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Voyage of Time: The IMAX Experience Poster

Voyage of Time: The IMAX Experience

The story of our universe.
2016 | 45m | English

(3225 votes)

TMDb IMDb

Popularity: 2 (history)

Director: Terrence Malick
Writer: Terrence Malick
Staring:
Details

A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
Release Date: Oct 07, 2016
Director: Terrence Malick
Writer: Terrence Malick
Genres: Documentary
Keywords philosophy, short film
Production Companies IMAX, Broad Green Pictures, Sophisticated Films
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 19, 2024
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Full Credits

Name Character
Brad Pitt Narrator (voice)
Jamal Cavil Early Human
Maisha Diatta Early Human
Yagazie Emezi Early Human
Daryl James Harris II Early Human
Sebastian Jackson Early Human
Abraham Kosgei Early Human
Runa Lucienne Early Human
Theo Bongani Ndyalvane Early Human (as Theophilus Bongani Ndyalvane)
Jejuan Plair Early Human
Gabi Rojas Early Human
Shaun Ross Early Human
Mechelle Tunstall Early Human
Sanetra Stewart Early Human
Blane E. Warrior II Early Human
Name Job
Lauren Mikus Music Supervisor
George Hull Concept Artist
Chris Navarro ADR Mixer
Rehman Nizar Ali Editor
Sophia Prete Producer's Assistant
Beth Aavang Producer's Assistant
Natalie Mattox Producer's Assistant
Grace Atkins Production Supervisor
Henry Butash Additional Editor
Hamilton Sterling Sound Designer
Paul Atkins Director of Photography
Greg Eliason Line Producer
John K. Patterson Production Supervisor
Dwight Chalmers Sound Mixer
Justin M. Davey Sound Effects Editor
Christopher Cody Flick Sound Editor
Jack Heeren Foley Mixer, Foley Recordist
Andy Malcolm Foley Artist
Jared Marshack Sound Recordist, Mix Technician
Paul Alix Special Effects
Joseph Batten Visual Effects
Jadrien Cousens Matte Painter
Brian Delmonico Visual Effects
Julia Durr Visual Effects Production Assistant
Dan Glass Visual Effects Supervisor
Brett Harding Visual Effects, VFX Production Coordinator
Chris Parks Other, Visual Effects
Matt Pulliam Special Effects Supervisor, Visual Effects
Adam Zanotto Digital Compositor
Owen Hammer Visual Effects
Victor Bruno Assistant Camera
Mark Gerasimenko Camera Operator
Mike Goveia Assistant Camera
Eric Hines Assistant Camera
Dustin Kukuk Assistant Camera
Tom Löwe Additional Photography
Chris Mierzwinski Assistant Camera
Josh Owens Assistant Camera
Nilo Merino Recalde Assistant Camera
Willard Chan Online Editor
Laura Colwell Assistant Editor
Andrew C. Richey First Assistant Editor, Assistant Editor
Kyle Seaquist Additional Editor
Brad Engleking Music Editor
Joshua Fritel Production Assistant
Kelli Murchison Production Assistant
Kate Poss Production Coordinator
Filipe Teixeira First Assistant Camera
Sarah Dowling Casting
Jennifer Hamilton Choreographer
Reiko Porter Key Costumer
John E. Jackson Prosthetics
Katherine Poss Production Coordinator
Marla Quintana Production Coordinator
Russell Leighty Researcher
Tony Costello Researcher
Nigel Ashcroft Other
Matthias Althaus Production Accountant
Don Gillespie Production Accountant
David Melito Production Accountant
Liz Millichamp Production Accountant
Caitlin Hunter Producer's Assistant
Leslie Losby Producer's Assistant
