Popularity: 2 (history)
Director: | Terrence Malick |
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Writer: | Terrence Malick |
Staring: |
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet. | |
Release Date: | Oct 07, 2016 |
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Director: | Terrence Malick |
Writer: | Terrence Malick |
Genres: | Documentary |
Keywords | philosophy, short film |
Production Companies | IMAX, Broad Green Pictures, Sophisticated Films |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 19, 2024 |
Name | Character |
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Brad Pitt | Narrator (voice) |
Jamal Cavil | Early Human |
Maisha Diatta | Early Human |
Yagazie Emezi | Early Human |
Daryl James Harris II | Early Human |
Sebastian Jackson | Early Human |
Abraham Kosgei | Early Human |
Runa Lucienne | Early Human |
Theo Bongani Ndyalvane | Early Human (as Theophilus Bongani Ndyalvane) |
Jejuan Plair | Early Human |
Gabi Rojas | Early Human |
Shaun Ross | Early Human |
Mechelle Tunstall | Early Human |
Sanetra Stewart | Early Human |
Blane E. Warrior II | Early Human |
Name | Job |
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Lauren Mikus | Music Supervisor |
George Hull | Concept Artist |
Chris Navarro | ADR Mixer |
Rehman Nizar Ali | Editor |
Sophia Prete | Producer's Assistant |
Beth Aavang | Producer's Assistant |
Natalie Mattox | Producer's Assistant |
Grace Atkins | Production Supervisor |
Henry Butash | Additional Editor |
Hamilton Sterling | Sound Designer |
Paul Atkins | Director of Photography |
Greg Eliason | Line Producer |
John K. Patterson | Production Supervisor |
Dwight Chalmers | Sound Mixer |
Justin M. Davey | Sound Effects Editor |
Christopher Cody Flick | Sound Editor |
Jack Heeren | Foley Mixer, Foley Recordist |
Andy Malcolm | Foley Artist |
Jared Marshack | Sound Recordist, Mix Technician |
Paul Alix | Special Effects |
Joseph Batten | Visual Effects |
Jadrien Cousens | Matte Painter |
Brian Delmonico | Visual Effects |
Julia Durr | Visual Effects Production Assistant |
Dan Glass | Visual Effects Supervisor |
Brett Harding | Visual Effects, VFX Production Coordinator |
Chris Parks | Other, Visual Effects |
Matt Pulliam | Special Effects Supervisor, Visual Effects |
Adam Zanotto | Digital Compositor |
Owen Hammer | Visual Effects |
Victor Bruno | Assistant Camera |
Mark Gerasimenko | Camera Operator |
Mike Goveia | Assistant Camera |
Eric Hines | Assistant Camera |
Dustin Kukuk | Assistant Camera |
Tom Löwe | Additional Photography |
Chris Mierzwinski | Assistant Camera |
Josh Owens | Assistant Camera |
Nilo Merino Recalde | Assistant Camera |
Willard Chan | Online Editor |
Laura Colwell | Assistant Editor |
Andrew C. Richey | First Assistant Editor, Assistant Editor |
Kyle Seaquist | Additional Editor |
Brad Engleking | Music Editor |
Joshua Fritel | Production Assistant |
Kelli Murchison | Production Assistant |
Kate Poss | Production Coordinator |
Filipe Teixeira | First Assistant Camera |
Sarah Dowling | Casting |
Jennifer Hamilton | Choreographer |
Reiko Porter | Key Costumer |
John E. Jackson | Prosthetics |
Katherine Poss | Production Coordinator |
Marla Quintana | Production Coordinator |
Russell Leighty | Researcher |
Tony Costello | Researcher |
Nigel Ashcroft | Other |
Matthias Althaus | Production Accountant |
Don Gillespie | Production Accountant |
David Melito | Production Accountant |
Liz Millichamp | Production Accountant |
Caitlin Hunter | Producer's Assistant |
Leslie Losby | Producer's Assistant |
Emily Hohmann | Producer's Assistant |
Julie Hook | Producer's Assistant |
Kristin Mann | Producer's Assistant |
Dana Silverman | Producer's Assistant |
Einar Sveinn Þórðarson | Production Supervisor |
Brynhildur Birgisdottir | Production Supervisor |
Alejandra García | Production Supervisor |
John Patterson | Production Supervisor |
Tom Debenham | Director of Photography, VFX Supervisor |
Mark Miks | Director of Photography |
Peter Parks | Other |
Jini Durr | Post Production Supervisor |
Traci Duran | First Assistant Editor |
Natalie Martens | Post Production Coordinator |
Daniel Pisano | Post Production Coordinator |
Francis Roman | Post Production Coordinator |
Chaya Feiner | Visual Effects Producer |
Leila Nicotera | Visual Effects Producer |
