Popularity: 21 (history)
Director: | James Cameron |
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Writer: | James Cameron |
Staring: |
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912. | |
Release Date: | Nov 18, 1997 |
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Director: | James Cameron |
Writer: | James Cameron |
Genres: | Drama, Romance |
Keywords | drowning, evacuation, shipwreck, iceberg, forbidden love, ship, panic, titanic, ocean liner, epic, rich woman poor man, based on true story, love, tragedy, disaster, tragic love, historical fiction, class differences, love affair, historical event, lifeboat, star crossed lovers, sinking ship, steerage, rich snob, disaster movie, 1910s, sunken ship |
Production Companies | Paramount Pictures, 20th Century Fox, Lightstorm Entertainment |
Box Office |
Revenue: $2,264,162,353
Budget: $200,000,000 |
Updates |
Updated: Aug 04, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Leonardo DiCaprio | Jack Dawson |
Kate Winslet | Rose DeWitt Bukater |
Billy Zane | Cal Hockley |
Kathy Bates | Molly Brown |
Frances Fisher | Ruth DeWitt Bukater |
Gloria Stuart | Old Rose |
Bill Paxton | Brock Lovett |
Bernard Hill | Captain Smith |
David Warner | Spicer Lovejoy |
Victor Garber | Thomas Andrews |
Jonathan Hyde | Bruce Ismay |
Suzy Amis | Lizzy Calvert |
Lewis Abernathy | Lewis Bodine |
Nicholas Cascone | Bobby Buell |
Anatoly M. Sagalevitch | Anatoly Milkailavich |
Danny Nucci | Fabrizio |
Jason Barry | Tommy Ryan |
Ewan Stewart | 1st Officer Murdoch |
Ioan Gruffudd | Fifth Officer Lowe |
Jonny Phillips | 2nd Officer Lightoller |
Mark Lindsay Chapman | Chief Officer Wilde |
Richard Graham | Quartermaster Rowe |
Paul Brightwell | Quartermaster Hichens |
Ron Donachie | Master at Arms |
Eric Braeden | John Jacob Astor |
Charlotte Chatton | Madeleine Astor |
Bernard Fox | Col. Archibald Gracie |
Michael Ensign | Benjamin Guggenheim |
Fannie Brett | Madame Aubert |
Jenette Goldstein | Irish Mommy |
Camilla Overbye Roos | Helga Dahl |
Linda Kerns | 3rd Class Woman |
Amy Gaipa | Trudy Bolt |
Martin Jarvis | Sir Duff Gordon |
Rosalind Ayres | Lady Duff Gordon |
Rochelle Rose | Countess of Rothes |
Jonathan Evans-Jones | Wallace Hartley |
Brian Walsh | Irish Man |
Rocky Taylor | Bert Cartmell |
Alexandrea Owens | Cora Cartmell |
Simon Crane | 4th Officer Boxhall |
Edward Fletcher | 6th Officer Moody |
Scott G. Anderson | Frederick Fleet |
Martin East | Lookout Lee |
Craig Kelly | Harold Bride |
Gregory Cooke | Jack Phillips |
Liam Tuohy | Chief Baker Joughin |
James Lancaster | Father Byles |
Elsa Raven | Ida Strauss |
Lew Palter | Isidor Straus |
Reece P. Thompson III | Irish Little Boy |
Laramie Landis | Irish Little Girl |
Amber Waddell | Cal's Crying Girl |
Alison Waddell | Cal's Crying Girl |
Mark Rafael Truitt | Yaley |
John Walcutt | 1st Class Husband |
Terry Forrestal | Chief Engineer Bell |
Derek Lea | Leading Stoker Barrett |
Richard Ashton | Carpenter John Hutchinson |
Sean Nepita | Elevator Operator |
Brendan Connolly | Scotland Road Steward |
David Cronnelly | Crewman |
Garth Wilton | 1st Class Waiter |
Martin Laing | Promenade Deck Steward |
Richard Fox | Steward #1 |
Nick Meaney | Steward #2 |
Kevin Owers | Steward #3 |
Mark Capri | Steward #4 |
Marc Cass | Hold Steward #1 |
Paul Herbert | Hold Steward #2 |
Emmett James | 1st Class Steward |
