Popularity: 3 (history)
Director: | Lee Isaac Chung |
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Writer: | Lee Isaac Chung |
Staring: |
A Korean American family moves to an Arkansas farm in search of its own American dream. Amidst the challenges of this new life in the strange and rugged Ozarks, they discover the undeniable resilience of family and what really makes a home. | |
Release Date: | Feb 12, 2021 |
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Director: | Lee Isaac Chung |
Writer: | Lee Isaac Chung |
Genres: | Drama |
Keywords | american dream, arkansas, church, east asian lead, farmland, farmer, semi autobiographical, heart condition, family tension, hatchery, 1980s, vegetable farm, korean american, mobile home, rural setting, grandmother grandson relationship, korean, asian american, korean food, korean immigrant |
Production Companies | Plan B Entertainment |
Box Office |
Revenue: $12,900,000
Budget: $2,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Steven Yeun | Jacob |
Han Yeri | Monica |
Youn Yuh-jung | Soonja |
Will Patton | Paul |
Alan Kim | David |
Noel Kate Cho | Anne |
Darryl Cox | Mr. Harlan |
Esther Moon | Mrs. Oh |
Ben Hall | Dowsing Dan |
Eric Starkey | Randy Boomer |
Jacob Wade | Johnnie |
James Carroll | Brother Roy |
Jenny Phagan | Bonnie |
Tina Parker | Debbie |
Chloe Lee | June |
Joel Telford | Older Kid |
Scott Haze | Billy |
Kaye Brownlee-France | Lab Tech |
Skip Schwink | Doctor |
Tea Oh | Grocery Store Owner |
Debbi Tucker | Hospital visitor (uncredited) |
Ed Spinelli | Church Member (uncredited) |
Ernie Robinson | Church Member (uncredited) |
Danny Frost | Church Member (uncredited) |
Laurie Frost | Church Member (uncredited) |
Warren Lane | Church Goer (uncredited) |
Jonnie Parnell | Bank Teller (uncredited) |
Amanda Pearce | Church Goer (uncredited) |
Name | Job |
---|---|
Lee Isaac Chung | Director, Writer |
Lachlan Milne | Director of Photography |
Emile Mosseri | Original Music Composer |
Harry Yoon | Editor |
Susanna Song | Costume Design |
Julia Kim | Casting |
Tory Ayers | Production Accountant |
Greg Bollinger | Drone Operator |
Kent Sparling | Sound Re-Recording Mixer, Sound Designer, Music Editor |
Ismael Salas | Digital Intermediate Colorist |
Bob Fredrickson | Digital Intermediate Editor |
Mike Uguccioni | Visual Effects Supervisor |
Jamie Baxter | Visual Effects Compositor |
Andrew Lim | Main Title Designer |
Andrea Gard | Foley Editor, Foley Artist |
Chris Freihofer | Local Casting, Extras Casting |
Tori Hartley | Casting Assistant |
Han Yeri | Theme Song Performance |
Krista Perry | Assistant Hairstylist |
Lee Yong-ok | Production Design |
W. Haley Ho | Art Direction |
Hanrui Wang | Set Decoration |
Drea Carreno | Hair Department Head |
Park Moung-hui | Makeup Department Head |
Dylan Brodie | Unit Production Manager |
Jeff Dubray | First Assistant Director |
Ann Laudick | Second Assistant Director |
Dante Ha | Stunt Double |
Shannon Beshears | Stunt Double |
Amanda K. Roberts | Production Coordinator |
Cari Pak | Script Supervisor |
Stefanie Y. Hong | Translator, Script Consultant |
Marissa Shoemaker | Production Office Assistant |
Joshua Sampson | Standby Art Director |
Brian Keepers | Construction Coordinator |
David Moore | Carpenter |
Stacy Suvino | Set Dresser, Set Buyer |
Ben Meeks | Swing |
Amairani Perez Chamu | Art Department Production Assistant |
Ty Tush | Art Department Production Assistant |
Kaitlyn Shelby | Property Master |
Jon Roman | First Assistant Camera |
Jaime Roman | Second Assistant Camera |
Matt Fleischmann | Steadicam Operator |
Charles Elmore | "B" Camera Operator |
Clay Flores | First Assistant "B" Camera |
Rhett Chanley | Second Assistant "B" Camera |
Todd Ruffin | Drone Pilot |
Melissa Lukenbaugh | Still Photographer |
James Russell | Production Sound Mixer |
Erik Duemig | Production Sound Mixer |
Michael Schwarz | Boom Operator |
Joseph Duemig | Boom Operator |
Steven R. Mathis | Gaffer |
Liz Drew | Best Boy Electric |
Scott Forrester | Electrician |
Austin Gill | Electrician |
Sam Calvin | Electrician |
Jeremy Smart | Electrician |
Jimmy Hollingshed | Electrician |
Matt Bauske | Electrician |
Jacob Keen | Electrician |
Sunrise Tippeconnie | Electrician |
Jon Shryock | Key Grip |
Keith Brown | Key Grip |
Timothy R. Barnett | Grip |
Colin Warde | Grip |
Moses Jenkins | Grip |
Brett Reynolds | Dolly Grip |
Charlotte Golden | Costume Supervisor |
Amy Higdon | Costume Supervisor |
Amanda Gonzalez | Set Costumer |
Ashley Tabb | Assistant Hairstylist |
Kerry Anne Pritchard | Assistant Hairstylist |
Hannah Gates | Assistant Makeup Artist |
Danny Hulsey | Location Manager |
Daniel Cochran | Key Set Production Assistant |
Alyssa Ide | Set Production Assistant |
Zackary Steven Graham | Set Production Assistant |
Cole Emhoff | Producer's Assistant |
Mina Lee | Actor's Assistant |
Andrea Drake | Set Production Assistant |
Justin Clenard | Transportation Coordinator |
Lew Homme | Driver |
Jimmie L. Hardcastle | Driver |
Tom Comstock | Driver |
Arnold Rowlan | Driver |
Dan Dolan | Driver |
Devin Cunningham | Driver |
Joel Decker | Driver |
Doug Tabb | Driver |
Terry Raulston | Driver |
Sheri Dent | Set Medic |
Conley Wilson | Special Effects Coordinator |
