Popularity: 3 (history)
Director: | Gavin O'Connor |
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Writer: | Brad Ingelsby |
Staring: |
A former basketball all-star, who has lost his wife and family foundation in a struggle with addiction, attempts to regain his soul and salvation by becoming the coach of a disparate ethnically mixed high school basketball team at his alma mater. | |
Release Date: | Mar 05, 2020 |
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Director: | Gavin O'Connor |
Writer: | Brad Ingelsby |
Genres: | Drama |
Keywords | change, alcoholism, widower, basketball team, basketball coach, addiction recovery, dramatic, admiring |
Production Companies | Warner Bros. Pictures, Bron Studios, Mayhem Pictures, Pearl Street Films |
Box Office |
Revenue: $14,590,514
Budget: $23,000,000 |
Updates |
Updated: Sep 29, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Ben Affleck | Jack Cunningham |
Al Madrigal | Dan |
Michaela Watkins | Beth |
Janina Gavankar | Angela |
Glynn Turman | Doc |
Melvin Gregg | Marcus Parrish |
Brandon Wilson | Brandon Durrett |
Will Ropp | Kenny Dawes |
Fernando Luis Vega | Sam Garcia |
Charles Lott, Jr. | Chubbs Hendricks |
Ben Irving | Bobby Freeze |
Da'Vinchi | Devon Childress |
John Aylward | Father Edward Devine |
T.K. Carter | Russ |
Rachael Carpani | Diane |
Todd Stashwick | Kurt |
Nancy Linehan Charles | Anne |
Dan Lauria | Gerry Norris |
Chris Bruno | Sal |
Matthew Glave | Coach Lombardo |
Jeremy Ratchford | Matty (Bartender) |
Jayne Taini | Susan Norris |
Jeremy Radin | Father Mark Whelan |
Nico David | Ryan |
Emelia Golfieri | Sarah |
Layla Golfieri | Sarah |
Sal Velez Jr. | Miguel |
Yeniffer Behrens | Sofia |
Eric Tate | Sully - Ref #2 |
Christine Horn | Doctor |
Josh Latzer | Construction Worker #1 |
Manny Streetz | Construction Worker #2 |
Justice Alan | David |
Jay Abdo | Liquor Store Owner |
Joshua Hubbard | Lead Referee |
James P. Harkins | Burly Man |
Mike G. | Employee |
April Adams | Betty |
Chieko Hidaka | Haley |
Bronwen O'Connor | Student |
Charlotte Evelyn Williams | Student |
Kayla Díaz | Student |
Doc Jacobs | Trinity Coach |
Marlene Forte | Gale |
Shay Roundtree | Ken |
Chad Mountain | Pat |
Sandy Fletcher | Summit Coach |
Noah Ballou | Opposing Coach |
Cynthia Rose Hall | Female Friend - Nancy |
Calvin Barber | Referee |
Dino Lauro | Fish Scale Operator |
Roman Mathis | Bishop Bench Player |
Herbert Morales | Bishop Bench Player |
Mateo Ortiz | Bishop Bench Player |
Tyler O'Malley | Bishop Bench Player |
Tom Archdeacon | Ethan (uncredited) |
Brian Nuesi | Basketball Player 7 (uncredited) |
Edelyn Okano | Denise (uncredited) |
Carly Schneider | Cheerleader (uncredited) |
Caleb Thomas | Mike Ball Boy (uncredited) |
Hayes MacArthur | Eric (uncredited) |
Alexander Tassopoulos | Basketball Player |
Mason Blomberg | Birthday Party Guest (uncredited) |
Name | Job |
---|---|
Craig Dollinger | Boom Operator |
Ellen Dorros | Set Decoration Buyer |
Cindy Evans | Costume Design |
David Rosenbloom | Editor |
Keith P. Cunningham | Production Design |
Douglas A. Mowat | Set Decoration |
Linia Marie Hardy | Assistant Art Director |
Stephanie Charbonneau | Graphic Designer |
Michael LaCorte | Art Department Coordinator |
Jane Madden | Set Decoration Buyer |
Bryan Mendoza | Utility Sound |
Bradley Rubin | Art Direction |
Wendy O'Brien | Casting |
Victor Ho | Unit Production Manager |
Kevin Lum | Second Assistant Director |
Paul Sonski | Set Designer |
Brittany Bradford | Assistant Art Director |
Andrew Campbell | Graphic Designer |
Fred Haft | Leadman |
Courtney Farnsworth | Stunts |
Craigory Glen Hunter | Stunts |
B R Lamar | Stunts |
J.P. Jones | Property Master |
Steve Gehrke | Script Supervisor |
Richard Foreman Jr. | Still Photographer |
Stephen MacDougall | First Assistant "A" Camera |
Jesse Cain | First Assistant "B" Camera |
Jesse Tyler | Digital Imaging Technician |
Anna Rottke | Assistant Editor |
Byron Wilson | Supervising Sound Editor |
Ezra Dweck | Foley Editor |
Christopher S. Aud | Sound Re-Recording Mixer |
Walter Spencer | Foley Mixer |
Tim McKeown | Foley Artist |
Jason Oliver | ADR Mixer |
Jo Kissack Folsom | Assistant Costume Designer |
Paul Corricelli | Set Costumer |
John M. 'Jack' Wright | Key Costumer |
Gerald Quist | Makeup Department Head |
Elizabeth Cortez | Key Hair Stylist |
Jerardo Gomez | Rigging Gaffer |
Jim Leidholdt | Dolly Grip |
Timothy White | Best Boy Grip |
Roy Prophet | Grip |
Brian Corpuz | Production Secretary |
Demelza Cronin | Production Coordinator |
Kelly A. Snyder | Production Accountant |
Maureen O'Reilly | Payroll Accountant |
