 
  Popularity: 3 (history)
| Director: | Peter DeLuise | 
|---|---|
| Writer: | Julie Sherman Wolfe | 
| Staring: | 
| A woman expecting to get engaged on her all-important 30th birthday gets a different surprise after she makes her birthday wish: a glimpse into her future – which doesn’t resemble anything she’s ever imagined for herself. | |
| Release Date: | Jan 21, 2017 | 
|---|---|
| Director: | Peter DeLuise | 
| Writer: | Julie Sherman Wolfe | 
| Genres: | Romance, TV Movie | 
| Keywords | wish | 
| Production Companies | |
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 10, 2025 Entered: Apr 15, 2024 | 
| Name | Character | 
|---|---|
| Jessy Schram | Gwen Turner | 
| Luke Macfarlane | Dave McKinley | 
| Marcus Rosner | Alex | 
| David James Lewis | Bruce | 
| Cardi Wong | Greg | 
| Derek Green | Charles | 
| Drew Ray Tanner | Kian | 
| Benita Ha | Doctor | 
| Ronald Patrick Thompson | Waiter | 
| Robyn Ross | Cookie Actress | 
| Maja Milkovich | Restaurant Woman | 
| Mark Brandon | Pitchman | 
| Manoj Sood | Optometrist | 
| Yvonne Chapman | Mia | 
| Barbara Pollard | Katherine Turner | 
| Marc Petey | Creepy Guy | 
| Anya Cassis Policnick | Balcony Woman | 
| Name | Job | 
|---|---|
| Rick Martin | Editor | 
| Jill Scott | Production Design | 
| Randal Platt | Director of Photography | 
| Bill Mizel | First Assistant Director | 
| Sarah Rogers | Second Assistant Director | 
| Erez T. Yanuv Barzilay | Third Assistant Director | 
| Jason Macintyre | Post Production Supervisor | 
| Jacqueline Miller | Set Decoration | 
| Odessa Bennett | Costume Designer | 
| Annie Garnett | Assistant Costume Designer | 
| Taylor Stan | Assistant Costume Designer, Costume Set Supervisor | 
| Mai Truong | Truck Costumer | 
| Jade Bovers | Assistant Set Decoration | 
| Mathew Drummond | Set Dresser | 
| Jonathan Peter Fill | Set Dresser | 
| John Morstad | Property Master | 
| Haley Pearse | Assistant Property Master | 
| Malika Montague | Props | 
| Shaylean Smith Gillespie | Key Hair Stylist | 
| Tracy George | Key Makeup Artist | 
| Cristina Woods | Hairstylist | 
| Jessica De-Palma | Assistant Makeup Artist | 
| Sara Brown | Extras Casting | 
| Natalye Vivian | Casting Associate | 
| Rachel Klinosky | Extras Casting Assistant | 
| Sean Cox | "A" Camera Operator | 
| Jenna Fuoco | First Assistant "A" Camera | 
| Luke Hylands | Second Assistant "A" Camera | 
| David Tenniswood | Steadicam Operator, "B" Camera Operator | 
| Izaiah Kane | First Assistant "B" Camera | 
| Steven Singh | Second Assistant "B" Camera | 
| Tad Nazar | Production Sound Mixer | 
| Eric Weisner | Boom Operator | 
| Geoff Dane | Gaffer | 
| Knesha Yu | Best Boy Electric | 
| Corey Tremblay | Key Grip | 
| Marnie Termuende | Production Controller | 
| Svatia Sakarova | Production Accountant | 
| Susan Messent | Assistant Accountant | 
| Heather Trimble | Payroll Accountant | 
| Eddie Farfan | Assistant Location Manager | 
| Holly Atchison | Script Supervisor | 
| Darcy Davis | Special Effects Coordinator | 
| Dean Fitzpatrick | Transportation Coordinator | 
| Stefano Chimarios | Transportation Captain | 
| Sean Hanlin | Security Coordinator | 
| Karen Coderre | Craft Service | 
| Nikki Lee | Post Production Coordinator | 
| Saeed Vahidi | Assistant Editor | 
| Amanda Colquhoun | Assistant Editor | 
| Jimmy Hsu | Colorist | 
| Cassandra Yaseniuk | Online Editor | 
| Barry Liu | Visual Effects Supervisor | 
| Ryan Thompson | Sound Re-Recording Mixer, Sound Designer | 
| Greg Stewart | Sound Re-Recording Mixer | 
| Aaron Olson | Dialogue Editor | 
| Rick Senechal | Foley Recording Engineer | 
| Don Harrison | Foley Artist | 
| Ian Mackie | Foley Artist | 
| Sean Szutka | Assistant Sound Editor | 
| Valerie Biggin | Music Supervisor | 
| Keith Granger | Best Boy Grip | 
| Paul Heman | Dolly Grip | 
| Steve Mieszkalski | Dolly Grip | 
| Yale Kussin | Production Coordinator | 
| Laura Obenaus | Assistant Production Coordinator | 
| Sam Marshall | Assistant Production Coordinator | 
| Chase Brettoner | Assistant Production Coordinator | 
| Nancy Larman | Location Manager | 
| Peter DeLuise | Director | 
| Julie Sherman Wolfe | Writer | 
| Jackie Lind | Casting | 
| Catherine Kretz | Production Manager | 
| Brett Armstrong | Stunt Coordinator | 
| Siân O'Byrne | Music Coordinator | 
| Christopher Nickel | Original Music Composer | 
| Name | Title | 
|---|---|
| Jean Abounader | Producer | 
| Marnie Termuende | Supervising Producer | 
| Darren Giblin | Associate Producer | 
| Harvey Kahn | Producer | 
| Catherine Kretz | Supervising Producer | 
| Peter DeLuise | Executive Producer | 
| Michael Shepard | Associate Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 7 | 11 | 4 | 
| 2024 | 5 | 11 | 15 | 5 | 
| 2024 | 6 | 10 | 19 | 3 | 
| 2024 | 7 | 10 | 20 | 3 | 
| 2024 | 8 | 7 | 12 | 3 | 
| 2024 | 9 | 6 | 9 | 3 | 
| 2024 | 10 | 9 | 21 | 4 | 
| 2024 | 11 | 7 | 13 | 3 | 
| 2024 | 12 | 6 | 12 | 4 | 
| 2025 | 1 | 7 | 12 | 4 | 
| 2025 | 2 | 5 | 9 | 2 | 
| 2025 | 3 | 3 | 6 | 1 | 
| 2025 | 4 | 1 | 2 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 1 | 2 | 0 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
**For some people, the DELAY steers them to the right path.** This is the first Hallmark film I'm watching after the end of the winter. When it is the Christmas season, I always go for the Hallmark films, but I got interested on this after learning about the plot. If you are very familiar with Ha ... llmark films, you will know what to expect and how to enjoy them. I totally got entertained. This story is obviously not fresh, but refreshed with the great characters. Gwen is who just tuned 30, was expecting the marriage proposal from her boyfriend, but nothing happened. She's an ad filmmaker, as her focus slipping away from the duty for not getting married, then she meets a new workmate, whose their initial impression does not go well. But later they start to have feelings for each other. If that's true how they are going make it real was revealed in the rest of the film. Some of the lines were very nice. Well executed utilising fine cast and locations. Jessy Schram was simply amazing and also the plus point of the film. The rest of them were not bad either. Since it is a television film, it did not go past the 90 minute mark. That means well paced narration with the well developed storyline. I think it will work better for family audiences. But I suggest it for everyone, if they watch it with low expectation. Surely worth a try, particularly in a date night. _7/10_