Chris Byrne | Stairwell Steward |
Oliver Page | Steward Barnes |
James Garrett | Titanic Porter |
Erik Holland | Olaf Dahl |
Jari Kinnunen | Bjorn Gunderson |
Anders Falk | Olaus Gunderson |
Martin Hub | Slovakian Father |
Seth Adkins | Slovakian 3 Year Old Boy |
Barry Dennen | Praying Man |
Vern Urich | Man in Water |
Rebecca Klingler | Mother at Stern |
Tricia O'Neil | Woman |
Kathleen S. Dunn | Woman in Water |
Romeo Francis | Syrian Man |
Mandana Marino | Syrian Woman |
Van Ling | Chinese Man |
Bjørn Olsen | Olaf |
Dan Pettersson | Sven |
Shay Duffin | Pubkeeper |
Greg Ellis | Carpathia Steward |
Diana Morgan | News Reporter |
Kris Andersson | Dancer |
Bobbie Bates | Dancer |
Aaron James Cash | Dancer |
Anne Fletcher | Dancer |
Edmond Alan Forsyth | Dancer |
Andie Hicks | Dancer |
Scott Hislop | Dancer |
Stan Mazin | Dancer |
Lisa Ratzin | Dancer |
Julene Renee | Dancer |
Alexandra Boyd | First Class Woman (uncredited) |
James Cameron | Steerage Dancer (uncredited) |
Mike Butters | Musician / Baker (uncredited) |
Kevin De La Noy | Third Officer Pitman (uncredited) |
Tony Kenny | Deckhand (uncredited) |
Sean Lawlor | Charles Hendrickson (uncredited) |
Don Lynch | Frederick Spedden (uncredited) |
Johnny Martin | Rescue Boat Crewman (uncredited) |
Meghan McLeod | First Class Passenger (uncredited) |
Steven Quale | Engine Room Crewman (uncredited) |
R. Gern Trowbridge | Drowning Man (uncredited) |
Olivia Rosewood | Mary Marvin (uncredited) |
John Slade | Ohio Man (uncredited) |
Brian McDermott | Titanic Gym Instructor Thomas McCawley (uncredited) |
Bret Aaron Knower | 1st Class Passenger / 3rd Class Passenger (uncredited) |
Name | Job |
---|---|
Lance Gilbert | Stunts |
Gary Guercio | Stunts |
Mike Justus | Stunts |
Esperanza Gómez | Assistant Hairstylist |
Kevin Greutert | Assistant Editor |
Debbie Lynn Ross | Stunts |
Conrad Buff IV | Editor |
Richard A. Harris | Editor |
Mali Finn | Casting |
Martin Laing | Art Direction |
Michael Ford | Set Decoration |
Sharon Mann | Unit Production Manager |
Anna Roth | Unit Production Manager |
Lisa Dennis | Post Production Supervisor |
Giedra Rackauskas | Production Supervisor |
Sarah Touaibi | Costume Supervisor |
Adolfo Ramírez | Costume Supervisor |
Chris O'Connell | Visual Effects Editor |
Merie Weismiller Wallace | Still Photographer |
Marcis Cole | Steadicam Operator |
Mike Amorelli | Rigging Gaffer |
Joe E. Rand | Music Editor |
Charlotte Harper | Art Department Coordinator |
Amanda Sallybanks | Art Department Coordinator |
Tony Graysmark | Construction Coordinator |
William Les Collins | Construction Coordinator |
Scott MacFarlane | Construction Coordinator |
Magui Jimenez | Casting Associate |
Magui Jimenez | Casting Associate |
Gemma Joffroy | Casting Associate |
Rudy Joffroy | Casting Associate |
Jesus Ignacio Santana | Casting Associate |
Lahly Poore | Assistant Costume Designer |
David Le Vey | Assistant Costume Designer |
Ismael Jardon | Key Set Costumer |
Murray Lantz | Key Set Costumer |
Leigh Leverett | Key Set Costumer |
Amy Arnold | Key Set Costumer |
Fabiola Perez Luna | Seamstress |
Kay Georgiou | Key Hair Stylist |
Simon Thompson | Key Hair Stylist |
Annie Townsend | Key Hair Stylist |
Tina Earnshaw | Key Makeup Artist |
Laura Borselli | Key Makeup Artist |
Greg Cannom | Makeup Effects |
John Paszkiewicz | Additional Photography |