Christopher Miller | Location Manager |
Raul Esparza III | Assistant Location Manager |
David Rowden II | Stunts |
Rick Chavez | Assistant Property Master |
Peter Rosenfeld | "A" Camera Operator |
Michael Merriman | "B" Camera Operator |
Jordan Pellegrini | Second Assistant "A" Camera |
Seth A. Peschansky | Second Assistant "B" Camera |
Curt Sobel | Music Editor |
Joe Rosenbloom | First Assistant Editor |
Bob Kellough | Sound Effects Editor |
Mark Coffey | Assistant Sound Editor |
Gary Summers | Sound Re-Recording Mixer |
Mike Horton | Foley Artist |
Tami Treadwell | ADR Mixer |
Sandy Kenyon | Costume Supervisor |
Natasha Romanow | Set Costumer |
Cindy Rosenthal | Key Costumer |
Jennifer Zide | Key Makeup Artist |
Kristin Wahl | Hair Department Head |
Mark McCarthy | Chief Lighting Technician |
Michael Anderson | Key Grip |
Christian Franz Staab | Dolly Grip |
Andrew Potter | Grip |
Michael Brown | Grip |
KB Pugliese | Production Coordinator |
Jesse Trinidad | Assistant Production Coordinator |
Anthea Strangis | First Assistant Accountant |
Wes Hagan | Location Manager |
Nate Birkett | Assistant Location Manager |
Joe Ondrejko | Construction Coordinator |
Tylre Synclair | Casting Assistant |
Heidi Falconer | Publicist |
Bill Dance | Extras Casting |
Laura Aughton | Casting Associate |
Rodrigo Dorame | Transportation Captain |
Larz Anderson | Special Effects Supervisor |
Gavin O'Connor | Director |
Eduard Grau | Director of Photography |
Brad Ingelsby | Writer |
Rob Simonsen | Original Music Composer |
Gabe Hilfer | Music Supervisor |
Bob Dohrmann | Unit Production Manager |
Jamie Marshall | First Assistant Director |
Bruce Jones | Visual Effects Supervisor |
Tom McComas | Stunt Coordinator |
Oliver Keller | Stunts |
Allan Graf | Stunts |
Lauren Shaw | Stunts |
Mark Mangini | Supervising Sound Editor, Sound Re-Recording Mixer |
George A. Sack | Transportation Coordinator |
Steven A. Morrow | Sound Mixer |
Yvan Lucas | Digital Intermediate Colorist |
Name | Title |
---|---|
Jennifer Todd | Producer |
Kaitlyn Taaffe Cronholm | Executive Producer |
Brittany Hapner | Co-Producer |
Mark Ciardi | Executive Producer |
Kevin McCormick | Executive Producer |
Gordon Gray | Producer |
Gavin O'Connor | Producer |
Ravi D. Mehta | Producer |
Brad Ingelsby | Executive Producer |
Bob Dohrmann | Executive Producer |
Aaron L. Gilbert | Executive Producer |
Jason Cloth | Executive Producer |
Madison Ainley | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 17 | 22 | 12 |
2024 | 5 | 21 | 37 | 11 |
2024 | 6 | 21 | 51 | 11 |
2024 | 7 | 27 | 51 | 15 |
2024 | 8 | 18 | 38 | 9 |
2024 | 9 | 13 | 20 | 8 |
2024 | 10 | 15 | 24 | 9 |
2024 | 11 | 17 | 36 | 9 |
2024 | 12 | 13 | 24 | 9 |
2025 | 1 | 15 | 34 | 10 |
2025 | 2 | 12 | 21 | 3 |
2025 | 3 | 5 | 14 | 1 |
2025 | 4 | 3 | 8 | 1 |
2025 | 5 | 2 | 8 | 1 |
2025 | 6 | 2 | 5 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 2 | 2 | 1 |
2025 | 9 | 3 | 4 | 2 |
2025 | 10 | 3 | 3 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 282 | 564 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 806 | 806 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 706 | 706 |
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I’m not the greatest fan of inspirational sports dramas, but I also never disliked one. They all follow this storytelling formula that everyone recognizes, but it’s always successful. The protagonist ... is a miserable human being due to some tragic past. He gets another shot at life, usually an underdog situation, and he ultimately overcomes whatever challenge is thrown at him, including his addictions if he has any. Everyone lives “happily ever after”, and the viewer leaves the theater with a smile because that’s how it makes us feel. It’s incredibly easy to root for an underdog trying to raise its level and to reach something it never believed in. In The Way Back, the basketball team is awful, but Jack teaches them not only how to play better, but how to be a better *team*. Then, it’s just like the synopsis: a win here and there gets everyone back on track, and it’s very entertaining to watch these young kids “grow up” in every possible way. As a sportsman myself, several little details help me enjoy this type of movies even more. However, it’s a straightforward variation of the same cliche, predictable story… until one point. There’s one genuinely surprising development I didn’t see coming. I don’t know if it was due to my “defenses being down” or if Gavin O’Connor and Brad Ingelsby really did a great job at hiding it until the right moment, but it definitely worked. The lack of character-building regarding