Popularity: 12 (history)
| Director: | Paul Thomas Anderson |
|---|---|
| Writer: | Upton Sinclair, Paul Thomas Anderson |
| Staring: |
| Ruthless silver miner, turned oil prospector, Daniel Plainview, moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainview's motives and intentions, starting a slow-burning feud that threatens both their lives. | |
| Release Date: | Dec 26, 2007 |
|---|---|
| Director: | Paul Thomas Anderson |
| Writer: | Upton Sinclair, Paul Thomas Anderson |
| Genres: | Drama |
| Keywords | sibling relationship, california, capitalism, based on novel or book, pastor, deaf-mute, american dream, fanatic, petrol, greed, baptism, narcissism, father, misanthrophy, oil, money, religion, impostor, church, alcoholic, oil industry, child abandonment, character study, zealot, bowling alley, sign languages, oil field, turn of the century, 19th century, adopted son, 1900s, personality change, pipeline, 20th century, 1890s, surdez |
| Production Companies | Miramax, Ghoulardi Film Company, Paramount Vantage, JoAnne Sellar Productions |
| Box Office |
Revenue: $77,208,711
Budget: $25,000,000 |
| Updates |
Updated: Oct 09, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Daniel Day-Lewis | Daniel Plainview |
| Paul Dano | Paul Sunday / Eli Sunday |
| Kevin J. O'Connor | Henry |
| Ciarán Hinds | Fletcher Hamilton |
| Dillon Freasier | H.W. Plainview |
| Hope Elizabeth Reeves | Elizabeth |
| Colleen Foy | Mary Sunday |
| Barry Del Sherman | H. B. Ailman |
| David Willis | Abel Sunday |
| Hans Howes | Mr. Bandy |
| Sydney McCallister | Mary Sunday (young) |
| Paul F. Tompkins | Prescott |
| Kevin Breznahan | Signal Hill Man |
| Jim Meskimen | Signal Hill Married Man |
| Erica Sullivan | Signal Hill Woman |
| Randall Carver | Mr. Bankside |
| Coco Leigh | Mrs. Bankside |
| Jim Downey | Al Rose |
| David Warshofsky | H.M. Tilford |
| Charles Thomas Doyle | J.J. Carter |
| Russell Harvard | Adult H.W. Plainview |
| Martin Stringer | Silver Assay Worker |
| Matthew Braden Stringer | Silver Assay Worker |
| Jacob Stringer | Silver Assay Worker |
| Joseph Mussey | Silver Assay Worker |
| Harrison Taylor | Baby H.W. |
| Stockton Taylor | Baby H.W. |
| Christine Olejniczak | Mother Sunday |
| Kellie Hill | Ruth Sunday |
| Dan Swallow | Gene Blaize |
| Robert Arber | Charlie Wrightsman |
| Bob Bell | Geologist |
| David Williams | Ben Blaut |
| Joy Rawls | Eli Follower |
| Louise Gregg | Eli Follower |
| Amber Roberts | Eli Follower |
| John W. Watts | Oil Worker |
| Robert Caroline | Oil Worker |
| Barry Bruce | Oil Worker |
| Irene G. Hunter | Mrs. Hunter |
| John Chitwood | Little Boston Doctor |
| Colton Woodward | William Bandy |
| John Burton | L.P. Clair |
| Robert Barge | Bartender |
| Ronald Krut | Standard Oil Man |
| Huey Rhudy | Standard Oil Man |
| Steven Barr | Standard Oil Man |
| Robert Hills | H.W.'s Interpreter |
| Bob Bock | Priest |
| Vince Froio | Plainview Servant |
| Phil Shelly | Plainview Servant |
| Brad Carr | Signal Hill Man (uncredited) |
| Mary Elizabeth Barrett | Fanny Clark (uncredited) |
| Beau Smith | Blacksmith (uncredited) |
| Name | Job |
|---|---|
| Upton Sinclair | Novel |
| Joel Corry | Intern |
| Kimberly Adams | Assistant Costume Designer |
| Ryan Happy | Stunts |
| Keii Johnston | Stunts |
| Shawn Patrick Lane | Stunts |
| Frank Lloyd | Stunts |
| Paul Graff | Visual Effects Supervisor |
| Susan Greenhow | Visual Effects Producer |
| Brad Blei | Set Dresser |
| Jack Colmenero | Set Dresser |
| Mark Muñoz | Stunts |
| Denney Pierce | Stunts |
| Arvo Pärt | Additional Soundtrack |
| Robert Elswit | Director of Photography |
| Paul Thomas Anderson | Director, Writer |
| Mark Bridges | Costume Design |
| François Duhamel | Still Photographer |
| Jeff Habberstad | Stunt Coordinator |
| Jonny Greenwood | Original Music Composer |
| Matthew Wood | Supervising Sound Editor |
| Chris Scarabosio | Sound Designer |
| Tom Johnson | Sound Re-Recording Mixer |
| Michael Semanick | Sound Re-Recording Mixer |
| Tim Nielsen | Sound Effects Editor |
| Coya Elliott | First Assistant Sound Editor |
| Dylan Tichenor | Editor |
| Linda Cohen | Music Supervisor |
| Jim Erickson | Set Decoration |
| John Blake | Makeup Department Head |
| Anna Rane | Script Supervisor |
| Eden Clark Coblenz | Costume Supervisor |
| Mark Manthey | Rigging Gaffer |
