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Pinocchio Poster

Pinocchio

The timeless classic.
2022 | 105m | English

(45522 votes)

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Popularity: 5 (history)

Details

A wooden puppet embarks on a thrilling adventure to become a real boy.
Release Date: Sep 07, 2022
Director: Robert Zemeckis
Writer: Chris Weitz, Robert Zemeckis
Genres: Family, Fantasy, Adventure
Keywords fairy, musical, puppet, live action and animation, live action remake, talking animal
Production Companies Walt Disney Pictures, Depth of Field, ImageMovers
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 10, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Joseph Gordon-Levitt Jiminy Cricket (voice)
Tom Hanks Geppetto
Benjamin Evan Ainsworth Pinocchio (voice)
Angus Wright Signore Rizzi
Cynthia Erivo Blue Fairy
Sheila Atim Signora Vitelli
Lorraine Bracco Sofia the Seagull (voice)
Keegan-Michael Key 'Honest' John (voice)
Jamie Demetriou Headmaster
Giuseppe Battiston Stromboli
Kyanne Lamaya Fabiana
Jaquita Ta'le Sabina (voice)
Lewin Lloyd Lampwick
Luke Evans Coachman
Adelaide Barham Pleasure Island Troupe
Poppy Blackwood Pleasure Island Troupe
Katie Boothroyd Pleasure Island Troupe
Lucy Boothroyd Pleasure Island Troupe
Louisa Boyd Leslie Pleasure Island Troupe
Tyne Burgess Pleasure Island Troupe
Verity Constantinou Pleasure Island Troupe
Sylvie Cotterell Pleasure Island Troupe
Phoebe Davies Pleasure Island Troupe
Memphis-Lee Dixon Pleasure Island Troupe
Joseph Duffy Pleasure Island Troupe
Talia Etherington Pleasure Island Troupe
Aimee Enejo Pleasure Island Troupe
Felix Fewell Russell Pleasure Island Troupe
Darcey Foster Pleasure Island Troupe
Ben George Pleasure Island Troupe
Jack Grant Pleasure Island Troupe
Barney Harper Pleasure Island Troupe
Ayla Hooper Pleasure Island Troupe
Dean Johnson Pleasure Island Troupe
Leila Johnson Pleasure Island Troupe
Isla King Pleasure Island Troupe
Jaxon Knopf Pleasure Island Troupe
Keir Loughran Pleasure Island Troupe
Oscar Loughran Pleasure Island Troupe
Anya Lucker Pleasure Island Troupe
Harrison Mackinnon Pleasure Island Troupe
Poppy Mardlin Pleasure Island Troupe
Imogen Maynard Pleasure Island Troupe
Sebastian McDonough Pleasure Island Troupe
Ruby Middleton Pleasure Island Troupe
Abeni Munro Pleasure Island Troupe
Samuel Newby Pleasure Island Troupe
Kheiri Isaac-Osmani Pleasure Island Troupe
Amira Piddington Pleasure Island Troupe
Max Powers-Jones Pleasure Island Troupe
Ella Robertson Pleasure Island Troupe
Sophie Roscoe Pleasure Island Troupe
Ethan Sey Pleasure Island Troupe
Sebastian Shotliff Pleasure Island Troupe
Fred Sweetman Pleasure Island Troupe
Sophia Symondson-Cann Pleasure Island Troupe
Evie Templeton Pleasure Island Troupe
Conall Turner Pleasure Island Troupe
Stanley Voss Pleasure Island Troupe
Louis Wakeling Pleasure Island Troupe
Calista Walters Pleasure Island Troupe
Edward Walton Pleasure Island Troupe
Nathan Whale Pleasure Island Troupe
Fred Wilcox Pleasure Island Troupe
Sam Winser Pleasure Island Troupe
Theo Wyatt Pleasure Island Troupe
Name Job
Stefan Dechant Production Design
Sandra Scott Visual Effects Producer
Jeremy Johns Unit Production Manager
Jesse Goldsmith Editor
Mick Audsley Editor
Matthew Sullivan Music Supervisor
Scot Boland Casting Director
David Cain Unit Production Manager
Lee Grumett First Assistant Director
Emma Horton Second Assistant Director
Ben Jones Visual Effects Supervisor
Chris Weitz Screenplay
Christophe St-Pierre Paradis Animation Supervisor
Kaveh Ruintan Animation Supervisor
Jenny Shircore Makeup Designer, Hair Designer
John Midgley Production Sound Mixer
Eunice Huthart Stunt Coordinator
Francesca Jaynes Choreographer
Jeremy Bradley Visual Effects Editor
Paul Parsons Visual Effects Editor
Olivia Muggleton Art Direction
Stephen Swain Art Direction
Andrew Palmer Art Direction
Patrick Dunn-Baker Set Designer
Daniela Medeiros Set Designer
Ron Mendell Set Designer
Trinh Vu Set Designer
Jane Wuu Set Designer
Tina Jones Set Decoration
Brendan Handscombe Costume Supervisor
Sarah Kelly Makeup Supervisor, Hair Supervisor
Sam Bear Makeup & Hair
Danielle Stanners Production Coordinator
Jeff Carson Music Editor
Steve Durkee Music Editor
Charles Martin Inouye Music Editor
Bjørn Ole Schroeder Supervising Sound Editor
Ali Pak Visual Effects Coordinator
Sarah Moussaif Visual Effects Producer
Michele Alessi Digital Effects Supervisor
Alessandro Sabbioni CG Supervisor
James Rustad CG Supervisor
Erik Gonzalez CG Supervisor
Manivannan Madhesan CG Supervisor
Rob Bliss Concept Artist
Denise Acosta Art Department Assistant
Alan Silvestri Original Music Composer, Songs
Joanna Johnston Costume Design
Glen Ballard Songs
Randy Thom Sound Designer
Robert Zemeckis Director, Screenplay
Kevin Baillie Visual Effects Supervisor
Victoria Burrows Casting Director
Paul Lowe Stunt Coordinator
Carlo Collodi Original Film Writer
John Roesch Foley Artist
Gary Rizzo Sound Re-Recording Mixer
Steve Ellingworth Key Grip
Jason Sweers Graphic Designer
Peter Hayley-Barker Best Boy Grip
Don Burgess Director of Photography
Doug Chiang Production Design
Alistair Williams Special Effects Supervisor
Name Title
Jacqueline Levine Executive Producer
Derek Hogue Producer
Jeremy Johns Executive Producer
Lee Grumett Co-Producer
Chris Weitz Producer
Jack Rapke Executive Producer
Paul Weitz Executive Producer
Robert Zemeckis Producer
Andrew Miano Producer
Dan Balgoyen Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 48 75 29
2024 5 46 82 32
2024 6 39 67 25
2024 7 37 61 28
2024 8 44 77 28
2024 9 31 39 23
2024 10 39 84 28
2024 11 31 40 24
2024 12 29 37 24
2025 1 37 56 24
2025 2 23 35 4
2025 3 11 32 3
2025 4 5 9 4
2025 5 4 10 3
2025 6 4 7 3
2025 7 3 7 2
2025 8 5 6 3
2025 9 5 6 4
2025 10 6 8 5

