Popularity: 3 (history)
| Director: | Hadi Hajaig |
|---|---|
| Writer: | Hadi Hajaig |
| Staring: |
| While working undercover as a bodyguard to arms dealer Harry, former-soldier-turned-secret-service-agent Ewan survives a bloody shootout with a member of an Islamic terrorist cell who steals Harry's briefcase full of Semtex explosives and escapes. Ewan's spymasters task Ewan with hunting down the cell members and retrieving the briefcase. | |
| Release Date: | Mar 08, 2012 |
|---|---|
| Director: | Hadi Hajaig |
| Writer: | Hadi Hajaig |
| Genres: | Drama, Crime, Thriller |
| Keywords | |
| Production Companies | UK Film Studio, The Salt Company |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Sean Bean | Ewan |
| Abhin Galeya | Ash |
| Charlotte Rampling | Charlotte McQueen |
| Peter Polycarpou | Nabil |
| Tuppence Middleton | Kate |
| Tom Burke | Mark |
| Sam Douglas | Harry |
| Michelle Ryan | Emma |
| James Fox | Scott Catesby |
| Shivani Ghai | Rena |
| Glenn Wrage | Sergeant Glen Conlan |
| Silas Carson | Amin |
| Chris Geere | Nick |
| Tariq Jordan | Paul |
| Name | Job |
|---|---|
| Hadi Hajaig | Writer, Editor, Director |
| John Adams | Production Manager |
| Peter Pedrero | Stunt Coordinator |
| Elaine Grainger | Casting |
| Simon Lambros | Music |
| Maja Meschede | Costume Design |
| Stéphane Collonge | Production Design |
| Humphrey Jaeger | Production Design |
| Jenny Ray | Art Direction |
| Sonya Yu | Art Direction |
| Farah Abushwesha | Production Manager |
| Mira Bajagic | Production Manager |
| Pedro Moura | Assistant Art Director |
| Tom Parsons | Sound Designer |
| André Jacquemin | Sound Designer |
| Craig Irving | Sound Re-Recording Mixer |
| Robert Karlsson | Dolby Consultant |
| Aaron Trinder | Main Title Designer, Visual Effects Supervisor |
| Rob Llewellyn | Camera Operator |
| Liam Iandoli | Camera Operator |
| Matt Allsop | Steadicam Operator |
| Stephen Brayne | Still Photographer |
| James Eckersley | Still Photographer |
| Kevin Day | Gaffer |
| Jonathan Spencer | Gaffer |
| Frank Macauley | Video Assist Operator |
| Paul J. Wright | Digital Intermediate |
| Rebecca Sheridan | Script Supervisor |
| Ben O'Farrell | Location Manager |
| David Colenutt | Location Manager |
| Janine Azern | Public Relations |
| Louisa Bradshaw | Public Relations |
| Ian Howes | Director of Photography |
| John Liu | Hairstylist |
| Nikki Belding | Makeup Artist |
| Hannah Edwards | Makeup Artist |
| Annabelle Miller | Makeup Artist |
| Alexandra Sanders | Makeup Artist |
| Sally Alcott | Makeup Artist |
| Laura Milligan | Makeup Artist |
| Dominic Webb | Makeup Designer |
| Stuart Conran | Makeup Effects Designer |
| Jude Campbell | First Assistant Director |
| Ben Burt | Second Assistant Director |
| Emily Perowne | Second Assistant Director |
| Paula Turnbull | Second Assistant Director |
| Katya Guy | Property Master |
| Hugh Fottrell | Set Dresser |
| James Morrall | Set Dresser |
| Max Berman | Standby Art Director |
| Sarah Powell | Standby Art Director |
| Tony Chance | Storyboard Artist |
| Moncho Aldamiz | Assistant Camera |
| Roland C. Phillips | Camera Loader |
| David Mills | Camera Loader |
| Ossian Bacon | Focus Puller |
| Karl Hui | Focus Puller |
| Mark Sneddon | Focus Puller |
| Henry Howes | Gaffer |
| Kevin Foy | Grip |
| Steve Manningham | Grip |
| Kate Thomson | Assistant Costume Designer |
| Adrienn Lakatos | Costume Assistant |
| Naomi Howarth | Wardrobe Assistant |
| Jessica Snyder | Wardrobe Assistant |
| Sarah Jane Thomson | Wardrobe Assistant |
| Richard Hooper | Armorer |
| Colin Gorry | Special Effects Supervisor |
| George Pinnock | Foley Artist |
| Garie Kan | Boom Operator |
| Robin Gerrard | Boom Operator |
| Don 'Chudi' Nelson | Boom Operator |
| Jerry Richards | Dialogue Editor |
| Andrew Quinney | Production Sound Mixer |
| Alex Martin | Assistant Editor |
| Brian Krijgsman | Colorist |
| Tony Ray | Digital Intermediate |
| Julie Harding | Digital Intermediate Producer |
| Scott Dawkins | Online Editor |
| Ann Marie Shields | Music Supervisor |
| Sascha Robey | Armorer |
| Joss Skottowe | Armorer |
| Carleen Beadle | Production Accountant |
| Lynn Scrimgeour | Production Coordinator |
| Sanjay Sharma | Production Coordinator |
| Helen Taylor | Production Secretary |
| Gary Cohen | Special Effects Technician |
| Joseph Geday | Special Effects Technician |
| Paul Mann | Special Effects Technician |
| David Payne | Special Effects Technician |
| Louisa Bradshaw | Public Relations |
| Name | Title |
|---|---|
| Hadi Hajaig | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 17 | 27 | 10 |
| 2024 | 5 | 18 | 35 | 11 |
| 2024 | 6 | 17 | 33 | 10 |
| 2024 | 7 | 17 | 32 | 8 |
| 2024 | 8 | 13 | 25 | 7 |
| 2024 | 9 | 10 | 20 | 5 |
| 2024 | 10 | 11 | 19 | 6 |
| 2024 | 11 | 10 | 15 | 6 |
| 2024 | 12 | 10 | 17 | 7 |
| 2025 | 1 | 13 | 24 | 7 |
| 2025 | 2 | 9 | 15 | 3 |
| 2025 | 3 | 5 | 12 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 1 | 4 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 2 | 4 | 1 |
| 2025 | 11 | 3 | 3 | 2 |
Trending Position
It's a format I've seen before in British crime thriller/political intrigue films, a format I'm not particularly fond of, and _Cleanskin_ isn't even a well done example of it. No letdowns in the acting department though, so credit where credit's due. _Final rating:★★ - Had some things that appeal ... to me, but a poor finished product._
A young British student (Abhin Galeya) is gradually indoctrinated into a Muslim cell bent on revenge after the "War on Terror", and is pursued by a government agent - Sean Bean - who is pretty much given a clean slate by his boss Charlotte Rampling. The story is told via parallel timelines in which ... we discover what has driven both men to their current courses of action; and whilst it does use some fairly sweeping stereotypical generalising for plot development, the characterisations delivered by both - especially Galeya - are quite revealing as a potential explanation for extremes in behaviour caused by fear, ignorance and large scale indifference. Regrettably, the dialogue is mundane; and the direction loses focus all to often as we flit between scenarios whilst trying to build up some sort of interest in two rather unlikeable - if good looking - men obsessed with their own perspectives. Rampling features sparingly, as does James Fox, which is a shame as they could have both have been used to further develop the cause and effect toxicity of the storyline. It is worth a watch, but is not particularly original in either concept nor execution.