Popularity: 4 (history)
Director: | Michael Showalter |
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Writer: | Kumail Nanjiani, Emily V. Gordon |
Staring: |
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings. | |
Release Date: | Mar 30, 2017 |
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Director: | Michael Showalter |
Writer: | Kumail Nanjiani, Emily V. Gordon |
Genres: | Comedy, Drama, Romance |
Keywords | new york city, chicago, illinois, muslim, roommates, sadness, immigrant, sarcasm, comedian, one-man show, pakistan, based on true story, film in film, matchmaking, family relationships, cultural difference, hospital, falling in love, family, illness, group of friends, intercultural relationship, aftercreditsstinger, college student, uber, traditional family, comedy club, stand-up comedian, grad school |
Production Companies | FilmNation Entertainment, Apatow Productions, Story Ink |
Box Office |
Revenue: $56,303,596
Budget: $5,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Kumail Nanjiani | Kumail Nanjiani |
Zoe Kazan | Emily Gardner |
Holly Hunter | Beth Gardner |
Ray Romano | Terry Gardner |
Anupam Kher | Azmat Nanjiani |
Zenobia Shroff | Sharmeen Nanjiani |
Adeel Akhtar | Naveed Nanjiani |
Bo Burnham | CJ |
Aidy Bryant | Mary |
Kurt Braunohler | Chris |
Vella Lovell | Khadija |
Myra Lucretia Taylor | Nurse Judy |
Jeremy Shamos | Bob Dalavan |
David Alan Grier | Andy Dodd |
Ed Herbstman | Sam Highsmith |
Shenaz Treasury | Fatima Nanjiani |
Rebecca Naomi Jones | Jesse |
Kuhoo Verma | Zubeida |
Mitra Jouhari | Yazmin |
Celeste Arias | Denise |
Shana Solomon | Nurse Bette |
Jeff Blumenkrantz | Dr. Wright |
Linda Emond | Dr. Cunningham |
Holly Chou | Dr. Whelan |
Andrew Pang | Dr. Spellman |
Alison Cimmet | Dr. Platt |
Lawrence Ballard | Dr. Lewin |
Shunori Ramanathan | Sumera |
Spencer House | Racist Heckler |
Susham Bedi | Tina (Khadija's Mother) |
Rahul Bedi | Farhan (Khadija's Father) |
Matthew Cardarople | Fast Food Cashier |
Myra Turley | Waiting Room Person 1 |
William Stephenson | Waiting Room Person 2 |
Marilyn Torres | Waiting Room Person 3 |
Kerry Flanagan | Waiting Room Person 4 |
Jack O'Connell | Waiting Room Person 5 |
Charles Gould | Waiting Room Person 6 |
Isabel Shill | Party Goer 1 |
Lauren Patten | Party Goer 2 |
Keilly McQuail | Party Goer 3 |
Zach Cherry | Party Goer 4 |
Sophia Muller | Chrissy (uncredited) |
Jack Corrigan | Restaurant Boy (uncredited) |
Name | Job |
---|---|
Michael Showalter | Director |
Jeremy Kipp Walker | Unit Production Manager |
Zach Wolf | Assistant Editor |
Kumail Nanjiani | Screenplay |
Cliff Alphonse | Grip |
Sally Foster | Grip |
Lauren Meckleberg | Set Production Intern |
Luis Cuevas | Assistant Editor |
Annie Tan | Production Supervisor |
Pam DeMetruis-Thomas | Foley Editor |
Gayle Keller | Casting |
Ella Gibney | Set Production Intern |
Aaron Becker | Title Designer |
Richard Hebrank | Construction Coordinator |
Jasmine Brotzman | Set Production Assistant |
PJ Ford | Driver |
Brandon Tonner-Connolly | Production Design |
Brian Burgoyne | Director of Photography |
Anthony F. Gamiello | Grip |
Roberto González Arévalo | Production Office Assistant |
Yousheng Tang | Steadicam Operator |
Dan Edelstein | ADR Editor |
Alex Spear | Set Production Assistant |
George Holtzer | Transportation Captain |
Megan Sanders | Wardrobe Supervisor |
Nicki Slack | Assistant Production Coordinator |
