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The Way Back Poster

The Way Back

Every loss is another fight.
2020 | 108m | English

(55410 votes)

TMDb IMDb

Popularity: 3 (history)

Director: Gavin O'Connor
Writer: Brad Ingelsby
Staring:
Details

A former basketball all-star, who has lost his wife and family foundation in a struggle with addiction, attempts to regain his soul and salvation by becoming the coach of a disparate ethnically mixed high school basketball team at his alma mater.
Release Date: Mar 05, 2020
Director: Gavin O'Connor
Writer: Brad Ingelsby
Genres: Drama
Keywords change, alcoholism, widower, basketball team, basketball coach, addiction recovery, dramatic, admiring
Production Companies Warner Bros. Pictures, Bron Studios, Mayhem Pictures, Pearl Street Films
Box Office Revenue: $14,590,514
Budget: $23,000,000
Updates Updated: Sep 29, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Ben Affleck Jack Cunningham
Al Madrigal Dan
Michaela Watkins Beth
Janina Gavankar Angela
Glynn Turman Doc
Melvin Gregg Marcus Parrish
Brandon Wilson Brandon Durrett
Will Ropp Kenny Dawes
Fernando Luis Vega Sam Garcia
Charles Lott, Jr. Chubbs Hendricks
Ben Irving Bobby Freeze
Da'Vinchi Devon Childress
John Aylward Father Edward Devine
T.K. Carter Russ
Rachael Carpani Diane
Todd Stashwick Kurt
Nancy Linehan Charles Anne
Dan Lauria Gerry Norris
Chris Bruno Sal
Matthew Glave Coach Lombardo
Jeremy Ratchford Matty (Bartender)
Jayne Taini Susan Norris
Jeremy Radin Father Mark Whelan
Nico David Ryan
Emelia Golfieri Sarah
Layla Golfieri Sarah
Sal Velez Jr. Miguel
Yeniffer Behrens Sofia
Eric Tate Sully - Ref #2
Christine Horn Doctor
Josh Latzer Construction Worker #1
Manny Streetz Construction Worker #2
Justice Alan David
Jay Abdo Liquor Store Owner
Joshua Hubbard Lead Referee
James P. Harkins Burly Man
Mike G. Employee
April Adams Betty
Chieko Hidaka Haley
Bronwen O'Connor Student
Charlotte Evelyn Williams Student
Kayla Díaz Student
Doc Jacobs Trinity Coach
Marlene Forte Gale
Shay Roundtree Ken
Chad Mountain Pat
Sandy Fletcher Summit Coach
Noah Ballou Opposing Coach
Cynthia Rose Hall Female Friend - Nancy
Calvin Barber Referee
Dino Lauro Fish Scale Operator
Roman Mathis Bishop Bench Player
Herbert Morales Bishop Bench Player
Mateo Ortiz Bishop Bench Player
Tyler O'Malley Bishop Bench Player
Tom Archdeacon Ethan (uncredited)
Brian Nuesi Basketball Player 7 (uncredited)
Edelyn Okano Denise (uncredited)
Carly Schneider Cheerleader (uncredited)
Caleb Thomas Mike Ball Boy (uncredited)
Hayes MacArthur Eric (uncredited)
Alexander Tassopoulos Basketball Player
Mason Blomberg Birthday Party Guest (uncredited)
Name Job
Craig Dollinger Boom Operator
Ellen Dorros Set Decoration Buyer
Cindy Evans Costume Design
David Rosenbloom Editor
Keith P. Cunningham Production Design
Douglas A. Mowat Set Decoration
Linia Marie Hardy Assistant Art Director
Stephanie Charbonneau Graphic Designer
Michael LaCorte Art Department Coordinator
Jane Madden Set Decoration Buyer
Bryan Mendoza Utility Sound
Bradley Rubin Art Direction
Wendy O'Brien Casting
Victor Ho Unit Production Manager
Kevin Lum Second Assistant Director
Paul Sonski Set Designer
Brittany Bradford Assistant Art Director
Andrew Campbell Graphic Designer
Fred Haft Leadman
Courtney Farnsworth Stunts
Craigory Glen Hunter Stunts
B R Lamar Stunts
