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Poltergeist Poster

Poltergeist

They're here.
1982 | 114m | English

(189992 votes)

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Popularity: 6 (history)

Details

Upon realizing that something truly evil haunts his home, Steve Freeling calls in a team of parapsychologists to help before it's too late.
Release Date: Jun 04, 1982
Director: Tobe Hooper
Writer: Steven Spielberg, Michael Grais, Mark Victor
Genres: Horror
Keywords dying and death, medium, halloween, haunted house, family relationships, macabre, disturbed, anxious, awestruck, frightened, parent child relationship, poltergeist, ghostbuster, paranormal phenomena, suburbia, power of goodness, haunted, dramatic, foreboding, ominous
Production Companies Metro-Goldwyn-Mayer, SLM Production Group, Steven Spielberg Productions
Box Office Revenue: $122,200,000
Budget: $10,700,000
Updates Updated: Aug 02, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Craig T. Nelson Steve Freeling
JoBeth Williams Diane Freeling
Beatrice Straight Dr. Lesh
Dominique Dunne Dana Freeling
Oliver Robins Robbie Freeling
Heather O'Rourke Carol Anne Freeling
Michael McManus Ben Tuthill
Virginia Kiser Mrs. Tuthill
Martin Casella Dr. Marty Casey
Richard Lawson Ryan
Zelda Rubinstein Tangina Barrons
James Karen Mr. Teague
Lou Perryman Pugsley
Clair E. Leucart Bulldozer Driver
Dirk Blocker Jeff Shaw
Allan Graf Neighbor
Joseph Walsh Neighbor
Helen Baron Woman Buyer
Noel Conlon Husband
Robert Broyles Pool Worker
Sonny Landham Pool Worker
Frank Welker Additional Dialogue Replacement (voice)
William Vail Implosion Man
Craig Simmons Implosion Man
Name Job
Bob Herron Stunts
Tobe Hooper Director
Steven Spielberg Story, Screenplay
Jerry Goldsmith Original Music Composer
Matthew F. Leonetti Director of Photography
Michael Kahn Editor
Mike Fenton Casting
Marci Liroff Casting
Richard L. Anderson Supervising Sound Editor
John Bruno Animation Supervisor
Michael Grais Screenplay
Mark Victor Screenplay
Jane Feinberg Casting
James H. Spencer Production Design
Cheryal Kearney Set Decoration
Dorothy J. Pearl Makeup Artist
Toni-Ann Walker Makeup Artist
Jeff Jarvis Special Effects
Glenn Randall Jr. Stunt Coordinator
Milton Gray Visual Effects
Art Vitello Animation
Paul Huston Visual Effects
Bob Roe Second Assistant Director
Bobby Clark Stunts
Mark Mangini Sound Effects Editor
Richard Edlund Visual Effects Supervisor
Jeannie Epper Stunts
John R. Leonetti First Assistant Camera
Name Title
Steven Spielberg Producer
Kathleen Kennedy Associate Producer
Frank Marshall Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 43 67 26
2024 5 67 103 51
2024 6 49 81 27
2024 7 37 49 27
2024 8 34 67 19
2024 9 25 30 17
2024 10 39 61 25
2024 11 27 43 20
2024 12 23 33 14
2025 1 29 53 17
2025 2 22 34 4
2025 3 11 31 2
2025 4 6 10 4
2025 5 5 12 3
2025 6 4 6 3
2025 7 3 4 2
2025 8 4 6 2
2025 9 6 8 5

Trending Position


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2025 9 296 648
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2025 2 204 510
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2024 12 426 707
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2024 11 388 790
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2024 10 473 699
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2024 9 488 756
Year Month High Avg
2024 8 185 638

