Arbitrage
Power is the best alibi.
2012 | 100m | English
Popularity: 4 (history)
| Director: | Nicholas Jarecki |
|---|---|
| Writer: | Nicholas Jarecki |
| Staring: |
| A troubled hedge fund magnate, desperate to complete the sale of his trading empire, makes an error that forces him to turn to an unlikely person for help. | |
| Release Date: | Sep 14, 2012 |
|---|---|
| Director: | Nicholas Jarecki |
| Writer: | Nicholas Jarecki |
| Genres: | Drama, Thriller |
| Keywords | manager, mental breakdown, cover-up, hedge fund |
| Production Companies | Lionsgate, Artina Films, Lucky Monkey Pictures, Green Room Films, Treehouse Pictures, Alvernia Studios, LB Productions, Parlay Films |
| Box Office |
Revenue: $35,500,000
Budget: $12,000,000 |
| Updates |
Updated: Aug 09, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Richard Gere | Robert Miller |
| Susan Sarandon | Ellen Miller |
| Tim Roth | Det. Michael Bryer |
| Brit Marling | Brooke Miller |
| Laetitia Casta | Julie Cote |
| Nate Parker | Jimmy Grant |
| Stuart Margolin | Syd Felder |
| Chris Eigeman | Gavin Briar |
| Graydon Carter | James Mayfield |
| Bruce Altman | Chris Vogler |
| Larry Pine | Jeffrey Greenberg |
| Curtiss Cook | Det. Mills |
| Reg E. Cathey | Earl Monroe |
| Felix Solis | A.D.A. Deferlito |
| Tibor Feldman | Judge Rittenband |
| Austin Lysy | Peter Miller |
| Monica Raymund | Reina |
| Gabrielle Lazure | Sandrine Cote |
| Shawn Elliott | Flores |
| Sophie Lane Curtis | Ava Stanton |
| Josh Pais | John Aimes |
| Name | Job |
|---|---|
| Yorick Le Saux | Director of Photography |
| Michał Fojcik | Sound Effects Editor |
| Damon Michael Gordon | Location Manager |
| Barbara Harris | ADR Voice Casting |
| Chris Cenatiempo | Stunt Driver |
| Bartłomiej Bogacki | Dialogue Editor |
| Cliff Martinez | Original Music Composer |
| Danajean Cicerchi | Costume Supervisor |
| Douglas Crise | Editor |
| Michael Ahern | Art Direction |
| Kimberly Hope | Additional Casting, Casting |
| Victor Morales | Scenic Artist |
| Jennifer Anderson | Set Costumer |
| Christopher Weiser | Scenic Artist |
| Laura Rosenthal | Casting |
| Joseph G. Aulisi | Costume Design |
| LuAnn Claps | Makeup Department Head |
| Carrie Stewart | Set Decoration |
| Richard Hebrank | Construction Coordinator |
| Thomas Tannenberger | Visual Effects Supervisor |
| Ivan Kerum | Chef |
| David Lee Fein | Foley |
| Piotr Witkowski | Music Editor |
| Myles Aronowitz | Still Photographer |
| Diane Hounsell | Script Supervisor |
| Emma Cooper | Publicist |
| Glen Aldous | Scenic Artist |
| Michael Leather | Leadman |
| Hilda Hodges | Foley |
| Mikołaj Valencia | Visual Effects Supervisor |
| Lisa Tutunjian | Digital Intermediate Editor, Digital Intermediate |
| Jerome Butler | Dialect Coach |
| Abraham Altbuch | Best Boy Grip |
| Persis Reynolds | Visual Effects Producer |
| James Owens | Visual Effects Editor |
| Sha-Sha Shiau | Art Department Coordinator |
| Shawn Greene | Gaffer |
| Courtney Schmidt | Property Master |
| Donald Russell | Camera Operator |
| Tod A. Maitland | Sound mixer |
| Olcun Tan | Visual Effects Supervisor |
| Dan-ah Kim | Assistant Art Director |
| Bryan Arenas | Dolby Consultant |
| Justin Herman | Sound Engineer |
| Christie Colliopoulos | Production Supervisor |
| Tim Pedegana | Post Production Supervisor |
| Jim McCullagh | Gaffer |
| Matthew Farrell | Key Rigging Grip |
| Monika Santucci | First Assistant Editor |
| Grant Wilfley | Extras Casting |
| Michelle Johnson | Hairstylist |
| Stephen Consentino | Steadicam Operator |
| Anastasiya Pisanova | Wardrobe Intern |
| Pamela May | Key Hair Stylist |
| Christine Bean | Assistant Costume Designer |
| Bridget Rafferty | Art Department Production Assistant |
| Hunter Baker | Camera Operator |
