Popularity: 2 (history)
| Director: | Robert D. Krzykowski |
|---|---|
| Writer: | Robert D. Krzykowski |
| Staring: |
| Decades after serving in WWII and assassinating Adolf Hitler, a legendary American war veteran must now hunt down the fabled Bigfoot. | |
| Release Date: | Feb 08, 2019 |
|---|---|
| Director: | Robert D. Krzykowski |
| Writer: | Robert D. Krzykowski |
| Genres: | Fantasy, Adventure, Drama |
| Keywords | canada, war veteran, world war ii, mythical creature, alternate history, bigfoot hunter, adolf hitler, aging hero, patient zero |
| Production Companies | Epic Pictures Group, Makeshift Pictures |
| Box Office |
Revenue: $3,822
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Sam Elliott | Calvin Barr |
| Aidan Turner | Calvin Barr |
| Caitlin FitzGerald | Maxine |
| Rizwan Manji | Maple Leaf |
| Larry Miller | Ed |
| Ron Livingston | Flag Pin |
| Nikolai Tsankov | The Russian |
| Ellar Coltrane | The Clerk |
| Sean Bridgers | Mr. Gardner / Mr. Gardner's Son |
| Kelley Curran | Mrs. Gardner |
| Alton Fitzgerald White | George |
| Rocco Gioffre | The Priggish Nazi |
| Joe Lucas | Hitler |
| Mark Steger | The Bigfoot |
| Ross McCredy | Nazi Guard |
| Melissa Jalali | Secretary |
| Hugh 'Terry' Holland | Bum |
| Dean Neistat | Paxton |
| Cris Tucci | Rizz |
| John C. Quinlan | Paperboy |
| Leslie Trentalange | Mother |
| Daniel B. Martin | Peasant Farmer |
| Julian Mayo | Peasant Boy |
| Alan Francis Sullivan | SS Officer |
| Steve Provizer | Band Leader |
| Steve Wojtowicz | Drunk Man |
| Robert Nunnelly | Little Ed |
| Dennis Gray | Barr's Father |
| Dianne Bischoff James | Barr's Mother |
| Cori Miller | Maxine's Friend |
| Sally Nutt | Ed's Wife |
| David Damkoehler | Lead Turtle |
| Anastasia Tsikhanava | Ed's Daughter |
| Kristen Anne Ferraro | Concentration Camp Prisoner |
| Dianne Bischoff | Mother |
| Rosemary Howard | 1940s Diner Patron |
| Name | Job |
|---|---|
| Robert D. Krzykowski | Director, Screenplay |
| Alex Vendler | Director of Photography |
| Zach Passero | Editor |
| Kellie Roy | Casting |
| Chantal Birdsong | Art Direction |
| Brett Hatcher | Production Design |
| Joe Kraemer | Original Music Composer |
| Michael Bevins | Costume Design |
| Carol Cutshall | Costume Design |
| Maria Dirolf | Set Decoration |
| Andrew Smetek | Sound Designer |
| Richard Yuricich | Visual Effects Supervisor |
| Elaine Marie Gibson | First Assistant Director |
| Theresa Frankel | Production Supervisor |
| Joshua Hargrave | Property Master |
| Dan J. Eaton | Special Effects |
| Kathleen Miller | Still Photographer |
| Brooke Melnik | Still Photographer |
| Chris Hill | Gaffer |
| Ben Heald | Gaffer |
| Dan Peck | Gaffer |
| Mike L. Germaine | Key Grip |
| Hugh Holesome | Sound Mixer |
| Sarah Lawless Emmett | Makeup Department Head |
| Mara Schiavetti | Hair Department Head |
| Morgan Robbins | Casting Associate |
| Lisa Lobel | Casting |
| Michael Coulombe | Script Supervisor |
| Sid Yost | Animal Coordinator |
| John P. Nugent | Visual Effects Supervisor |
| Joe Goyette | Post Production Supervisor |
| Jonathan Greber | Supervising Sound Editor |
| Stephen Urata | Sound Re-Recording Mixer |
| Anne McCarthy | Casting |
| Todd Antonio Somodevilla | Second Unit Director of Photography |
| Jared Burke | Stunt Coordinator |
| Name | Title |
|---|---|
| John Sayles | Executive Producer |
| Lucky McKee | Producer |
| Shaked Berenson | Producer |
| Patrick Ewald | Producer |
| Giles Daoust | Executive Producer |
| Catherine Dumonceaux | Executive Producer |
| Louise Lovegrove | Executive Producer |
| Deborah Shriver | Executive Producer |
| John Shriver | Executive Producer |
| Jackie Krzykowski | Co-Producer |
| Toby Holmes | Associate Producer |
| Thomas Shriver | Associate Producer |
| Katie Page | Co-Producer |
| Robert D. Krzykowski | Producer |
| Douglas Trumbull | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 15 | 24 | 11 |
| 2024 | 5 | 19 | 29 | 11 |
| 2024 | 6 | 20 | 50 | 9 |
| 2024 | 7 | 19 | 29 | 10 |
| 2024 | 8 | 14 | 26 | 10 |
| 2024 | 9 | 12 | 17 | 8 |
| 2024 | 10 | 17 | 28 | 10 |
| 2024 | 11 | 17 | 45 | 10 |
| 2024 | 12 | 13 | 28 | 8 |
| 2025 | 1 | 13 | 18 | 10 |
| 2025 | 2 | 10 | 17 | 3 |
| 2025 | 3 | 5 | 12 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 4 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 1 | 3 | 0 |
| 2025 | 10 | 1 | 2 | 1 |
Trending Position
When I see a title like that, I get excited. I expect to love it, I think it's going to be as insanely fun as Iron Sky. Instead, despite the name, it took itself a bit too seriously. And that kind of killed the fun. It could have been cheesy B-Movie fun, but instead it felt like it tried too h ... ard to be Art House trash instead.