the secondary ones is probably my biggest issue aside from the formulaic screenplay. There’s one young kid that still has some sort of an arc, but it never gets the deserved consideration. It’s a very protagonist-centered film, and there’s nothing truly wrong with that, especially when Ben Affleck delivers one of his career-best performances. I left him for last because I do believe the whole movie succeeds due to his impressively captivating display. A lot of people talk about how Affleck’s own life and his past struggles with addiction make this a personal interpretation in the sense that he’s just portraying himself. Some people even diminished his performance by saying that “it’s easier to represent ourselves than a fictional character”, which I couldn’t disagree more. It’s an arduous task interpreting a version of our personality, let alone a very somber, sad part of it. It’s not only an enormous acting challenge but also a terrifying personal test. I digress. Honestly, I couldn’t care less about Affleck’s personal life, or anyone’s for that matter. People should stop trying to bring external themes to reviews, it’s one of the first principles film critics learn (but have unfortunately forgotten with time). I don’t know if his experience with addiction helped him with his performance or not, but he looks incredibly committed to his role. He elevates his character, and he carries the whole movie on his shoulders. Brilliant, emotional, and very realistic interpretation of someone dealing with depression, frustration, anger, and an addiction issue. All in all, The Way Back is an inspirational sports drama that follows the genre’s stereotypes and formulaic storytelling, but it’s still very successful in its execution. The secondary characters lack development, but there’s nothing wrong with a protagonist-centered story as long as the main actor delivers an exceptional display. Something Ben Affleck does in an emotionally powerful manner, delivering a genuine portrayal of someone with a tragic past and lots of personal issues. I believe it’s one of his career-best performances. Jack might follow every storyline that ever existed in this genre, but Ben Affleck is reason enough to give Gavin O’Connor’s flick a go. Rating: B
The Way Back (2020) is a return to form for Ben Affleck following an aimless second half of the previous decade – specifically his ill-advised stint in the DC Universe. In this drama directed by Gavin O'Connor and written by Brad Ingelsby (co-writer of the excellent Out of the Furnace), Affleck play ... s Jack Cunningham, a former high school star basketball player turned alcoholic construction worker who reluctantly accepts a coaching job at his alma mater. How do we know he's an alcoholic? Well, drinking beer in the shower is certainly not a good sign (and there are many others), but it’s mostly Affleck, who not only looks and sounds but for all intents and purposes is the part, turning in a cathartic, demon-exorcising performance. The central portion of the film is by design an abridged version of every high school basketball movie ever made. It’s done competently, with a knowledge of and appreciation for the game of hoops, as well as a sense of humor, but it’s nevertheless an afterthought; it would also be a foregone conclusion, if the script had actually been leading up all along to that buzzer-beating, game-winning, hail Mary shot that shortly segues into a freeze frame of Jack’s triumphantly grinning mug. Its Cinderella story – minus the fairytale happy ending – seems taken right out of many a Hollywood melodrama (because it actually is), but TWB is not – regardless of what All Movie or IMDb may tell you – a sports movie, nor is it about basketball like Hoosiers, or about inner city kids like Coach Carter; its scenes of on-court action and sideline banter, deftly choreographed and zestfully written and delivered but offering little new (other than comically pairing the Foulmouthed Coach with the catholic high school’s “team chaplain”), exist solely to make a point – and a very well made and well taken point it is. This narrative shorthand serves an overarching character study into which the filmmakers have put quite a lot more thought and work, revolving around a man who seemingly drinks just for the sake of getting drunk, and then gradually pulling back to reveal the underlying causes for, and consequences of, his alcoholism. It is said that hitting rock bottom is the beginning of the road to recovery, and the film uses basketball to pull Jack up, push him farther down, and ultimately pull him back up again.