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Detroit Poster

Detroit

It's time we knew
2017 | 143m | English

(58045 votes)

TMDb IMDb

Popularity: 1 (history)

Director: Kathryn Bigelow
Writer: Mark Boal
Staring:
Details

A police raid in Detroit in 1967 results in one of the largest citizens' uprisings in the history of the United States.
Release Date: Jul 28, 2017
Director: Kathryn Bigelow
Writer: Mark Boal
Genres: Drama, Crime, Thriller, History
Keywords fire, police brutality, church choir, based on true story, murder, beating, racism, church, detroit, michigan, 1960s
Production Companies Annapurna Pictures, Page 1, Harpers Ferry
Box Office Revenue: $23,400,000
Budget: $34,000,000
Updates Updated: Aug 10, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
John Boyega Melvin Dismukes
Will Poulter Philip Krauss
Anthony Mackie Greene
Algee Smith Larry Reed
Hannah Murray Julie Ann
Jason Mitchell Carl Cooper
Malcolm David Kelley Michael Clark
Jack Reynor Demens
Ben O'Toole Flynn
Jacob Latimore Fred Temple
Kaitlyn Dever Karen
John Krasinski Attorney Auerbach
Joseph David-Jones Morris
Ephraim Sykes Jimmy
Leon Thomas III Darryl
Peyton Alex Smith Lee
Nathan Davis Jr. Aubrey
Gbenga Akinnagbe Aubrey Pollard Sr.
Tyler James Williams Leon
Chris Chalk Officer Frank
Jennifer Ehle Morgue Doctor
Jeremy Strong Attorney Lang
Laz Alonso John Conyers Jr.
Austin Hébert Warrant Officer Roberts
Samira Wiley Vanessa
Mason Alban Police Sergeant James
Miguel Malcolm (as Miguel Pimentel)
Miguel Pimentel Malcolm
Darren Goldstein Detective Tanchuck
Kristopher Davis Blind Pig Patron
Glenn Fitzgerald Homicide Detective Anderson
Bennett Deady Police Officer Bill
Tokunbo Joshua Olumide Dave
Benz Veal Nate Conyers
Dennis Staroselsky Detective Jones
Zurin Villanueva Martha
Ricardo Pitts-Wiley Spencer
Timothy John Smith Foreman Pete
Chris Coy Detective Thomas
Joey Lawyer National Guardsman Mike
Will Bouvier National Guardsman Matthew
Morgan Rae Linda Tucker
David A. Flannery Police Officer David
Kris Sidberry Roberta Pollard
Lizan Mitchell Ma Pollard
Ato Blankson-Wood Eddie
Henry Frost III George
JJ Batteast Philip
Michael Jibrin Vietnam Vet
Karen Pittman Dismukes' Mother
Malcolm David Kelley Michael
Eddie Troy Police Officer Paul
Alexander Cook Head Juror
Frank Wood Judge Demascio
Gary Wilmes Reporter at Court
Khris Davis Blind Pig Patron
Cassidy Neal National Guard (uncredited)
Name Job
Sarah Monat Foley
Kathy Lucas Set Decoration
Jeremy Hindle Production Design
Claudia Pascual Key Makeup Artist
Tina Anderson Post Production Supervisor
Angela Marinis Makeup Artist
Jim Wallis Art Direction
Camille Friend Hair Department Head
Navya La Shay Makeup Artist
Joe Rossi Makeup Artist
Hamilton Sterling Sound Effects Editor
Scotty Anderson Casting Associate
Dave Cambria Rigging Gaffer
Steven Spady Visual Effects Editor
Matt Bouldry Casting Associate
Dan Cayer Visual Effects Supervisor
Kelly Clear Chief Lighting Technician
Joao Sita Visual Effects Supervisor
Rosa J. Colón Set Costumer
Carrie Ray Local Casting
Joel Reidy Boom Operator
Cara Tallulha Davies Visual Effects Producer
Sean Devereaux Visual Effects Supervisor
Daniel J. Lester Assistant Costume Designer
Ryan Juggler Foley Editor
Teresa Hays Dolly Grip
Ian Sullivan Digital Intermediate
Christopher TJ McGuire Steadicam Operator
Alyson MacInnis Set Costumer
John Ruggieri Special Effects Coordinator
Angelique Paull Costume Supervisor
Don Libby CG Supervisor
John Garrett Camera Operator
Daniel Saxlid ADR Supervisor
David Rickson Scenic Artist
Michael C. Brennan Stunts
David Manhan Leadman
Taryn Walsh Set Costumer
Chris Sullivan Art Department Coordinator
Meg Bailey Visual Effects Producer
Randall Poster Music Supervisor
Josh Medak Camera Operator
John Tripp Digital Intermediate
