Werewolf by Night
There's no escaping the night.
2022 | 55m | English
Popularity: 4 (history)
| Director: | Michael Giacchino |
|---|---|
| Writer: | Heather Quinn |
| Staring: |
| On a dark and somber night, a secret cabal of monster hunters emerge from the shadows and gather at the foreboding Bloodstone Temple following the death of their leader. In a strange and macabre memorial to the leader’s life, the attendees are thrust into a mysterious and deadly competition for a powerful relic—a hunt that will ultimately bring them face to face with a dangerous monster. | |
| Release Date: | Sep 25, 2022 |
|---|---|
| Director: | Michael Giacchino |
| Writer: | Heather Quinn |
| Genres: | Fantasy, Action, Horror |
| Keywords | secret organization, superhero, based on comic, werewolf, magical object, marvel cinematic universe (mcu), short film, monster hunter |
| Production Companies | Marvel Studios, Kevin Feige Productions |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 06, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Gael García Bernal | Jack Russell |
| Laura Donnelly | Elsa Bloodstone |
| Harriet Sansom Harris | Verussa Bloodstone |
| Kirk R. Thatcher | Jovan |
| Eugenie Bondurant | Azarel |
| Leonardo Nam | Liorn |
| Daniel J. Watts | Barasso |
| Al Hamacher | Billy Swan |
| Carey Jones | Ted (Man-Thing) |
| David Silverman | The Flaming Tuba |
| Rick D. Wasserman | Narrator (voice) |
| Richard Dixon | Ulysses Bloodstone (voice) |
| Jeffrey Ford | Additional Man-Thing Vocalizations (voice) |
| Erik Beck | Puppeteer |
| Name | Job |
|---|---|
| Jaremy Aiello | Sculptor |
| Sarah Halley Finn | Consulting Producer, Casting |
| Gerry Conway | Characters |
| Mayes C. Rubeo | Costume Design |
| Michael Giacchino | Original Music Composer, Director |
| Dave Jordan | Music Supervisor |
| Josh Gold | Supervising Sound Editor, Sound Designer |
| Michael Semanick | Sound Re-Recording Mixer |
| Casey O'Neill | Stunt Coordinator |
| Sarah Irwin | Stunt Double |
| Dan B. Norris | Stunt Double |
| Jess Durham | Stunt Double |
| Califf Guzman | Stunts |
| Tim James | Stunts |
| Juliene Joyner | Stunts |
| David Conk | Fight Choreographer |
| Roy Thomas | Characters |
| Dan Abnett | Thanks |
| Andy Lanning | Thanks |
| Brad Bird | Thanks |
| Anthony Giacchino | Thanks |
| Carey Jones | Makeup Effects Designer |
| Joe Farrell | Visual Effects Supervisor |
| Peter Cameron | Consulting Producer, Teleplay |
| Evan Jacobs | Stereoscopic Supervisor |
| Mike Ploog | Characters |
| Heather Quinn | Teleplay, Story |
| Leeann Stonebreaker | Unit Production Manager |
| Janell Sammelman | First Assistant Director |
| Angie Read | Second Assistant Director |
| Lauren Miyake | Visual Effects Producer |
| Krista Husar | Casting |
| Paul Jennings | Second Unit Director |
| Anele Onyekwere | Supervising Music Editor, Other |
| Ian Joyner | Visual Development |
| Luis Valladares | Stunt Double |
| Christopher Gonzalez | Stunt Double |
| Sabreena Candreva | Stunt Double |
| Kawui Joa | Stunt Double |
| Morgan Chislett | Stand In |
| Daniel Sudick | Special Effects Supervisor |
| Kevin R. Wright | Other |
| Perren Leatherwood | Stand In |
| Marquis Magwood | Stand In |
| Jessica Lee | Stand In |
| Federico Berte | Stunts |
| Corey Diamond | Stunts |
| Cory Dunson | Stunts |
| Alex Lapeyrolerie | Stunts |
| Brandy Lewis | Stunts |
| Devin Regan | Stunts |
| Ronnie Shalvis | Stunts |
| Jean Thomas | Characters |
| Pat Boyette | Thanks |
| Stuart Immonen | Thanks |
| Michael Lopez | Thanks |
| Gray Morrow | Thanks |
| Sonny Trinidad | Thanks |
| Mike Vosburg | Thanks |
| John Warner | Thanks |
| Nina A. White | Set Dresser |
| Lauren Rosenbloom | Art Direction |
| Tristan Mathews | Post Production Supervisor |
| Glenn Cote | VFX Editor |
| Daniel Young | Visual Effects Coordinator |
| Hank Kilgore | Visual Effects Coordinator |
| Marc Banich | Special Effects Coordinator |
| Missy Parker | Set Decoration |
| Ian MacGregor | Location Manager |
| Donna O'Neal | Costume Supervisor |
| Crystal Broedel | Hair Department Head |
| Ellen Arden | Makeup Department Head |
| Sonya Riviere | Key Hair Stylist |
| Jessica Craig | Key Makeup Artist |
| John Tarro | Hairstylist |
| Katelyn Barton | Makeup Artist |
| Sabrina Wilson | Makeup Artist |
| Kyle Shariff Austin | Stunt Double |
| Zoë White | Director of Photography |
| Maya Shimoguchi | Production Design |
| C.J. Padera | Stunts |
| Joe Studzinski | Conceptual Illustrator |
| Josh Viers | Concept Artist |
| Jeffrey Ford | Editor |
| Juan Peralta | Sound Re-Recording Mixer |
| Bryan Burk | Thanks |
| Nia Hansen | Sound Effects Editor |
| Brittany Upchurch | Set Decoration Buyer |
| Gary Rydstrom | Other |
| Name | Title |
|---|---|
| Louis D'Esposito | Executive Producer |