Guy Norman Bee | Camera Operator |
Guillermo Rosas | Camera Operator |
Harald Ortenburger | Camera Operator |
John Trapman | Camera Operator |
Kurt E. Soderling | Camera Operator |
Steve Koster | Camera Operator |
J. Michael Muro | Steadicam Operator |
Roy Unger | Second Unit Director of Photography |
John M. Stephens | Second Unit Director of Photography |
John Buckley | Gaffer |
Mark Goodwin | Gaffer |
Jim MacCammon | Gaffer |
Scotty Allan | Gaffer |
Todd Murchie | Rigging Gaffer |
Shelley Crawford | Script Supervisor |
Richard Fraser | Marine Coordinator |
Lance Julian | Marine Coordinator |
Lee Lemont | ADR Editor |
Cindy Marty | ADR Editor |
Harriet Fidlow | ADR Editor |
Richard Corwin | ADR Editor |
Sue Fox | ADR Editor |
Reynald Trudel | Boom Operator |
Robin Harlan | Foley |
J.H. Arrufat | Dialogue Editor |
Sarah Monat | Foley |
Scott Curtis | Foley Editor |
Tammy Fearing | Foley Editor |
David Horton Jr. | Foley Editor |
Scott Guitteau | Sound Effects Editor |
David C. Hughes | Sound Effects Editor |
Joan Chamberlain | Sound Recordist |
Ann Hadsell | Sound Recordist |
Darren McQuade | Sound Recordist |
Cary Stratton | Sound Recordist |
Gary Summers | Sound Re-Recording Mixer |
Hugh Waddell | Supervising ADR Editor |
Tom Bellfort | Supervising Sound Editor |
Donald Pennington | Special Effects Supervisor |
David Abrahamsen | Sound Designer |
Rick Newsome | Storyboard Designer |
Mark R. Jackson | First Assistant Camera |
Claire Sanfilippo | Dialogue Editor |
Richard Quinn | Dialogue Editor |
Paul Bolton | Best Boy Electrician |
J.P. Gabriel | Underwater Gaffer |
Charles Dwight Lee | Supervising Art Director |
Polly Earnshaw | Makeup Artist |
Sian Grigg | Makeup Artist |
Rebecca Lafford | Makeup Artist |
Vincenzo Mastrantonio | Makeup Artist |
Lisa McDevitt | Makeup Artist |
Michael Mosher | Makeup Artist |
Giulio Pezza | Makeup Artist |
John Bratton | Set Dresser |
Peter Francis | Set Designer |
Dominic Masters | Set Designer |
Marco Niro | Set Designer |
Héctor Romero | Assistant Art Director |
Mat Beck | Visual Effects Supervisor |
Thad Beier | Visual Effects |
Casey Cannon | Visual Effects Producer |
Dave Carson | Visual Effects Supervisor |
Camille Cellucci | Visual Effects Producer |
Joyce Cox | Visual Effects Producer |
Andrea D'Amico | Visual Effects Producer |
Krystyna Demkowicz | Visual Effects Producer |
Jamie Dixon | Visual Effects |
Crystal Dowd | Visual Effects Producer |
Richard E. Hollander | Visual Effects Supervisor |
Ken Jones | Visual Effects Supervisor |
Tom Kennedy | Visual Effects Producer |
John Kilkenny | Visual Effects Producer |
Rebecca Marie | Visual Effects |
Fred Simon | Visual Effects |
Robert Skotak | Visual Effects Supervisor |
Tom Numbers | Costume Supervisor |
Michael Kanfer | Visual Effects |
Janet Brady | Stunts |
Simone Boisseree | Stunts |
Clarke Coleman | Stunts |
Doc D. Charbonneau | Stunts |
Leon Delaney | Stunts |
Chuck 'Chaz' Hosack | Stunts |
Marcia Holley | Stunts |
Dustin Meier | Stunts |
Lincoln Simonds | Stunts |
Will Jennings | Music |
Danny Rogers | Stunts |
Lynn Salvatori | Stunts |
Sarah Franzl | Stunts |
Glen Yrigoyen | Stunts |
Jaroslav Peterka | Stunts |
Cris Thomas-Palomino | Stunts |
Dimo Lipitkovský | Stunts |
Kim Kahana Jr. | Stunts |
Terry Jackson | Stunts |
Matt Johnston | Stunts |
Eunice Huthart | Stunts |
