Popularity: 5 (history)
Director: | Robert Zemeckis |
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Writer: | Chris Weitz, Robert Zemeckis |
Staring: |
A wooden puppet embarks on a thrilling adventure to become a real boy. | |
Release Date: | Sep 07, 2022 |
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Director: | Robert Zemeckis |
Writer: | Chris Weitz, Robert Zemeckis |
Genres: | Family, Fantasy, Adventure |
Keywords | fairy, musical, puppet, live action and animation, live action remake, talking animal |
Production Companies | Walt Disney Pictures, Depth of Field, ImageMovers |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Joseph Gordon-Levitt | Jiminy Cricket (voice) |
Tom Hanks | Geppetto |
Benjamin Evan Ainsworth | Pinocchio (voice) |
Angus Wright | Signore Rizzi |
Cynthia Erivo | Blue Fairy |
Sheila Atim | Signora Vitelli |
Lorraine Bracco | Sofia the Seagull (voice) |
Keegan-Michael Key | 'Honest' John (voice) |
Jamie Demetriou | Headmaster |
Giuseppe Battiston | Stromboli |
Kyanne Lamaya | Fabiana |
Jaquita Ta'le | Sabina (voice) |
Lewin Lloyd | Lampwick |
Luke Evans | Coachman |
Adelaide Barham | Pleasure Island Troupe |
Poppy Blackwood | Pleasure Island Troupe |
Katie Boothroyd | Pleasure Island Troupe |
Lucy Boothroyd | Pleasure Island Troupe |
Louisa Boyd Leslie | Pleasure Island Troupe |
Tyne Burgess | Pleasure Island Troupe |
Verity Constantinou | Pleasure Island Troupe |
Sylvie Cotterell | Pleasure Island Troupe |
Phoebe Davies | Pleasure Island Troupe |
Memphis-Lee Dixon | Pleasure Island Troupe |
Joseph Duffy | Pleasure Island Troupe |
Talia Etherington | Pleasure Island Troupe |
Aimee Enejo | Pleasure Island Troupe |
Felix Fewell Russell | Pleasure Island Troupe |
Darcey Foster | Pleasure Island Troupe |
Ben George | Pleasure Island Troupe |
Jack Grant | Pleasure Island Troupe |
Barney Harper | Pleasure Island Troupe |
Ayla Hooper | Pleasure Island Troupe |
Dean Johnson | Pleasure Island Troupe |
Leila Johnson | Pleasure Island Troupe |
Isla King | Pleasure Island Troupe |
Jaxon Knopf | Pleasure Island Troupe |
Keir Loughran | Pleasure Island Troupe |
Oscar Loughran | Pleasure Island Troupe |
Anya Lucker | Pleasure Island Troupe |
Harrison Mackinnon | Pleasure Island Troupe |
Poppy Mardlin | Pleasure Island Troupe |
Imogen Maynard | Pleasure Island Troupe |
Sebastian McDonough | Pleasure Island Troupe |
Ruby Middleton | Pleasure Island Troupe |
Abeni Munro | Pleasure Island Troupe |
Samuel Newby | Pleasure Island Troupe |
Kheiri Isaac-Osmani | Pleasure Island Troupe |
Amira Piddington | Pleasure Island Troupe |
Max Powers-Jones | Pleasure Island Troupe |
Ella Robertson | Pleasure Island Troupe |
Sophie Roscoe | Pleasure Island Troupe |
Ethan Sey | Pleasure Island Troupe |
Sebastian Shotliff | Pleasure Island Troupe |
Fred Sweetman | Pleasure Island Troupe |
Sophia Symondson-Cann | Pleasure Island Troupe |
Evie Templeton | Pleasure Island Troupe |
Conall Turner | Pleasure Island Troupe |
Stanley Voss | Pleasure Island Troupe |
Louis Wakeling | Pleasure Island Troupe |
Calista Walters | Pleasure Island Troupe |
Edward Walton | Pleasure Island Troupe |
Nathan Whale | Pleasure Island Troupe |
Fred Wilcox | Pleasure Island Troupe |
Sam Winser | Pleasure Island Troupe |
Theo Wyatt | Pleasure Island Troupe |
Name | Job |
---|---|
Stefan Dechant | Production Design |
Sandra Scott | Visual Effects Producer |
Jeremy Johns | Unit Production Manager |
Jesse Goldsmith | Editor |
Mick Audsley | Editor |
Matthew Sullivan | Music Supervisor |
Scot Boland | Casting Director |
David Cain | Unit Production Manager |
Lee Grumett | First Assistant Director |
Emma Horton | Second Assistant Director |
Ben Jones | Visual Effects Supervisor |
Chris Weitz | Screenplay |
Christophe St-Pierre Paradis | Animation Supervisor |
Kaveh Ruintan | Animation Supervisor |
Jenny Shircore | Makeup Designer, Hair Designer |
John Midgley | Production Sound Mixer |
Eunice Huthart | Stunt Coordinator |
Francesca Jaynes | Choreographer |
Jeremy Bradley | Visual Effects Editor |
Paul Parsons | Visual Effects Editor |
Olivia Muggleton | Art Direction |
Stephen Swain | Art Direction |
Andrew Palmer | Art Direction |
Patrick Dunn-Baker | Set Designer |
Daniela Medeiros | Set Designer |
Ron Mendell | Set Designer |
Trinh Vu | Set Designer |