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Reviews

Steve Freeling
10.0

One of the biggest moments of my childhood was seeing _Poltergeist_ for the first time at 7 years old. I saw it on a 4:3 set on a very old DVD in my parents' bedroom, after my mom had recently come home from the hospital after surgery. One night, my dad came home from the library with some DVDs, and ... one of them was _Poltergeist_. I popped it into the DVD player without hesitation as I'd wanted to see it since I was 5. I knew from the moment it started, _Poltergeist_ was going to be a great movie, but little did I know it would become my favorite movie of all time, and I'd want to experience it again and again. Craig T. Nelson and JoBeth Williams star in this classic as Steve and Diane Freeling, who live with their three children, 16-year-old Dana (Dominique Dunne), 8-year-old Robbie (Oliver Robins), and 5-year-old Carol Anne (Heather O'Rourke) in Cuesta Verde, CA, soon learn that their home is haunted, and that the spirits talk to Carol Anne through their television. Everything seem normal at first. Dana gives construction workers the finger and talks on the phone later than she's supposed to, Robbie is a huge Star Wars fan, and Carol Anne feeds her goldfish an entire tube of food. One night, a tree tries to eat Robbie, but they quickly save him. When the ghosts kidnap Carol Anne through the closet, they are forced to fight the evil spirit that holds their daughter if they ever want to see her again. Well-acted, well-written, and well-directed, with great special effects, _Poltergeist_ is, in my opinion, the greatest ghost story of all time. Let's start with the acting. The way lines are said, the facial expressions, body language, everything about the characters feels real. Craig T. Nelson's performance as Steve is the most real dad in a movie I've ever seen. JoBeth Williams' performance as Diane is the most real mom in a movie I've ever seen. Heather O'Rourke gives the best performance by a 5-year-old I've ever seen. Zelda Rubinstein is also great. It doesn't even seem like they're acting. The performances are top-notch. The special effects still hold up, because they still look real. The plot is still _very_ original, because it's set in modern suburban America, and it's about a normal family that loves each other, rather than an abusive husband and father. _Poltergeist_ is so well-written that nobody has to die, nor does it have to be gory to keep us on the edge of our seats. Hooper and Spielberg keep it subtle by hardly showing the ghosts. _Poltergeist_ features a great plot, great acting, great directing, and great writing. I can't recommend _Poltergeist_ enough. _Poltergeist_ **is** a kid's movie, so it's not all that scary, though there are scenes that may scare you or creep you out, but you won't be scarred for life. In the end it really is a fun thrill ride. It's a movie every kid must see by the time they're 8 years old. For some reason, I find myself trying, sometimes unsuccessfully, to hold back tears every time I see it. _Poltergeist_ is my favorite movie of all time, it truly is a great classic, and it still holds up after over 30 years as its message is still relevant today. _Poltergeist_ tells the story of a family nothing can tear apart. It's a classic good versus evil story, a story of perseverance in spite of your worst fears coming to light, and holding it together in spite of everything seeming to fall apart. It's about never giving up hope. When I watched Craig T. Nelson, I saw my dad on that screen, and I see him on that screen even more now. When I watched JoBeth Williams, I saw my mom on that screen, and I see her on that screen even more now. Your experience might not be exactly like this, but there's no denying that this movie is awesome. I know you're probably worried because of things you've read online about it being scary, gory, or boring, but don't be. The violence is never gory. The occasional cursing never gets too bad. Despite everything that happens, there's a sense of hope that stays the entire movie. Let your kids see it. They'll thank you.