| Jeanna Mirante | Hairstylist |
| Valerie Scoppa-Misarti | Set Dresser |
| John Raffaele | Set Dresser |
| Rob Harlow | Key Grip |
| Ivan J. Fonseca | First Assistant Director |
| Gary Sommers | Set Dresser |
| Arthur Herman | Video Assist Operator |
| Ludovic Littee | First Assistant "A" Camera |
| Maribeth Fox | Casting Associate |
| Lyndell Quiyou | Hair Department Head |
| David Cooney | Storyboard Artist |
| Michal Gamrat | CG Animator |
| Sebastian Falinski | Digital Compositor |
| Marek Gajowski | Compositor |
| Janne Stromberg | Compositing Supervisor |
| Grzegorz Ociepka | Digital Compositor |
| Ma Kalaadevi Ananda | Makeup Artist |
| Benjamin Salley | Generator Operator |
| Sean Taylor | Electrician |
| Tommy Boyer | Costumer |
| Jessie Katz | Art Department Production Assistant |
| Joe Doughan | Dolly Grip |
| Natasha Leonnet | Digital Intermediate Colorist |
| Michael Kriston | Additional Hairstylist |
| James R. Belletier | First Assistant "B" Camera |
| Jodi Angstreich | Casting Associate |
| Martin Eisler | Graphic Designer |
| Nina Kuhn | Rigging Gaffer |
| Brett Walters | First Assistant "B" Camera |
| Mei Lai Hippisley Coxe | Set Costumer |
| Glen Castinho | Digital Colorist |
| Cole Ippoliti | Set Dresser |
| Daniel Neroda | Set Dresser |
| Joelle Troisi | Key Makeup Artist |
| Lexi Cuesta | Key Costumer |
| Loan Phan | Digital Intermediate Producer |
| Rick Grayson | First Assistant Editor |
| Lukasz Wisniewski | CG Animator |
| Dawid Borkiewicz | Compositor |
| Krzysztof Falinski | CG Animator |
| Witold Wnuk | Compositor |
| Mateusz Tokarz | Modeling |
| Spencer Gillis | Second Assistant "A" Camera |
| James Daly | Camera Loader |
| Sebastian Włodarczyk | Dialogue Editor |
| Nicholas Jarecki | Writer, Director |
| Steve Kirshoff | Special Effects Coordinator |
| Beth Mickle | Production Design |
| G.A. Aguilar | Stunt Coordinator |
| Name | Title |
|---|---|
| Robert Salerno | Producer |
| Mohammed Al Turki | Executive Producer |
| Anna Różalska | Co-Producer |
| Justin Nappi | Producer |
| Lisa Wilson | Executive Producer |
| Laura Bickford | Producer |
| Kevin Turen | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 26 | 43 | 13 |
| 2024 | 5 | 34 | 50 | 21 |
| 2024 | 6 | 28 | 65 | 14 |
| 2024 | 7 | 22 | 42 | 12 |
| 2024 | 8 | 19 | 39 | 10 |
| 2024 | 9 | 11 | 15 | 8 |
| 2024 | 10 | 18 | 35 | 8 |
| 2024 | 11 | 12 | 26 | 7 |
| 2024 | 12 | 13 | 27 | 8 |
| 2025 | 1 | 16 | 29 | 9 |
| 2025 | 2 | 10 | 14 | 3 |
| 2025 | 3 | 5 | 15 | 1 |
| 2025 | 4 | 3 | 7 | 2 |
| 2025 | 5 | 3 | 8 | 1 |
| 2025 | 6 | 2 | 5 | 1 |
| 2025 | 7 | 2 | 2 | 1 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 454 | 683 |
The problems of a rich man to keep his position with his affairs and frauds. Nothing really special ...
There were an whole slew of these corrupt "Wall Street" derivatives and despite an half decent cast, this is really a pretty unremarkable example. It all centres on an overly convoluted plot that tries to follow a sort of borrowing/laundering/ponzi scheme taking cash from Peter to repay Paul before ... Fred finds out that his money never really existed in the first place. All whilst their broker - in this case "Miller" (Richard Gere) is gadding around the world in private jets, staying at the best hotels and spending money that, well, isn't! Susan Sarandon features sparingly as his wife and Tim Roth makes a bit of an effort as the cop who starts to get wise to his antics, but for the most part this is a really dry and unsophisticated vehicle for a star well off his form with little by way of humour or, indeed, innovative or even interesting dialogue. I rather appreciated the end - it has the virtue of being rather unexpected, but otherwise this is all immediately forgettable stuff.