Popularity: 3 (history)
Director: | Alvin Rakoff |
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Writer: | David P. Lewis, John Robins, Jack Hill |
Staring: |
Survivors of a tragic shipping collision are rescued by a mysterious black ship which appears out of the fog. Little do they realise that the ship is actually a Nazi torture ship which has sailed the seas for years, luring unsuspecting sailors aboard and killing them off one by one. | |
Release Date: | Mar 07, 1980 |
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Director: | Alvin Rakoff |
Writer: | David P. Lewis, John Robins, Jack Hill |
Genres: | Horror, Mystery, Thriller |
Keywords | ocean, shipwreck, nazi, ship, ghost ship, possession, rescue, slasher, demon, blood shower, canuxploitation |
Production Companies | Lamitas, Astral Films, Astral Bellevue Pathé, Bloodstar Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 09, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
George Kennedy | Captain Ashland |
Richard Crenna | Trevor Marshall |
Nick Mancuso | Nick |
Sally Ann Howes | Margaret Marshall |
Kate Reid | Sylvia |
Victoria Burgoyne | Lori |
Jennifer McKinney | Robin Marshall |
Danny Higham | Ben Marshall |
Saul Rubinek | Jackie |
Murray Cruchley | Parsons |
Doug Smith | Seaman No. 1 |
Anthony Sherwood | Seaman No. 2 |
Andrew Semple | Strangled Sailor |
Adolf Hitler | Self (archive footage) |
Name | Job |
---|---|
Grant Page | Stunt Coordinator |
Ivor Slaney | Original Music Composer |
David P. Lewis | Story |
Norman Smith | Key Grip, Casting |
Huguette Roy | Hairdresser |
Roger Héroux | Production Manager |
Frances Calder | Property Buyer |
David Phillips | Props |
David Appleby | Sound Re-Recording Mixer |
Steven Cole | Sound Effects |
Normand Mercier | Boom Operator |
Don White | Foley Recording Engineer |
John Robins | Screenplay |
Michel Proulx | Art Direction |
Chris Burke | Production Design |
Joan Isaacson | Makeup Artist |
Adrian Hughes | Production Supervisor |
Pedro Gandol | Second Assistant Director |
Jim Hodgson | Property Buyer |
Andre Brochu | Construction Foreman |
Terry Burke | Sound Effects |
Andy Malcolm | Sound Effects |
William Trent | Sound Effects Editor |
Peter Hughes | Special Effects |
Michel Paul Bélisle | Chief Lighting Technician |
Denis Gingras | Assistant Camera |
André Ouellette | Grip |
Ingrid Fischer | Casting |
Gaudeline Sauriol | Dresser |
Yurij Luhovy | Assistant Editor |
Linda Browne | Script Supervisor |
Jean Louis Bibeau | Technical Advisor |
Micheline D'Andre | Production Assistant |
Linda Gregory | Production Accountant |
Captain Pelletier | Technical Advisor |
Mike Campbell | Editor |
Pierre David | Hairdresser |
Michael Bennett | Unit Manager |
Charles Braive | First Assistant Director |
Pierre Gelinas | Assistant Art Director |
Norman Simpson | Property Master |
Henri Blondeau | Sound Mixer |
Austin Grimaldi | Sound Re-Recording Mixer |
Michele Moses | Sound Effects |
Michael Albrechtsen | Special Effects |
Greg Daniels | Best Boy Grip |
Frank Lenk | Camera Operator |
Victoria Mitchell | Casting |
Greg Glynn | Assistant Editor |
June Randall | Script Supervisor |
Joy Berger | Unit Publicist |
Shirley Gill | Production Accountant |
Dave Novak | Unit Publicist |
Jacques Vezina | Technical Advisor |
Frank Connor | Still Photographer |
Paul Gravel | Assistant Camera |
John Palmer | Camera Operator |
Anna St. Johns | Casting |
Paul-André Guérin | Dresser |
Jean-Pol Passet | Assistant Editor |
Victoria Barney | Production Assistant |
Monique Brasseur | Production Assistant |
Michael Dalling | Unit Publicist |
Nancy Mayer | Production Assistant |
Leon Vezina | Technical Advisor |
Alvin Rakoff | Director |
Jack Hill | Story |
Peter Benison | Still Photographer |
Don Carmody | Production Executive |
René Verzier | Director of Photography |
Name | Title |
---|---|
Larry Nesis | Associate Producer |
Harold Greenberg | Producer |
Derek Gibson | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 21 | 31 | 13 |
2024 | 5 | 20 | 29 | 12 |
2024 | 6 | 21 | 32 | 12 |
2024 | 7 | 20 | 33 | 13 |
2024 | 8 | 21 | 46 | 10 |
2024 | 9 | 13 | 20 | 10 |
2024 | 10 | 14 | 22 | 9 |
2024 | 11 | 14 | 31 | 7 |
2024 | 12 | 11 | 17 | 8 |
2025 | 1 | 13 | 24 | 8 |
2025 | 2 | 9 | 14 | 3 |
2025 | 3 | 5 | 12 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 1 | 3 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 3 | 5 | 2 |
2025 | 10 | 3 | 3 | 3 |
Trending Position
***Ten people trapped on a ghostly… death ship*** A dilapidated German freighter from WW2 curiously rams a modern cruise ship and ten survivors board the mysterious vessel. But will they ever get off alive? George Kennedy plays the retiring captain of the cruise vessel while Richard Crenna appear ... s as the up-and-coming captain. "Death Ship" (1980) takes the “Poseidon Adventure” (1972) template and adds a horror angle à la the later “Ghost Ship” (2002). But it’s the least of these and isn’t even as good as the low-budget “Ghost Voyage” (2008). Speaking of which, I didn’t view the movie until over a decade after its release and it struck me as low-budget. The constant shots of the navigation equipment and giant pistons operating on their own were particularly dubious and tiring. Seeing it again, it’s not as bad as I remember and delivers the goods as far as ghastly scenes go. Furthermore, Victoria Burgoyne has nice legs and a horrific blood bath (actually a shower). Unfortunately, the bright daytime setting of most of the film works against creating a haunting mood. “Ghost Ship” and “Ghost Voyage” didn’t have this problem. Furthermore, the way one of the ten is mysteriously hoisted up by crane cable lacked finesse in its placement, not to mention the unrealistic reaction of the other nine. But I liked the authentic defunct ship setting. The film runs 1 hour, 31 minutes, and was shot on a defunct German WW2 freighter that was a Kriegsmarine prison vessel used for torturing (how fitting). Additional footage was shot in Quebec City (I’m assuming studio work) whereas some footage was swiped from other flicks, such as the falling grand piano from “The Last Voyage” (1960), the radar sequence from “King Kong” (1976) and the giant pistons from “S.O.S. Titanic” (1979). GRADE: B-