Trending Position


Year Month High Avg
2025 7 796 851
Year Month High Avg
2025 5 766 823
Year Month High Avg
2025 4 391 737
Year Month High Avg
2025 3 136 660
Year Month High Avg
2025 2 443 763
Year Month High Avg
2025 1 659 830
Year Month High Avg
2024 12 646 830
Year Month High Avg
2024 10 506 670
Year Month High Avg
2024 9 908 908
Year Month High Avg
2024 8 582 870

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Reviews

msbreviews
5.0

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/pinocchio-spoiler-free-review "Pinocchio boasts a more thematically impactful ending than the original but fails to deliver a new version of the famous childhood tale with the same magic and allure of the past. Tom Hanks and m ... ost of the voice cast embody the spirit of the 1940's flick perfectly, but the characters lack further development and imaginative modifications. The blend between animation and CGI components with real humans and sets is awkwardly inconsistent, leaving the viewers with a weird sensation throughout the whole runtime. The cast's musical prowess and memorable songs help with the entertainment aspect, but overall, it's a somewhat disappointing new take." Rating: C

Sep 08, 2022
ChrisSawin
3.0

_Pinocchio_ has been begrudgingly transformed from a flawed animated masterpiece into this shiny, superfluous turd of a live-action film. The majority of the classic characters have been mangled in some capacity while new characters are lame fluff serving as more of insurmountable obstacles you’re f ... orced to endure rather than offering any sort of entertainment value or overall purpose to the actual story. With tangled strings and meandering storytelling, _Pinocchio_ is a musical misfire that attempts to annihilate everything that made its animated counterpart so enjoyable. **Full review:** https://boundingintocomics.com/2022/09/09/pinocchio-review-a-bloated-beached-whale-of-a-live-action-remake/

Sep 10, 2022
nada.feteiha
N/A

> amazing movie ...

