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Titanic

Nothing on Earth could come between them.
1997 | 194m | English

(1358250 votes)

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Popularity: 21 (history)

Director: James Cameron
Writer: James Cameron
Staring:
Details

101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
Release Date: Nov 18, 1997
Director: James Cameron
Writer: James Cameron
Genres: Drama, Romance
Keywords drowning, evacuation, shipwreck, iceberg, forbidden love, ship, panic, titanic, ocean liner, epic, rich woman poor man, based on true story, love, tragedy, disaster, tragic love, historical fiction, class differences, love affair, historical event, lifeboat, star crossed lovers, sinking ship, steerage, rich snob, disaster movie, 1910s, sunken ship
Production Companies Paramount Pictures, 20th Century Fox, Lightstorm Entertainment
Box Office Revenue: $2,264,162,353
Budget: $200,000,000
Updates Updated: Aug 04, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Leonardo DiCaprio Jack Dawson
Kate Winslet Rose DeWitt Bukater
Billy Zane Cal Hockley
Kathy Bates Molly Brown
Frances Fisher Ruth DeWitt Bukater
Gloria Stuart Old Rose
Bill Paxton Brock Lovett
Bernard Hill Captain Smith
David Warner Spicer Lovejoy
Victor Garber Thomas Andrews
Jonathan Hyde Bruce Ismay
Suzy Amis Lizzy Calvert
Lewis Abernathy Lewis Bodine
Nicholas Cascone Bobby Buell
Anatoly M. Sagalevitch Anatoly Milkailavich
Danny Nucci Fabrizio
Jason Barry Tommy Ryan
Ewan Stewart 1st Officer Murdoch
Ioan Gruffudd Fifth Officer Lowe
Jonny Phillips 2nd Officer Lightoller
Mark Lindsay Chapman Chief Officer Wilde
Richard Graham Quartermaster Rowe
Paul Brightwell Quartermaster Hichens
Ron Donachie Master at Arms
Eric Braeden John Jacob Astor
Charlotte Chatton Madeleine Astor
Bernard Fox Col. Archibald Gracie
Michael Ensign Benjamin Guggenheim
Fannie Brett Madame Aubert
Jenette Goldstein Irish Mommy
Camilla Overbye Roos Helga Dahl
Linda Kerns 3rd Class Woman
Amy Gaipa Trudy Bolt
Martin Jarvis Sir Duff Gordon
Rosalind Ayres Lady Duff Gordon
Rochelle Rose Countess of Rothes
Jonathan Evans-Jones Wallace Hartley
Brian Walsh Irish Man
Rocky Taylor Bert Cartmell
Alexandrea Owens Cora Cartmell
Simon Crane 4th Officer Boxhall
Edward Fletcher 6th Officer Moody
Scott G. Anderson Frederick Fleet
Martin East Lookout Lee
Craig Kelly Harold Bride
Gregory Cooke Jack Phillips
Liam Tuohy Chief Baker Joughin
James Lancaster Father Byles
Elsa Raven Ida Strauss
Lew Palter Isidor Straus
Reece P. Thompson III Irish Little Boy
Laramie Landis Irish Little Girl
Amber Waddell Cal's Crying Girl
Alison Waddell Cal's Crying Girl
Mark Rafael Truitt Yaley
John Walcutt 1st Class Husband
Terry Forrestal Chief Engineer Bell
Derek Lea Leading Stoker Barrett
Richard Ashton Carpenter John Hutchinson
Sean Nepita Elevator Operator
Brendan Connolly Scotland Road Steward
David Cronnelly Crewman
Garth Wilton 1st Class Waiter
Martin Laing Promenade Deck Steward
Richard Fox Steward #1
Nick Meaney Steward #2
Kevin Owers Steward #3
Mark Capri Steward #4
Marc Cass Hold Steward #1
Paul Herbert Hold Steward #2
Emmett James 1st Class Steward