Alix Metros Set Decorating Coordinator
Kerri McGill Scenic Artist
Zack Shultz Second Assistant "B" Camera
Nikki Wright Key Hair Stylist
John Janusek Key Grip
Rob Ricketts Special Effects Coordinator
Gregory Chiodo Location Manager
Darryl Byrne First Assistant "C" Camera
Patrick Scalise Set Designer
Dave Krieger Location Manager
Charles Harrington Location Manager
Peter Boynton Lighting Technician
Ele Bardha Stunt Coordinator
William Cote Stunts
Califf Guzman Stunt Double
Robert Lee Harvey Stunts
Zachary K. Lazar Genetator Operator
Paul Jaasko Prop Maker
Claudia Moriel Makeup Artist
Michael Geoghegan Lighting Technician
Bryan Yaconelli Production Supervisor
Greg Berry Supervising Art Director
Carmen Lopez Makeup Artist
Jamie Hardt Sound Effects Editor
Peter Dudgeon First Assistant Editor
Earl Tanchuck Key Costumer
Dana Pacheco Set Costumer
Mathias Lautour CG Supervisor
Simon Warnock First Assistant Director
Randy Goux Visual Effects Supervisor
Marc Jones Matchmove Supervisor
Shawn S. Ryder Rigging Grip
Deborah Jurvis Art Department Coordinator
Jeff Crumbley Additional Camera
Robert Troy Dialogue Editor
Jennifer Wang Visual Effects Coordinator
Maura Smith Casting Associate
Annie Johnson Digital Intermediate
Rick Owens Foley
Andrew Hadzopoulos Casting Associate
Wayne Allen Set Costumer
Joseph Kearney Construction Coordinator
David C. Romano Dolly Grip
Katie Valovcin Second Assistant Director
Laura Graham ADR Editor
David T. Parsons Construction Foreman
Paula Stier Production Coordinator
Bryan Lane Set Designer
Aimee Butterfield Assistant Property Master
Edward Gabree Stunts
Benjamin Regan Propmaker
Carl Ulysses Bowen Tailor
Tonja Greenfield Second Assistant "A" Camera
Kim Codner Scenic Artist
Paula Bird Scenic Artist
Steve Sikora Lighting Technician
Mark Menard Construction Foreman
Stephen A. Pope Stunt Coordinator
Dave Manning Scenic Artist
Bettina Hastie Seamstress
Greg Wimer First Assistant "B" Camera
Megan Soderberg Set Decorating Coordinator
Talia Krohmal Second Assistant Camera
Rebecca Woodfork Hairstylist
Nerses Gezalyan Foley Mixer
Chris Nickerson Electrician
David Hallas Lighting Technician
Gary Damian Thomas Storyboard Artist
K.C. Roballo Set Medic
Tim Dunbar Lighting Technician
Christophe Le Chanu Second Assistant Director
Christian J. Hollyer First Assistant "D" Camera
Harry Pray IV Lighting Technician
Peter Wallack Stunts
James R. Mitchell Best Boy Electric
Xavier Dillingham Stunts
Justin Yates VFX Editor
Abigail Neuhoff Scenic Artist
Phil Nason Lighting Technician
Jessica Logan Location Coordinator
Zachary Zablocki Prop Maker
Mark Boal Screenplay
William Goldenberg Editor
Harry Yoon Editor
Richard Hicks Casting
Francine Jamison-Tanchuck Costume Design
Whitney James Makeup Department Head
Christian Schaanning Sound Effects Editor
Barry Ackroyd Director of Photography
James Newton Howard Original Music Composer
François Duhamel Still Photographer
George Drakoulias Music Supervisor
Gary A. Hecker Foley Artist
Bryce Biederman Stunts
Derek Johnson Utility Stunts
Brandon M. Shaw Stunt Double
Katherine Castro Second Assistant Camera
Markus Mentzer First Assistant "A" Camera
Stephen Nakamura Colorist
Roger Dillingham Jr. Set Medic
Kathryn Bigelow Director
Victoria Thomas Casting
Paul N.J. Ottosson Sound Re-Recording Mixer, Sound Designer
Randy K. Singer Foley Mixer
Name Title
Greg Shapiro Executive Producer
Matthew Budman Producer
Colin Wilson Producer
Mark Boal Producer
Megan Ellison Producer
Kathryn Bigelow Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 78 207 27
2024 5 253 346 196
2024 6 132 269 35
2024 7 37 78 18
2024 8 19 30 14
2024 9 14 27 8
2024 10 16 35 8
2024 11 14 25 8
2024 12 13 19 9
2025 1 13 26 9
2025 2 11 18 3
2025 3 5 13 1
2025 4 3 8 1
2025 5 2 8 1
2025 6 2 5 1
2025 7 1 2 1
2025 8 2 2 1
2025 9 3 5 2
2025 10 2 2 1

