Popularity: 1 (history)
Director: | Ridley Scott |
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Writer: | David Mamet, Steven Zaillian, Thomas Harris |
Staring: |
After having successfully eluded the authorities for years, Hannibal peacefully lives in Italy in disguise as an art scholar. Trouble strikes again when he's discovered leaving a deserving few dead in the process. He returns to America to make contact with now disgraced Agent Clarice Starling, who is suffering the wrath of a malicious FBI rival as well as the media. | |
Release Date: | Feb 08, 2001 |
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Director: | Ridley Scott |
Writer: | David Mamet, Steven Zaillian, Thomas Harris |
Genres: | Drama, Crime, Thriller |
Keywords | venice, italy, fbi, manipulation, sequel, serial killer, psychological thriller, cannibal, child molester, forensic, aftercreditsstinger, gruesome, disturbed, cannibalism, self-cannibalism, psychological horror, evil man, psychological drama, sinister, distressing, frightened, horrified, reading people |
Production Companies | Metro-Goldwyn-Mayer, Universal Pictures, Scott Free Productions, The De Laurentiis Company |
Box Office |
Revenue: $351,692,268
Budget: $87,000,000 |
Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Anthony Hopkins | Dr. Hannibal Lecter |
Julianne Moore | Clarice M. Starling |
Gary Oldman | Mason Verger |
Ray Liotta | Paul Krendler |
Giancarlo Giannini | Insp. Renaldo Pazzi |
Zeljko Ivanek | Dr. Cordell Doemling |
Frankie Faison | Barney Matthews |
Francesca Neri | Allegra Pazzi |
Hazelle Goodman | Evelda Drumgo |
David Andrews | FBI Agent Pearsall |
Francis Guinan | FBI Asst. Director Noonan |
James Opher | DEA Agent John Eldridge |
Enrico Lo Verso | Gnocco |
Ivano Marescotti | Carlo |
Fabrizio Gifuni | Matteo |
Alex Corrado | Piero |
Marco Greco | Tommaso |
Robert Rietti | Sogliato |
Terry Serpico | Officer Bolton |
Boyd Kestner | Special Agent Burke |
Peter Shaw | Special Agent John Brigham |
Kent Linville | Geoffrey, FBI Mail Boy |
Don McManus | Asst. Mayor Benny Holcombe |
Harold Ginn | Larkin Wayne, I.A.B. |
Ted Koch | BATF Agent Bob Sneed |
William Powell-Blair | FBI Agent |
Aaron Craig | 'Il Mostro' Detective |
Andrea Piedimonte Bodini | Agent Franco Benetti |
Ennio Coltorti | Ricci |
Mark Margolis | Perfume Expert |
Ajay Naidu | Perfume Expert |
Kelly Piper | Perfume Expert |
Judie Aronson | News Reporter |
Derrick Simmons | Evelda Drumgo's Bodyguard |
Chuck Jeffreys | Evelda Drumgo's Bodyguard |
Gano Grills | Evelda Drumgo's Bodyguard |
Giannina Facio | Verger's Fingerprint Technician |
Renne Gjoni | FBI Agent Michaels |
Roberta Armani | Theatergoer |
Name | Job |
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David Mamet | Screenplay |
Steven Zaillian | Screenplay |
Hans Zimmer | Original Music Composer |
John Mathieson | Director of Photography |
Pietro Scalia | Editor |
Janty Yates | Costume Design |
Doug Hemphill | Sound Re-Recording Mixer |
Paul Massey | Sound Re-Recording Mixer |
Tim Burke | Visual Effects Supervisor |
Ridley Scott | Director |
Dan Hegeman | Sound Effects Editor |
Scott Sanders | Sound Effects Editor |
Christopher Assells | Sound Effects Editor |
Emma Norton | Visual Effects Producer |
Klemens Becker | Steadicam Operator |
Daniele Massaccesi | Additional Camera |
Vicki Hiatt | Music Editor |
David Crank | Art Direction |
Norris Spencer | Production Design |
Halina Gebarowicz | Assistant Art Director |
Susan Maye | Art Department Coordinator |
Mike Barbour | Picture Car Coordinator |
Dan Bronson | Costume Supervisor |
Per Hallberg | Supervising Sound Editor |
Laurent Hugueniot | CG Supervisor |
David M. Dunlap | Camera Operator |
Bill O'Leary | Gaffer |
Bob Foster | Transportation Coordinator |
John T. Cucci | Foley |
Jon Title | Sound Effects Editor |
Elisabetta De Leonardis | Hairstylist |
Dan O'Connell | Foley |
Louis DiGiaimo | Casting |
Fabrizio Sforza | Makeup Department Head |
Karen Baker Landers | Supervising Sound Editor |
Richard Blankenship | Construction Coordinator |
Dino DiMuro | Sound Effects Editor |
Marci R. Johnson | Set Costumer |
Barbara De Leonardis | Hairstylist |
Doug Huszti | Assistant Art Director |
Linda M. Boyland | Set Costumer |
Aaron F. Quarles | Hairstylist |
Alessandra Sampaolo | Makeup Artist |
Rob Harris | Unit Publicist |
Alberico Novelli | Gaffer |
