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The Hills Have Eyes

The lucky ones die first.
2006 | 107m | English

(192490 votes)

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Popularity: 8 (history)

Details

Based on Wes Craven's 1977 suspenseful cult classic, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carter family soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey.
Release Date: Mar 10, 2006
Director: Alexandre Aja
Writer: Grégory Levasseur, Alexandre Aja
Genres: Horror, Thriller
Keywords ambush, rape, gas station, new mexico, van, remake, gore, serial killer, slasher, brutality, cannibal, killer, desert, family holiday, madness, ghost town, torture porn, lost in the desert, nuclear testing, human monster
Production Companies Fox Searchlight Pictures, Dune Entertainment, Major Studio Partners, Craven-Maddalena Films
Box Office Revenue: $69,623,713
Budget: $15,000,000
Updates Updated: Jul 30, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Aaron Stanford Doug
Kathleen Quinlan Ethel
Vinessa Shaw Lynn
Ted Levine Big Bob
Emilie de Ravin Brenda
Dan Byrd Bobby
Tom Bower Gas Station Attendant
Billy Drago Papa Jupiter
Robert Joy Lizard
Desmond Askew Big Brain
Ezra Buzzington Goggle
Michael Bailey Smith Pluto
Laura Ortiz Ruby
Maxime Giffard First Victim
Maisie Camilleri Preziosi Baby Catherine
Greg Nicotero Cyst
Ivana Turchetto Big Mama
Judith Jane Vallette Small Deformed Child
Adam Perrell Small Deformed Child
Name Job
Baxter Editor
Inigo Lezzi Line Producer
Mark Bennett Casting
Joseph C. Nemec III Production Design
Danny Glicker Costume Design
tomandandy Original Music Composer
Tamara Marini Supervising Art Director
Alessandra Querzola Set Decoration
Massimiliano Duranti Hair Department Head
Salima Oulad Dahhou Hairstylist
Matteo Silvi Makeup Artist, Key Makeup Artist
Mario Michisanti Makeup Department Head
Alix Taylor Executive In Charge Of Production
Jérôme Billa Art Department Assistant
Harry Pain Assistant Art Director
Fabio Carussi Carpenter
Luigi Sergianni Construction Manager
Cristina Cecili Painter
Mariam Lee Abounouom Makeup Artist
Jaouad Rehaoui On Set Dresser, Set Dressing Buyer
Nancy Barker Assistant Sound Editor
Dick Philip Boom Operator
Kimberly R. McCord-Wilson Dialogue Editor
Ginger Geary Foley Artist
Solange S. Schwalbe Foley Editor
John Kurlander Scoring Mixer
Tina Anderson Post Production Supervisor
Frank Hildebrand Unit Production Manager, Production Manager
Danilo Bollettini Special Effects Coordinator
Franco Ragusa Special Effects Supervisor
Shih-hao Jason Huang 3D Artist
Franklin A. Vallette First Assistant Director
Cheryl Leigh Script Supervisor
Cedric Proust Stunt Coordinator
Hassan Chrij Grip
Phyllis Thurber-Moffit Ager/Dyer
Michael Hatzer Color Timer
Omar Driouche Transportation Captain
Katryna Samut-Tagliaferro Production Coordinator
Jamal Kandil Cableman
Mark Fruin Property Master
Michael Barnes Legal Services
Alessandro Cardelli Chief Lighting Technician
Hakima Hammoudi Set Medic
Ibtissam Semmar Production Accountant
Albert Bailey Production Sound Mixer
Richard Adrian Sound Designer
Mohamed Atbir Set Production Assistant
Bill R. Dean Sound Effects Editor
Ezra Dweck Sound Re-Recording Mixer
Adrian Cancer Storyboard Artist
Mark Larry Supervising Sound Editor
Dan Maddalena Unit Publicist
Nazzareno Savini Key Grip
David Franco Music Supervisor
Jamison Scott Goei Visual Effects Supervisor
Dwight Mikkelsen Orchestrator, Conductor
Lahcen Abbana Costume Assistant
Lahcen Ait Elhaj Dresser
Laura LeFaivre Visual Effects Producer
Guiomar Alonso Stunts
Olivier Agostini Second Assistant Director
Sacha Melaranci "B" Camera Operator
Rachid Doha Third Assistant Director
Eyoub Jallal Electrician
Ionut Lupulescu First Assistant "B" Camera
Lacey Terrell Still Photographer
Elizabeth Ragagli Set Dressing Buyer
Eric Thompson ADR Mixer
Sean Rowe Foley Artist
Ryan Maguire Foley Mixer
Jamal Quandil Sound Assistant
Mohamed Ali Aqermim Special Effects Assistant
Noureddine Aberdine Location Manager
Sheri Ozeki Music Editor
Valerio Villalba First Assistant "A" Camera
Anas Batma Camera Trainee
Manuel De Sousa Assistant Editor
Kathy Thomson Digital Colorist
Gary Burritt Negative Cutter
Imad El Ghazi Assistant Location Manager
Lmahjoub Boulmi Animal Wrangler
Hanane El Amrani Assistant Accountant
Lyamani Bouhmdi Assistant Chief Lighting Technician
Kawtar Bellafquih Assistant Production Coordinator
Youssef El Idrissi Catering
Wannapa 'Gai' Sinthunawa First Assistant Accountant
Laurent Ben-Mimoun Matte Painter
Mustapha Amiri Production Assistant
Latifa Chouih Production Secretary
Jon-Luke Lourens Second Assistant Director
Kevin Wasner Makeup Artist
Clare Mulroy Makeup Artist
Carla Murray Sound Effects Editor
Christopher Alba Assistant Sound Editor
François Poirier Stunts
Aissa Ouyous Stunts
Mustapha Touki Stunts
Philippe Losson Stunts
Othman Ilyassa Stunts
Maxime Alexandre Director of Photography
Paulinho da Costa Musician
Howard Berger Makeup Effects Designer
Chris Navarro ADR Recordist
Florian Robin Stunts, Stunt Double
Grégory Levasseur Second Unit Director, Art Direction, Screenplay
Frank Smathers ADR Editor
Barbara Harris ADR Voice Casting
Wes Craven Original Film Writer, Characters
Bryan O. Watkins Sound Effects Editor
Greg Nicotero Special Effects Makeup Artist
Karl Derrick Makeup Artist
Julie Glick Costume Supervisor
Anna Lombardi Costume Supervisor
Michael Gregory Second Assistant Director
Shamiel Soni Second Assistant Director
Bertrand Gagey Second Assistant Director
Dexter Locke Second Assistant Director
Alexandre Aja Director, Screenplay
Nancy Capper Au Costume Supervisor
Dane A. Davis Sound Designer
Andy Milburn Original Music Composer
Tom Hajdu Original Music Composer
Name Title
Peter Locke Producer
Samy Layani Producer
Frank Hildebrand Executive Producer
Cody Zwieg Associate Producer
Wes Craven Producer
Marianne Maddalena Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 43 55 34
2024 5 45 56 33
2024 6 43 66 32
2024 7 55 97 34
2024 8 52 81 37
2024 9 49 57 38
2024 10 62 115 44
2024 11 52 87 39
2024 12 44 64 33
2025 1 44 60 33
2025 2 38 50 8
2025 3 15 50 3
2025 4 10 12 7
2025 5 8 13 6
2025 6 6 10 5
2025 7 6 7 5
2025 8 6 7 4
2025 9 8 11 6
2025 10 8 9 8

