Popularity: 8 (history)
Director: | Alexandre Aja |
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Writer: | Grégory Levasseur, Alexandre Aja |
Staring: |
Based on Wes Craven's 1977 suspenseful cult classic, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carter family soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey. | |
Release Date: | Mar 10, 2006 |
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Director: | Alexandre Aja |
Writer: | Grégory Levasseur, Alexandre Aja |
Genres: | Horror, Thriller |
Keywords | ambush, rape, gas station, new mexico, van, remake, gore, serial killer, slasher, brutality, cannibal, killer, desert, family holiday, madness, ghost town, torture porn, lost in the desert, nuclear testing, human monster |
Production Companies | Fox Searchlight Pictures, Dune Entertainment, Major Studio Partners, Craven-Maddalena Films |
Box Office |
Revenue: $69,623,713
Budget: $15,000,000 |
Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Aaron Stanford | Doug |
Kathleen Quinlan | Ethel |
Vinessa Shaw | Lynn |
Ted Levine | Big Bob |
Emilie de Ravin | Brenda |
Dan Byrd | Bobby |
Tom Bower | Gas Station Attendant |
Billy Drago | Papa Jupiter |
Robert Joy | Lizard |
Desmond Askew | Big Brain |
Ezra Buzzington | Goggle |
Michael Bailey Smith | Pluto |
Laura Ortiz | Ruby |
Maxime Giffard | First Victim |
Maisie Camilleri Preziosi | Baby Catherine |
Greg Nicotero | Cyst |
Ivana Turchetto | Big Mama |
Judith Jane Vallette | Small Deformed Child |
Adam Perrell | Small Deformed Child |
Name | Job |
---|---|
Baxter | Editor |
Inigo Lezzi | Line Producer |
Mark Bennett | Casting |
Joseph C. Nemec III | Production Design |
Danny Glicker | Costume Design |
tomandandy | Original Music Composer |
Tamara Marini | Supervising Art Director |
Alessandra Querzola | Set Decoration |
Massimiliano Duranti | Hair Department Head |
Salima Oulad Dahhou | Hairstylist |
Matteo Silvi | Makeup Artist, Key Makeup Artist |
Mario Michisanti | Makeup Department Head |
Alix Taylor | Executive In Charge Of Production |
Jérôme Billa | Art Department Assistant |
Harry Pain | Assistant Art Director |
Fabio Carussi | Carpenter |
Luigi Sergianni | Construction Manager |
Cristina Cecili | Painter |
Mariam Lee Abounouom | Makeup Artist |
Jaouad Rehaoui | On Set Dresser, Set Dressing Buyer |
Nancy Barker | Assistant Sound Editor |
Dick Philip | Boom Operator |
Kimberly R. McCord-Wilson | Dialogue Editor |
Ginger Geary | Foley Artist |
Solange S. Schwalbe | Foley Editor |
John Kurlander | Scoring Mixer |
Tina Anderson | Post Production Supervisor |
Frank Hildebrand | Unit Production Manager, Production Manager |
Danilo Bollettini | Special Effects Coordinator |
Franco Ragusa | Special Effects Supervisor |
Shih-hao Jason Huang | 3D Artist |
Franklin A. Vallette | First Assistant Director |
Cheryl Leigh | Script Supervisor |
Cedric Proust | Stunt Coordinator |
Hassan Chrij | Grip |
Phyllis Thurber-Moffit | Ager/Dyer |
Michael Hatzer | Color Timer |
Omar Driouche | Transportation Captain |
Katryna Samut-Tagliaferro | Production Coordinator |
Jamal Kandil | Cableman |
Mark Fruin | Property Master |
Michael Barnes | Legal Services |
Alessandro Cardelli | Chief Lighting Technician |
Hakima Hammoudi | Set Medic |
Ibtissam Semmar | Production Accountant |
Albert Bailey | Production Sound Mixer |
Richard Adrian | Sound Designer |
Mohamed Atbir | Set Production Assistant |
Bill R. Dean | Sound Effects Editor |
Ezra Dweck | Sound Re-Recording Mixer |
Adrian Cancer | Storyboard Artist |
Mark Larry | Supervising Sound Editor |
Dan Maddalena | Unit Publicist |
Nazzareno Savini | Key Grip |
David Franco | Music Supervisor |
Jamison Scott Goei | Visual Effects Supervisor |
Dwight Mikkelsen | Orchestrator, Conductor |
Lahcen Abbana | Costume Assistant |
Lahcen Ait Elhaj | Dresser |
Laura LeFaivre | Visual Effects Producer |
Guiomar Alonso | Stunts |
Olivier Agostini | Second Assistant Director |
Sacha Melaranci | "B" Camera Operator |
Rachid Doha | Third Assistant Director |
Eyoub Jallal | Electrician |
Ionut Lupulescu | First Assistant "B" Camera |
Lacey Terrell | Still Photographer |
Elizabeth Ragagli | Set Dressing Buyer |
Eric Thompson | ADR Mixer |
Sean Rowe | Foley Artist |
Ryan Maguire | Foley Mixer |
Jamal Quandil | Sound Assistant |
Mohamed Ali Aqermim | Special Effects Assistant |
Noureddine Aberdine | Location Manager |
Sheri Ozeki | Music Editor |
Valerio Villalba | First Assistant "A" Camera |
Anas Batma | Camera Trainee |
Manuel De Sousa | Assistant Editor |
Kathy Thomson | Digital Colorist |
Gary Burritt | Negative Cutter |
Imad El Ghazi | Assistant Location Manager |
Lmahjoub Boulmi | Animal Wrangler |
Hanane El Amrani | Assistant Accountant |
Lyamani Bouhmdi | Assistant Chief Lighting Technician |
Kawtar Bellafquih | Assistant Production Coordinator |
Youssef El Idrissi | Catering |
Wannapa 'Gai' Sinthunawa | First Assistant Accountant |