Terry Forrestal | Stunts |
Paul Eliopoulos | Stunts |
Alejandro Avendano | Stunts |
Terri Cadiente | Stunts |
Balo Bucio | Stunts |
Pavel Cajzl | Stunts |
David Cronnelly | Stunts |
Jamie Edgell | Stunts |
Rusty Hanson | Stunts |
Jan Holíček | Stunts |
Sy Holland | Stunts |
Dusan Hyska | Stunts |
Svetla Krasteva | Stunts |
David Lištván | Stunts |
Sean McCabe | Stunts |
Jimmy Corona Rooney | Stunts |
Gábor Piroch | Stunts |
Brian Best | Driver |
Céline Dion | Theme Song Performance |
James Cameron | Editor, Director, Writer |
James Horner | Original Music Composer |
Russell Carpenter | Director of Photography |
Peter Lamont | Production Design |
Deborah L. Scott | Costume Design |
Grant Hill | Unit Production Manager |
Emily Schweber | Casting, Casting Associate |
Randy Gerston | Music Supervisor |
George Fisher | Stunts |
Aaron Schneider | Second Unit Director of Photography |
Charles A. Tamburro | Pilot |
Simon Crane | Stunt Coordinator |
Brian N. Bentley | Compositors |
Chris Scarabosio | Sound Effects Editor |
Ethan Van der Ryn | Sound Effects Editor |
Tom Johnson | Sound Re-Recording Mixer |
Gary Rydstrom | Sound Re-Recording Mixer |
Lora Hirschberg | Sound Re-Recording Mixer |
Christopher Boyes | Sound Re-Recording Mixer, Sound Designer, Supervising Sound Editor |
Mark Ulano | Sound Mixer |
Tim Rigby | Stunts |
Steven Quale | Second Unit Director |
Josh McLaglen | First Assistant Director |
John Bruno | Visual Effects |
Craig Barron | Visual Effects Supervisor |
Robert Legato | Visual Effects Supervisor |
Armen Ksajikian | Musician |
Steven Lambert | Stunts |
Caleb Deschanel | Additional Photography |
Denise Lynne Roberts | Stunts |
Nancy Thurston | Stunts |
Anita Hart | Stunts |
Lisa Dempsey | Stunts |
Mark De Alessandro | Stunts |
John C. Meier | Stunts |
Gary Powell | Stunts |
Jo McLaren | Stunts |
Jill Brown | Stunts |
Annie Ellis | Stunts |
Sandy Berumen | Stunts |
Joni Avery | Stunts |
Rick Avery | Stunts |
Charlie Brewer | Stunts |
Mike Avery | Stunts |
John Casino | Stunts |
Vince Deadrick Jr. | Stunts |
Dane Farwell | Stunts |
Dana Dru Evenson | Stunts |
Troy Gilbert | Stunts |
Bill Rea | Art Direction |
Johnny Martin | Stunts |
Kurt D. Lott | Stunts |
Julie Michaels | Stunts |
Larry Rippenkroeger | Stunts |
Diane Peterson | Stunts |
Mic Rodgers | Stunts |
Erik Stabenau | Stunts |
Tim Trella | Stunts |
Mario Roberts | Stunts |
Josh Kemble | Stunts |
Steve Griffin | Stunts |
Bobby Burns | Stunts |
Glenn Boswell | Stunts |
Andy Bennett | Stunts |
Noby Arden | Stunts |
Lucy Allen | Stunts |
Joey Box | Stunts |
Gerardo Albarrán | Stunts |
Richard Bradshaw | Stunts |
Marc Cass | Stunts |
Gwendolyn Yates Whittle | Dialogue Editor |
Martin Hub | Stunts |
Mauricio Martínez | Stunts |
Ray Nicholas | Stunts |
Jim Palmer | Stunts |
Kiran Shah | Stunts |
Debbie Lee Carrington | Stunts |
Michael Papajohn | Stunts |
Jon Landau | Unit Production Manager |
Victoria Vanderkloot | Stunts |
Franklin Mark Henson | Stunts |
Scott Levy | Sound Recordist |
Scott R. Fisher | Special Effects Coordinator |
Van Ling | Visual Effects Supervisor |
Paul Herbert | Stunts |
Frank Detone Jr. | Rigging Grip |
Mark Southworth | Stunts |
Name | Title |
---|---|
Al Giddings | Co-Producer |
Pamela Easley | Associate Producer |
James Cameron | Producer |
Rae Sanchini | Executive Producer |
Grant Hill | Co-Producer |