Chris Byrne Stairwell Steward
Oliver Page Steward Barnes
James Garrett Titanic Porter
Erik Holland Olaf Dahl
Jari Kinnunen Bjorn Gunderson
Anders Falk Olaus Gunderson
Martin Hub Slovakian Father
Seth Adkins Slovakian 3 Year Old Boy
Barry Dennen Praying Man
Vern Urich Man in Water
Rebecca Klingler Mother at Stern
Tricia O'Neil Woman
Kathleen S. Dunn Woman in Water
Romeo Francis Syrian Man
Mandana Marino Syrian Woman
Van Ling Chinese Man
Bjørn Olsen Olaf
Dan Pettersson Sven
Shay Duffin Pubkeeper
Greg Ellis Carpathia Steward
Diana Morgan News Reporter
Kris Andersson Dancer
Bobbie Bates Dancer
Aaron James Cash Dancer
Anne Fletcher Dancer
Edmond Alan Forsyth Dancer
Andie Hicks Dancer
Scott Hislop Dancer
Stan Mazin Dancer
Lisa Ratzin Dancer
Julene Renee Dancer
Alexandra Boyd First Class Woman (uncredited)
James Cameron Steerage Dancer (uncredited)
Mike Butters Musician / Baker (uncredited)
Kevin De La Noy Third Officer Pitman (uncredited)
Tony Kenny Deckhand (uncredited)
Sean Lawlor Charles Hendrickson (uncredited)
Don Lynch Frederick Spedden (uncredited)
Johnny Martin Rescue Boat Crewman (uncredited)
Meghan McLeod First Class Passenger (uncredited)
Steven Quale Engine Room Crewman (uncredited)
R. Gern Trowbridge Drowning Man (uncredited)
Olivia Rosewood Mary Marvin (uncredited)
John Slade Ohio Man (uncredited)
Brian McDermott Titanic Gym Instructor Thomas McCawley (uncredited)
Bret Aaron Knower 1st Class Passenger / 3rd Class Passenger (uncredited)
Name Job
Lance Gilbert Stunts
Gary Guercio Stunts
Mike Justus Stunts
Esperanza Gómez Assistant Hairstylist
Kevin Greutert Assistant Editor
Debbie Lynn Ross Stunts
Conrad Buff IV Editor
Richard A. Harris Editor
Mali Finn Casting
Martin Laing Art Direction
Michael Ford Set Decoration
Sharon Mann Unit Production Manager
Anna Roth Unit Production Manager
Lisa Dennis Post Production Supervisor
Giedra Rackauskas Production Supervisor
Sarah Touaibi Costume Supervisor
Adolfo Ramírez Costume Supervisor
Chris O'Connell Visual Effects Editor
Merie Weismiller Wallace Still Photographer
Marcis Cole Steadicam Operator
Mike Amorelli Rigging Gaffer
Joe E. Rand Music Editor
Charlotte Harper Art Department Coordinator
Amanda Sallybanks Art Department Coordinator
Tony Graysmark Construction Coordinator
William Les Collins Construction Coordinator
Scott MacFarlane Construction Coordinator
Magui Jimenez Casting Associate
Magui Jimenez Casting Associate
Gemma Joffroy Casting Associate
Rudy Joffroy Casting Associate
Jesus Ignacio Santana Casting Associate
Lahly Poore Assistant Costume Designer
David Le Vey Assistant Costume Designer
Ismael Jardon Key Set Costumer
Murray Lantz Key Set Costumer
Leigh Leverett Key Set Costumer
Amy Arnold Key Set Costumer
Fabiola Perez Luna Seamstress
Kay Georgiou Key Hair Stylist
Simon Thompson Key Hair Stylist
Annie Townsend Key Hair Stylist
Tina Earnshaw Key Makeup Artist
Laura Borselli Key Makeup Artist
Greg Cannom Makeup Effects
John Paszkiewicz Additional Photography
Guy Norman Bee Camera Operator
Guillermo Rosas Camera Operator
Harald Ortenburger Camera Operator
John Trapman Camera Operator
Kurt E. Soderling Camera Operator
Steve Koster Camera Operator