Catharine Fletcher Incaprera | Set Costumer |
Nicholas Atkinson | Visual Effects Editor |
Phil Bray | Still Photographer |
Richie Ford | Rigging Gaffer |
Luca Kouimelis | Script Supervisor |
Chisako Yokoyama | First Assistant Editor |
Pier Luigi Basile | Supervising Art Director |
Michelle Pazer | ADR Editor |
Douglas T. Madison | Property Master |
Peter Staubli | Foley Editor |
Chris Hogan | Dialogue Editor |
Jessica Gallavan | Supervising ADR Editor |
Paul Jyrälä | Foley Editor |
David A. Cohen | Dialogue Editor |
Tim Gomillion | Sound Recordist |
Tim McColm | Sound Recordist |
O.J. Connell III | Boom Operator |
Dennis Rogers | Sound Recordist |
Philip A. Hess | Foley Editor |
Danny Michael | Production Sound Mixer |
Lauren Stephens | Dialogue Editor |
Andrew Schmetterling | Boom Operator |
Cinda-Lin James | Stunts |
Phil Neilson | Stunt Coordinator |
Marc Streitenfeld | Music Editor |
Brian Smyj | Stunts |
Jalil Jay Lynch | Stunts |
James M. Churchman | Stunts |
Cort Hessler | Stunts |
David S. Lomax | Stunts |
Kym Washington Longino | Stunts |
Stephen A. Pope | Stunts |
Mick O'Rourke | Stunts |
Chuck Jeffreys | Stunts |
Douglas Crosby | Stunts |
Cynthia Neilson | Stunts |
Lonnie R. Smith Jr. | Stunts |
Derrick Simmons | Stunts |
Adam Somner | Second Assistant Director |
Glen Hanz | Sculptor |
Angela Savidge | Assistant Vehicles Coordinator |
Christy Gonzalez | Creature Design |
Massimiliano Dessena | Best Boy Grip |
Rupert Gregson-Williams | Musician |
Jonathan Williams | Musician |
Ty Williams | Production Assistant |
Lillan Gahlin | Compositor |
Mitch Lillian | Key Grip |
Julian Brain | Helicopter Camera |
Angela Quiles | Production Supervisor |
Thomas Harris | Novel |
Crispian Sallis | Set Decoration |
Alexander Witt | Second Unit Director, Second Unit Director of Photography |
Debi Young | Makeup Artist |
Robert Allman | CG Artist |
Name | Title |
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Branko Lustig | Executive Producer |
Dino De Laurentiis | Producer |
Ridley Scott | Producer |
Martha De Laurentiis | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 9 | 14 | 5 |
2024 | 5 | 9 | 12 | 6 |
2024 | 6 | 8 | 12 | 4 |
2024 | 7 | 9 | 14 | 5 |
2024 | 8 | 7 | 16 | 5 |
2024 | 9 | 6 | 9 | 4 |
2024 | 10 | 7 | 15 | 5 |
2024 | 11 | 6 | 11 | 4 |
2024 | 12 | 6 | 9 | 5 |
2025 | 1 | 8 | 15 | 5 |
2025 | 2 | 5 | 9 | 1 |
2025 | 3 | 4 | 16 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 1 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 1 | 2 | 1 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
Certainly the weakest of the Anthony Hopkins _Hannibal_ movies. Having read the books before I watched the movies, that actually does sort of track, as the first two books were better than the third. Even so, I actually think _Hannibal_ does the worst job of adapting the source material too. Looks p ... retty good and there's quite the cast list (although I don't think many of them are exactly giving career-defining performances here), Julianne Moore is fine as Clarice Starling (although not as good as Jodie Foster), and the story isn't **bad**, but if I'm being honest, I typically give this one a skip whenever I'm revisiting the Lecter mythos. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
As sequals go, this isn't a bad one - but somehow we are a bit more sanitised to the evil of Sir Anthony Hopkins' "Hannibal Lecter" in this; and Julianne Moore doesn't quite have the intensity of Jodie Foster as FBI agent "Clarice". The story is also a bit too contrived: Millionaire Gary Oldman ("Ve ... rger") tries to use "Clarice" to lure, for motives of revenge, "Lecter" out from his secret existence as a museum curator in Florence. Once she discovers where he is, she alerts the carabinieri to keep an eye on him; one of whom quite fancies the reward so tries to take matters into his own hands... Hopkins returns to the US with only one aim in mind, and a cunning game of cerebral chess ensues. It comes across as more of a compendium of short stories rather than as a flowing narrative; there is still plenty of gruesomeness, but without the subtlety - the script isn't at all sophisticated; and though there is plenty of classical music trying to replicate some of the class of "Silence of the Lambs" (1991) it just doesn't quite work. It's a good enough effort, but just lacks that je ne sais quoi.