Jon Landau | Producer |
Organization | Category | Person | |
---|---|---|---|
Golden Globes | Best Animated Feature | N/A | Won |
Golden Globes | Best Actress | Gloria Stuart | Won |
Academy Awards | Best Picture | N/A | Won |
Academy Awards | Best Director | James Cameron | Won |
SAG Awards | Best Director | Ian James Cameron | Won |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 140 | 194 | 99 |
2024 | 5 | 159 | 260 | 103 |
2024 | 6 | 148 | 203 | 119 |
2024 | 7 | 179 | 257 | 139 |
2024 | 8 | 188 | 250 | 134 |
2024 | 9 | 133 | 148 | 111 |
2024 | 10 | 156 | 236 | 118 |
2024 | 11 | 156 | 221 | 122 |
2024 | 12 | 159 | 204 | 119 |
2025 | 1 | 177 | 221 | 150 |
2025 | 2 | 151 | 194 | 35 |
2025 | 3 | 57 | 164 | 4 |
2025 | 4 | 40 | 49 | 28 |
2025 | 5 | 36 | 54 | 31 |
2025 | 6 | 33 | 39 | 31 |
2025 | 7 | 31 | 36 | 26 |
2025 | 8 | 25 | 28 | 22 |
2025 | 9 | 22 | 26 | 21 |
2025 | 10 | 22 | 22 | 21 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 57 | 112 |
Year | Month | High | Avg |
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2025 | 9 | 34 | 120 |
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2025 | 8 | 54 | 157 |
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2025 | 7 | 31 | 141 |
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2025 | 6 | 18 | 116 |
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2025 | 5 | 30 | 104 |
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2025 | 4 | 27 | 95 |
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2025 | 3 | 21 | 200 |
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2025 | 2 | 24 | 118 |
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2025 | 1 | 32 | 102 |
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2024 | 12 | 47 | 145 |
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2024 | 11 | 43 | 93 |
Year | Month | High | Avg |
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2024 | 10 | 57 | 114 |
Year | Month | High | Avg |
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2024 | 9 | 27 | 77 |
Year | Month | High | Avg |
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2024 | 8 | 59 | 86 |
Beautiful Romance - Tragedy Unbound. It has kind of become the popular thing to kick Titanic, the film and its achievements. It's like the love it garnered on release and the colossal waves it made in the history of cinema, never happened, or as some want you to believe, doesn't matter. I can tel ... l you now that many of my macho fuelled friends will privately, under the influence of liquid refreshments, admit to having affection for the film, but socially in a circle environment? Not a bit of it! I have no such problems admitting my love for the film, I love it as much now as I approach 50, as I did when I sat there in awe at the cinema in 1997. You jump - I jump. Titanic is far from flawless, where even now with the advancements in technology the effects over 15 years later look a touch creaky. While it's true as well that away from Rose and Jack the characterisations are thin on the ground. But this is Rose and Jack's story, fully fleshed out for an hour and half and then framed by the terrible tragedy that unfolds for the next hour and half. The tie-in to the present day is superbly constructed by James Cameron - the search for the diamond - the real life filming of the Titanic wreckage - and the