Popularity: 1 (history)
Director: | Kathryn Bigelow |
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Writer: | Mark Boal |
Staring: |
A police raid in Detroit in 1967 results in one of the largest citizens' uprisings in the history of the United States. | |
Release Date: | Jul 28, 2017 |
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Director: | Kathryn Bigelow |
Writer: | Mark Boal |
Genres: | Drama, Crime, Thriller, History |
Keywords | fire, police brutality, church choir, based on true story, murder, beating, racism, church, detroit, michigan, 1960s |
Production Companies | Annapurna Pictures, Page 1, Harpers Ferry |
Box Office |
Revenue: $23,400,000
Budget: $34,000,000 |
Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
Name | Character |
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John Boyega | Melvin Dismukes |
Will Poulter | Philip Krauss |
Anthony Mackie | Greene |
Algee Smith | Larry Reed |
Hannah Murray | Julie Ann |
Jason Mitchell | Carl Cooper |
Malcolm David Kelley | Michael Clark |
Jack Reynor | Demens |
Ben O'Toole | Flynn |
Jacob Latimore | Fred Temple |
Kaitlyn Dever | Karen |
John Krasinski | Attorney Auerbach |
Joseph David-Jones | Morris |
Ephraim Sykes | Jimmy |
Leon Thomas III | Darryl |
Peyton Alex Smith | Lee |
Nathan Davis Jr. | Aubrey |
Gbenga Akinnagbe | Aubrey Pollard Sr. |
Tyler James Williams | Leon |
Chris Chalk | Officer Frank |
Jennifer Ehle | Morgue Doctor |
Jeremy Strong | Attorney Lang |
Laz Alonso | John Conyers Jr. |
Austin Hébert | Warrant Officer Roberts |
Samira Wiley | Vanessa |
Mason Alban | Police Sergeant James |
Miguel | Malcolm (as Miguel Pimentel) |
Miguel Pimentel | Malcolm |
Darren Goldstein | Detective Tanchuck |
Kristopher Davis | Blind Pig Patron |
Glenn Fitzgerald | Homicide Detective Anderson |
Bennett Deady | Police Officer Bill |
Tokunbo Joshua Olumide | Dave |
Benz Veal | Nate Conyers |
Dennis Staroselsky | Detective Jones |
Zurin Villanueva | Martha |
Ricardo Pitts-Wiley | Spencer |
Timothy John Smith | Foreman Pete |
Chris Coy | Detective Thomas |
Joey Lawyer | National Guardsman Mike |
Will Bouvier | National Guardsman Matthew |
Morgan Rae | Linda Tucker |
David A. Flannery | Police Officer David |
Kris Sidberry | Roberta Pollard |
Lizan Mitchell | Ma Pollard |
Ato Blankson-Wood | Eddie |
Henry Frost III | George |
JJ Batteast | Philip |
Michael Jibrin | Vietnam Vet |
Karen Pittman | Dismukes' Mother |
Malcolm David Kelley | Michael |
Eddie Troy | Police Officer Paul |
Alexander Cook | Head Juror |
Frank Wood | Judge Demascio |
Gary Wilmes | Reporter at Court |
Khris Davis | Blind Pig Patron |
Cassidy Neal | National Guard (uncredited) |
Name | Job |
---|---|
Sarah Monat | Foley |
Kathy Lucas | Set Decoration |
Jeremy Hindle | Production Design |
Claudia Pascual | Key Makeup Artist |
Tina Anderson | Post Production Supervisor |
Angela Marinis | Makeup Artist |
Jim Wallis | Art Direction |
Camille Friend | Hair Department Head |
Navya La Shay | Makeup Artist |
Joe Rossi | Makeup Artist |
Hamilton Sterling | Sound Effects Editor |
Scotty Anderson | Casting Associate |
Dave Cambria | Rigging Gaffer |
Steven Spady | Visual Effects Editor |
Matt Bouldry | Casting Associate |
Dan Cayer | Visual Effects Supervisor |
Kelly Clear | Chief Lighting Technician |
Joao Sita | Visual Effects Supervisor |
Rosa J. Colón | Set Costumer |
Carrie Ray | Local Casting |
Joel Reidy | Boom Operator |
Cara Tallulha Davies | Visual Effects Producer |
Sean Devereaux | Visual Effects Supervisor |
Daniel J. Lester | Assistant Costume Designer |
Ryan Juggler | Foley Editor |
Teresa Hays | Dolly Grip |
Ian Sullivan | Digital Intermediate |
Christopher TJ McGuire | Steadicam Operator |
Alyson MacInnis | Set Costumer |
John Ruggieri | Special Effects Coordinator |
Angelique Paull | Costume Supervisor |
Don Libby | CG Supervisor |
John Garrett | Camera Operator |
Daniel Saxlid | ADR Supervisor |
David Rickson | Scenic Artist |
Michael C. Brennan | Stunts |
David Manhan | Leadman |
