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All the Beauty and the Bloodshed Poster

All the Beauty and the Bloodshed

2022 | 122m | English

(8945 votes)

TMDb IMDb

Popularity: 1 (history)

Director: Laura Poitras
Writer:
Staring:
Details

The life of internationally renowned artist and activist Nan Goldin is told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her personal fight to hold the Sackler family accountable for the overdose crisis.
Release Date: Nov 23, 2022
Director: Laura Poitras
Writer:
Genres: Documentary
Keywords aids, photographer, political activism, interview, biography, photography, art, gender roles, political activist, lgbt, found footage, social activism, female artist, woman director, gender ideals, activism, old footage, portrait of an artist, feminist activism, opioid crisis, figure study
Production Companies Participant
Box Office Revenue: $1,483,975
Budget: $0
Updates Updated: Aug 10, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Nan Goldin Self
Marina Berio Self
David Wojnarowicz Self (Archive Footage)
Cookie Mueller Self (Archive Footage)
Noemi Bonazzi Self
Harry Cullen Self
Megan Kapler Self
Annatina Miescher Self
Mike Quinn Self
Patrick Radden Keefe Self
Darryl Pinckney Self
Maggie Smith Self
David Velasco Self
Alexis Pleus Self
Robert Suarez Self
David Armstrong Self
Barbara Goldin Self
Sharon Niesp Self
Arthur Sackler Self
John Waters Self (Archive Footage)
David Sackler Self
Theresa Sackler Self
Richard Sackler Self
Leonard Bernstein Self (Archive Footage)
Name Job
Laura Poitras Director, Camera Operator
Amy Foote Editor
Joe Bini Editor
Dawn Sutter Madell Music Supervisor
Clare Carter Camera Operator
Alexander W. Lewis Camera Operator
Sean Vegezzi Camera Operator
Chris Foster Supervising Sound Editor, Additional Sound Re-Recording Mixer
Christopher Koch Sound Re-Recording Mixer
Keetin Mayakara Post Production Supervisor
Matt Hixon Associate Editor
Marley McDonald Associate Editor
Joseph Krings Additional Editing
Etienne Baussan Additional Camera
Nick Kraus Additional Camera
Sylvia Calle Additional Camera
Éponine Momenceau Additional Camera
Shaun Clarke Additional Camera
Thom Pavia Additional Camera
Zelmira Gainza Additional Camera
Candida Richardson Additional Camera
Jack Gordon Additional Camera
Ryan Scarfuro Additional Camera
Arielle Davis Assistant Editor
Jacob Kennedy Assistant Editor
Alex Kwartler Assistant Editor
Nicole Halova Additional Editor
Andrew McKay Finishing Producer
Bill Marino Dialogue Editor
Stephan Crasneanscki Original Music Composer
Simone Merli Original Music Composer
Brian A. Kates Editor
Sabine Hoffman Additional Editing
Robert Kolodny Additional Camera
Nat Jencks Colorist
Nan Goldin Music Consultant
Matthew Brunson-Cline Title Designer
Adam Mellion Researcher
Name Title
Jeff Skoll Executive Producer
Laura Poitras Producer
Nan Goldin Producer
Diane Weyermann Executive Producer
Clare Carter Executive Producer
Alex Kwartler Executive Producer
Hayley Theisen Executive Producer
Howard Gertler Producer
Yoni Golijov Producer
John S. Lyons Producer
Megan Kapler Co-Producer
Organization Category Person
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Trending Position


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Reviews

Geronimo1967
5.0

I have to say that I was really disappointed with this. I had expected a serious critique on the way in which the highly addictive opioid "OxyContin" had come to impact on the lives of millions of American citizens. Instead, we get a rather muddled chronology of the life of activist and journalist N ... an Goldin, interspersed by the odd demonstration aimed at destroying the reputation of the Sackler family - all of the founders of which (and therefore the principal collectors of the art and the original altruists) had been long dead. We are expected to have far too high a degree of knowledge here for the scientific elements to make sense. It, at no stage, offers us any explanation as to what the drug is, how and why it was prescribed - what was it supposed to do? Nor do we have any contributions from the US Federal Drug Administration or from the medical profession as to just how this was being prescribed by qualified medical personnel the nation over, without any ongoing assessment of it's effects nor any signs of intervention from national - or state - medical authorities. It takes far too simplistic an approach to these crucial and equally negligent issues, is scant on detail and in the end comes across as little better than a one-woman-rant. The fact that Goldin herself led a fascinating and interesting life may well be the subject of a documentary in it's own right - she was an hugely creative lady; but as a documentary on an shocking issue that could have informed me, I found it seriously lacking and one-sided. There can be no doubt that this drug, amongst others, caused abject misery to millions - but this really does miss an opportunity to educate and inform and maybe even to demonstrate the ineffectiveness of the policing authorities and the courts when it comes to dealing with large-scale abuses. Pity, had it laid out arguments and offered us something of a balance it could have been so very much more interesting.

Oct 20, 2022