Popularity: 1 (history)
Director: | Laura Poitras |
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Writer: | |
Staring: |
The life of internationally renowned artist and activist Nan Goldin is told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her personal fight to hold the Sackler family accountable for the overdose crisis. | |
Release Date: | Nov 23, 2022 |
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Director: | Laura Poitras |
Writer: | |
Genres: | Documentary |
Keywords | aids, photographer, political activism, interview, biography, photography, art, gender roles, political activist, lgbt, found footage, social activism, female artist, woman director, gender ideals, activism, old footage, portrait of an artist, feminist activism, opioid crisis, figure study |
Production Companies | Participant |
Box Office |
Revenue: $1,483,975
Budget: $0 |
Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Nan Goldin | Self |
Marina Berio | Self |
David Wojnarowicz | Self (Archive Footage) |
Cookie Mueller | Self (Archive Footage) |
Noemi Bonazzi | Self |
Harry Cullen | Self |
Megan Kapler | Self |
Annatina Miescher | Self |
Mike Quinn | Self |
Patrick Radden Keefe | Self |
Darryl Pinckney | Self |
Maggie Smith | Self |
David Velasco | Self |
Alexis Pleus | Self |
Robert Suarez | Self |
David Armstrong | Self |
Barbara Goldin | Self |
Sharon Niesp | Self |
Arthur Sackler | Self |
John Waters | Self (Archive Footage) |
David Sackler | Self |
Theresa Sackler | Self |
Richard Sackler | Self |
Leonard Bernstein | Self (Archive Footage) |
Name | Job |
---|---|
Laura Poitras | Director, Camera Operator |
Amy Foote | Editor |
Joe Bini | Editor |
Dawn Sutter Madell | Music Supervisor |
Clare Carter | Camera Operator |
Alexander W. Lewis | Camera Operator |
Sean Vegezzi | Camera Operator |
Chris Foster | Supervising Sound Editor, Additional Sound Re-Recording Mixer |
Christopher Koch | Sound Re-Recording Mixer |
Keetin Mayakara | Post Production Supervisor |
Matt Hixon | Associate Editor |
Marley McDonald | Associate Editor |
Joseph Krings | Additional Editing |
Etienne Baussan | Additional Camera |
Nick Kraus | Additional Camera |
Sylvia Calle | Additional Camera |
Éponine Momenceau | Additional Camera |
Shaun Clarke | Additional Camera |
Thom Pavia | Additional Camera |
Zelmira Gainza | Additional Camera |
Candida Richardson | Additional Camera |
Jack Gordon | Additional Camera |
Ryan Scarfuro | Additional Camera |
Arielle Davis | Assistant Editor |
Jacob Kennedy | Assistant Editor |
Alex Kwartler | Assistant Editor |
Nicole Halova | Additional Editor |
Andrew McKay | Finishing Producer |
Bill Marino | Dialogue Editor |
Stephan Crasneanscki | Original Music Composer |
Simone Merli | Original Music Composer |
Brian A. Kates | Editor |
Sabine Hoffman | Additional Editing |
Robert Kolodny | Additional Camera |
Nat Jencks | Colorist |
Nan Goldin | Music Consultant |
Matthew Brunson-Cline | Title Designer |
Adam Mellion | Researcher |
Name | Title |
---|---|
Jeff Skoll | Executive Producer |
Laura Poitras | Producer |
Nan Goldin | Producer |
Diane Weyermann | Executive Producer |
Clare Carter | Executive Producer |
Alex Kwartler | Executive Producer |
Hayley Theisen | Executive Producer |
Howard Gertler | Producer |
Yoni Golijov | Producer |
John S. Lyons | Producer |
Megan Kapler | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 31 | 40 | 21 |
2024 | 5 | 24 | 32 | 15 |
2024 | 6 | 18 | 29 | 12 |
2024 | 7 | 20 | 45 | 10 |
2024 | 8 | 19 | 38 | 11 |
2024 | 9 | 14 | 20 | 9 |
2024 | 10 | 18 | 33 | 11 |
2024 | 11 | 16 | 30 | 10 |
2024 | 12 | 13 | 19 | 9 |
2025 | 1 | 13 | 21 | 8 |
2025 | 2 | 10 | 14 | 3 |
2025 | 3 | 6 | 17 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 2 | 1 |
2025 | 10 | 2 | 2 | 1 |
Trending Position
Year | Month | High | Avg |
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2025 | 3 | 994 | 994 |
I have to say that I was really disappointed with this. I had expected a serious critique on the way in which the highly addictive opioid "OxyContin" had come to impact on the lives of millions of American citizens. Instead, we get a rather muddled chronology of the life of activist and journalist N ... an Goldin, interspersed by the odd demonstration aimed at destroying the reputation of the Sackler family - all of the founders of which (and therefore the principal collectors of the art and the original altruists) had been long dead. We are expected to have far too high a degree of knowledge here for the scientific elements to make sense. It, at no stage, offers us any explanation as to what the drug is, how and why it was prescribed - what was it supposed to do? Nor do we have any contributions from the US Federal Drug Administration or from the medical profession as to just how this was being prescribed by qualified medical personnel the nation over, without any ongoing assessment of it's effects nor any signs of intervention from national - or state - medical authorities. It takes far too simplistic an approach to these crucial and equally negligent issues, is scant on detail and in the end comes across as little better than a one-woman-rant. The fact that Goldin herself led a fascinating and interesting life may well be the subject of a documentary in it's own right - she was an hugely creative lady; but as a documentary on an shocking issue that could have informed me, I found it seriously lacking and one-sided. There can be no doubt that this drug, amongst others, caused abject misery to millions - but this really does miss an opportunity to educate and inform and maybe even to demonstrate the ineffectiveness of the policing authorities and the courts when it comes to dealing with large-scale abuses. Pity, had it laid out arguments and offered us something of a balance it could have been so very much more interesting.