Popularity: 8 (history)
| Director: | Marcus Nispel |
|---|---|
| Writer: | Scott Kosar |
| Staring: |
| After picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a chainsaw-wielding killer and his family of equally psychopathic killers. | |
| Release Date: | May 21, 2003 |
|---|---|
| Director: | Marcus Nispel |
| Writer: | Scott Kosar |
| Genres: | Horror |
| Keywords | suicide, sheriff, trauma, telephone, psychopath, stalker, friends, remake, murder, gore, hitchhiker, slaughterhouse, chainsaw, torture, cannibal, killer, family, human skin mask |
| Production Companies | New Line Cinema, Radar Pictures, Next Entertainment, Platinum Dunes, Focus Features |
| Box Office |
Revenue: $107,967,319
Budget: $9,500,000 |
| Updates |
Updated: Aug 03, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Jessica Biel | Erin Hardesty |
| Jonathan Tucker | Morgan |
| Andrew Bryniarski | Thomas Hewitt / Leatherface |
| Erica Leerhsen | Pepper |
| Eric Balfour | Kemper |
| Mike Vogel | Andy |
| R. Lee Ermey | Sheriff Hoyt |
| David Dorfman | Jedidiah |
| Lauren German | The Hitchhiker |
| Heather Kafka | Henrietta |
| Terrence Evans | Monty Hewitt |
| Marietta Marich | Luda Mae Hewitt |
| John Larroquette | Narrator (voice) |
| Kathy Lamkin | Tea Lady in Trailer |
| Brad Leland | Big Rig Bob |
| Mamie Meek | Clerk |
| Harry Jay Knowles | Victim On a Silver Platter (uncredited) |
| Scott Martin Gershin | Leatherface (voice) (uncredited) |
| Name | Job |
|---|---|
| Tobe Hooper | Original Film Writer |
| Jeff Werner | Visual Effects Producer |
| Scott Kosar | Screenplay |
| Glen Scantlebury | Editor |
| Bobbie Mannix | Costume Design |
| Greg Blair | Production Design |
| Scott Gallagher | Art Direction |
| Marcus Nispel | Director |
| Daniel Pearl | Director of Photography |
| Diana R. Lupo | Stunts |
| Julia Kim | Casting Associate |
| Scott Martin Gershin | Sound Designer |
| King Orba | Property Master |
| Jill Brown | Stunt Double |
| Kim Henkel | Original Film Writer |
| Simon Cassels | Title Designer |
| Nicola C. Hindshaw | Stunt Double |
| John Cann | Stunt Double |
| Bryon Weiss | Stunt Double |
| Carla Palmer | Makeup Department Head |
| Randy Huke | Set Decoration |
| Kathy Kiatta | Costume Supervisor |
| Debbie Cortez Haber | Art Department Coordinator |
| Joe McCusker | Construction Coordinator |
| Shane Patrick | Leadman |
| Logan Cooper | Location Scout |
| Kara Sutherlin | Standby Painter |
| Peter Simonite | Additional Photography |
| Jeffery J. Tufano | Camera Operator |
| James Marks | Camera Technician |
| Theda Cunningham | First Assistant Camera |
| Van Redin | Still Photographer |
| Kelly Nelson | Key Hair Stylist |
| Jay Flood | Additional Music |
| Steve Allen | Carpenter |
| Scott Stoddard | Makeup Effects |
| Russell E. Scott | Picture Car Coordinator |
| Sara Mineo | Post Production Assistant |
| Tami Goldman | Post Production Supervisor |
| Corissa Smith | Scenic Artist |
| John Arszyla | Set Medic |
| Anthony Cecere | Stunt Coordinator |
| Greg Faucett | Transportation Coordinator |
| Joe Dishner | Unit Production Manager |
| John M. Pisani | Unit Publicist |
| Kosta Saric | Visual Effects Editor |
| Dennis McNeill | Color Timer |
| Edison Jackson | Best Boy Electric |
| Paul Postal | Electrician |
| Buzzy Burwell | Lighting Technician |
| Kelly Kernan | Location Manager |
| Shanti Delsarte | Production Coordinator |
| Chris Frazee | Boom Operator |
| Branden Spencer | First Assistant Sound Editor |
| Jennifer Nash | Music Editor |
| Stacy Brownrigg | Production Sound Mixer |
| Frederick Howard | Sound Editor |
| Mark Allen | Sound Effects Editor |
| John Bires | Sound Engineer |
| Brad Sherman | Sound Re-Recording Mixer |
| Brandon K. McLaughlin | Special Effects Supervisor |
| Nathan McGuinness | Visual Effects Supervisor |
| Amy Bell | Assistant Property Master |
| David Hack | Set Dresser |
| Greg Lomas | Dolly Grip |
| Anna Abbey | Key Costumer |
| Troy Breeding | Key Makeup Artist |
| Grady Holder | Makeup Artist |
| Randy Fletcher | First Assistant Director |
| Phil Hardage | Second Assistant Director |
| Nathan R. Fitzgerald | Associate Editor |
| Andy Ryan | Chief Lighting Technician |
| Jeff Valeri | Assistant Production Coordinator |
| Meagan Lewis | Casting Assistant |
| Kenny Bates | Second Unit Director |
| Matthew Jerome | Costumer |
| Kathie Tull | Second Second Assistant Director |
| Annilee Ballentine | Set Dressing Buyer |
| Mark Millicent | Storyboard Artist |
| Gregg Silk | Assistant Sound Engineer |
| Chris Trent | Foley Mixer |
| Trevor Jolly | Sound Supervisor |
| Gary D. Bierend | Special Effects Assistant |
| Christopher A. Suarez | Special Effects Technician |
| Jason Casillas | Assistant Camera |
| Donis Rhoden | Best Boy Grip |
| Donald R. Howe Jr. | Second Assistant Camera |
| John Scheer | Digital Intermediate Editor |
| John McCunn | Digital Intermediate Producer |
| Joey Hudgins | Assistant Location Manager |
