Popularity: 3 (history)
| Director: | Stuart Heisler |
|---|---|
| Writer: | Nunnally Johnson, Alan Le May |
| Staring: |
| An easy-going cowboy is mistaken by the townsfolk for a notorious gunman. The cowboy decides it would be best to leave town, until he meets the gunman's girlfriend. | |
| Release Date: | Jul 19, 1945 |
|---|---|
| Director: | Stuart Heisler |
| Writer: | Nunnally Johnson, Alan Le May |
| Genres: | Comedy, Western |
| Keywords | gunman |
| Production Companies | RKO Radio Pictures, International Pictures (I) |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 09, 2025 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Gary Cooper | Melody Jones |
| Loretta Young | Cherry de Longpre |
| William Demarest | George Fury |
| Dan Duryea | Monte Jarrad |
| Frank Sully | Avery de Longpre |
| Don Costello | Leo Gledhill |
| Walter Sande | Ira Waggoner |
| Russell Simpson | Pop de Longpre |
| Arthur Loft | Sheriff |
| Willard Robertson | Luke Packard |
| Ray Teal | Kriendler |
| Lane Chandler | Boone |
| Ernie Adams | Townsman (uncredited) |
| Erville Alderson | Bartender (uncredited) |
| Silver Tip Baker | Poker Player (uncredited) |
| Jack Baxley | Rancher on Street (uncredited) |
| Hank Bell | Posse Rider (uncredited) |
| Paul E. Burns | Small Man (uncredited) |
| Horace B. Carpenter | Old Barfly (uncredited) |
| Tommy Coats | Stagecoach Passenger (uncredited) |
| Frank Cordell | Stagecoach Guard (uncredited) |
| Lew Davis | Stagecoach Passenger (uncredited) |
| Ralph Dunn | Cotton (uncredited) |
| Frank Ellis | Barfly (uncredited) |
| Billy Engle | Deputy (uncredited) |
| Art Fowler | Barfly Staring at Melody (uncredited) |
| Clem Fuller | Barfly (uncredited) |
| Frank Hagney | Townsman (uncredited) |
| Tom Herbert | Card Player (uncredited) |
| Herbert Heywood | Townsman (uncredited) |
| Bob Kortman | Wagon Driver (uncredited) |
| Ralph Littlefield | Townsman (uncredited) |
| Emmett Lynn | Bearded Barfly (uncredited) |
| Cactus Mack | Tall Barfly (uncredited) |
| Chris-Pin Martin | Store Proprietor (uncredited) |
| Frank McCarroll | Posse Rider (uncredited) |
| John Merton | Card Player (uncredited) |
| Douglas Morrow | Rifleman (uncredited) |
| Charles Morton | Card Player (uncredited) |
| Artie Ortego | Sleeping Mexican (uncredited) |
| Lee Phelps | Jailkeeper (uncredited) |
| Ed Randolph | Stagecoach Passenger (uncredited) |
| Tony Roux | Old Mexican (uncredited) |
| Paul Sutton | Barfly (uncredited) |
| Lane Watson | Town Character (uncredited) |
| Chalky Williams | Posse Rider (uncredited) |
| Henry Wills | Cowhand in Saloon (uncredited) |
| Name | Job |
|---|---|
| Nunnally Johnson | Writer |
| Thomas Neff | Editor |
| Julia Heron | Set Decoration |
| James C. Pratt | Production Manager |
| Harold Schwartz | Unit Manager |
| Dorothea Holt | Production Illustrator |
| Fred Lau | Sound |
| Ray Binger | Special Effects |
| Ted Mapes | Stunt Double |
| Ed Randolph | Stunts |
| Donald Biddle Keyes | Still Photographer |
| Robert Franklyn | Orchestrator |
| Arthur Schoepp | Orchestrator |
| Raymond Crossett | Story Editor |
| Marshall Kester | Unit Publicist |
| Alan Le May | Novel |
| Arthur Lange | Original Music Composer |
| Wiard B. Ihnen | Art Direction |
| Gustaf Norin | Makeup Artist |
| Charles Maxwell | Original Music Composer |
| Ed Ebele | Production Manager |
| Arthur S. Black Jr. | Assistant Director |
| Arthur Johns | Sound |
| Harry Redmond Sr. | Special Effects |
| Frank McCarroll | Stunts |
| Harry Davis | Camera Operator |
| Paul Weatherwax | Supervising Editor |
| Clifford Vaughan | Orchestrator |
| Vernon Leftwich | Orchestrator |
| John LeRoy | Publicist |
| Stuart Heisler | Director |
| Milton Krasner | Director of Photography |
| Walter Plunkett | Costume Design |
| Hugo Friedhofer | Original Music Composer |
| Evelyn Finley | Stunt Double |
| Name | Title |
|---|---|
| William Goetz | Executive Producer |
| Walter Thompson | Associate Producer |
| Gary Cooper | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 7 | 16 | 3 |
| 2024 | 5 | 9 | 16 | 4 |
| 2024 | 6 | 6 | 16 | 2 |
| 2024 | 7 | 9 | 25 | 3 |
| 2024 | 8 | 6 | 12 | 3 |
| 2024 | 9 | 4 | 7 | 2 |
| 2024 | 10 | 6 | 15 | 2 |
| 2024 | 11 | 4 | 7 | 2 |
| 2024 | 12 | 4 | 6 | 2 |
| 2025 | 1 | 4 | 8 | 2 |
| 2025 | 2 | 3 | 7 | 1 |
| 2025 | 3 | 2 | 5 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
Like I told your friend, never turn your back on anything... especially a girl! Along Came Jones is directed by Stuart Heisler and adapted to screenplay by Nunnally Johnson from the Alan Le May novel The Useless Cowboy. It stars Gary Cooper, Loretta Young, Dan Duryea and William Demarest. Music i ... s by Arthur Lange and cinematography by Milton R. Krasner. Mild mannered Melody Jones (Cooper) and his friend George Fury (Demarest) wander into the town of Payneville. Because of the saddle on his horse having the initials M J, Jones is mistaken for being wanted outlaw Monte Jarrad (Duryea), something which brings him into conflict with the townsfolk - and Jarrad himself! Monte Jarrad. Tall and skinny, mean tempered and extra fast with a gun - travels with half-wit uncle called Uncle Roscoe something. Cooper for the first time enters the realm of producer and delivers a sly spoof of the Western genre that served him so well. Cooper as Jones is happy to laugh at himself, portraying him as an amiable buffoon. Initially it's not easy to accept such a laconic and mighty presence as being such a character, but Cooper quickly draws you in. Cooper is aided by professional turns from Young, Duryea and Demarest, who in turn get a sprightly script of fun dialogue to work from - which in a film of much chatter is crucial to make it work. Elsewhere, what action scenes are forthcoming are moderately staged and Krasner's black and white photography is gorgeous in print form, but the locales and set designs just sort of sit there waiting to be elevated. The budget restriction in place is annoying, where we should have sweep and out of studio airiness, we instead have cheap tricks and crude back projection, this cast deserves better production value. Plotting is also thin and formulaic, the screenplay and Heisler's direction playing safe and not doing justice to the satirical beats trying to be heard. It's fun and charming enough to be worth time spent on viewing, and Cooper and co are good company, but it should have been better and had better care afforded it from a technical standpoint. 6/10