Popularity: 2 (history)
| Director: | Jon S. Baird |
|---|---|
| Writer: | Jeff Pope, 'A.J.' Marriot |
| Staring: |
| With their golden era long behind them, comedy duo Stan Laurel and Oliver Hardy embark on a variety hall tour of Britain and Ireland. Despite the pressures of a hectic schedule, and with the support of their wives Lucille and Ida – a formidable double act in their own right – the pair's love of performing, as well as for each other, endures as they secure their place in the hearts of their adoring public | |
| Release Date: | Dec 28, 2018 |
|---|---|
| Director: | Jon S. Baird |
| Writer: | Jeff Pope, 'A.J.' Marriot |
| Genres: | Comedy, Drama |
| Keywords | london, england, heart attack, male friendship, comedian, biography, based on true story, double act, music hall, 1950s, 1930s |
| Production Companies | Sony Pictures Classics, BBC Film, Baby Cow Productions, Entertainment One, Sierra/Affinity, Entertainment One Features, Fable Pictures, Sonesta Films |
| Box Office |
Revenue: $24,420,923
Budget: $10,000,000 |
| Updates |
Updated: Sep 19, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Steve Coogan | Stanley "Stan" Laurel |
| John C. Reilly | Oliver "Ollie" Hardy |
| Shirley Henderson | Lucille Hardy |
| Nina Arianda | Ida Kitaeva Laurel |
| Rufus Jones | Bernard Delfont |
| Danny Huston | Hal Roach |
| Joseph Balderrama | James W. Horne |
| John Henshaw | Nobby Cook |
| Keith MacPherson | James Finlayson |
| Richard Cant | Harry Langdon |
| Susy Kane | Cynthia Clark |
| Josh Alexander | Newspaper Stand Boy |
| Tapiwa Mugweni | Burgess |
| Stewart Alexander | Joe Schenck |
| Kevin Millington | Clapper Loader |
| Toby Sedgwick | Palladium Manager |
| Rebecca Yeo | Concierge Savoy |
| Stephanie Hyam | Mr. Miffin's Receptionist |
| Kate Okello | Glass & Bottle Inn Receptionist |
| Sanjeev Kohli | Glasgow Empire Manager |
| Ashley Robinson | Gordon Douglas |
| Greg Canestrari | Stan's Lawyer |
| Roger Ringrose | Doctor at Savoy |
| Ella Kenion | Holiday Camp Organiser |
| Veronica Clifford | Elderly Woman - Glasgow |
| Elizabeth Bennett | Lady Warley |
| Conrad Asquith | Lord Warley |
| Owen Findlay | Robin Hood |
| Danny Scheinmann | Jeweler |
| Bentley Kalu | Elephant Wrangler |
| Tom Bates | Scene Hand - Roach Lot |
| Ella Baird | Ann MacDonald |
| Josh Connor | Assistant Stage Manager |
| Matt Dunkley | Conductor |
| Paul Bailey | Art Greene (uncredited) |
| Name | Job |
|---|---|
| Jeff Pope | Writer |
| Claudia Parker | Set Decoration |
| 'A.J.' Marriot | Book |
| David Hindle | Art Direction, Supervising Art Director |
| Liam Shaw | Third Assistant Director |
| Louise Killin | Unit Production Manager |
| Lois Laurel | In Memory Of |
| John Colebourn | Storyboard Artist |
| Jo Hawthorne | Construction Manager |
| Rob MacPherson | Property Master |
| Olly Williams | Draughtsman |
| Danny Hambrook | Sound Recordist |
| Barnaby Smyth | Foley Supervisor |
| Nick Gillespie | Camera Operator |
| Aimee Spinks | Still Photographer |
| Kim Vinegrad | First Assistant Camera |
| Annie Crawford | Costume Supervisor |
| George Adams | First Assistant Editor |
| Karen Elliott | Music Supervisor |
| Edward Bishop | Epk Camera Operator |
| Jo Farrugia | Epk Producer |
| Maxine Stanley | Production Accountant |
| Saurabh Kakkar | Development Producer |
| Gary Bunn | Assistant Set Designer |
| Bobby Prince | Unit Manager |
| Astrid Sieben | Art Direction |
| Chris Barnett | Assistant Unit Manager |
| Anita Brolly | Makeup & Hair |
| Frank Collins | Carpenter |
| Dan Maslen | Storyboard Artist |
| Paul Cotterell | Supervising Sound Editor |
| Keith Partridge | Foley Mixer |
| Chris Reynolds | Special Effects Supervisor |
| Barry Conroy | Gaffer |
| Vince McGahon | Steadicam Operator |
| Jonny Stillwell | Second Assistant Camera |
| Jeremy Woodhead | Makeup & Hair, Hair Designer, Makeup Designer |
| Jack Wakefield | Electrician |
| Helen Ingham | Key Costumer |
| Andrew Corsi | VFX Editor |
| Al Green | Music Editor |
| Eleanor Boyce | Dialect Coach |
| Amy Hogarth | Floor Runner |
| Charlotte Smith | Floor Runner |
| Billy Sneddon | Editor |