Taryn Walsh | Set Costumer |
Chris Sullivan | Art Department Coordinator |
Meg Bailey | Visual Effects Producer |
Randall Poster | Music Supervisor |
Josh Medak | Camera Operator |
John Tripp | Digital Intermediate |
Alix Metros | Set Decorating Coordinator |
Kerri McGill | Scenic Artist |
Zack Shultz | Second Assistant "B" Camera |
Nikki Wright | Key Hair Stylist |
John Janusek | Key Grip |
Rob Ricketts | Special Effects Coordinator |
Gregory Chiodo | Location Manager |
Darryl Byrne | First Assistant "C" Camera |
Patrick Scalise | Set Designer |
Dave Krieger | Location Manager |
Charles Harrington | Location Manager |
Peter Boynton | Lighting Technician |
Ele Bardha | Stunt Coordinator |
William Cote | Stunts |
Califf Guzman | Stunt Double |
Robert Lee Harvey | Stunts |
Zachary K. Lazar | Genetator Operator |
Paul Jaasko | Prop Maker |
Claudia Moriel | Makeup Artist |
Michael Geoghegan | Lighting Technician |
Bryan Yaconelli | Production Supervisor |
Greg Berry | Supervising Art Director |
Carmen Lopez | Makeup Artist |
Jamie Hardt | Sound Effects Editor |
Peter Dudgeon | First Assistant Editor |
Earl Tanchuck | Key Costumer |
Dana Pacheco | Set Costumer |
Mathias Lautour | CG Supervisor |
Simon Warnock | First Assistant Director |
Randy Goux | Visual Effects Supervisor |
Marc Jones | Matchmove Supervisor |
Shawn S. Ryder | Rigging Grip |
Deborah Jurvis | Art Department Coordinator |
Jeff Crumbley | Additional Camera |
Robert Troy | Dialogue Editor |
Jennifer Wang | Visual Effects Coordinator |
Maura Smith | Casting Associate |
Annie Johnson | Digital Intermediate |
Rick Owens | Foley |
Andrew Hadzopoulos | Casting Associate |
Wayne Allen | Set Costumer |
Joseph Kearney | Construction Coordinator |
David C. Romano | Dolly Grip |
Katie Valovcin | Second Assistant Director |
Laura Graham | ADR Editor |
David T. Parsons | Construction Foreman |
Paula Stier | Production Coordinator |
Bryan Lane | Set Designer |
Aimee Butterfield | Assistant Property Master |
Edward Gabree | Stunts |
Benjamin Regan | Propmaker |
Carl Ulysses Bowen | Tailor |
Tonja Greenfield | Second Assistant "A" Camera |
Kim Codner | Scenic Artist |
Paula Bird | Scenic Artist |
Steve Sikora | Lighting Technician |
Mark Menard | Construction Foreman |
Stephen A. Pope | Stunt Coordinator |
Dave Manning | Scenic Artist |
Bettina Hastie | Seamstress |
Greg Wimer | First Assistant "B" Camera |
Megan Soderberg | Set Decorating Coordinator |
Talia Krohmal | Second Assistant Camera |
Rebecca Woodfork | Hairstylist |
Nerses Gezalyan | Foley Mixer |
Chris Nickerson | Electrician |
David Hallas | Lighting Technician |
Gary Damian Thomas | Storyboard Artist |
K.C. Roballo | Set Medic |
Tim Dunbar | Lighting Technician |
Christophe Le Chanu | Second Assistant Director |
Christian J. Hollyer | First Assistant "D" Camera |
Harry Pray IV | Lighting Technician |
Peter Wallack | Stunts |
James R. Mitchell | Best Boy Electric |
Xavier Dillingham | Stunts |
Justin Yates | VFX Editor |
Abigail Neuhoff | Scenic Artist |
Phil Nason | Lighting Technician |
Jessica Logan | Location Coordinator |
Zachary Zablocki | Prop Maker |
Mark Boal | Screenplay |
William Goldenberg | Editor |
Harry Yoon | Editor |
Richard Hicks | Casting |
Francine Jamison-Tanchuck | Costume Design |
Whitney James | Makeup Department Head |
Christian Schaanning | Sound Effects Editor |
Barry Ackroyd | Director of Photography |
James Newton Howard | Original Music Composer |
François Duhamel | Still Photographer |
George Drakoulias | Music Supervisor |
Gary A. Hecker | Foley Artist |
Bryce Biederman | Stunts |
Derek Johnson | Utility Stunts |
Brandon M. Shaw | Stunt Double |
Katherine Castro | Second Assistant Camera |
Markus Mentzer | First Assistant "A" Camera |
Stephen Nakamura | Colorist |
Roger Dillingham Jr. | Set Medic |
Kathryn Bigelow | Director |
Victoria Thomas | Casting |
Paul N.J. Ottosson | Sound Re-Recording Mixer, Sound Designer |
Randy K. Singer | Foley Mixer |
Name | Title |
