Popularity: 8 (history)
Director: | Aaron Blaise, Robert Walker |
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Writer: | Tab Murphy, Nathan Greno, Kevin Deters, Stevie Wermers-Skelton, John Norton, Steve Bencich, Ron J. Friedman, Lorne Cameron, Broose Johnson, David Hoselton, John Puglisi, Woody Woodman, Kevin Harkey, Thom Enriquez |
Staring: |
When an impulsive boy named Kenai is magically transformed into a bear, he must literally walk in another's footsteps until he learns some valuable life lessons. His courageous and often zany journey introduces him to a forest full of wildlife, including the lovable bear cub Koda, hilarious moose Rutt and Tuke, woolly mammoths and rambunctious rams. | |
Release Date: | Oct 23, 2003 |
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Director: | Aaron Blaise, Robert Walker |
Writer: | Tab Murphy, Nathan Greno, Kevin Deters, Stevie Wermers-Skelton, John Norton, Steve Bencich, Ron J. Friedman, Lorne Cameron, Broose Johnson, David Hoselton, John Puglisi, Woody Woodman, Kevin Harkey, Thom Enriquez |
Genres: | Animation, Family, Adventure |
Keywords | sibling relationship, grizzly bear, inuit, transformation, friendship, bear, sibling rivalry, turns into animal, unlikely friendship, aftercreditsstinger, duringcreditsstinger, animal lead, brother bear, bjørne brødre |
Production Companies | Walt Disney Feature Animation |
Box Office |
Revenue: $250,397,798
Budget: $128,000,000 |
Updates |
Updated: Aug 02, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Joaquin Phoenix | Kenai (voice) |
Jeremy Suarez | Koda (voice) |
Jason Raize | Denahi (voice) |
Rick Moranis | Rutt (voice) |
Dave Thomas | Tuke (voice) |
D. B. Sweeney | Sitka (voice) |
Joan Copeland | Tanana (voice) |
Michael Clarke Duncan | Tug (voice) |
Harold Gould | Old Denahi (voice) |
Paul Christie | Ram #1 (voice) |
Danny Mastrogiorgio | Ram #2 (voice) |
Estelle Harris | Old Lady Bear (voice) |
Greg Proops | Male Lover Bear (voice) |
Pauley Perrette | Female Lover Bear (voice) |
Bumper Robinson | Chipmunks (voice) |
Darko Cesar | Foreign Croatian Bear (voice) |
Angayuqaq Oscar Kawagley | Inuit Narrator (voice) |
Sherry Lynn | Additional Voice (voice) |
Mickie McGowan | Additional Voice (voice) |
Debi Derryberry | Additional Voices (voice) |
Patrick Pinney | Additional Voices (voice) |
Name | Job |
---|---|
Phil Collins | Original Music Composer, Songs |
Jeff Draheim | Associate Editor |
Aaron Blaise | Director |
Robert Walker | Director |
Tim Mertens | Editor |
Tab Murphy | Screenplay |
Mark Mancina | Original Music Composer |
Nathan Greno | Story |
Kevin Deters | Story |
Stevie Wermers-Skelton | Story |
Byron Howard | Supervising Animator |
Darko Cesar | Animation |
Theodore Anthony Lee Ty | Animation |
Dave Metzger | Orchestrator |
Bruce Tauscher | Color Timer |
Richard L. Anderson | Supervising Sound Effects Editor |
Donald Dowd | Special Effects |
Tina Turner | Songs |
John Norton | Story |
Leslie Moes | Post Production Supervisor |
Mark Binder | Sound Design Assistant |
Mary Beth Smith | Negative Cutter |
Marcelo Vignali | Visual Development |
Steve Bencich | Screenplay |
Ron J. Friedman | Screenplay |
Robh Ruppel | Art Direction |
Mary Hidalgo | Casting |
Matthew Jon Beck | Casting |
Lorne Cameron | Screenplay |
Matt Whitlock | Animation Manager |
Bill Perkins | Visual Development |
Paul A. Felix | Visual Development |
Sai Ping Lok | Visual Development |
Bruce Anderson | Production Manager |
Franc Reyes | Visual Development |
Douglas Henderson | Visual Development |
Xiangyuan Jie | Visual Development |
Harald Siepermann | Visual Development |
Richie Chavez | Visual Development |
Hans Bacher | Visual Development |
Terryl Whitlatch | Visual Development |
Tony Stanley | Lead Animator |
Robert Bryan | Animation |
Jean-Claude Tran | Animation |
Gregg Azzopardi | Animation |
Christopher W. Gee | Technical Supervisor |
Steve Mason | Animation |
Anthony Wayne Michaels | Lead Animator |
Don Crum | Animation |
Brion McIntosh | First Assistant Editor |
Travis Blaise | Animation |
Broose Johnson | Story, Lead Animator |
Tom Gately | Lead Animator |
Jonathan Annand | Animation |
John Webber | Animation |
Scott Kersavage | CGI Supervisor |
James Young Jackson | Supervising Animator |
Branko Mihanovic | Animation |
Jason Boose | Animation |
Ian White | Animation |
David Hoselton | Screenplay |
Garrett Wren | Visual Effects Supervisor |
Sasha Dorogov | Animation |
Rick Mackay | Negative Cutter |
John Puglisi | Story |
Bérénice Robinson | Post-Production Manager |
Reuben Simon | Foley Editor |
Michael Benet | Animation |
Trey Finney | Animation |
Earl Coffman | Compositors |
Rune Brandt Bennicke | Character Designer, Lead Animator |