Trending Position


Year Month High Avg
2025 9 388 708
Year Month High Avg
2025 8 668 859
Year Month High Avg
2025 7 334 678
Year Month High Avg
2025 6 548 808
Year Month High Avg
2025 5 418 804
Year Month High Avg
2025 4 578 862
Year Month High Avg
2025 3 442 784
Year Month High Avg
2025 2 561 733
Year Month High Avg
2025 1 794 895
Year Month High Avg
2024 12 853 855
Year Month High Avg
2024 11 412 663
Year Month High Avg
2024 10 650 860
Year Month High Avg
2024 9 792 834
Year Month High Avg
2024 8 872 922

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Reviews

Ruuz
8.0

One of the best horror remakes to come out in this most recent trend. Rather than ignoring its source material, or taking the other extreme of drearily rehashing it scene for scene, Aja and Levasseur's _The Hills Have Eyes_ simply expands and improves upon the original. _Final rating:★★★★ - Very ... strong appeal. A personal favourite._

Jun 23, 2021
Geronimo1967
6.0

Aside from some pretty significant plausibility issues, this is actually quite a decent shock horror. A family stop off at gas station where the elderly attendant tells them of a dirt track shortcut across the desert that will save them a few hours. Towing their caravan, off they go, but when a punc ... ture causes them to lose control and crash into a big rock, they begin to realise that they are not the only folks nearby - and I use the term "folks" loosely. What now follows sees our travellers terrorised by some hideously mutated people who had been left there ever since the US Government carried out nuclear tests. Reduced to just 3, "Big Bob" (Ted Levine) and his faithful hound have to track down his kidnapped baby grandchild - a perilous journey indeed. Now quite why they decided to take the shortcut is just one of a few dodgy decision taken by the "Carter" family that made me wonder, and rendered the plot increasingly silly as we progress to an ending that seems to drag on a bit too long. That said, there are plenty of jump moments and Alexandre Aja manages to keep the annoyingly screaming hysteria to a minimum. Once it eventually gets going, it becomes decently paced and the photography is tightly cut to maximise the impact of some pretty gruesome scenarios (and prosthetics!). Though not as gritty as the 1977 original, I think it's still just as good.

Apr 20, 2022