Popularity: 7 (history)
| Director: | Gary Trousdale, Kirk Wise |
|---|---|
| Writer: | Gary Trousdale, Kirk Wise, Tab Murphy, Joss Whedon, Bryce Zabel, Jackie Zabel |
| Staring: |
| A young linguist named Milo Thatch joins an intrepid group of explorers to find the mysterious lost continent of Atlantis. | |
| Release Date: | Jun 02, 2001 |
|---|---|
| Director: | Gary Trousdale, Kirk Wise |
| Writer: | Gary Trousdale, Kirk Wise, Tab Murphy, Joss Whedon, Bryce Zabel, Jackie Zabel |
| Genres: | Animation, Family, Adventure, Science Fiction |
| Keywords | submarine, sea, expedition, museum, atlantis, mediterranean, villain, cartoon, steampunk, underwater, sea monster, adventurer, ancient civilization, journey, 1910s, in memoriam |
| Production Companies | Walt Disney Pictures, Walt Disney Feature Animation |
| Box Office |
Revenue: $186,053,725
Budget: $120,000,000 |
| Updates |
Updated: Aug 04, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Michael J. Fox | Milo James Thatch (voice) |
| Cree Summer | Princess 'Kida' Kidagakash (voice) |
| James Garner | Commander Lyle Tiberius Rourke (voice) |
| Claudia Christian | Helga Katrina Sinclair (voice) |
| Corey Burton | Gaetan 'The Mole' Moliere (voice) |
| Phil Morris | Dr. Joshua Strongbear Sweet (voice) |
| Jacqueline Obradors | Audrey Rocio Ramirez (voice) |
| Don Novello | Vincenzo 'Vinny' Santorini (voice) |
| Jim Varney | Jebidiah Allardyce 'Cookie' Farnsworth (voice) |
| Florence Stanley | Wilhelmina Bertha Packard (voice) |
| John Mahoney | Preston B. Whitmore (voice) |
| Leonard Nimoy | King Kashekim Nedakh (voice) |
| David Ogden Stiers | Mr. Harcourt (voice) |
| Natalie Strom | Young Kida (voice) |
| Jim Cummings | Additional Voices (voice) |
| Patrick Pinney | Additional Voices (voice) |
| Name | Job |
|---|---|
| Plato | Original Concept |
| Chris Ure | Storyboard Artist |
| Tom Smith | Camera Operator |
| Li-Ming 'Lawrence' Lee | Lighting Artist |
| Coralie Cudot-Lissillour | Production Manager |
| Shannon Mills | Assistant Sound Designer |
| Hanna Makowska | Sound Engineer |
| Argiris Kandilis | Sound Mixer |
| Jean Gillmore | Character Designer |
| Anne Marie Bardwell | Character Designer, Visual Development |
| Michael Silvers | ADR Editor, Supervising Sound Editor |
| Gary Trousdale | Director, Story |
| Kirk Wise | Director, Story |
| Tab Murphy | Screenplay, Story |
| Joss Whedon | Story |
| Marlon West | Visual Effects Supervisor |
| Mike Mignola | Production Design |
| Tom Johnson | Sound Re-Recording Mixer |
| James Newton Howard | Original Music Composer |
| Jim Varney | In Memory Of |
| Jeff Atmajian | Orchestrator |
| Tom Boyd | Musician |
| Virgilio John Aquino | Additional Visual Effects |
| Gary Rydstrom | Sound Re-Recording Mixer, Sound Designer |
| Ellen Keneshea | Editor |
| Bryce Zabel | Story |
| Jackie Zabel | Story |
| Dan Lund | Visual Effects |
| Thomas Baker | Visual Effects |
| David 'Joey' Mildenberger | Visual Effects |
| Maria Gonzalez | Color Designer |
| Rick Maki | Visual Development |
| Mary Hidalgo | Casting |
| Joyce Alexander | Painter |
| Boyd Lacosse | Special Effects Supervisor |
| Anthony DeRosa | Supervising Animator |
| David Goetz | Art Direction |
| Matt Codd | Production Design |
| Ricardo F. Delgado | Production Design |
| Kent Melton | Sculptor |
| Al Vasquez | Camera Operator |
| Matsune Suzuki | Visual Effects |
| Cos Aelenei | Still Photographer |
| Jonathan Allen | Additional Music |
| Earl Coffman | Compositors |
| Susan Hegarty | Dialect Coach |
| Sue Bea Montgomery | Post-Production Manager |
| Lori Korngiebel | Post Production Supervisor |
| Terry Claborn | Color Timer |
| Carol Folgate | First Assistant Editor |
| Matthew Jon Beck | Casting Associate |
| Ruth Lambert | Casting |
| Andrea McCarthy Paul | Production Accountant |
| Kirsten Bulmer | Production Coordinator |
| David Olson | Music Editor |
| Ken Fischer | Sound Effects Editor |
| John K. Carr | Associate Editor, Supervising Sound Editor |
| Don Henry | Projection |
| Kiran Bhakta Joshi | CGI Supervisor |
| Lam Hoang | Layout |
| Pei Dieleman | Lighting Artist |
| Jim Martin | Production Design |
| Marcie Romano | Assistant Sound Editor |
| Pete Anthony | Conductor |
| Mary Helen Leasman | Foley Editor |
| Rich Mackay | Negative Cutter |
| Lesley Addario Bentivegna | Assistant Production Manager |
| Rob Nokes | Sound Effects Designer |
| Jim Weidman | Supervising Music Editor |
| John Brian King | Title Designer |
| Dennie Thorpe | Foley Artist |
| Tony Eckert | Foley Mixer |
| Frank 'Pepe' Merel | Foley Recordist |
| Ed Ghertner | Layout Supervisor |
| Mary Blee | Assistant Editor |
| Katie Hooten | Post Production Coordinator |
| Vince Caro | Additional Dialogue |
| Kathleen Violet Grey | Administrative Assistant |