| Myke Schwartz | Stunt Coordinator |
| Paul Rabjohns | Music Editor |
| David Crank | Art Direction |
| Brian Avery | Stunts |
| Erica Frauman | Post Production Supervisor |
| Jamey Pryde | Post Production Supervisor |
| Will Weiske | Production Supervisor |
| Eric Richard Lasko | Assistant Director |
| Mark Graziano | Thanks |
| Jose Ludlow | Thanks |
| Kenny Becker | Color Timer |
| Robby Baumgartner | Lighting Technician |
| Catherine Conrad | Makeup Artist |
| J.R. Grubbs | Sound Effects Editor |
| Jeff Sawyer | Sound Effects Editor |
| Grady Cofer | Visual Effects Supervisor |
| Christina Graff | Visual Effects Producer |
| Mark Hanks | Set Dresser |
| Carl J. Stensel | Set Designer |
| Kathy Kiatta | Key Costumer |
| Michelle Elaine Teague | Costumer |
| Yvonne Wilburn | Costumer |
| Kim Ayers | Makeup Artist |
| Yeşim "Shimmy" Osman | Key Hair Stylist |
| Hugo Weng | Dialogue Editor |
| Bruce Tanis | Foley Editor |
| David M. Roberts | Boom Operator |
| Thomas J. O'Connell | ADR Mixer |
| Sarah Monat | Foley Artist |
| Vanessa Lapato | Dialogue Editor |
| David Horton Jr. | Foley Editor |
| Robin Harlan | Foley Artist |
| Rick Canelli | ADR Recordist |
| Andrew Bock | Sound Assistant |
| Jake Lombard | Stunts |
| Larry M. Shorts | Stunts |
| Paul Sklar | Stunts |
| Scott Sproule | Stunts |
| Adam Watkins | CG Supervisor |
| Steve Cremin | Special Effects Coordinator |
| Christian Eubank | Special Effects Technician |
| Jay King | Special Effects Technician |
| Brandon K. McLaughlin | Special Effects Technician |
| Douglas D. Ziegler | Special Effects Technician |
| Ian Stone | Second Assistant Director |
| Richard Oswald | Second Assistant Director |
| Randy K. Singer | Foley Mixer |
| Sharon Ray Ely | Hairstylist |
| Linda Flowers | Hair Department Head |
| Melinda Sue Gordon | Still Photographer |
| Adam Somner | Assistant Director |
| Ruth De Jong | Production Assistant |
| Mike Justus | Stunts |
| John Pritchett | Sound Mixer |
| Juan Peralta | Sound Re-Recording Assistant |
| Charles Crivier | Grip |
| Colin Anderson | Camera Operator |
| Jack Fisk | Production Design |
| Cassandra Kulukundis | Casting |
| Dan Perri | Main Title Designer |
| Name | Title |
|---|---|
| JoAnne Sellar | Producer |
| Paul Thomas Anderson | Producer |
| Daniel Lupi | Producer |
| Scott Rudin | Executive Producer |
| Eric Schlosser | Executive Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Director | Paul Thomas Anderson | Nominated |
| Academy Awards | Best Picture | N/A | Nominated |
| Golden Globes | Best Picture | N/A | Nominated |
| Golden Globes | Best Director | Paul Thomas Anderson | Nominated |
| BAFTA Awards | Best Director | Paul Thomas Anderson | Nominated |
| BAFTA Awards | Best Supporting Actor | Javier Bardem | Won |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 35 | 53 | 23 |
| 2024 | 5 | 42 | 65 | 30 |
| 2024 | 6 | 42 | 73 | 28 |
| 2024 | 7 | 47 | 77 | 27 |
| 2024 | 8 | 37 | 57 | 26 |
| 2024 | 9 | 30 | 39 | 23 |
| 2024 | 10 | 42 | 99 | 26 |
| 2024 | 11 | 36 | 53 | 22 |
| 2024 | 12 | 39 | 66 | 30 |
| 2025 | 1 | 41 | 56 | 32 |
| 2025 | 2 | 35 | 48 | 8 |
| 2025 | 3 | 14 | 45 | 3 |
| 2025 | 4 | 9 | 15 | 5 |
| 2025 | 5 | 10 | 18 | 8 |
| 2025 | 6 | 9 | 13 | 7 |
| 2025 | 7 | 10 | 13 | 7 |
| 2025 | 8 | 9 | 11 | 8 |
| 2025 | 9 | 8 | 11 | 5 |
| 2025 | 10 | 10 | 14 | 8 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 75 | 445 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 46 | 399 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 141 | 503 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 77 | 466 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 158 | 630 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 216 | 575 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 175 | 563 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 295 | 731 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 246 | 731 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 77 | 536 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 243 | 728 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 328 | 765 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 505 | 761 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 383 | 617 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 513 | 794 |
Great movie, not a spaghetti western. Very good story and atmosphere 10 stars. ...