Emily Hohmann Producer's Assistant
Julie Hook Producer's Assistant
Kristin Mann Producer's Assistant
Dana Silverman Producer's Assistant
Einar Sveinn Þórðarson Production Supervisor
Brynhildur Birgisdottir Production Supervisor
Alejandra García Production Supervisor
John Patterson Production Supervisor
Tom Debenham Director of Photography, VFX Supervisor
Mark Miks Director of Photography
Peter Parks Other
Jini Durr Post Production Supervisor
Traci Duran First Assistant Editor
Natalie Martens Post Production Coordinator
Daniel Pisano Post Production Coordinator
Francis Roman Post Production Coordinator
Chaya Feiner Visual Effects Producer
Leila Nicotera Visual Effects Producer
Ali Griffiths Visual Effects Coordinator
Alessandro Costa 3D Artist
Jesse Hereng 3D Artist
James Brennon-Craddock 3D Artist
Giovanni Mascherpa 3D Artist
Federica Forresti 3D Artist
Joe Batten Compositor
Thomas Nivet Compositor
Jorge Cañada Escorihuela Compositor
Csaba Novák Compositor
Vincent Desgrippes Compositor
Lewis Saunders Compositor
Paul Campion Painter
Erik De Boer VFX Supervisor
Bruce Woloshyn VFX Supervisor
Hamish Schumacher Digital Effects Supervisor
Earl Paraszczynec CG Supervisor
Daniel Rauchwerger VFX Supervisor
Ann Podlozny Visual Effects Producer
Dick Bernstein Music Editor
C.C. Flick Assistant Sound Editor
Don White Foley Recordist
Stephen Muir Foley Recordist
Louis Kreusel Colorist
Todd Baillere Negative Cutter
German Nunez Negative Cutter
Terrence Malick Writer, Director
Sebastian Jones Additional Editor
Keith Fraase Editor
Joel Dougherty Sound Designer, Sound Re-Recording Mixer, Supervising Sound Editor
P.K. Hooker Sound Effects Editor
Goro Koyama Foley Artist
Brett Dowler Visual Effects Producer
V.W. Scheich Visual Effects Producer
Charlie Lézin Additional Editing
Trey Edward Shults Second Assistant Camera
Sarah Green Unit Production Manager
Jack Fisk Production Designer
Ruth De Jong Art Direction
Tom Macdonald Costume Design
Erik L. Brown First Assistant Camera
Matthew W. Mungle Prosthetics
Ben Weaver Producer's Assistant
Julio Quintana Camera Operator
Olivier Dumont VFX Supervisor
Lisa Goldberg Visual Effects Producer
Name Title
Brad Pitt Producer
Jacques Perrin Executive Producer
Sophokles Tasioulis Producer
Nicolas Gonda Producer
Mary Bing Executive Producer
Yves Chevalier Executive Producer
Daniel Hammond Executive Producer
Gabriel Hammond Executive Producer
Ryan Rettig Executive Producer
Donald Rosenfeld Executive Producer
Jini Durr Associate Producer
Dan Glass Associate Producer
Hans Graffunder Associate Producer
Victor Moyers Co-Executive Producer
Tanner Beard Executive Producer
Elizabeth Lodge Stepp Associate Producer
Morgan Pollitt Associate Producer
Tyler Savage Associate Producer
Bill Pohlad Producer
Dede Gardner Producer
Sarah Green Producer
Grant Hill Producer
Christos V. Konstantakopoulos Executive Producer
Asher Goldstein Co-Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 6 9 3
2024 5 7 11 4
2024 6 6 12 3
2024 7 10 26 4
2024 8 7 15 4
2024 9 5 7 3
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2024 12 5 8 3
2025 1 5 8 3
2025 2 4 6 2
2025 3 3 6 1
2025 4 1 1 1
2025 5 1 1 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 1 3 0
2025 9 2 2 1
2025 10 2 2 2

