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Casino Royale

Everyone has a past. Every legend has a beginning.
2006 | 144m | English

(725063 votes)

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Popularity: 10 (history)

Details

Le Chiffre, a banker to the world's terrorists, is scheduled to participate in a high-stakes poker game in Montenegro, where he intends to use his winnings to establish his financial grip on the terrorist market. M sends Bond—on his maiden mission as a 00 Agent—to attend this game and prevent Le Chiffre from winning. With the help of Vesper Lynd and Felix Leiter, Bond enters the most important poker game in his already dangerous career.
Release Date: Nov 14, 2006
Director: Martin Campbell
Writer: Neal Purvis, Robert Wade, Paul Haggis, Ian Fleming
Genres: Adventure, Action, Thriller
Keywords banker, casino, based on novel or book, poker, italy, spy, money, torture, terrorism, mi6, british secret service, montenegro, serious, dramatic, thriller, intense, action, adventure, bold, tragic
Production Companies Columbia Pictures, Metro-Goldwyn-Mayer, EON Productions, Casino Royale Productions
Box Office Revenue: $599,045,960
Budget: $150,000,000
Updates Updated: Aug 16, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Daniel Craig James Bond
Eva Green Vesper Lynd
Mads Mikkelsen Le Chiffre
Judi Dench M
Jeffrey Wright Felix Leiter
Giancarlo Giannini Mathis
Caterina Murino Solange
Simon Abkarian Alex Dimitrios
Isaach de Bankolé Steven Obanno
Jesper Christensen Mr. White
Ivana Miličević Valenka
Tobias Menzies Villiers
Claudio Santamaria Carlos
Sébastien Foucan Mollaka
Malcolm Sinclair Dryden
Richard Sammel Gettler
Ludger Pistor Mendel
Joseph Millson Carter
Darwin Shaw Fisher
Clemens Schick Kratt
Emmanuel Avena Leo
Tom Chadbon Stockbroker
Ade Infante
Urbano Barberini Tomelli
Tsai Chin Madame Wu
Charlie Levi Leroy Gallardo
Lazar Ristovski Kaminofsky
Tom So Fukutu
Veruschka von Lehndorff Gräfin von Wallenstein
Andreas Daniel Dealer
Carlos Leal Tournament Director
Christina Cole Ocean Club Receptionist
Jürgen Tarrach Schultz
John Gold Card Player
Jerry Inzerillo Card Player
Diane Hartford Card Player
Jessica Miller Dealer
Leo Stransky Tall Man
Paul Bhattacharjee Hot Room Doctor
Crispin Bonham-Carter Hot Room Doctor
Simon Cox Hot Room Technician
Rebecca Gethings Hot Room Technician
Peter Notley MI6 Technician
John Chancer Police Commander
Peter Brooke Airport Policeman
Jason Durran Airport Policeman
Robert Jezek Arresting Officer
Robert G. Slade Pilot
Félicité Du Jeu French News Reporter
Michaela Ochotská Shop Assistant
Michael Offei Obanno's Lieutenant
Makhoudia Diaw Obanno's Liaison
Michael G. Wilson Chief of Police
Martina Duravolá Police Chief's Girlfriends
Marcela Martincáková Police Chief's Girlfriends
Vladimír Kulhavý Croatian General
Valentine Nonyela Nambutu Embassy Official
Dušan Pelech Bartender
Phil Meheux Treasury Bureaucrat
Alessandra Ambrosio Tennis Girl
Veronika Hladikova Tennis Girl
Regina Gabajová Hotel Splendide Clerk
Olutunji Ebun-Cole Cola Kid
Martin Učík Barman
Vlastina Svátková Waitress
Miroslav Šimůnek Disapproving Man
Ivan G'Vera Venice Hotel Concierge
Jirí Lenc Hotel Splendide Limo Driver
Jaroslav Jankovsky Hermitage Waiter
Richard Branson Man at Airport Security (uncredited)
Martin Campbell Airport Worker (uncredited)
Tara Cardinal Woman in Casino (uncredited)
Ben Cooke MI6 Agent (uncredited)
Simona Roman Dossier Girl (uncredited)
Greg Bennett Airport Driver, Miami (uncredited)
Alexander Hathaway British Ambassador (uncredited)
Name Job
Bruce Moriarty First Assistant Director, Assistant Director
Alessandro Bressanello Extras Casting
Jane Jenkins Casting Director
Rosie Bernhard Stunt Driver
David Arnold Original Music Composer
Alexander Witt Second Unit Director of Photography, Second Unit Director
Stéphane Foenkinos Casting
Rowley Irlam Stunts
Neal Purvis Screenplay
Robert Wade Screenplay
Phil Meheux Director of Photography
Debbie McWilliams Casting
Paul Haggis Screenplay
Lindy Hemming Costume Design
Stuart Baird Editor
Peter Lamont Production Design
Martin Campbell Director
Béatrice Kruger Casting
Gary Powell Stunt Coordinator
Jay Maidment Still Photographer
Ian Fleming Novel
Chris Cornell Theme Song Performance
Eddy Joseph Supervising Sound Editor
Neal Callow Standby Art Director
Ciro Candia First Assistant Camera
Peter Burgis Foley Artist
Adam Glasman Senior Colorist
Peter Francis Art Direction
James Hambidge Art Direction
Michael Lamont Art Direction
Steven Lawrence Art Direction