Ali Griffiths | Visual Effects Coordinator |
Alessandro Costa | 3D Artist |
Jesse Hereng | 3D Artist |
James Brennon-Craddock | 3D Artist |
Giovanni Mascherpa | 3D Artist |
Federica Forresti | 3D Artist |
Joe Batten | Compositor |
Thomas Nivet | Compositor |
Jorge Cañada Escorihuela | Compositor |
Csaba Novák | Compositor |
Vincent Desgrippes | Compositor |
Lewis Saunders | Compositor |
Paul Campion | Painter |
Erik De Boer | VFX Supervisor |
Bruce Woloshyn | VFX Supervisor |
Hamish Schumacher | Digital Effects Supervisor |
Earl Paraszczynec | CG Supervisor |
Daniel Rauchwerger | VFX Supervisor |
Ann Podlozny | Visual Effects Producer |
Dick Bernstein | Music Editor |
C.C. Flick | Assistant Sound Editor |
Don White | Foley Recordist |
Stephen Muir | Foley Recordist |
Louis Kreusel | Colorist |
Todd Baillere | Negative Cutter |
German Nunez | Negative Cutter |
Terrence Malick | Writer, Director |
Sebastian Jones | Additional Editor |
Keith Fraase | Editor |
Joel Dougherty | Sound Designer, Sound Re-Recording Mixer, Supervising Sound Editor |
P.K. Hooker | Sound Effects Editor |
Goro Koyama | Foley Artist |
Brett Dowler | Visual Effects Producer |
V.W. Scheich | Visual Effects Producer |
Charlie Lézin | Additional Editing |
Trey Edward Shults | Second Assistant Camera |
Sarah Green | Unit Production Manager |
Jack Fisk | Production Designer |
Ruth De Jong | Art Direction |
Tom Macdonald | Costume Design |
Erik L. Brown | First Assistant Camera |
Matthew W. Mungle | Prosthetics |
Ben Weaver | Producer's Assistant |
Julio Quintana | Camera Operator |
Olivier Dumont | VFX Supervisor |
Lisa Goldberg | Visual Effects Producer |
Name | Title |
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Brad Pitt | Producer |
Jacques Perrin | Executive Producer |
Sophokles Tasioulis | Producer |
Nicolas Gonda | Producer |
Mary Bing | Executive Producer |
Yves Chevalier | Executive Producer |
Daniel Hammond | Executive Producer |
Gabriel Hammond | Executive Producer |
Ryan Rettig | Executive Producer |
Donald Rosenfeld | Executive Producer |
Jini Durr | Associate Producer |
Dan Glass | Associate Producer |
Hans Graffunder | Associate Producer |
Victor Moyers | Co-Executive Producer |
Tanner Beard | Executive Producer |
Elizabeth Lodge Stepp | Associate Producer |
Morgan Pollitt | Associate Producer |
Tyler Savage | Associate Producer |
Bill Pohlad | Producer |
Dede Gardner | Producer |
Sarah Green | Producer |
Grant Hill | Producer |
Christos V. Konstantakopoulos | Executive Producer |
Asher Goldstein | Co-Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 6 | 9 | 3 |
2024 | 5 | 7 | 11 | 4 |
2024 | 6 | 6 | 12 | 3 |
2024 | 7 | 10 | 26 | 4 |
2024 | 8 | 7 | 15 | 4 |
2024 | 9 | 5 | 7 | 3 |
2024 | 10 | 5 | 9 | 2 |
2024 | 11 | 5 | 12 | 3 |
2024 | 12 | 5 | 8 | 3 |
2025 | 1 | 5 | 8 | 3 |
2025 | 2 | 4 | 6 | 2 |
2025 | 3 | 3 | 6 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 1 | 3 | 0 |
2025 | 9 | 2 | 2 | 1 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
Filmmaker Terrence Malick has always harbored the meditative and naturalistic nuances that seem to resonate so forcefully in his themed narratives. Malick’s movie-making consciousness and captive consideration for the visual sumptuousness of his brand of landscape cinema feels like a conventional to ... ol for his sort of sweeping storytelling in method and styling. Well, **Voyage of Time: The IMAX Experience** certainly fits the bill when entertaining the filmmaker’s quest for his take on presenting the history of the world in a 45-minute documentary that is noteworthy in stimulating, eye-popping wonderment and speculative forethought. No doubt that Malick’s imaginative, succulent and hypnotic **Voyage of Time: The IMAX Experience** has convincing and concentrated scope as it explores the elliptical elegance through the realm of the natural world’s conception of creation. The exposition indeed is minimal in time but feels grand and inviting as it is reminiscent of a cryptic, scientific global field trip en route to The Museum of Science for soul-searching self-discovery. Malick’s **Voyage of Time** is a metaphysical feast for the eyes and an absorbing invitation for embedded curiosities and uncertainties. There are various degrees of lyrical layers that define a Malick-oriented artistic vehicle that