 
  Popularity: 3 (history)
| Director: | George Stevens | 
|---|---|
| Writer: | Martha Cheavens, Morrie Ryskind | 
| Staring: | 
| Julie and Roger are a love-struck married couple who desperately want to have a child. Tragedy after tragedy gets in their way, as the two attempt to rise above their troubles and fulfill their dreams of parenthood. | |
| Release Date: | Apr 24, 1941 | 
|---|---|
| Director: | George Stevens | 
| Writer: | Martha Cheavens, Morrie Ryskind | 
| Genres: | Drama, Romance | 
| Keywords | music record, married couple, honeymoon, pregnancy, sterility, daughter, finances, parenthood, music store, reflection, newspaper publisher, adopted child, extravagance | 
| Production Companies | Columbia Pictures | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Cary Grant | Roger Adams | 
| Irene Dunne | Julie Gardiner Adams | 
| Beulah Bondi | Miss Oliver | 
| Edgar Buchanan | Applejack Carney | 
| Ann Doran | Dotty 'Dot' | 
| Eva Lee Kuney | Trina (at the Age of 6 Years) | 
| Leonard Willey | Doctor Hartley | 
| Wallis Clark | Judge | 
| Walter Soderling | Billings | 
| Jane Biffle | Trina (at the Age of 1 Year) | 
| Dorothy Adams | Mother in Stalled Car (uncredited) | 
| Billy Bevan | McDougal (uncredited) | 
| Bess Flowers | Mother (Uncredited) | 
| Dick Gordon | New Year's Party Guest (uncredited) | 
| Name | Job | 
|---|---|
| Martha Cheavens | Story | 
| Morrie Ryskind | Screenplay | 
| Joseph Walker | Director of Photography | 
| W. Franke Harling | Original Music Composer | 
| Otto Meyer | Editor | 
| Lionel Banks | Art Direction | 
| Gene Anderson | Assistant Director | 
| George Stevens | Director | 
| Morris Stoloff | Music Director | 
| Name | Title | 
|---|---|
| Fred Guiol | Associate Producer | 
| George Stevens | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 13 | 23 | 10 | 
| 2024 | 5 | 18 | 30 | 10 | 
| 2024 | 6 | 16 | 36 | 8 | 
| 2024 | 7 | 12 | 25 | 6 | 
| 2024 | 8 | 12 | 24 | 7 | 
| 2024 | 9 | 8 | 12 | 4 | 
| 2024 | 10 | 11 | 22 | 4 | 
| 2024 | 11 | 12 | 36 | 6 | 
| 2024 | 12 | 9 | 22 | 5 | 
| 2025 | 1 | 9 | 16 | 5 | 
| 2025 | 2 | 7 | 10 | 3 | 
| 2025 | 3 | 4 | 9 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 2 | 4 | 1 | 
| 2025 | 6 | 1 | 3 | 1 | 
| 2025 | 7 | 1 | 2 | 0 | 
| 2025 | 8 | 1 | 2 | 0 | 
| 2025 | 9 | 1 | 2 | 0 | 
| 2025 | 10 | 1 | 3 | 1 | 
Trending Position
This film boasts a wonderful dramatic turn by a young Cary Grant. If you're of the minority who view Mr. Grant as a boring, overrated comedy actor, give this a watch because the great man can most certainly act! It's a very enjoyable romance, elevated by a sparkling cast. The story is very heartw ... arming, but also quite the tearjerker. The record player transitions between scenes are quite a lovely touch, and good special effects for its time. Good family viewing.
There is certainly chemistry between Irene Dunne and Cary Grant as the married couple with their lives ahead of them until an earthquake and tragedy strikes them and they must adjust to a life without the prospect of having their own child. That is until - with a little intervention from an avuncula ... r and ever helpful "Applejack" (Edgar Buchanan) - they decide to adopt. They live a pretty subsistence existence by now; he is trying to run a local newspaper with a circulation that hovers around the 901-908 mark and so when it comes to the formalities, it is going to be struggle. Luckily, kindly adoption agent Beulah Bondi ("Miss Oliver") takes to them and soon afterwards they have their own little girl "Trine". Up until this point, both leads are engaging - frequent funny, especially Grant who has a distinct spontaneity in his performance - and though unchallenging, it is an enjoyable watch. However, tragedy strikes again and the film descends into maudlin melodrama with a last fifteen minutes that conclude with events that I found really quite tacky - almost like trading a commodity. What flowed effortlessly until then becomes contrived and for me, anyway, ruined much of the rest of it. It is a good watch, George Stevens does a good job and the writing/dalogue are frequently amusing and pithy - but that ending... sorry!