J.P. Jones Property Master
Steve Gehrke Script Supervisor
Richard Foreman Jr. Still Photographer
Stephen MacDougall First Assistant "A" Camera
Jesse Cain First Assistant "B" Camera
Jesse Tyler Digital Imaging Technician
Anna Rottke Assistant Editor
Byron Wilson Supervising Sound Editor
Ezra Dweck Foley Editor
Christopher S. Aud Sound Re-Recording Mixer
Walter Spencer Foley Mixer
Tim McKeown Foley Artist
Jason Oliver ADR Mixer
Jo Kissack Folsom Assistant Costume Designer
Paul Corricelli Set Costumer
John M. 'Jack' Wright Key Costumer
Gerald Quist Makeup Department Head
Elizabeth Cortez Key Hair Stylist
Jerardo Gomez Rigging Gaffer
Jim Leidholdt Dolly Grip
Timothy White Best Boy Grip
Roy Prophet Grip
Brian Corpuz Production Secretary
Demelza Cronin Production Coordinator
Kelly A. Snyder Production Accountant
Maureen O'Reilly Payroll Accountant
Christopher Miller Location Manager
Raul Esparza III Assistant Location Manager
David Rowden II Stunts
Rick Chavez Assistant Property Master
Peter Rosenfeld "A" Camera Operator
Michael Merriman "B" Camera Operator
Jordan Pellegrini Second Assistant "A" Camera
Seth A. Peschansky Second Assistant "B" Camera
Curt Sobel Music Editor
Joe Rosenbloom First Assistant Editor
Bob Kellough Sound Effects Editor
Mark Coffey Assistant Sound Editor
Gary Summers Sound Re-Recording Mixer
Mike Horton Foley Artist
Tami Treadwell ADR Mixer
Sandy Kenyon Costume Supervisor
Natasha Romanow Set Costumer
Cindy Rosenthal Key Costumer
Jennifer Zide Key Makeup Artist
Kristin Wahl Hair Department Head
Mark McCarthy Chief Lighting Technician
Michael Anderson Key Grip
Christian Franz Staab Dolly Grip
Andrew Potter Grip
Michael Brown Grip
KB Pugliese Production Coordinator
Jesse Trinidad Assistant Production Coordinator
Anthea Strangis First Assistant Accountant
Wes Hagan Location Manager
Nate Birkett Assistant Location Manager
Joe Ondrejko Construction Coordinator
Tylre Synclair Casting Assistant
Heidi Falconer Publicist
Bill Dance Extras Casting
Laura Aughton Casting Associate
Rodrigo Dorame Transportation Captain
Larz Anderson Special Effects Supervisor
Gavin O'Connor Director
Eduard Grau Director of Photography
Brad Ingelsby Writer
Rob Simonsen Original Music Composer
Gabe Hilfer Music Supervisor
Bob Dohrmann Unit Production Manager
Jamie Marshall First Assistant Director
Bruce Jones Visual Effects Supervisor
Tom McComas Stunt Coordinator
Oliver Keller Stunts
Allan Graf Stunts
Lauren Shaw Stunts
Mark Mangini Supervising Sound Editor, Sound Re-Recording Mixer
George A. Sack Transportation Coordinator
Steven A. Morrow Sound Mixer
Yvan Lucas Digital Intermediate Colorist
Name Title
Jennifer Todd Producer
Kaitlyn Taaffe Cronholm Executive Producer
Brittany Hapner Co-Producer
Mark Ciardi Executive Producer
Kevin McCormick Executive Producer
Gordon Gray Producer
Gavin O'Connor Producer
Ravi D. Mehta Producer
Brad Ingelsby Executive Producer
Bob Dohrmann Executive Producer
Aaron L. Gilbert Executive Producer
Jason Cloth Executive Producer
Madison Ainley Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 17 22 12
2024 5 21 37 11
2024 6 21 51 11
2024 7 27 51 15
2024 8 18 38 9
2024 9 13 20 8
2024 10 15 24 9
2024 11 17 36 9
2024 12 13 24 9
2025 1 15 34 10
2025 2 12 21 3
2025 3 5 14 1
2025 4 3 8 1
2025 5 2 8 1
2025 6 2 5 1
2025 7 1 2 1
2025 8 2 2 1
2025 9 3 4 2
2025 10 3 3 3