Jun 23, 2021
John Chard
5.0

We know it as the beast. The Freeling family are happy and functioning perfectly well until one night their youngest daughter announces that thru the TV, the supernatural are here! Poltergeist divides the horror crowd big time, the gore fans are simply not impressed by the events in the film, ... while ghostly supernatural fans such as myself see it as a wasted opportunity. But strip away the flashy production and you start to see the core joke of kids infatuation with the goggle box, so yes, the film could easily be titled under the banner of being a Black Comedy. But be that as it may, and lets not be under any illusions here that, Poltergeist is not a knowing wink wink horror film of substance, the film really could have been a truly terrifying piece of work to cater for all tastes, and I firmly believe that that was the main intention of the makers from the off. Thus lies the chief problems with Poltergeist, it tries so hard to cover all bases it gets that confused to the point it veers from tedium to shock and back again before you have time to digest, and it kills what should have been a genre masterpiece. There are moments in the film that chill the blood, the sense of creeping menace hangs heavy during a storm, a toy clown becomes evil personified just by being lit in the stormy light, and then? Well it violently switches to something involving a tree that wouldn't be fit for Creepshow 27! On the film goes, suspense with chairs and pieces of meat, and then BAM...monster time! It just doesn't work, it's a collage of genre splicing that both director Tobe Hooper & producer Steven Spielberg are firmly to be held responsible for, because it's obvious that both their signature's clash to create an uneasy bedfellow. Yet as uneven as it is, and as blatantly plagiarised as it is of Twilight Zone episode Little Girl Lost, I still find myself enjoying watching Poltergeist, with its slick production and some memorable moments; the clown, poor darling Heather O'Rourke saying "they're here", the first chair sequence, and the always creepy Mrs. Tuthill, all things that help to make it a frustratingly enjoyable nights viewing. 6/10 Just don't go into the light afterwards I guess...

May 16, 2024
MaxTyrone
5.0

Like most of my contemporaries, I remember as a kid staying up late at night during the AMC Halloween horror movie marathon week (or was it a complete 31 days?) and watching the Freeling family get spooked by some O. G. paranormal activity; watching their house turn into a portal for spirits, some o ... f which abducting their youngest daughter. Unlike some of my contemporaries, I'm very split on this film. As a fan of the genre, horror always intrigues me, even when it's done poorly/reuses the tired tropes. When rewatching _Poltergeist_ for what seems to be the twentieth time - now in my early twenties - the movie seems dated, to the point where what made it bone-chilling in the first place, seems calm and a little ridiculous. Perhaps I'm desensitized to this type of movie. Perhaps I'll appreciate it more when I do have a family, when I _am_ Craig T. Nelson. But currently, the film struggles against its pacing, unconvincing effects (see scene in the children's room where the closet tries to vacuum them up, and the "face" scene - you'll know), and the nature of it attempting to be both family friendly and a horror movie. Sustained over the years since its release, however, are the performances by the cast, specifically the parents. Overall, it's still a fun film; but because of some considerable flaws, it hasn't aged too well. Recommended for kids? - Hell yes. How else are they going to attain the fear of clowns?

Jun 23, 2021
RLTMovieReview
10.0

This movie holds a special place in my heart. Yes, by the standards of 2020 the special effects could be better. But we've seen the remake so we know new does not always mean improved. This is what I like in a horror movie. Suitable for older kids as well. As much as I appreciate R rated horr ... or, I like PG-13 better. Because, like this movie, PG-13 focuses much more on story and characters. The fear of the family and all the emotions in this movie feel genuine to me. Even watching it today, I don't find the acting to be over the top. Much of what people see in this movie has become a trope, but for many of my generation, you saw it here first. The score of the movie and the famous line of "They're Here" will always be an important part of our pop culture as much as the shower scene in "Psycho"

Jun 23, 2021
Geronimo1967
7.0

Imagine the archetypal middle class family - mum, dad and three kids - all muddling along nicely in their home next to a graveyard, until things really do start going bump in the night! Doors, chairs and drawers start having minds of their own; the lights come on when it suits them, not you... Well ... initially, the "Freeling" family think this is just a bit of a giggle - that is until their daughter "Carol Anne" (Heather O'Rourke) disappears and when the paranormal investigators discover she is in an other dimension, only able to communicate via the white noise of the television screen, the battle is truly on to retrieve her from her truly malevolent captors. Zelda Rubinstein is super as the medium "Tangina" and Tone Hooper really does manage to use her character, and that of the little girl - as well as some pretty eery light works to create a suspenseful couple of hours that have you on the edge of the chair. Not, I have to say, because I particularly wanted the child back - I'm a bit with Ian Fleming on that front; but because these evil spirits could easily subsume the whole of humanity! Chilling stuff!

Jun 08, 2023