| Crisoforo Aguilar | Key Set Production Assistant |
| Lisa Fields | Local Casting |
| Jeremy Roberts | Payroll Accountant |
| Monique Champagne | Production Assistant |
| Jeremy Reeves | Set Dresser |
| Christopher Stull | Set Dresser |
| Robert R. Wonson | Set Dresser |
| Pam Fuller | Script Supervisor |
| Chris Sposa | Utility Sound |
| Edward Steidele | Foley Artist |
| Steve Jablonsky | Original Music Composer |
| Name | Title |
|---|---|
| Brad Fuller | Executive Producer |
| Mike Fleiss | Producer |
| Andrew Form | Executive Producer |
| Kim Henkel | Co-Producer |
| Tobe Hooper | Co-Producer |
| Michael Bay | Producer |
| Matthew Cohan | Associate Producer |
| Joe Dishner | Co-Producer |
| Pat Sandston | Associate Producer |
| Jeffrey Allard | Executive Producer |
| Ted Field | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 42 | 55 | 34 |
| 2024 | 5 | 46 | 67 | 36 |
| 2024 | 6 | 50 | 75 | 35 |
| 2024 | 7 | 53 | 77 | 30 |
| 2024 | 8 | 46 | 65 | 32 |
| 2024 | 9 | 45 | 81 | 32 |
| 2024 | 10 | 59 | 115 | 39 |
| 2024 | 11 | 51 | 78 | 34 |
| 2024 | 12 | 40 | 51 | 33 |
| 2025 | 1 | 39 | 53 | 33 |
| 2025 | 2 | 36 | 47 | 7 |
| 2025 | 3 | 12 | 42 | 3 |
| 2025 | 4 | 9 | 13 | 5 |
| 2025 | 5 | 6 | 14 | 4 |
| 2025 | 6 | 6 | 10 | 4 |
| 2025 | 7 | 5 | 5 | 4 |
| 2025 | 8 | 6 | 7 | 4 |
| 2025 | 9 | 7 | 12 | 4 |
| 2025 | 10 | 7 | 11 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 216 | 665 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 152 | 574 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 88 | 458 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 518 | 777 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 479 | 821 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 172 | 673 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 613 | 756 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 176 | 684 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 240 | 654 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 458 | 722 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 666 | 874 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 657 | 828 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 264 | 609 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 590 | 760 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 917 | 917 |
Producer Michael Bay steered this remake of the infamous 1970's horror flick, without bringing in anything new. When I first saw the trailer for this version of the story, I thought it looked a lot like a hurried sequel to the contemporary silly release "Wrong Turn." Five youths on their way to a Ly ... nyrd Skynyrd concert pick up a young hitchhiker who commits suicide in the back of their van. Looking for help, and a little common sense, they stumble upon a weird family and their chainsaw wielding offspring. Much violence and such ensues. While the first TCM was not perfect, I eventually learned to love the shaky camera, lousy sound, and cheap look. One reason that film worked for me was the fact that much of the horror took place in blinding daylight, the cast was hot and uncomfortable, and it showed. In this version, even with the original's director of photography, most of the shots are too calculated. The horrors in the dark are not all that horrifying. This might be the rantings of a jaded horror film fan, but I never got the same feeling of unease as I did in the first film. Much of the original's story has been changed as film makers tried to keep the audience guessing by not doing a shot by shot remake, like Gus Van Sant's "Psycho." The absolute lunacy of the first film's family was strange enough, here the members are more dimwitted than scary. This lessens the impact of Leatherface's scenes. You know he is the worst it can get, you don't have an equally sick family to fall back on. One disappointing scene involves the heroine Erin (Jessica Biel) running to a trailer and meeting two women who will obviously not help her. Instead of being a tense moment, where mind games involving drinking a seemingly harmless cup of tea could be played out, the women are there for nothing more than exposition, blaming Leatherface's penchant to kill on being teased when he was younger for a degenerative skin disease. The five victims all meld together, Nispel's direction is okay, but the cinematography is too nice for this type of horror film. The black and white scratchy scenes recall TV's "Millennium" or "The Blair Witch Project." If I would compare "The Texas Chainsaw Massacre" to anything, it would be the terrible sequels that came out after the original "The Texas Chainsaw Massacre" to that point. Just one was watchable, "Leatherface," but with the exception of Part 2, they were all simply remakes of the original film. Most direct to video sequels do that now, and while this film tries to be something different, it is simply a remake that cannot match the original. As Leatherface and the clan enter a new millennium, their wrinkles were showing.