Peter Link | Driver |
Melissa Kivell | VFX Production Coordinator |
Isaac Gotterer | Set Production Intern |
Christina Nickas | Wardrobe Supervisor |
Elizabeth Rodrick | Set Decoration |
Adrienne Enderle | Set Production Assistant |
Joe Rudge | Music Supervisor |
Junior Cyrus Baron | Utility Sound |
Larhn Laurens Davitt | Dolly Grip |
Paul Reed | Utility Sound |
Ed Elliot | Driver |
Robert Nassau | Editor |
Parissh McClean | Grip |
Nicole P. Hearon | Casting Associate |
Tom Paul | Sound Re-Recording Mixer, Supervising Sound Editor |
Jerry 'Niru' Cox | Boom Operator |
Allison Kirschner | Casting Associate |
Anthony S. Calypso | Assistant Property Master |
Aaron Schoonover | Casting Associate |
Ryan Murphy | Driver |
Fangge Chen | Digital Compositors |
Robert Maasin | Set Production Assistant |
Lucien Harriot | VFX Supervisor |
Cynthia Chou | Production Coordinator |
Brent Poleski | Key Grip |
Alec Jarnagin | Steadicam Operator |
Shane Aitchison | Art Department Coordinator |
Bert Reo Anderson | Hairstylist |
Raquel Vivve | Makeup Artist |
Constance Conrad | Digital Compositors |
Kirsten Sylvester | Key Makeup Artist |
Mike Murphy | Driver |
Leo Won | Makeup Department Head |
Mark Linden | Sound Re-Recording Mixer |
Jeff Brink | Special Effects Coordinator |
Bill Orrico | Dialogue Editor |
Nuno Oliveira | Grip |
Bobby Mackston | Sound Editor |
Maeve Kelly | Assistant Costume Designer |
Ava Myint | Set Production Intern |
Charles R. Hunt | Production Sound Mixer |
Joe Schultz | Driver |
Sarah Mae Burton | Costume Designer |
Sean Garnhart | Sound Effects Editor |
Jocelyn Magsumbol | Production Office Assistant |
Nicole Rivelli | Still Photographer |
Saffia Rahimtoola | Digital Compositors |
Bill C. Bishop | Leadman |
Liz Wagner | Set Production Assistant |
Jack Mortellaro Jr. | Leadman |
Tonia Ciccone | Hair Department Head |
Lauren Colbert | Costume Coordinator |
Mike Devereaux | Driver |
Jason Velez | Gaffer |
Yadeed Mellman | Set Production Assistant |
Toni Roman-Grimm | Key Hair Stylist |
Leah Tuscano | Assistant Editor |
Francesco Pinna | Best Boy Electric |
Azniv Korkejian | Music Editor |
Matt Merksamer | Set Production Assistant |
William Smith | Set Dresser |
Michael Elliott | Transportation Co-Captain |
Anthony Taratunio | Set Dresser |
Matthew McCoubry | Set Production Assistant |
Anthony Pennachio | Set Production Assistant |
Jillian Stricker | Location Manager |
Alex Lilja | Set Production Assistant |
Mariana Hellmund | Script Supervisor |
Damon Tragni | Driver |
Josh Gericke | Hairstylist |
Adam Kersh | Publicist |
Johnny Holland | Production Accountant |
Lauren J. Brown | Property Master |
Tara A. Paul | Sound Re-Recording Mixer |
Michael Andrews | Original Music Composer |
Nicholas Bell | First Assistant Director |
Adam J. Bernard | Second Assistant Director |
Jeremy Sample | Stunt Coordinator |
Andy Eklund | Art Direction |
Brad Gage | Actor's Assistant |
Jon Santos | Set Production Assistant |
Bob Papini Jr. | Driver |
Mike McElroy | Driver |
Michael Jackman | Post Production Supervisor |
Dann Fink | ADR Voice Casting |
Bruce Winant | ADR Voice Casting |
Emily V. Gordon | Screenplay |
Dave Kloc | Thanks |
Dana Gould | Thanks |
Nicole Eckenroad | Thanks |
Moshe Kasher | Thanks |
Alec Berg | Thanks |
Chuck Schumer | Thanks |
Christine Nangle | Thanks |
Lisa Goldberg | Thanks |
Dominic Dierkes | Thanks |
Sean Clements | Thanks |