Sep 28, 2022
kdumers
N/A

Terrible remake of the original “When you wish upon a star” classic we’ve grown to love!!! Lack of creativity and Disney entertainment you’d expect to see in this woke made version!!! So I say we only scale it to only an hour at best if this remake is going to try to distort the original film’s tru ... e morals about believing in your dreams!!

Mar 18, 2023
screenzealots
1.0

**By: Louisa Moore / www.ScreenZealots.com** For some reason (we all know it’s the money), Disney is determined to mine their vault for material to remake, update, or “reimagine.” The studio’s latest abomination is the live action and animated musical “Pinocchio,” a massive misfire that tarnishes ... the beloved 1940s classic. Director and co-writer Robert Zemeckis‘ film is unimaginative, unwelcome, and uninspired. Geppetto (Tom Hanks) is a lonely Italian woodcarver who builds a marionette named Pinocchio (voice of Benjamin Evan Ainsworth) and treats him like his real son. With the help of a little magic from the Blue Fairy (Cynthia Erivo), the puppet comes to life and dreams of becoming a real boy. The film follows Pinocchio’s adventures and missteps on his quest to make this fantasy a reality, including being duped by Honest John (voice of Keegan-Michael Key), being kidnapped by a circus, getting turned into a donkey, and being swallowed by a whale. He does all of this with his conscience, Jiminy Cricket (voice of Joseph Gordon-Levitt), by his side. The story stays mostly true to the original 1883 book and Disney animated film. It’s updated a bit with new characters and some very off-putting (and unfunny) one-liners about Hollywood and the movie industry, and the screenplay feels old fashioned as it attempts to modernize the messaging. Pinocchio exclaims, “I don’t need school!” when he decides that he wants to be famous instead of getting an education. That may be relevant to today’s social climate, yet it still feels like a reach. Things get worse from there. The animation is ugly and disturbing, with plastic looking characters and equally ghastly voice performances. Gordon-Levitt is terrible as Jiminy Cricket, giving a whiny, strained turn as one of the story’s most cherished characters. Everyone seems to be trying too hard, although it’s puzzling as to the reason why. At least Hanks makes an excellent Geppetto. The film includes a few original tunes that are forgettable, as well as new versions of classic songs “When You Wish Upon A Star,” “Hi-Diddle-Dee-Dee,” and “I’ve Got No Strings,” which do not sound much better than nails dragging across a chalkboard. The singing is atrocious, and that’s putting it politely. The Pleasure Island scenes are fully realized and a visual delight (let’s try to ignore that the “bad” boys do such horrific things like drinking root beer), but that’s where the praise begins and ends. The best part of the film is also its most ominous, and parents should note that the film is rated PG for a reasons. It features scary scenarios that may spook young kids, especially if they have abandonment issues or are afraid of the dark. Almost everything about “Pinocchio” is cringe-worthy, and it’s simply not a good film. Why do this to a Disney classic?

Apr 22, 2023
Geronimo1967
6.0

I think Robert Zemeckis was maybe trying to get closer to the original Disney version of this film from 1940, but it doesn't really work. Tom Hanks sparingly takes on the human role of the carpenter "Geppetto" who longs for a son. He crafts this wooden replica and magic takes an hand with the benevo ... lent "Blue Fairy" turning him into the young "Pinocchio". This youngster's is a bit spoiled and is soon bored with the routine of his life at home and at school and before long is tempted by a visiting (and well paying) theatrical show who take him from the safety of "Geppetto" and, accompanied by narrator/conscience "Jiminy Cricket" we now see the boy experience adventures that demonstrate the venality, cruelty and selfishness of humanity as he gradually starts to yearn for the safety of his home and his father. This perilous journey does, however, help him grow. He begins to mature and discover the difference between right and wrong, truth and lie whilst meantime the old man is despairing and sets off to find him. Can they ever meet again? The animation is really enjoyable here, but the characterisations are all a bit feeble. The gist of this story has a darkness to it and that is lacking here. Granted, this isn't the easies of stories to Disneyfy with much more substance to the malevolence of the plot, but here we seem to have something that falls between two stools. It's not menacing, nor is it a "cartoon", it's just a bit soulless. Still, it's not unwatchable and if it encourages youngsters to read the book or check out a few of the grittier adaptations of the Collodi novel, then all's good.

Dec 09, 2023