Jane Wuu | Set Designer |
Tina Jones | Set Decoration |
Brendan Handscombe | Costume Supervisor |
Sarah Kelly | Makeup Supervisor, Hair Supervisor |
Sam Bear | Makeup & Hair |
Danielle Stanners | Production Coordinator |
Jeff Carson | Music Editor |
Steve Durkee | Music Editor |
Charles Martin Inouye | Music Editor |
Bjørn Ole Schroeder | Supervising Sound Editor |
Ali Pak | Visual Effects Coordinator |
Sarah Moussaif | Visual Effects Producer |
Michele Alessi | Digital Effects Supervisor |
Alessandro Sabbioni | CG Supervisor |
James Rustad | CG Supervisor |
Erik Gonzalez | CG Supervisor |
Manivannan Madhesan | CG Supervisor |
Rob Bliss | Concept Artist |
Denise Acosta | Art Department Assistant |
Alan Silvestri | Original Music Composer, Songs |
Joanna Johnston | Costume Design |
Glen Ballard | Songs |
Randy Thom | Sound Designer |
Robert Zemeckis | Director, Screenplay |
Kevin Baillie | Visual Effects Supervisor |
Victoria Burrows | Casting Director |
Paul Lowe | Stunt Coordinator |
Carlo Collodi | Original Film Writer |
John Roesch | Foley Artist |
Gary Rizzo | Sound Re-Recording Mixer |
Steve Ellingworth | Key Grip |
Jason Sweers | Graphic Designer |
Peter Hayley-Barker | Best Boy Grip |
Don Burgess | Director of Photography |
Doug Chiang | Production Design |
Alistair Williams | Special Effects Supervisor |
Name | Title |
---|---|
Jacqueline Levine | Executive Producer |
Derek Hogue | Producer |
Jeremy Johns | Executive Producer |
Lee Grumett | Co-Producer |
Chris Weitz | Producer |
Jack Rapke | Executive Producer |
Paul Weitz | Executive Producer |
Robert Zemeckis | Producer |
Andrew Miano | Producer |
Dan Balgoyen | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 48 | 75 | 29 |
2024 | 5 | 46 | 82 | 32 |
2024 | 6 | 39 | 67 | 25 |
2024 | 7 | 37 | 61 | 28 |
2024 | 8 | 44 | 77 | 28 |
2024 | 9 | 31 | 39 | 23 |
2024 | 10 | 39 | 84 | 28 |
2024 | 11 | 31 | 40 | 24 |
2024 | 12 | 29 | 37 | 24 |
2025 | 1 | 37 | 56 | 24 |
2025 | 2 | 23 | 35 | 4 |
2025 | 3 | 11 | 32 | 3 |
2025 | 4 | 5 | 9 | 4 |
2025 | 5 | 4 | 10 | 3 |
2025 | 6 | 4 | 7 | 3 |
2025 | 7 | 3 | 7 | 2 |
2025 | 8 | 5 | 6 | 3 |
2025 | 9 | 5 | 6 | 4 |
2025 | 10 | 6 | 8 | 5 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 796 | 851 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 766 | 823 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 391 | 737 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 136 | 660 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 443 | 763 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 659 | 830 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 646 | 830 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 506 | 670 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 908 | 908 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 582 | 870 |
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/pinocchio-spoiler-free-review "Pinocchio boasts a more thematically impactful ending than the original but fails to deliver a new version of the famous childhood tale with the same magic and allure of the past. Tom Hanks and m ... ost of the voice cast embody the spirit of the 1940's flick perfectly, but the characters lack further development and imaginative modifications. The blend between animation and CGI components with real humans and sets is awkwardly inconsistent, leaving the viewers with a weird sensation throughout the whole runtime. The cast's musical prowess and memorable songs help with the entertainment aspect, but overall, it's a somewhat disappointing new take." Rating: C
_Pinocchio_ has been begrudgingly transformed from a flawed animated masterpiece into this shiny, superfluous turd of a live-action film. The majority of the classic characters have been mangled in some capacity while new characters are lame fluff serving as more of insurmountable obstacles you’re f ... orced to endure rather than offering any sort of entertainment value or overall purpose to the actual story. With tangled strings and meandering storytelling, _Pinocchio_ is a musical misfire that attempts to annihilate everything that made its animated counterpart so enjoyable. **Full review:** https://boundingintocomics.com/2022/09/09/pinocchio-review-a-bloated-beached-whale-of-a-live-action-remake/
> amazing movie ...