J. Michael Muro Steadicam Operator
Roy Unger Second Unit Director of Photography
John M. Stephens Second Unit Director of Photography
John Buckley Gaffer
Mark Goodwin Gaffer
Jim MacCammon Gaffer
Scotty Allan Gaffer
Todd Murchie Rigging Gaffer
Shelley Crawford Script Supervisor
Richard Fraser Marine Coordinator
Lance Julian Marine Coordinator
Lee Lemont ADR Editor
Cindy Marty ADR Editor
Harriet Fidlow ADR Editor
Richard Corwin ADR Editor
Sue Fox ADR Editor
Reynald Trudel Boom Operator
Robin Harlan Foley
J.H. Arrufat Dialogue Editor
Sarah Monat Foley
Scott Curtis Foley Editor
Tammy Fearing Foley Editor
David Horton Jr. Foley Editor
Scott Guitteau Sound Effects Editor
David C. Hughes Sound Effects Editor
Joan Chamberlain Sound Recordist
Ann Hadsell Sound Recordist
Darren McQuade Sound Recordist
Cary Stratton Sound Recordist
Gary Summers Sound Re-Recording Mixer
Hugh Waddell Supervising ADR Editor
Tom Bellfort Supervising Sound Editor
Donald Pennington Special Effects Supervisor
David Abrahamsen Sound Designer
Rick Newsome Storyboard Designer
Mark R. Jackson First Assistant Camera
Claire Sanfilippo Dialogue Editor
Richard Quinn Dialogue Editor
Paul Bolton Best Boy Electrician
J.P. Gabriel Underwater Gaffer
Charles Dwight Lee Supervising Art Director
Polly Earnshaw Makeup Artist
Sian Grigg Makeup Artist
Rebecca Lafford Makeup Artist
Vincenzo Mastrantonio Makeup Artist
Lisa McDevitt Makeup Artist
Michael Mosher Makeup Artist
Giulio Pezza Makeup Artist
John Bratton Set Dresser
Peter Francis Set Designer
Dominic Masters Set Designer
Marco Niro Set Designer
Héctor Romero Assistant Art Director
Mat Beck Visual Effects Supervisor
Thad Beier Visual Effects
Casey Cannon Visual Effects Producer
Dave Carson Visual Effects Supervisor
Camille Cellucci Visual Effects Producer
Joyce Cox Visual Effects Producer
Andrea D'Amico Visual Effects Producer
Krystyna Demkowicz Visual Effects Producer
Jamie Dixon Visual Effects
Crystal Dowd Visual Effects Producer
Richard E. Hollander Visual Effects Supervisor
Ken Jones Visual Effects Supervisor
Tom Kennedy Visual Effects Producer
John Kilkenny Visual Effects Producer
Rebecca Marie Visual Effects
Fred Simon Visual Effects
Robert Skotak Visual Effects Supervisor
Tom Numbers Costume Supervisor
Michael Kanfer Visual Effects
Janet Brady Stunts
Simone Boisseree Stunts
Clarke Coleman Stunts
Doc D. Charbonneau Stunts
Leon Delaney Stunts
Chuck 'Chaz' Hosack Stunts
Marcia Holley Stunts
Dustin Meier Stunts
Lincoln Simonds Stunts
Will Jennings Music
Danny Rogers Stunts
Lynn Salvatori Stunts
Sarah Franzl Stunts
Glen Yrigoyen Stunts
Jaroslav Peterka Stunts
Cris Thomas-Palomino Stunts
Dimo Lipitkovský Stunts
Kim Kahana Jr. Stunts
Terry Jackson Stunts
Matt Johnston Stunts
Eunice Huthart Stunts
Terry Forrestal Stunts
Paul Eliopoulos Stunts
Alejandro Avendano Stunts
Terri Cadiente Stunts
Balo Bucio Stunts
Pavel Cajzl Stunts
David Cronnelly Stunts
Jamie Edgell Stunts
Rusty Hanson Stunts
Jan Holíček Stunts
Sy Holland Stunts
Dusan Hyska Stunts
Svetla Krasteva Stunts
David Lištván Stunts
Sean McCabe Stunts
Jimmy Corona Rooney Stunts
Gábor Piroch Stunts
Brian Best Driver
Céline Dion Theme Song Performance