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Reviews

Frank Ochieng
N/A

Filmmaker Terrence Malick has always harbored the meditative and naturalistic nuances that seem to resonate so forcefully in his themed narratives. Malick’s movie-making consciousness and captive consideration for the visual sumptuousness of his brand of landscape cinema feels like a conventional to ... ol for his sort of sweeping storytelling in method and styling. Well, **Voyage of Time: The IMAX Experience** certainly fits the bill when entertaining the filmmaker’s quest for his take on presenting the history of the world in a 45-minute documentary that is noteworthy in stimulating, eye-popping wonderment and speculative forethought. No doubt that Malick’s imaginative, succulent and hypnotic **Voyage of Time: The IMAX Experience** has convincing and concentrated scope as it explores the elliptical elegance through the realm of the natural world’s conception of creation. The exposition indeed is minimal in time but feels grand and inviting as it is reminiscent of a cryptic, scientific global field trip en route to The Museum of Science for soul-searching self-discovery. Malick’s **Voyage of Time** is a metaphysical feast for the eyes and an absorbing invitation for embedded curiosities and uncertainties. There are various degrees of lyrical layers that define a Malick-oriented artistic vehicle that strives to showcase an instinctual aura for a colorful canvas of a nature-driven opus. The writer-director’s lavish filmography have been rewarding spectacles that pitted his characterizations and plot-lines against picturesque projects that include 1973’s _Badlands_, 1998’s _The Thin Red Line_, 2011’s _Tree of Life_, 1978’s _Days of Heaven_, 2005’s _The New World_ and 2012’s _To the Wonder_ just to name a few features that justifies Malick’s creative and collaborative tastes for majestic, scenic and glossy showcases. Indeed, **Voyage of Time: The IMAX Experience** may have its questionable designated ranking in terms of where it fits into the evocative portrait of Malick’s stable of narrative gems saddled with vibrant visuals. Still, the formula manages to hold its own in **Voyage** as Malick challenges our personal journeys to seek out collective truths in what we inherited as a beautifully crafted world in an IMAX documentary that is spell-binding in its brief boundaries of screen time. In true fashion, Malick serves up two dependable components in his trademark exposition: the allurement of nature and narration. In this case Malick taps Hollywood hotshot Brad Pitt as the polished presentation’s narrator whose flowing voice-over delivers the dutiful task of playing tour guide for the indescribable planetary and galactic gazing of the breath-taking imagery that persists on the widened IMAX screen. It is a larger-than-life experiment that feels quite transfixing when it exposes its momentous helpings of scientific scenery that only an IMAX backdrop can accomplish to delve into Malick’s elaborate world-forming vision. The invigorating attempt to address the beginning of the cosmos on the big screen is a resourceful gesture and Malick ensures that his cinematic research is stamped with authenticity as he involves experts skilled in natural history, NASA consultation and of course special effect demonstrations that bring us what the Earth’s formations would have developed into from the theological frames of time, space, nature and yes…the rise of mankind and the mighty creatures (dinosaurs in particular) that once ruled the planet without early man’s stronghold, destructive taming or technological intrusions. Some may get the uneasy feeling that **Voyage** may be nothing more than a glorified, preachy on-screen science project on display. However, Malick’s philosophical and exploratory story of our worldly existences in life forms, powerful land masses and space odysseys should not be dismissed as merely a celluloid earth general science homework assignment for viewing. Malick’s foray into inquiring from Homo sapiens to revealing fossils from the earth’s valued soil to the evolution of our planet’s animal species both monstrous and meek to the miraculous configuration of massive land structures and oceans (and yes…the mysteries of the encompassing galaxies that still arouse our fears and fascination) are convincingly compelling and show an in-depth appreciation for the gained acknowledgement of our complex yet intriguing planetary surroundings. Sadly, the fragility of humanity is on the brink of destruction in a deluded contemporary world laced with the poisons of cynicism, distrust, perversion and inhumane deterioration. Thankfully, **Voyage of Time: The IMAX Experiment** is a critical reminder that our amazing start pertaining to the gift of life is grounded in the preciousness of our understanding for inheriting the aforementioned mysteries of physical existence and planetary purpose. However, the inevitable end of mankind’s meandering madness in today’s toxic climate threatens to pollute Malick’s **Voyage** existential interpretation for the nature-inspired beauty that emerged from the early civilizations of time and space. Whether you are a committed tree-hugger or techno-titan at large one thing is definitely clear–Malick’s adventurous **Voyage** is worth exploring with a conscientious compass at the environmental hip. **Voyage of Time: The IMAX Experience** (2016) Length of time: 45 mins. Narration by: Brad Pitt (Cate Blanchett in the longer, standard-format version) Written and Directed by: Terrence Malick MPAA Rating: G Genre: Documentary/Science and Nature Critic’s rating: *** stars (out of 4 stars) (c) **Frank Ochieng** 2016

May 16, 2024