Casey Shaw | Thanks |
Krister C. Johnson | Thanks |
Jared Logan | Thanks |
Pete Holmes | Thanks |
James Gunn | Thanks |
Emily Heller | Thanks |
Glenn D. Feig | Legal Services |
Noor Ahmed | Legal Services |
Joshua Shabani | Legal Services |
Brady Smoot | Legal Services |
Dr. Jonathan Foster | Medical Consultant |
Rachel Schneider | Post Production Accountant |
Neal Jonas | Visual Effects |
Todd Burke | Scoring Mixer |
Sebastian Henshaw | Foley Artist |
Carl Shillito | Foley Mixer |
Keith Gordon | Best Boy Grip |
Connor Dwyer | Best Boy Grip |
Chris Keenan | Grip |
Scott Bowers | Second Second Assistant Director |
Ari Issler | "A" Camera Operator |
Andrew Juhl | First Assistant "A" Camera |
Blake Johnson | Second Assistant "A" Camera |
Frank Larson | "B" Camera Operator |
Pierrot Colonna | "B" Camera Operator |
Htat Htut | First Assistant "B" Camera |
Fillip Penson | First Assistant "B" Camera |
Casey David Johnson | Second Assistant "B" Camera |
Ashton Green | Second Assistant "B" Camera |
Matt Harding | Loader |
Nicole Capogna | Costumer |
Eva Marie Lopez | Costumer |
Ismyrne Geffrard | Costumer |
Ember Roth | Costumer |
Scott Griswold | Set Dressing Buyer |
Gregor Telfer | On Set Dresser |
Andrew Schoentube | On Set Dresser |
Paul Reed | Utility Sound |
Isabelle Decauwert | Additional Hairstylist |
Brittany Sugarman | First Assistant Accountant |
Gabriel Gonzalez | Assistant Location Manager |
Michael L. Mizrahi | Assistant Location Manager |
Adam Williams | Location Assistant |
Sharmain Perry | Location Assistant |
Alcy Sivyer | Assistant Craft Service |
Wendy Cohen | Clearances Consultant |
Stanley D. Burns | Medical Consultant |
Liz Burns | Medical Consultant |
France Iann | Medical Consultant |
Susan Millard | Medical Consultant |
Carol A. Compton | Script Researcher |
Umberto Ramero | Catering |
Rich Elmiler | Catering |
Brian Havens | Catering |
Alvero Castillo | Catering |
Rich Alfieri | Catering |
Jorge Ramirez | Catering |
Eric Vidomouels | Catering |
John Lee | Catering |
Sam Fishell | Producer's Assistant |
Ryan Bernstein | Producer's Assistant |
Leigh Pruden | Producer's Assistant |
Hannah Getts | Executive Producer's Assistant |
Alex Bickel | Digital Intermediate Colorist |
Andrew McKay | Digital Intermediate Producer |
Claudia Guevara | Digital Intermediate Producer |
Sean R. Smith | Digital Conform Editor |
Name | Title |
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Amanda Glaze | Co-Producer |
Judd Apatow | Producer |
Barry Mendel | Producer |
Jeremy Kipp Walker | Executive Producer |
Glen Basner | Executive Producer |
Ben Browning | Executive Producer |
Kumail Nanjiani | Executive Producer |
Emily V. Gordon | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 26 | 39 | 18 |
2024 | 5 | 33 | 45 | 22 |
2024 | 6 | 23 | 39 | 12 |
2024 | 7 | 28 | 59 | 13 |
2024 | 8 | 20 | 42 | 12 |
2024 | 9 | 12 | 17 | 8 |
2024 | 10 | 16 | 33 | 9 |
2024 | 11 | 30 | 47 | 12 |
2024 | 12 | 22 | 39 | 14 |
2025 | 1 | 25 | 41 | 16 |
2025 | 2 | 26 | 56 | 9 |
2025 | 3 | 7 | 34 | 1 |
2025 | 4 | 8 | 14 | 2 |
2025 | 5 | 6 | 15 | 3 |
2025 | 6 | 3 | 6 | 2 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 2 | 2 | 2 |
2025 | 9 | 4 | 7 | 2 |
2025 | 10 | 4 | 5 | 3 |
Trending Position
Charmingly funny. Not a cliché comedy at all. A little heavy on the Uber references, but still a movie that can be watched multiple times. (Saw at a pre-screening in Seattle.) ...