strives to showcase an instinctual aura for a colorful canvas of a nature-driven opus. The writer-director’s lavish filmography have been rewarding spectacles that pitted his characterizations and plot-lines against picturesque projects that include 1973’s _Badlands_, 1998’s _The Thin Red Line_, 2011’s _Tree of Life_, 1978’s _Days of Heaven_, 2005’s _The New World_ and 2012’s _To the Wonder_ just to name a few features that justifies Malick’s creative and collaborative tastes for majestic, scenic and glossy showcases. Indeed, **Voyage of Time: The IMAX Experience** may have its questionable designated ranking in terms of where it fits into the evocative portrait of Malick’s stable of narrative gems saddled with vibrant visuals. Still, the formula manages to hold its own in **Voyage** as Malick challenges our personal journeys to seek out collective truths in what we inherited as a beautifully crafted world in an IMAX documentary that is spell-binding in its brief boundaries of screen time. In true fashion, Malick serves up two dependable components in his trademark exposition: the allurement of nature and narration. In this case Malick taps Hollywood hotshot Brad Pitt as the polished presentation’s narrator whose flowing voice-over delivers the dutiful task of playing tour guide for the indescribable planetary and galactic gazing of the breath-taking imagery that persists on the widened IMAX screen. It is a larger-than-life experiment that feels quite transfixing when it exposes its momentous helpings of scientific scenery that only an IMAX backdrop can accomplish to delve into Malick’s elaborate world-forming vision. The invigorating attempt to address the beginning of the cosmos on the big screen is a resourceful gesture and Malick ensures that his cinematic research is stamped with authenticity as he involves experts skilled in natural history, NASA consultation and of course special effect demonstrations that bring us what the Earth’s formations would have developed into from the theological frames of time, space, nature and yes…the rise of mankind and the mighty creatures (dinosaurs in particular) that once ruled the planet without early man’s stronghold, destructive taming or technological intrusions. Some may get the uneasy feeling that **Voyage** may be nothing more than a glorified, preachy on-screen science project on display. However, Malick’s philosophical and exploratory story of our worldly existences in life forms, powerful land masses and space odysseys should not be dismissed as merely a celluloid earth general science homework assignment for viewing. Malick’s foray into inquiring from Homo sapiens to revealing fossils from the earth’s valued soil to the evolution of our planet’s animal species both monstrous and meek to the miraculous configuration of massive land structures and oceans (and yes…the mysteries of the encompassing galaxies that still arouse our fears and fascination) are convincingly compelling and show an in-depth appreciation for the gained acknowledgement of our complex yet intriguing planetary surroundings. Sadly, the fragility of humanity is on the brink of destruction in a deluded contemporary world laced with the poisons of cynicism, distrust, perversion and inhumane deterioration. Thankfully, **Voyage of Time: The IMAX Experiment** is a critical reminder that our amazing start pertaining to the gift of life is grounded in the preciousness of our understanding for inheriting the aforementioned mysteries of physical existence and planetary purpose. However, the inevitable end of mankind’s meandering madness in today’s toxic climate threatens to pollute Malick’s **Voyage** existential interpretation for the nature-inspired beauty that emerged from the early civilizations of time and space. Whether you are a committed tree-hugger or techno-titan at large one thing is definitely clear–Malick’s adventurous **Voyage** is worth exploring with a conscientious compass at the environmental hip. **Voyage of Time: The IMAX Experience** (2016) Length of time: 45 mins. Narration by: Brad Pitt (Cate Blanchett in the longer, standard-format version) Written and Directed by: Terrence Malick MPAA Rating: G Genre: Documentary/Science and Nature Critic’s rating: *** stars (out of 4 stars) (c) **Frank Ochieng** 2016