James Cameron Editor, Director, Writer
James Horner Original Music Composer
Russell Carpenter Director of Photography
Peter Lamont Production Design
Deborah L. Scott Costume Design
Grant Hill Unit Production Manager
Emily Schweber Casting, Casting Associate
Randy Gerston Music Supervisor
George Fisher Stunts
Aaron Schneider Second Unit Director of Photography
Charles A. Tamburro Pilot
Simon Crane Stunt Coordinator
Brian N. Bentley Compositors
Chris Scarabosio Sound Effects Editor
Ethan Van der Ryn Sound Effects Editor
Tom Johnson Sound Re-Recording Mixer
Gary Rydstrom Sound Re-Recording Mixer
Lora Hirschberg Sound Re-Recording Mixer
Christopher Boyes Sound Re-Recording Mixer, Sound Designer, Supervising Sound Editor
Mark Ulano Sound Mixer
Tim Rigby Stunts
Steven Quale Second Unit Director
Josh McLaglen First Assistant Director
John Bruno Visual Effects
Craig Barron Visual Effects Supervisor
Robert Legato Visual Effects Supervisor
Armen Ksajikian Musician
Steven Lambert Stunts
Caleb Deschanel Additional Photography
Denise Lynne Roberts Stunts
Nancy Thurston Stunts
Anita Hart Stunts
Lisa Dempsey Stunts
Mark De Alessandro Stunts
John C. Meier Stunts
Gary Powell Stunts
Jo McLaren Stunts
Jill Brown Stunts
Annie Ellis Stunts
Sandy Berumen Stunts
Joni Avery Stunts
Rick Avery Stunts
Charlie Brewer Stunts
Mike Avery Stunts
John Casino Stunts
Vince Deadrick Jr. Stunts
Dane Farwell Stunts
Dana Dru Evenson Stunts
Troy Gilbert Stunts
Bill Rea Art Direction
Johnny Martin Stunts
Kurt D. Lott Stunts
Julie Michaels Stunts
Larry Rippenkroeger Stunts
Diane Peterson Stunts
Mic Rodgers Stunts
Erik Stabenau Stunts
Tim Trella Stunts
Mario Roberts Stunts
Josh Kemble Stunts
Steve Griffin Stunts
Bobby Burns Stunts
Glenn Boswell Stunts
Andy Bennett Stunts
Noby Arden Stunts
Lucy Allen Stunts
Joey Box Stunts
Gerardo Albarrán Stunts
Richard Bradshaw Stunts
Marc Cass Stunts
Gwendolyn Yates Whittle Dialogue Editor
Martin Hub Stunts
Mauricio Martínez Stunts
Ray Nicholas Stunts
Jim Palmer Stunts
Kiran Shah Stunts
Debbie Lee Carrington Stunts
Michael Papajohn Stunts
Jon Landau Unit Production Manager
Victoria Vanderkloot Stunts
Franklin Mark Henson Stunts
Scott Levy Sound Recordist
Scott R. Fisher Special Effects Coordinator
Van Ling Visual Effects Supervisor
Paul Herbert Stunts
Frank Detone Jr. Rigging Grip
Mark Southworth Stunts
Name Title
Al Giddings Co-Producer
Pamela Easley Associate Producer
James Cameron Producer
Rae Sanchini Executive Producer
Grant Hill Co-Producer
Jon Landau Producer
Organization Category Person
Golden Globes Best Animated Feature N/A Won
Golden Globes Best Actress Gloria Stuart Won
Academy Awards Best Picture N/A Won
Academy Awards Best Director James Cameron Won
SAG Awards Best Director Ian James Cameron Won
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 140 194 99
2024 5 159 260 103
2024 6 148 203 119
2024 7 179 257 139
2024 8 188 250 134
2024 9 133 148 111
2024 10 156 236 118
2024 11 156 221 122
2024 12 159 204 119
2025 1 177 221 150
2025 2 151 194 35
2025 3 57 164 4
2025 4 40 49 28
2025 5 36 54 31
2025 6 33 39 31
2025 7 31 36 26
2025 8 25 28 22
2025 9 22 26 21
2025 10 22 22 21