Laurent Ben-Mimoun | Matte Painter |
Mustapha Amiri | Production Assistant |
Latifa Chouih | Production Secretary |
Jon-Luke Lourens | Second Assistant Director |
Kevin Wasner | Makeup Artist |
Clare Mulroy | Makeup Artist |
Carla Murray | Sound Effects Editor |
Christopher Alba | Assistant Sound Editor |
François Poirier | Stunts |
Aissa Ouyous | Stunts |
Mustapha Touki | Stunts |
Philippe Losson | Stunts |
Othman Ilyassa | Stunts |
Maxime Alexandre | Director of Photography |
Paulinho da Costa | Musician |
Howard Berger | Makeup Effects Designer |
Chris Navarro | ADR Recordist |
Florian Robin | Stunts, Stunt Double |
Grégory Levasseur | Second Unit Director, Art Direction, Screenplay |
Frank Smathers | ADR Editor |
Barbara Harris | ADR Voice Casting |
Wes Craven | Original Film Writer, Characters |
Bryan O. Watkins | Sound Effects Editor |
Greg Nicotero | Special Effects Makeup Artist |
Karl Derrick | Makeup Artist |
Julie Glick | Costume Supervisor |
Anna Lombardi | Costume Supervisor |
Michael Gregory | Second Assistant Director |
Shamiel Soni | Second Assistant Director |
Bertrand Gagey | Second Assistant Director |
Dexter Locke | Second Assistant Director |
Alexandre Aja | Director, Screenplay |
Nancy Capper Au | Costume Supervisor |
Dane A. Davis | Sound Designer |
Andy Milburn | Original Music Composer |
Tom Hajdu | Original Music Composer |
Name | Title |
---|---|
Peter Locke | Producer |
Samy Layani | Producer |
Frank Hildebrand | Executive Producer |
Cody Zwieg | Associate Producer |
Wes Craven | Producer |
Marianne Maddalena | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 43 | 55 | 34 |
2024 | 5 | 45 | 56 | 33 |
2024 | 6 | 43 | 66 | 32 |
2024 | 7 | 55 | 97 | 34 |
2024 | 8 | 52 | 81 | 37 |
2024 | 9 | 49 | 57 | 38 |
2024 | 10 | 62 | 115 | 44 |
2024 | 11 | 52 | 87 | 39 |
2024 | 12 | 44 | 64 | 33 |
2025 | 1 | 44 | 60 | 33 |
2025 | 2 | 38 | 50 | 8 |
2025 | 3 | 15 | 50 | 3 |
2025 | 4 | 10 | 12 | 7 |
2025 | 5 | 8 | 13 | 6 |
2025 | 6 | 6 | 10 | 5 |
2025 | 7 | 6 | 7 | 5 |
2025 | 8 | 6 | 7 | 4 |
2025 | 9 | 8 | 11 | 6 |
2025 | 10 | 8 | 9 | 8 |
Trending Position
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2025 | 9 | 388 | 708 |
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2025 | 8 | 668 | 859 |
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2025 | 7 | 334 | 678 |
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2025 | 6 | 548 | 808 |
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2025 | 5 | 418 | 804 |
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2025 | 4 | 578 | 862 |
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2025 | 3 | 442 | 784 |
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2025 | 2 | 561 | 733 |
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2025 | 1 | 794 | 895 |
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2024 | 12 | 853 | 855 |
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2024 | 11 | 412 | 663 |
Year | Month | High | Avg |
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2024 | 10 | 650 | 860 |
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2024 | 9 | 792 | 834 |
Year | Month | High | Avg |
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2024 | 8 | 872 | 922 |
One of the best horror remakes to come out in this most recent trend. Rather than ignoring its source material, or taking the other extreme of drearily rehashing it scene for scene, Aja and Levasseur's _The Hills Have Eyes_ simply expands and improves upon the original. _Final rating:★★★★ - Very ... strong appeal. A personal favourite._
Aside from some pretty significant plausibility issues, this is actually quite a decent shock horror. A family stop off at gas station where the elderly attendant tells them of a dirt track shortcut across the desert that will save them a few hours. Towing their caravan, off they go, but when a punc ... ture causes them to lose control and crash into a big rock, they begin to realise that they are not the only folks nearby - and I use the term "folks" loosely. What now follows sees our travellers terrorised by some hideously mutated people who had been left there ever since the US Government carried out nuclear tests. Reduced to just 3, "Big Bob" (Ted Levine) and his faithful hound have to track down his kidnapped baby grandchild - a perilous journey indeed. Now quite why they decided to take the shortcut is just one of a few dodgy decision taken by the "Carter" family that made me wonder, and rendered the plot increasingly silly as we progress to an ending that seems to drag on a bit too long. That said, there are plenty of jump moments and Alexandre Aja manages to keep the annoyingly screaming hysteria to a minimum. Once it eventually gets going, it becomes decently paced and the photography is tightly cut to maximise the impact of some pretty gruesome scenarios (and prosthetics!). Though not as gritty as the 1977 original, I think it's still just as good.