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Reviews

r96sk
6.0

An important story to tell no doubt, but as a film it's a disappointment in my opinion. Of course I cared for the characters from the first second due to the obvious subject matter, but that's as far as I ever got. It's a long 143 minutes, with one scene in particularly lasting an age without rea ... lly doing much; except the final act of it. A film needs to do more, if this was a documentary - even a docudrama - then fair enough but it isn't. It also wastes a pretty top notch cast. John Boyega is in this, portraying Melvin Dismukes. The amount of times he's just there standing around doing nothing is frustrating, he has a few moments where he gets to act and you can see his phenomenal talent - especially one time where you see the effect of events on Melvin - but that's about it. A waste. Similar can be said for Anthony Mackie, star of one of my favourite films in <em>'The Adjustment Bureau'</em>. He plays such a minor role, you cast someone like Mackie you gotta use him more surely? Will Poulter gets most of the screen time. He's good I guess, not sure we need to see quite as much of him as we do - given his character is an open/shut case. Elsewhere, you have other familiar faces like Tyler James Williams (shoutout Noah) and John Krasinski. I don't intend to crap on this film. It's clearly well made, has great intentions and relays a notable story. I'm just disappointed with the end product, I judge films as films and <em>'Detroit'</em> is rather underwhelming.

Jun 23, 2021
Geronimo1967
7.0

Based on a true story, and on the facts - insofar as they will ever actually be known - this is a gritty and quite depressing depiction from Kathryn Bigelow of one traumatic night in the city. It was during a night of rioting that a squad of police officers respond to reports of gunshots at a city h ... otel. Upon entering they discover a group of black youths, a couple of white girls - and what follows is a potent mix of racial hatred, bigotry and violence as the boys in blue leave what integrity they might have had at the door and leave again with three dead bodies and nine others savagely beaten to show for their policing efforts. Will Poulter sheds his nice but dim "Harry Potter" image and is really effective as the lead officer bent off exacting his own stye of justice, Ben O'Flynn also works well as his complicit sidekick and there are strong performances from Anthony Mackie, Algee Smith and from John Boyega as the state policeman trying to do his best to tread the very perilous line between law enforcer and African American. It shies not from presenting us with a ghastly human face for the spontaneous and plausible attitudes of superiority and disdain held by the polices and depicts with some menace how their captives are terrified and humiliated by the people they ought to heave been able to trust - and that extends to the "slutty" two white girls too. It's really one ensemble effort, the direction is taut and at time the whole thing just has a relentlessness that does make you wonder (I am not an American) how the hell this could ever have happened in a land that purported to be civilised and free (in 1967). Not an easy watch, but the events in Detroit 50-odd years ago still resonate with issues of policing and racism just a potently now, as when this is set.

Jan 31, 2024