Terrible remake of the original “When you wish upon a star” classic we’ve grown to love!!! Lack of creativity and Disney entertainment you’d expect to see in this woke made version!!! So I say we only scale it to only an hour at best if this remake is going to try to distort the original film’s tru ... e morals about believing in your dreams!!
**By: Louisa Moore / www.ScreenZealots.com** For some reason (we all know it’s the money), Disney is determined to mine their vault for material to remake, update, or “reimagine.” The studio’s latest abomination is the live action and animated musical “Pinocchio,” a massive misfire that tarnishes ... the beloved 1940s classic. Director and co-writer Robert Zemeckis‘ film is unimaginative, unwelcome, and uninspired. Geppetto (Tom Hanks) is a lonely Italian woodcarver who builds a marionette named Pinocchio (voice of Benjamin Evan Ainsworth) and treats him like his real son. With the help of a little magic from the Blue Fairy (Cynthia Erivo), the puppet comes to life and dreams of becoming a real boy. The film follows Pinocchio’s adventures and missteps on his quest to make this fantasy a reality, including being duped by Honest John (voice of Keegan-Michael Key), being kidnapped by a circus, getting turned into a donkey, and being swallowed by a whale. He does all of this with his conscience, Jiminy Cricket (voice of Joseph Gordon-Levitt), by his side. The story stays mostly true to the original 1883 book and Disney animated film. It’s updated a bit with new characters and some very off-putting (and unfunny) one-liners about Hollywood and the movie industry, and the screenplay feels old fashioned as it attempts to modernize the messaging. Pinocchio exclaims, “I don’t need school!” when he decides that he wants to be famous instead of getting an education. That may be relevant to today’s social climate, yet it still feels like a reach. Things get worse from there. The animation is ugly and disturbing, with plastic looking characters and equally ghastly voice performances. Gordon-Levitt is terrible as Jiminy Cricket, giving a whiny, strained turn as one of the story’s most cherished characters. Everyone seems to be trying too hard, although it’s puzzling as to the reason why. At least Hanks makes an excellent Geppetto. The film includes a few original tunes that are forgettable, as well as new versions of classic songs “When You Wish Upon A Star,” “Hi-Diddle-Dee-Dee,” and “I’ve Got No Strings,” which do not sound much better than nails dragging across a chalkboard. The singing is atrocious, and that’s putting it politely. The Pleasure Island scenes are fully realized and a visual delight (let’s try to ignore that the “bad” boys do such horrific things like drinking root beer), but that’s where the praise begins and ends. The best part of the film is also its most ominous, and parents should note that the film is rated PG for a reasons. It features scary scenarios that may spook young kids, especially if they have abandonment issues or are afraid of the dark. Almost everything about “Pinocchio” is cringe-worthy, and it’s simply not a good film. Why do this to a Disney classic?
I think Robert Zemeckis was maybe trying to get closer to the original Disney version of this film from 1940, but it doesn't really work. Tom Hanks sparingly takes on the human role of the carpenter "Geppetto" who longs for a son. He crafts this wooden replica and magic takes an hand with the benevo ... lent "Blue Fairy" turning him into the young "Pinocchio". This youngster's is a bit spoiled and is soon bored with the routine of his life at home and at school and before long is tempted by a visiting (and well paying) theatrical show who take him from the safety of "Geppetto" and, accompanied by narrator/conscience "Jiminy Cricket" we now see the boy experience adventures that demonstrate the venality, cruelty and selfishness of humanity as he gradually starts to yearn for the safety of his home and his father. This perilous journey does, however, help him grow. He begins to mature and discover the difference between right and wrong, truth and lie whilst meantime the old man is despairing and sets off to find him. Can they ever meet again? The animation is really enjoyable here, but the characterisations are all a bit feeble. The gist of this story has a darkness to it and that is lacking here. Granted, this isn't the easies of stories to Disneyfy with much more substance to the malevolence of the plot, but here we seem to have something that falls between two stools. It's not menacing, nor is it a "cartoon", it's just a bit soulless. Still, it's not unwatchable and if it encourages youngsters to read the book or check out a few of the grittier adaptations of the Collodi novel, then all's good.