***Weighty, morose period drama with complex characters and Daniel Day-Lewis*** In the early 20th century, an industrious prospector in Southern California, Daniel Plainview (Daniel Day-Lewis), becomes a shrewd oil magnate, whose journey is paralleled with a dubious Pentecostal pastor of a remot ... e church, Eli Sunday (Paul Dano). “There Will Be Blood” (2007) is a one-of-a-kind period drama with Western elements. It’s arty and the furthest thing from a conventional blockbuster. You have to be in the mode for a deep, slow-moving, epic flick like this in order to appreciate it. The contemporaneous “The Assassination of Jesse James by the Coward Robert Ford” and “No Country for Old Men” are good comparisons. Whilst the story and main characters are simple on the surface, they go deep and there are some things to mine: What good is success if you have no one to love and enjoy it with? Is Daniel a sociopath or a quality individual who acquires sociopathic tendencies because his choices put him on the road of madness? Was Eli a “false prophet”? If so, was he always a con or did he become one? Why is Eli paralleled with Daniel? Does Daniel have the capacity for genuine love? Does he mean what he ultimately says to HW or are they words born from a sense of betrayal? Would a sane person rashly resort to murder? Is there a positive protagonist in the movie? If so, who and why? If not, why not? Unfortunately, the flick wallows in the negative side of life and is the furthest thing from inspirational. The film runs 2 hours, 38 minutes, and was shot in Southern Cal and Texas (Shafter & Marfa); and Lakewood, Washington (Thornewood Castle). GRADE: C+
I remember reading about just how much money Rockefeller was making at the height of his prowess and the sums were eye watering. His Standard Oil company is referenced in this powerful drama with Daniel Day Lewis as “Plainview”. He’s a prospector looking for silver but who has a bit of a fall and di ... scovers that there is something much more valuable and plentiful - if you know how to find it, He gradually buys up leases and together with his stalwart “Fletcher” (Ciarán Hinds) and young son “H.W.” (Dillon Freasier) starts to develop his business with a view to building a pipeline of over one hundred miles to reach the sea. Along the way, their lives are fraught with dangers and tough choices have to be made - especially when an accident at one of the wells renders the young boy deaf. It’s at this remote site that “Plainview”meets his nemesis. Not in a competitive, business, fashion - but in a puritanical Christian one. The son of a local homesteader is aspiring preacher “Eli” (Paul Dano) and the remainder of the film sees the one trying to humiliate and outmanoeuvre the other and disclaim each’s strongly held values. It’s a slow burn, this film, but DDL is on super form as a man striving for success but for it’s own purpose. His wealth does not bring him contentedness nor, for that matter, does it bring joy to anyone else. This also demonstrates just how poor rural parts of the USA were at the turn of the 20th century, and at how vulnerable the population were to exploitation and the venality of the oilmen. The photography is immersive and the pace works well in drawing us into the perfectly constructed characterisations that were the natural successors to the earlier pioneers. I didn’t love the conclusion. It seemed a little unnecessary, underwhelming - rushed even. The last ten minutes have an intensity of their own that though they well illustrate the skill of Dano and DDL, they just didn’t quite wrap things up as I might have liked. Still, it’s a great piece of cinema with some strong writing underpinning a series of lusts….
What the hell was in the air in 2007? ...
A hypnotic flight into the darkness of the soul and how people hide themselves away. A masterfully directed feat, There Will Be Blood shows the very limits of selfishness and greed which are further encapsulated by Day-Lewis’ mind-blowing and unique performance of which could be easily called the gr ... eatest of all time. Every person who worked on this seem as if they are masters of their crafts, even the child actors, whose performances are stunning. Day-Lewis has excellent chemistry with Paul Dano’s egoistical preacher, who was very much snubbed for the best actor category. With some of the best cinematography ever brought to film, this is truly one of the all time greats.