| Brian Gay | Co-Executive Producer |
| Stephen Broussard | Executive Producer |
| Brad Winderbaum | Executive Producer |
| Trevor Waterson | Co-Executive Producer |
| Leeann Stonebreaker | Producer |
| Heather Quinn | Co-Producer |
| Kevin Feige | Executive Producer |
| Victoria Alonso | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 36 | 44 | 27 |
| 2024 | 5 | 47 | 61 | 26 |
| 2024 | 6 | 34 | 46 | 26 |
| 2024 | 7 | 44 | 73 | 23 |
| 2024 | 8 | 33 | 65 | 23 |
| 2024 | 9 | 35 | 59 | 21 |
| 2024 | 10 | 46 | 96 | 22 |
| 2024 | 11 | 27 | 43 | 19 |
| 2024 | 12 | 27 | 34 | 21 |
| 2025 | 1 | 34 | 47 | 20 |
| 2025 | 2 | 24 | 31 | 6 |
| 2025 | 3 | 9 | 29 | 2 |
| 2025 | 4 | 5 | 7 | 3 |
| 2025 | 5 | 4 | 7 | 3 |
| 2025 | 6 | 3 | 5 | 2 |
| 2025 | 7 | 3 | 4 | 2 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 4 | 7 | 2 |
| 2025 | 10 | 3 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 494 | 837 |
| Year | Month | High | Avg |
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| 2025 | 9 | 468 | 787 |
| Year | Month | High | Avg |
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| 2025 | 8 | 467 | 702 |
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| 2025 | 7 | 186 | 685 |
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| 2025 | 6 | 457 | 695 |
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| 2025 | 5 | 274 | 685 |
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| 2025 | 4 | 524 | 765 |
| Year | Month | High | Avg |
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| 2025 | 3 | 486 | 777 |
| Year | Month | High | Avg |
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| 2025 | 2 | 415 | 768 |
| Year | Month | High | Avg |
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| 2025 | 1 | 437 | 751 |
| Year | Month | High | Avg |
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| 2024 | 12 | 878 | 924 |
| Year | Month | High | Avg |
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| 2024 | 11 | 448 | 630 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 524 | 758 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 826 | 868 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 464 | 816 |
**Werewolf by Night makes bold creative decisions to embrace the monster movies vibe, and it pays off BIG TIME!** Werewolf by Night is my favorite Marvel film so far this year. The stylized approach with the black and white filter and film grain was a bold choice that gave the movie great atmosph ... ere and nostalgia. Werewolf by Night embraced the horror genre and violence slightly more than other Marvel movies, with villains losing limbs and being eaten. However, it’s still a Disney+ special at the end of the day, so I wouldn’t call it particularly scary or violent. As a fan of Elsa Bloodstone in the comics, I enjoyed her character’s role and backstory in the movie, which connected this isolated creature feature to a greater universe. The creative choices, great but not overdone effects, the introduction of new heroes, and the horror approach make Werewolf by Night one of the best recent entries in the Marvel Cinematic Universe.
MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2022-edition/ "Werewolf by Night exhibits once again the immense talent of Michael Giacchino, but this time, in addition to delivering an excellent score, he also shines as a director. From the stunning blac ... k-and-white cinematography to the instantly entertaining premise, the filmmaker creates such a distinctive style that no one would guess this special belongs to the MCU. A dive into the horror genre that pays homage to past decades and surprises with the level of depth given to the characters in such a short runtime. Final praise for the superb performances." Rating: B+
The film "Werewolf by Night" pleasantly surprised me with its creative twist. Initially a black-and-white production, it captured my attention in a way I hadn't anticipated. The unique presentation in monochrome added to the film's appeal, and I particularly enjoyed the nod to "The Wizard of Oz" whe ... re the transition to color was a memorable touch. This movie is definitely worth a watch - it may not be lengthy, but it offers an intriguing experience worth delving into. I've personally watched it three times and found enjoyment in each viewing. What sets this film apart is that it doesn't detract from the thrilling excitement of the Marvel Cinematic Universe (MCU); rather, it prompts contemplation on how it will fit into the larger narrative. This leaves me with the biggest question: how will it intertwine with the MCU, considering its unique approach that hasn't been explored in other ways before? I thoroughly relished this film and eagerly anticipate its connection to the broader MCU universe.