Joshua Miller | Special Effects Assistant |
Kenny Binkley | Special Effects Assistant |
John Stout | Special Effects Assistant |
Reride Smith | Animal Coordinator |
David Milliken | Animal Wrangler |
Pamela Banks | Animal Wrangler |
Daniel McGilvray | Post Production Supervisor |
Rudy Chung | Music Supervisor |
Michelle Cho | Music Coordinator |
Irene Chun | First Assistant Editor |
Dmitri Makarov | Dialogue Editor, Supervising Sound Editor, ADR Editor |
Julia Shirar | Sound Effects Editor |
Jason Butler | Foley Mixer |
Catherine Joy | Orchestrator |
Joseph Carrillo | Orchestrator |
Frank Wolf | Scoring Mixer |
Nikhil Koparkar | Music Programmer |
Robinton Hobbs | Music Programmer |
Gina Luciani | Musician |
Ro Rowan | Musician |
Virginia Figueiredo | Musician |
Seth Stuart | Casting Assistant |
Jenn Rader | Casting Associate |
Joe Fragassi | Post Production Accountant |
In-Ah Lee | Thanks |
Stephen J. Hanan | Second Second Assistant Director |
Kent Shelton | Stunt Coordinator |
Name | Title |
---|---|
Dede Gardner | Producer |
Jeremy Kleiner | Producer |
Steven Yeun | Executive Producer |
Christina Oh | Producer |
Joshua Bachove | Executive Producer |
Brad Pitt | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 34 | 56 | 22 |
2024 | 5 | 37 | 64 | 20 |
2024 | 6 | 26 | 37 | 16 |
2024 | 7 | 36 | 68 | 17 |
2024 | 8 | 28 | 54 | 13 |
2024 | 9 | 17 | 22 | 11 |
2024 | 10 | 26 | 54 | 12 |
2024 | 11 | 27 | 50 | 13 |
2024 | 12 | 24 | 48 | 12 |
2025 | 1 | 25 | 51 | 16 |
2025 | 2 | 16 | 25 | 4 |
2025 | 3 | 6 | 25 | 1 |
2025 | 4 | 4 | 8 | 2 |
2025 | 5 | 4 | 9 | 3 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 2 | 4 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 3 | 6 | 2 |
2025 | 10 | 4 | 5 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 818 | 818 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 993 | 993 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 907 | 937 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 636 | 833 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 425 | 765 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 973 | 973 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 865 | 932 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 916 | 958 |
Year | Month | High | Avg |
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2024 | 10 | 956 | 956 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 410 | 714 |
'Minari' is an emotionally beautiful film. For me personally, the only downfall are very small parts of its narrative. Some things are brought up but never really touched on again, which didn't bug me in the moment but after the film, I asked myself what happened with those threads. It's such a smal ... l issue, but that doesn't stop me from saying that the film is a breathtaking delight. Soon-ja sang it best: “Minari, minari... wonderful, wonderful.“ - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-minari-equal-parts-heartwarming-and-heartbreaking
“Minari” is an absolutely beautiful gem of a movie that is delightful on all levels. The highly personal film, written and directed by Lee Isaac Chung, tells the story of a struggling Korean-American family searching for a better life when they move to rural Arkansas from California. Jacob (Steven Y ... eun) dreams of starting his own farm and selling Korean vegetables to serve the growing immigrant population, while his wife Monica (Yeri Han) quietly internalizes her anxiety. Their two kids (Alan S. Kim, Noel Cho) adapt a bit more quickly, but things are turned upside down when their firecracker of a grandma (Yuh-jung Youn) arrives. Set in the 1980s, the film depicts a fresh look at the immigrant experience in America, capturing what it must be like to face unfamiliar surroundings while clinging to the promise of a happy future. Jacob has a desire and drive that’s enviable, even if he’s draining the family’s savings with his pie-in-the-sky dreams. It’s rare that almost all of the best performances of the year are concentrated in one movie, but here we are. The cast is pitch-perfect, from Will Patton‘s supporting role as a religious Korean War veteran to Han’s understated turn as a disappointed wife who is embarrassed to be living in a mobile home in the middle of nowhere. The performances are excellent all around, but Kim and Youn steal the film. All of the actors achieve something to be proud of here. I instantly felt a powerful connection with every character, each of them a person I would gladly root for until the end. I contend that if you aren’t all-in and crossing your fingers for this likeable family’s success, there’s something deeply rotten in your soul. The narrative explores the highest of the highs and the lowest of the lows with a charming, admirable authenticity and eye-opening insight. The story’s appeal is universal with a hopeful sentiment, even when tragedy strikes. “Minari” may not escape a few chestnut platitudes (like even when you come close to losing everything, a new day will dawn and things will be brighter because you still have each other), but this comforting underdog story about immigrants with a dream is wrapped in an absolutely beautiful film that’s delightful on all levels. By: Louisa Moore / SCREEN ZEALOTS