flashback telling of the story by a delightful Gloria Stuart as old Rose, and the sinking of the ship and its aftermath is stunning and heart breaking in equal measure. Never let go. So may scenes and dialogue exchanges stay in the memory for ever. The band playing on, the captain awaiting his fate, the mother ushering her children to sleep before the sea comes to take them, the old boy drinking his brandy as the water rushes in, or just Jack and Rose, polar opposites in society's class structure, making love, making art or just professing that neither will ever let go. It's what makes Titanic the wonderful piece of cinema it is, where beauty and tragedy merge to create something forever memorable. A film that deserved all the accolades and cash till ringing that it once did have. 9/10
Set around the ill-fated maiden voyage of the RMS "Titanic", this is essentially a film in two parts. The first, weaker, element features a young "Dawson" (Leonardo DiCaprio) who wins a third class ticket to New York on the soon to depart liner. Meantime, the wealthy but unhappy "Rose" (Kate Winslet ... ) is up in the posh cabins with her cold and unfeeling fiancée "Hockley" (Billy Zane) and her equally unpleasant, venally ambitious mother "Ruth" (Frances Fisher). Desperately unhappy, "Rose" considers jumping off the prow of the boat, but luckily the charming young "Dawson" is on hand to talk her down, and so begins their friendship that causes much chagrin amongst her socially elite companions. That friendship culminates in him making a rather provocative drawing of her, the final straw for her boyfriend and his enforcer "Lovejoy" (David Warner). It all looks ominous for both until - part two begins. The ship, speeding along nicely under the command of Bernard Hill's Captain Smith clips the underwater part of an iceberg and now history takes over. James Cameron offers us a purely speculative account of what might have happened as the initially incredulous crew start to realise that maybe it is not just Molly Brown (an excellent Kathy Bates) that's unsinkable! What now ensues are a series of well staged scenarios depicting panic, fear, a fair degree of selfishness and some proper stiff upper lips as the ship has be evacuated and the segregation of the passengers and competencies of the crew start to become life threatening. The visual effects have dated, the smoke from the ship's funnels blows in an strangely symmetrical fashion and the later scenes struggle to convince - but this is really a rather tragic love story with a strong chemistry between the engaging two characters at the top of the bill, and an effective performance from the older "Rose" (Gloria Stewart) who takes on the role of narrator 80 years after the disaster. I still find it uncomfortable to watch the actuality of the wreck, which features occasionally throughout the film - I feel like I am quite literally walking through someone's grave; but it does lend a potent hook upon which this lengthy, but well thought out and constructed drama is presented. Criticisms have been made of it's factual inaccuracies, and it may well play a bit fast and loose with some of the real characterisations - but it's a drama, and to be enjoyed has to be appreciated in that sphere. Big screen is a must, it really does lose a great deal on a television.
Awesome ...