Trending Position


Year Month High Avg
2025 10 57 112
Year Month High Avg
2025 9 34 120
Year Month High Avg
2025 8 54 157
Year Month High Avg
2025 7 31 141
Year Month High Avg
2025 6 18 116
Year Month High Avg
2025 5 30 104
Year Month High Avg
2025 4 27 95
Year Month High Avg
2025 3 21 200
Year Month High Avg
2025 2 24 118
Year Month High Avg
2025 1 32 102
Year Month High Avg
2024 12 47 145
Year Month High Avg
2024 11 43 93
Year Month High Avg
2024 10 57 114
Year Month High Avg
2024 9 27 77
Year Month High Avg
2024 8 59 86

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Reviews

John Chard
9.0

Beautiful Romance - Tragedy Unbound. It has kind of become the popular thing to kick Titanic, the film and its achievements. It's like the love it garnered on release and the colossal waves it made in the history of cinema, never happened, or as some want you to believe, doesn't matter. I can tel ... l you now that many of my macho fuelled friends will privately, under the influence of liquid refreshments, admit to having affection for the film, but socially in a circle environment? Not a bit of it! I have no such problems admitting my love for the film, I love it as much now as I approach 50, as I did when I sat there in awe at the cinema in 1997. You jump - I jump. Titanic is far from flawless, where even now with the advancements in technology the effects over 15 years later look a touch creaky. While it's true as well that away from Rose and Jack the characterisations are thin on the ground. But this is Rose and Jack's story, fully fleshed out for an hour and half and then framed by the terrible tragedy that unfolds for the next hour and half. The tie-in to the present day is superbly constructed by James Cameron - the search for the diamond - the real life filming of the Titanic wreckage - and the flashback telling of the story by a delightful Gloria Stuart as old Rose, and the sinking of the ship and its aftermath is stunning and heart breaking in equal measure. Never let go. So may scenes and dialogue exchanges stay in the memory for ever. The band playing on, the captain awaiting his fate, the mother ushering her children to sleep before the sea comes to take them, the old boy drinking his brandy as the water rushes in, or just Jack and Rose, polar opposites in society's class structure, making love, making art or just professing that neither will ever let go. It's what makes Titanic the wonderful piece of cinema it is, where beauty and tragedy merge to create something forever memorable. A film that deserved all the accolades and cash till ringing that it once did have. 9/10

May 16, 2024
Geronimo1967
7.0

Set around the ill-fated maiden voyage of the RMS "Titanic", this is essentially a film in two parts. The first, weaker, element features a young "Dawson" (Leonardo DiCaprio) who wins a third class ticket to New York on the soon to depart liner. Meantime, the wealthy but unhappy "Rose" (Kate Winslet ... ) is up in the posh cabins with her cold and unfeeling fiancée "Hockley" (Billy Zane) and her equally unpleasant, venally ambitious mother "Ruth" (Frances Fisher). Desperately unhappy, "Rose" considers jumping off the prow of the boat, but luckily the charming young "Dawson" is on hand to talk her down, and so begins their friendship that causes much chagrin amongst her socially elite companions. That friendship culminates in him making a rather provocative drawing of her, the final straw for her boyfriend and his enforcer "Lovejoy" (David Warner). It all looks ominous for both until - part two begins. The ship, speeding along nicely under the command of Bernard Hill's Captain Smith clips the underwater part of an iceberg and now history takes over. James Cameron offers us a purely speculative account of what might have happened as the initially incredulous crew start to realise that maybe it is not just Molly Brown (an excellent Kathy Bates) that's unsinkable! What now ensues are a series of well staged scenarios depicting panic, fear, a fair degree of selfishness and some proper stiff upper lips as the ship has be evacuated and the segregation of the passengers and competencies of the crew start to become life threatening. The visual effects have dated, the smoke from the ship's funnels blows in an strangely symmetrical fashion and the later scenes struggle to convince - but this is really a rather tragic love story with a strong chemistry between the engaging two characters at the top of the bill, and an effective performance from the older "Rose" (Gloria Stewart) who takes on the role of narrator 80 years after the disaster. I still find it uncomfortable to watch the actuality of the wreck, which features occasionally throughout the film - I feel like I am quite literally walking through someone's grave; but it does lend a potent hook upon which this lengthy, but well thought out and constructed drama is presented. Criticisms have been made of it's factual inaccuracies, and it may well play a bit fast and loose with some of the real characterisations - but it's a drama, and to be enjoyed has to be appreciated in that sphere. Big screen is a must, it really does lose a great deal on a television.

Jun 08, 2022
Antoine53
N/A

Awesome ...