Dominic M. Carola | Animation |
Mike Chock | Supervising Sound Effects Editor |
Steve Lee | Sound Effects Editor |
Piero Mura | ADR Editor |
Chris DeLaGuardia | Color Timer |
Sarah Mercey-Boose | Animation |
Petra Bach | ADR Supervisor |
Stephanie Mendoza | Production Accountant |
Woody Woodman | Story |
Kevin Harkey | Story |
Earl Ghaffari | Music Editor |
Robert O. Corley | Animation |
John E. Hurst | Animation |
Thom Enriquez | Story |
Alex Kupershmidt | Supervising Animator |
Ruben A. Aquino | Supervising Animator |
Name | Title |
---|---|
Chuck Williams | Producer |
Igor Khait | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 75 | 147 | 50 |
2024 | 5 | 73 | 118 | 51 |
2024 | 6 | 66 | 104 | 55 |
2024 | 7 | 100 | 174 | 60 |
2024 | 8 | 78 | 110 | 47 |
2024 | 9 | 55 | 74 | 40 |
2024 | 10 | 59 | 102 | 42 |
2024 | 11 | 58 | 94 | 46 |
2024 | 12 | 56 | 77 | 43 |
2025 | 1 | 57 | 87 | 45 |
2025 | 2 | 47 | 67 | 10 |
2025 | 3 | 16 | 51 | 3 |
2025 | 4 | 8 | 9 | 6 |
2025 | 5 | 7 | 8 | 6 |
2025 | 6 | 7 | 8 | 6 |
2025 | 7 | 7 | 9 | 6 |
2025 | 8 | 7 | 9 | 6 |
2025 | 9 | 8 | 11 | 6 |
2025 | 10 | 8 | 10 | 7 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 323 | 734 |
Year | Month | High | Avg |
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2025 | 9 | 209 | 679 |
Year | Month | High | Avg |
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2025 | 8 | 381 | 747 |
Year | Month | High | Avg |
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2025 | 7 | 400 | 742 |
Year | Month | High | Avg |
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2025 | 6 | 560 | 795 |
Year | Month | High | Avg |
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2025 | 5 | 411 | 745 |
Year | Month | High | Avg |
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2025 | 4 | 193 | 703 |
Year | Month | High | Avg |
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2025 | 3 | 277 | 644 |
Year | Month | High | Avg |
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2025 | 2 | 237 | 738 |
Year | Month | High | Avg |
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2025 | 1 | 284 | 787 |
Year | Month | High | Avg |
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2024 | 12 | 271 | 719 |
Year | Month | High | Avg |
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2024 | 11 | 63 | 820 |
Year | Month | High | Avg |
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2024 | 10 | 797 | 913 |
Year | Month | High | Avg |
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2024 | 9 | 732 | 788 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 889 | 889 |
Heartwarming, if not as impactful as it intends to be. <em>'Brother Bear'</em> leaves heartfelt feelings and features a cute story. It does get a bit too melancholic in moments where it doesn't need to be or where it's not set up perfectly. It can also feel a little predictable, but the twist is ... decent enough. Animation-wise it's fine, while that early aspect ratio stuff is oddly done. The voice cast aren't amazing, despite the talents of Joaquin Phoenix (Kenai) and Michael Clarke Duncan (Tug). Rick Moranis and Dave Thomas are pretty amusing as Rutt and Tuke though. As a whole, I just don't feel the voices suit the characters greatly. The pacing is pretty good while Phil Collins does a satisfactory job with the music, not sure how I feel about the ending though. Overall, it's very much mid-range Disney.
"Kenai" is a young Inuit warrior who disturbs the spirits when he kills a bear. His punishment is to be turned into one himself, and be left to wander the wilderness alone. Luckily, he encounters the young cub "Koda" who thinks he might know the exact spot where "Kenai" might be restored to his huma ... nity. What doesn't help their quest is that his human brother "Denahi" thinks that "Kenai" has been killed by a bear, and so is chasing his new form with lethal intent. As the two bears start to bond, they have some fun escapades, meet the "Stadler & Waldorf" of the moose fraternity and "Kenai" learns the values of friendship, loyalty and community - as well as how to catch some leaping salmon! The quality of the animation, the Phil Collins-led soundtrack (with a decent number from Tina Turner too) and the spirituality of the whole thing is breezy and enjoyable to watch. The young "Koda" reminded me frequently of a sort of "Mowgli" character. Friendly and playful but still staying on the right side of annoying. I also rather liked the denouement - that, too, had a sort of joy to it that exemplified the symbiotic nature of the relationship that ought to exist between mankind and the rest of nature. Characterful animations and cave paintings too! Worth a watch, definitely.