| Froydis Boe | Production Assistant |
| Charles 'Chip' Church | Production Secretary |
| Angelika Katz | Painter |
| Angela Diamos | Visual Effects Coordinator |
| Glenn C. Bell | Creative Consultant |
| Massimiliano Gasparri | Technical Supervisor |
| Cathy McGowan Leahy | Visual Effects Compositor |
| Cathy E. Blanco | Production Artist |
| William Recinos | Animation Fix Coordinator |
| Dougg Williams | Animation |
| William T. Carpenter | Visual Development |
| Frank William Knittel | Finance |
| Thomas C. Meyer | Visual Effects Assistant Editor |
| David Reynolds | Other |
| Juan Peralta | Sound Mix Technician |
| Dean DeBlois | Story Artist |
| Name | Title |
|---|---|
| Don Hahn | Producer |
| Kendra Haaland | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 37 | 48 | 32 |
| 2024 | 5 | 35 | 47 | 27 |
| 2024 | 6 | 37 | 53 | 27 |
| 2024 | 7 | 39 | 57 | 25 |
| 2024 | 8 | 38 | 69 | 25 |
| 2024 | 9 | 29 | 38 | 22 |
| 2024 | 10 | 42 | 81 | 24 |
| 2024 | 11 | 36 | 76 | 25 |
| 2024 | 12 | 31 | 40 | 21 |
| 2025 | 1 | 30 | 42 | 22 |
| 2025 | 2 | 29 | 45 | 6 |
| 2025 | 3 | 11 | 36 | 2 |
| 2025 | 4 | 6 | 8 | 4 |
| 2025 | 5 | 5 | 6 | 4 |
| 2025 | 6 | 5 | 6 | 4 |
| 2025 | 7 | 4 | 5 | 3 |
| 2025 | 8 | 4 | 6 | 3 |
| 2025 | 9 | 5 | 8 | 4 |
| 2025 | 10 | 6 | 9 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 496 | 763 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 597 | 813 |
| Year | Month | High | Avg |
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| 2025 | 8 | 250 | 774 |
| Year | Month | High | Avg |
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| 2025 | 7 | 444 | 667 |
| Year | Month | High | Avg |
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| 2025 | 6 | 408 | 704 |
| Year | Month | High | Avg |
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| 2025 | 5 | 529 | 783 |
| Year | Month | High | Avg |
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| 2025 | 4 | 496 | 796 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 540 | 806 |
| Year | Month | High | Avg |
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| 2025 | 2 | 394 | 802 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 670 | 821 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 812 | 896 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 923 | 923 |
Excellent. I had previously heard a fair bit of hype down the years regarding <em>'Atlantis: The Lost Empire'</em> and now, finally, I can understand why. It is very good. My favourite part of it is the animation which is exquisite, especially across acts one and two with the great amount of deta ... il. The characters are cool, while the premise is pretty fascinating. Michael J. Fox is a superb cast as Milo, he is fantastic in the lead role. Honestly, none of the other voices stand out to me but that's not always a bad thing - especially in this film. There are no huge individual performances, away from Fox, but they all bounce off each other nicely. The plot is very interesting, brought to life brilliantly by James Newton Howard's terrific score. It's not near the top of my Disney animated favourites, just through process of elimination really, but it certainly isn't majorly far off. It's a fun experience, one I'd recommend you see for yourself if you haven't done so already.
We start off watching the destruction of the legendary city before advancing several thousand years to meet "Milo" - a rather geeky young man whose grandfather had been obsessed with the mystery surrounding the lost continent. Gazillionaire "Preston Whitmore" recruits him on a perilous expedition to ... try and find the truth - so equipped with a submarine and a crew you just know have another agenda, off they go. The first forty minutes of this over-long adventure is much more reminiscent of something from Jules Verne, only spent on elongated character establishment scenarios, some borderline slapstick humour and by the time the film gets anywhere near it's sharp end, I could already feel a sense of ennui setting in. Michael J. Fox does inject some character as the young lad, and James Garner has his tongue firmly in his cheek as the completely untrustworthy "Rourke", but that can't really inject enough to create any sense of pace into this competently, but unremarkably, animated feature. The style of the artistry, though colourful, is clearly computer generated. The animations lack depth or texture and coupled with a really average storyline leaves this in a sort of Disney limbo. It is certainly not as bad as some that were produced ten years earlier, but it is still factory-style output that lacks for imagination and any of the traditional uniqueness that this studio used to deliver. It is watchable enough, but pretty forgettable.