| Guy Speranza | Costume Design |
| Sarah MacFarlane | Second Assistant Director |
| Zoe Smith | Second Assistant Director |
| Stephen Carney | First Assistant Director |
| Louise Seymour | Post Production Supervisor |
| Luca Saccuman | Makeup & Hair |
| Josh Weston | Prosthetic Makeup Artist |
| Gordon Grant | Assistant Set Decoration |
| Charlotte Hutchings | Assistant Art Director |
| Joanna Pratt | Graphic Designer |
| Linda Forsén | Dialogue Editor |
| Mathias Schuster | Foley Editor |
| Kevin Foy | Key Grip |
| Danny O'Brien | Electrician |
| Jerdan Taylor | Electrician |
| Ri McDaid-Wren | Casting Associate |
| Sophie O'Neill | Assistant Costume Designer |
| Robert Platt-Higgins | Post Production Coordinator |
| Lucy Ward | Script Supervisor |
| Caroline Buckley | Set Medic |
| Valentina Romano | Production Secretary |
| Jon S. Baird | Director |
| Laurie Rose | Director of Photography |
| Mark Coulier | Prosthetic Designer |
| Andy Pryor | Casting |
| John Paul Kelly | Production Design |
| Stan Laurel | Thanks |
| Oliver Hardy | Thanks |
| James O'Donnell | Stunt Coordinator |
| Rafe Spall | Thanks |
| Úna Ní Dhonghaíle | Editor |
| Rolfe Kent | Original Music Composer |
| Abbi Collins | Stunt Coordinator |
| Hannah Price | Production Intern |
| Name | Title |
|---|---|
| Faye Ward | Producer |
| Andy Harries | Executive Producer |
| Nichola Martin | Executive Producer |
| Xavier Marchand | Executive Producer |
| Eugenio Pérez | Executive Producer |
| Joe Oppenheimer | Executive Producer |
| Kate Fasulo | Executive Producer |
| Jeff Pope | Executive Producer |
| Jim Spencer | Co-Producer |
| Christine Langan | Executive Producer |
| Gabrielle Tana | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 20 | 29 | 12 |
| 2024 | 5 | 21 | 29 | 14 |
| 2024 | 6 | 17 | 32 | 10 |
| 2024 | 7 | 17 | 29 | 9 |
| 2024 | 8 | 15 | 24 | 8 |
| 2024 | 9 | 15 | 24 | 7 |
| 2024 | 10 | 11 | 22 | 6 |
| 2024 | 11 | 12 | 29 | 7 |
| 2024 | 12 | 12 | 17 | 7 |
| 2025 | 1 | 11 | 22 | 7 |
| 2025 | 2 | 8 | 11 | 3 |
| 2025 | 3 | 4 | 11 | 1 |
| 2025 | 4 | 4 | 9 | 1 |
| 2025 | 5 | 2 | 8 | 1 |
| 2025 | 6 | 2 | 5 | 1 |
| 2025 | 7 | 1 | 1 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 2 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 462 | 723 |
This movie tells a simple story beautifully about two complex men at the end of their careers. I think I disagree with some people in believing that Stan & Ollie benefits from narrowing the plot. Showing their career together at their pear would show what they were as a team and what they did tog ... ether, but this angle illustrates who they are. It sweats the details. Coogan and Reilly are very convincing in their roles. They still have ambitions that fuel an attempt at a comeback, but their ambition is clouded by the knowledge that they are past their prime. They enjoy the nostalgia and leftover love from their fans even while they try to rise above it. The movie is able to end on a high note even though they cannot achieve all of their goals. Perhaps what I like the most about this movie is the treatment of the stars' wives. As the agent character states, the two wives are also a sort of double act. On the surface they don't seem to like each other a lot, but we see moments of respect and fun between them, and they obviously both love their famous husbands very much. As I said above, Coogan and Reilly do a great job in this movie, but it would have been a lesser film without these two supporting characters.
As a kid, i always shied away from the sort of "slapstick" humour of Laurel and Hardy, so I knew little about them. This little retrospective proved to be an enjoyable traipse throughout their last few professional years, down on their luck, working for a somewhat unscrupulous Bernard (later Lord) D ... elfont from small, provincial, music halls in Britain. John C. Reilly does an excellent job conveying the frailties of Oliver Hardy. Steve Coogan is less convincing - he seems to resort more to mimicry. All-in-all, though - quite an charming and gently told story with quite a few laughs and the odd tear-jerking moment, too.