Trending Position


Year Month High Avg
2025 9 282 564
Year Month High Avg
2025 2 806 806
Year Month High Avg
2025 1 706 706

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Reviews

msbreviews
7.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I’m not the greatest fan of inspirational sports dramas, but I also never disliked one. They all follow this storytelling formula that everyone recognizes, but it’s always successful. The protagonist ... is a miserable human being due to some tragic past. He gets another shot at life, usually an underdog situation, and he ultimately overcomes whatever challenge is thrown at him, including his addictions if he has any. Everyone lives “happily ever after”, and the viewer leaves the theater with a smile because that’s how it makes us feel. It’s incredibly easy to root for an underdog trying to raise its level and to reach something it never believed in. In The Way Back, the basketball team is awful, but Jack teaches them not only how to play better, but how to be a better *team*. Then, it’s just like the synopsis: a win here and there gets everyone back on track, and it’s very entertaining to watch these young kids “grow up” in every possible way. As a sportsman myself, several little details help me enjoy this type of movies even more. However, it’s a straightforward variation of the same cliche, predictable story… until one point. There’s one genuinely surprising development I didn’t see coming. I don’t know if it was due to my “defenses being down” or if Gavin O’Connor and Brad Ingelsby really did a great job at hiding it until the right moment, but it definitely worked. The lack of character-building regarding the secondary ones is probably my biggest issue aside from the formulaic screenplay. There’s one young kid that still has some sort of an arc, but it never gets the deserved consideration. It’s a very protagonist-centered film, and there’s nothing truly wrong with that, especially when Ben Affleck delivers one of his career-best performances. I left him for last because I do believe the whole movie succeeds due to his impressively captivating display. A lot of people talk about how Affleck’s own life and his past struggles with addiction make this a personal interpretation in the sense that he’s just portraying himself. Some people even diminished his performance by saying that “it’s easier to represent ourselves than a fictional character”, which I couldn’t disagree more. It’s an arduous task interpreting a version of our personality, let alone a very somber, sad part of it. It’s not only an enormous acting challenge but also a terrifying personal test. I digress. Honestly, I couldn’t care less about Affleck’s personal life, or anyone’s for that matter. People should stop trying to bring external themes to reviews, it’s one of the first principles film critics learn (but have unfortunately forgotten with time). I don’t know if his experience with addiction helped him with his performance or not, but he looks incredibly committed to his role. He elevates his character, and he carries the whole movie on his shoulders. Brilliant, emotional, and very realistic interpretation of someone dealing with depression, frustration, anger, and an addiction issue. All in all, The Way Back is an inspirational sports drama that follows the genre’s stereotypes and formulaic storytelling, but it’s still very successful in its execution. The secondary characters lack development, but there’s nothing wrong with a protagonist-centered story as long as the main actor delivers an exceptional display. Something Ben Affleck does in an emotionally powerful manner, delivering a genuine portrayal of someone with a tragic past and lots of personal issues. I believe it’s one of his career-best performances. Jack might follow every storyline that ever existed in this genre, but Ben Affleck is reason enough to give Gavin O’Connor’s flick a go. Rating: B

Jun 23, 2021
tmdb28039023
7.0

The Way Back (2020) is a return to form for Ben Affleck following an aimless second half of the previous decade – specifically his ill-advised stint in the DC Universe. In this drama directed by Gavin O'Connor and written by Brad Ingelsby (co-writer of the excellent Out of the Furnace), Affleck play ... s Jack Cunningham, a former high school star basketball player turned alcoholic construction worker who reluctantly accepts a coaching job at his alma mater. How do we know he's an alcoholic? Well, drinking beer in the shower is certainly not a good sign (and there are many others), but it’s mostly Affleck, who not only looks and sounds but for all intents and purposes is the part, turning in a cathartic, demon-exorcising performance. The central portion of the film is by design an abridged version of every high school basketball movie ever made. It’s done competently, with a knowledge of and appreciation for the game of hoops, as well as a sense of humor, but it’s nevertheless an afterthought; it would also be a foregone conclusion, if the script had actually been leading up all along to that buzzer-beating, game-winning, hail Mary shot that shortly segues into a freeze frame of Jack’s triumphantly grinning mug. Its Cinderella story – minus the fairytale happy ending – seems taken right out of many a Hollywood melodrama (because it actually is), but TWB is not – regardless of what All Movie or IMDb may tell you – a sports movie, nor is it about basketball like Hoosiers, or about inner city kids like Coach Carter; its scenes of on-court action and sideline banter, deftly choreographed and zestfully written and delivered but offering little new (other than comically pairing the Foulmouthed Coach with the catholic high school’s “team chaplain”), exist solely to make a point – and a very well made and well taken point it is. This narrative shorthand serves an overarching character study into which the filmmakers have put quite a lot more thought and work, revolving around a man who seemingly drinks just for the sake of getting drunk, and then gradually pulling back to reveal the underlying causes for, and consequences of, his alcoholism. It is said that hitting rock bottom is the beginning of the road to recovery, and the film uses basketball to pull Jack up, push him farther down, and ultimately pull him back up again.

Sep 03, 2022