Titanic is simply a masterpiece. This movie has it all. A tremendous score, deep emotion emphasized by fantastic performances, and incredibly gripping and high-stakes action. There is really something for everyone here. Before I continue my praise of the film, I think it has one glaring weakness: ... the present-day plot. For me, this just did not work all that well. I understand that it was implemented for the main story to have a more emotional impact, but it was not needed. It added almost thirty minutes to the runtime, which could have been used for more character development in the story or to have a more streamlined plot. Not to mention, the acting in this section was lackluster. That might be a hot take, but it was something that I noticed during my watch. Back to the positives. The score is magnificent here. The minute I finished the film, I had an urge to put on this score to be transported back to the Titanic. That does not happen very often to me. The performances are great all around. Leonardo DiCaprio and Kate Winslet's chemistry was perfect. They played off each other so well and really sold this emphatic and rapid love the two shared. The movie spends a lot of time building their relationship and the payoff at the end is worth every second. Billy Zane was an over-the-top asshole, and even though it was cheesy at times, it worked for me. The other ancillary cast members did well, including Kathy Bates, Frances Fisher and Bill Paxton. This film is really two movies put into one and both of them work excellently. The first half is a charming and cute love story that spends a lot of time on character development, laying the background for motivations and personalities. While this half may have been my favorite, it is slightly outdone by the second half, which is a gripping and suspenseful survival action story. This section is brutal, showing large scale panic and hysteria while also having some incredibly horrific deaths. The chaos was infectious and very scary to watch. Both halves create a great sense of emotion in the audience and complement each other very well. Overall, this movie had twenty-five years of hype and critical acclaim to live up to, and I am happy to say it passed expectations. Since leaving the theater, I cannot stop thinking about it. Score: 96% | Verdict: Masterpiece On a side note: I did see this movie in 3D during the twenty-five-anniversary re-release. While it was great to see it remastered in 4K, I do think the 3D was poor and unneeded. This did not affect my grade however, since it was not originally designed as a 3D experience, and they 3D did not really take away for my enjoyment.
Titanic was enjoyable initially, but the constant TV reruns got old fast. I don't even own a TV anymore, and I'm in no hurry to watch it again. Still, it's a good movie, deserving of a 7/10 rating. ...
Titanic (1997), directed by James Cameron, is one of those films that never loses its impact, no matter how many times you watch it. Some might call it overrated, but it’s hard to deny the emotional weight and the sheer craftsmanship that went into making it. Rewatching it reminded me why it’s stood ... the test of time, it’s a great mix of story, performances, and technical execution. Leonardo DiCaprio and Kate Winslet deliver standout performances as Jack and Rose. Their chemistry is natural and believable, and it’s what drives the story forward. The drawing scene is iconic for many reasons, both on and off the screen. Interestingly, it wasn’t DiCaprio sketching Rose, it was actually James Cameron himself. Cameron, who’s also an artist, added a personal touch to the scene by creating the famous drawing. Behind the scenes, Winslet knew the scene could be awkward since it involved nudity and was one of their first together, so she flashed DiCaprio to help him relax. Even with that, he was nervous and flubbed his line, saying, “Lie on that bed… uh, couch” instead of just “couch.” The mistake stayed in the film, and it adds a little authenticity to the moment. Visually, Titanic is impressive on every level. The production design is meticulous. From the luxurious first-class interiors to the gritty third-class quarters, every set looks authentic and lived-in. The cinematography captures both the intimacy of Jack and Rose’s relationship and the overwhelming scale of the disaster. The sinking sequence is still one of the most intense and well-executed moments in film. Cameron used a mix of practical effects, real sets, and CGI to recreate the chaos, and it all blends seamlessly. The result is a scene that’s visually stunning and emotionally gripping. The final act ties everything together perfectly. Rose’s memories, paired with James Horner’s haunting score, deliver an emotional gut punch. That last shot is unforgettable and leaves you thinking long after the credits roll. Titanic isn’t just about a historical tragedy or a love story, it’s a film about human connection and the choices we make when everything’s on the line. Cameron’s attention to detail, paired with strong performances and excellent storytelling, makes this one of the most impactful films ever made. Overrated? Maybe. But it’s a benchmark in filmmaking for a reason.
This film is the perfect example of silly idea, immaculate execution. When you think about it, the film is really just a story about a woman who can't get over an intimate and sad experience with a homeless guy on a boat, but the way it's executed with the incredible performances by DiCaprio and Win ... slett really made it a legendary film. Reminds me of **_The Princess Bride_**, this film may be "dumb" but it's definitely a movie that will be and has been praised for many years.