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Greg Shapiro | Executive Producer |
Matthew Budman | Producer |
Colin Wilson | Producer |
Mark Boal | Producer |
Megan Ellison | Producer |
Kathryn Bigelow | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 78 | 207 | 27 |
2024 | 5 | 253 | 346 | 196 |
2024 | 6 | 132 | 269 | 35 |
2024 | 7 | 37 | 78 | 18 |
2024 | 8 | 19 | 30 | 14 |
2024 | 9 | 14 | 27 | 8 |
2024 | 10 | 16 | 35 | 8 |
2024 | 11 | 14 | 25 | 8 |
2024 | 12 | 13 | 19 | 9 |
2025 | 1 | 13 | 26 | 9 |
2025 | 2 | 11 | 18 | 3 |
2025 | 3 | 5 | 13 | 1 |
2025 | 4 | 3 | 8 | 1 |
2025 | 5 | 2 | 8 | 1 |
2025 | 6 | 2 | 5 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 2 | 2 | 1 |
2025 | 9 | 3 | 5 | 2 |
2025 | 10 | 2 | 2 | 1 |
Trending Position
An important story to tell no doubt, but as a film it's a disappointment in my opinion. Of course I cared for the characters from the first second due to the obvious subject matter, but that's as far as I ever got. It's a long 143 minutes, with one scene in particularly lasting an age without rea ... lly doing much; except the final act of it. A film needs to do more, if this was a documentary - even a docudrama - then fair enough but it isn't. It also wastes a pretty top notch cast. John Boyega is in this, portraying Melvin Dismukes. The amount of times he's just there standing around doing nothing is frustrating, he has a few moments where he gets to act and you can see his phenomenal talent - especially one time where you see the effect of events on Melvin - but that's about it. A waste. Similar can be said for Anthony Mackie, star of one of my favourite films in <em>'The Adjustment Bureau'</em>. He plays such a minor role, you cast someone like Mackie you gotta use him more surely? Will Poulter gets most of the screen time. He's good I guess, not sure we need to see quite as much of him as we do - given his character is an open/shut case. Elsewhere, you have other familiar faces like Tyler James Williams (shoutout Noah) and John Krasinski. I don't intend to crap on this film. It's clearly well made, has great intentions and relays a notable story. I'm just disappointed with the end product, I judge films as films and <em>'Detroit'</em> is rather underwhelming.
Based on a true story, and on the facts - insofar as they will ever actually be known - this is a gritty and quite depressing depiction from Kathryn Bigelow of one traumatic night in the city. It was during a night of rioting that a squad of police officers respond to reports of gunshots at a city h ... otel. Upon entering they discover a group of black youths, a couple of white girls - and what follows is a potent mix of racial hatred, bigotry and violence as the boys in blue leave what integrity they might have had at the door and leave again with three dead bodies and nine others savagely beaten to show for their policing efforts. Will Poulter sheds his nice but dim "Harry Potter" image and is really effective as the lead officer bent off exacting his own stye of justice, Ben O'Flynn also works well as his complicit sidekick and there are strong performances from Anthony Mackie, Algee Smith and from John Boyega as the state policeman trying to do his best to tread the very perilous line between law enforcer and African American. It shies not from presenting us with a ghastly human face for the spontaneous and plausible attitudes of superiority and disdain held by the polices and depicts with some menace how their captives are terrified and humiliated by the people they ought to heave been able to trust - and that extends to the "slutty" two white girls too. It's really one ensemble effort, the direction is taut and at time the whole thing just has a relentlessness that does make you wonder (I am not an American) how the hell this could ever have happened in a land that purported to be civilised and free (in 1967). Not an easy watch, but the events in Detroit 50-odd years ago still resonate with issues of policing and racism just a potently now, as when this is set.