks up with the three teams trying to apprehend the Infinity Stones so they can maybe reverse what happened at the end of the previous film. Everything naturally leads to a huge battle in the last hour that I found boring, not to mention that the epilogue tended to drag on with too much of it being tedious. Still, there are lots of worthy bits throughout, like the opening, the unpredictable first encounter with Thanos, Thor getting flabby, the moving match between Black Widow and Hawkeye at the cliff’s edge, and much more. Unfortunately, the myriad protagonists work against the film because it can’t concentrate on any one or two characters for very long. Captain Marvel is short shifted and decidedly dull. Plus the movie’s overlong at 3 hours, 1 minute. GRADE: B/B-
The amazing fight scenes and CGI aren’t enough to mask the fact that the overall plot of going back in time to change reality is just plain stupid and lazy - and this is addressed to the writers. I did know that there was gonna be some time travel involved, but the way Marvel explained and executed ... it didn't too well for me. They can't get away with just putting it all in "Quantum.”
Sure the final fight with Thanos is more than epic, but I expected more than that. I wanted substance and a plot that didn't rely on "quantum" for all the questions and explanations. ...
Sadly, I didn't enjoy this one as much as I did with the first "Avengers" movies. ...
Honestly, it felt like it was too much of a set-up for me. Having Antman isolated in the Quantum realm was just too convenient and it felt like Marvel was just looking for a foundation for the script they had for this movie that wasn't even as good as the previous ones. ...
Needed more Dr. Strange action! Felt like the final fight scene with Thanos could've been choreographed a lot better especially when you have a magic caster who could dish out different spells like Dr. Strange. But alas, he was instead given the duty of holding off the impending doom from crashing d ... own on his team.
Not a big fan of the ending. But I guess when you have only 0.000000000001% chance of winning you can't expect it to be the best ending there is. ...
First of all, good popcorn movie, if you are hardcore fan of marvel or visual effect in general, this is a movie for you. However, it is clear that imagination of Marvel studio keeps deteriorating. The process and ending is clear about 10% into the movie. Zero development of character. Amateur p ... lot twist. All cliche and low class humor. It is 21st century and they still cling on adult fairy tale and plain visual stimulation. The whole purpose is to let fans know what happens to the character. Good business investment but great shame to the art of movie industry. It is a blatant exploitation of grandpa IP with zero innovation. Hero fantasy lived in half a century ago. Time to learn from modern Japanese manga and anime (I am not talking about One Piece or Naruto). Stop stitching up individuals from different background and call it a universe, it's laughable at best.
The amazing fight scenes and CGI aren’t enough to mask the fact that the overall plot of going back in time to change reality is just plain stupid and lazy - and this is addressed to the writers. I did know that there was gonna be some time travel involved, but the way Marvel explained and executed ... it didn't too well for me. They can't get away with just putting it all in "Quantum.”
Great ending but I still can't get over the fact that the writers had to kill my all-time favorite Avenger, Iron Man. Still, it was a sacrifice that must be taken for the greater good. I love the movie! ...
I kind of expected Tony Stark to be the one to take the fall but what caught me off guard was Cap's decision to return to his original timeline. Man, I can take losing one main Avenger but two? It was just heartbreaking. ...
That final fight with Thanos was epic! Great idea by the writers to have everybody be teleported back when Cap needed them the most. Officially the greatest superhero movie of all time! ...
With all the hype surrounding this film before its release, it was hard not to have high expectations once it finally went out.I myself am one of those people. Fortunately, it did pretty well and didn't disappoint. To me, it would've been better if all their time traveling somehow created ripple eff ... ects in the present to make it more realistic but I guess you can only fit so much content in a film.