Jan 17, 2023
TitanGusang
10.0

Titanic is simply a masterpiece. This movie has it all. A tremendous score, deep emotion emphasized by fantastic performances, and incredibly gripping and high-stakes action. There is really something for everyone here. Before I continue my praise of the film, I think it has one glaring weakness: ... the present-day plot. For me, this just did not work all that well. I understand that it was implemented for the main story to have a more emotional impact, but it was not needed. It added almost thirty minutes to the runtime, which could have been used for more character development in the story or to have a more streamlined plot. Not to mention, the acting in this section was lackluster. That might be a hot take, but it was something that I noticed during my watch. Back to the positives. The score is magnificent here. The minute I finished the film, I had an urge to put on this score to be transported back to the Titanic. That does not happen very often to me. The performances are great all around. Leonardo DiCaprio and Kate Winslet's chemistry was perfect. They played off each other so well and really sold this emphatic and rapid love the two shared. The movie spends a lot of time building their relationship and the payoff at the end is worth every second. Billy Zane was an over-the-top asshole, and even though it was cheesy at times, it worked for me. The other ancillary cast members did well, including Kathy Bates, Frances Fisher and Bill Paxton. This film is really two movies put into one and both of them work excellently. The first half is a charming and cute love story that spends a lot of time on character development, laying the background for motivations and personalities. While this half may have been my favorite, it is slightly outdone by the second half, which is a gripping and suspenseful survival action story. This section is brutal, showing large scale panic and hysteria while also having some incredibly horrific deaths. The chaos was infectious and very scary to watch. Both halves create a great sense of emotion in the audience and complement each other very well. Overall, this movie had twenty-five years of hype and critical acclaim to live up to, and I am happy to say it passed expectations. Since leaving the theater, I cannot stop thinking about it. Score: 96% | Verdict: Masterpiece On a side note: I did see this movie in 3D during the twenty-five-anniversary re-release. While it was great to see it remastered in 4K, I do think the 3D was poor and unneeded. This did not affect my grade however, since it was not originally designed as a 3D experience, and they 3D did not really take away for my enjoyment.

Feb 17, 2023
Prodank
7.0

Titanic was enjoyable initially, but the constant TV reruns got old fast. I don't even own a TV anymore, and I'm in no hurry to watch it again. Still, it's a good movie, deserving of a 7/10 rating. ...

Sep 18, 2023
RalphRahal
9.0

Titanic (1997), directed by James Cameron, is one of those films that never loses its impact, no matter how many times you watch it. Some might call it overrated, but it’s hard to deny the emotional weight and the sheer craftsmanship that went into making it. Rewatching it reminded me why it’s stood ... the test of time, it’s a great mix of story, performances, and technical execution. Leonardo DiCaprio and Kate Winslet deliver standout performances as Jack and Rose. Their chemistry is natural and believable, and it’s what drives the story forward. The drawing scene is iconic for many reasons, both on and off the screen. Interestingly, it wasn’t DiCaprio sketching Rose, it was actually James Cameron himself. Cameron, who’s also an artist, added a personal touch to the scene by creating the famous drawing. Behind the scenes, Winslet knew the scene could be awkward since it involved nudity and was one of their first together, so she flashed DiCaprio to help him relax. Even with that, he was nervous and flubbed his line, saying, “Lie on that bed… uh, couch” instead of just “couch.” The mistake stayed in the film, and it adds a little authenticity to the moment. Visually, Titanic is impressive on every level. The production design is meticulous. From the luxurious first-class interiors to the gritty third-class quarters, every set looks authentic and lived-in. The cinematography captures both the intimacy of Jack and Rose’s relationship and the overwhelming scale of the disaster. The sinking sequence is still one of the most intense and well-executed moments in film. Cameron used a mix of practical effects, real sets, and CGI to recreate the chaos, and it all blends seamlessly. The result is a scene that’s visually stunning and emotionally gripping. The final act ties everything together perfectly. Rose’s memories, paired with James Horner’s haunting score, deliver an emotional gut punch. That last shot is unforgettable and leaves you thinking long after the credits roll. Titanic isn’t just about a historical tragedy or a love story, it’s a film about human connection and the choices we make when everything’s on the line. Cameron’s attention to detail, paired with strong performances and excellent storytelling, makes this one of the most impactful films ever made. Overrated? Maybe. But it’s a benchmark in filmmaking for a reason.

Dec 19, 2024
realedk
8.0

This film is the perfect example of silly idea, immaculate execution. When you think about it, the film is really just a story about a woman who can't get over an intimate and sad experience with a homeless guy on a boat, but the way it's executed with the incredible performances by DiCaprio and Win ... slett really made it a legendary film. Reminds me of **_The Princess Bride_**, this film may be "dumb" but it's definitely a movie that will be and has been praised for many years.

Feb 12, 2025