A truly funny and immensely heartwarming _While You Were Sleeping_-esque romantic comedy. It's actually not fair to compare this to any other film because the story here is wholly real and not fabricated for the screen. This is Kumail Nanjiani's real life story about how he met his wife and it's inc ... redibly moving. While Kumail and Zoe are both really great, the heart and soul of the movie is Holly Hunter and Ray Romano. They are truly superb and every scene they share with Kumail while Emily is in the coma is spectacular. I would watch this movie from start to finish again right now if I had it in me - it's incredibly taxing as it's an emotional ride; I cried maybe 4 times throughout the movie. It's amazing how reliably brilliant Holly Hunter always is and I hope she garners some awards attention for this performance. It truly moved me. Her delivery of "_Do you mind?_" before she gets into bed with Romano at the end was such a beautiful character moment.
FULL DISCLOSURE: I saw this while I was working my ass off in a foodtruck at an outdoor cinema. I missed whole chunks of it, and it certainly didn't have my full focus. I'll give it a proper chance at a later date, and alongside that, another review. What I did see of _The Big Sick_ certainly held p ... otential for me, I even had one genuine laugh, but American comedies rarely if ever resonate with me. I know this one plays it at a very different angle to your standard Sandler-esque faire, and I appreciate that, but I wasn't brought in enough from what I caught to get on board. _Final rating:★★½ - Not quite for me, but I definitely get the appeal._
**Brainwashed!!!** Here's the most overrated film, not just for the year, but forever. The title says it all, a big sick flick. Just remember, it was only based on the real, not a biopic. Because they have changed entire storytelling to cinematic convenient. To fool the people from the actual tru ... th. So the terrorists are shown in a good light. Good humans won't support such barbaric people. It's a shame that American Academy Awards recognised it. Only best thing in the film were the Holly Hunter and Ray Ramona. Even in the real life characters, they were brainwashed, along with Emily. Totally skippable film. Instead, I would strongly suggest to watch 'Punching Henry', 'Obvious Child', 'Sleepwalk with me' and even 'The Vow' or you you could find many more in film database. Don't waste your time with it! _2/10_
Good watch, probably won't watch again, but can recommend if you can handle a medical emergency adventure. If you've seen "A Fault in Our Stars", this has a similar vibe for a lot of it. I'm a fan of Kumail Nanjiani, and I like Emily Gordon more, I'm honestly a little disappointed she didn't s ... tar in her own story, but I understand her reasons. Zoe Kazan, Ray Ramono and Holly Hunter are great in this, they all felt very natural. Now, I know Kumail is the lead, and a good portion of the story focuses on family nonsense, but (even though she's in a coma for a lot of it) Emily is equally a star in the story. That's what this is about, because it's (pretty much) a true story of two people coming together to form one life, and it is SO personal....so very personal. I almost think Kumail wanted to make the movie just so he could stop telling the (rather long) story in person, "Just go watch the movie." I know that a lot of it is just truth, but the adaptive writing for this is excellent, the structure keeps a well balanced pace between all the events happening, we have (lots) of loss and (powerful) gains. There is even a good bit of comedy worked into the story, but it is hard to handle the heavy weight of Emily's medical story. It might be affecting more due to the timing of it in my life, but, regardless, it's there. It doesn't make for the most upbeat experience. Emily, obviously, makes a recovery as it happened in real life, and now Kumail has a movie to remind her that he saved her life *eye roll*. The end is very uplifting, and sometimes it is nice to see a piece of history on screen, but do be aware that is what this is, for the most part.