Dominic Masters Art Direction
Lee Sandales Set Decoration
Simon Wakefield Set Decoration
Laura McIntosh Makeup Artist
Gabriela Dolenská Art Department Coordinator
Thomas Jones Prop Maker
Sarah Robinson Art Department Coordinator
Martina Ter-Akopowá Construction Coordinator
Carl Wilson Prop Maker
Catherine Haugh Construction Coordinator
Martin Cantwell Sound Designer
Stuart Morton Sound Editor
Heather Carey Casting
Camilla-Valentine Isola Casting
Dan Grace Costume Supervisor
Sabrina Allaria Production Manager
Janine Modder Production Manager
Jasmina Torbati Production Manager
Chris Brock Production Manager
Ian Whiteford Greensman
Guy Bradley Assistant Art Director
Peter Dorme Assistant Art Director
Molly Sole Assistant Art Director
James Boyle Sound Effects Editor
James Harrison Sound Effects Editor
Oliver Tarney Sound Effects Editor
Jack Whittaker Sound Effects Editor
Mark Taylor Sound Re-Recording Mixer
Pavel Sagner Special Effects Coordinator
Angela Barson Visual Effects Supervisor
Mark Michaels Visual Effects Supervisor
Aled Robinson Visual Effects Editor
Val Wardlaw Visual Effects Supervisor
Julia Wigginton Visual Effects Producer
Stephen Elson Visual Effects Producer
Paul Edwards Visual Effects Producer
Billy A. Campbell Visual Effects Editor
Pavel Cajzl Stunt Coordinator
Roberto W. Contreras D. Camera Operator
Clive Jackson Camera Operator
Roger Pearce Camera Operator
Karl Morgan Camera Operator
Jaromír Šedina Camera Operator, Steadicam Operator
Mike Valentine Underwater Camera
Eddie Knight Gaffer
Susie Allnutt Still Photographer
Larry D. Horricks Still Photographer
Warwick Sloss Additional Photography
Ronnie Phillips Rigging Gaffer
Nicholas Roche-Gordon Set Costumer
Patricie Šoptenková Set Costumer
Jan Hogevold Digital Intermediate
Kate Baird First Assistant Editor
Dominic Gibbs Music Editor
Jiří Husák Transportation Coordinator
Rajesh Rajilal Transportation Coordinator
Jiri Fleischer Picture Car Coordinator
Simona Serafini Location Manager
Robin Higgs Location Manager
Steve Harvey Location Manager
Linda Gamble Unit Publicist
Eddie Folcarelli Location Manager
Nicola Catullo Location Manager
Jean Bourne Script Supervisor
Flax Glor Publicist
Consuelo Bidorini Assistant Director
Lorenzo Marangoni Assistant Director
Lisa Romano Assistant Director
Jakub Dvorak Second Assistant Director, Assistant Director
Jo Beckett Location Manager
Matthew Binns Thanks
David Decio Stand In
Simon Lamont Supervising Art Director
Martin Body Visual Effects
Vanessa Baker Casting
Gregg Wilson Assistant Editor
Robin Whittaker Music Editor
Adam Moos Executive In Charge Of Production
Pauline Hume Title Graphics, Title Designer
Lee Eldred Electrician
Kevin Alexander Makeup & Hair
Linda DeVetta Makeup & Hair
Melissa Lackersteen Makeup & Hair
Nuria Mbomio Makeup & Hair
Chloe Meddings Makeup & Hair
Laura Schiavo Makeup & Hair
Lesa Warrener Makeup & Hair
Richard Glass Contact Lens Technician
Hana Chýlová Makeup Artist, Hairdresser
Paul Engelen Makeup Supervisor
Marc Wolff Pilot, Aerial Coordinator
Joss Skottowe Armorer
Charles Bodycomb Armorer
Greg Corke Armorer
Sascha Robey Armorer
Sandra Frieze Dialogue Coach
Roisin Carty Dialogue Coach
David Paris Pilot
Richard Carless Marine Coordinator
Stuart Cove Marine Coordinator
Francesci Anfodillo Marine Coordinator
Sarka Kindlova Payroll Accountant
Carla Zacchia Production Accountant
Ryan Patrick-Najibi Production Coordinator
Kateřina Silná Production Coordinator
Keleigh Slaight Production Coordinator
Lulu Morgan Production Coordinator
Judy Britten Production Coordinator
Robyn Younie Production Coordinator
Paige Chaytor Production Coordinator
Siobhan Lyons Production Coordinator
David Pope Production Executive
Tereza Mandic Listikova Production Secretary
Richard Hooper Supervising Armorer
Dave Evans Supervising Armorer
Guy Bevitt Art Department Assistant
Jordana Finkel Art Department Assistant
Maia Sautelet Art Department Assistant
Jan Soufek Art Department Assistant
Catherine Whiting Art Department Assistant
Martin Kingsley Assistant Property Master
Marketa Korinkova Assistant Set Decoration
Joe Cassar Carpenter
Robert Jackson Carpenter
Pavel Lipert Carpenter
Lee Oliver Concept Artist
Steve Bohan Construction Manager
Andrew Booth Creative Director
Toby Britton Draughtsman
Patricia Johnson Draughtsman
Roy Chapman Dressing Prop
Lloyd Vincent Dressing Prop
John Botton Dressing Prop
Keith Pitt Dressing Prop
Andrew Raygan Graphic Designer
Ben Crosby Painter
Craig Gleeson Painter
Jamie Shelley Painter
Eddie Wolstencroft Painter
Anthony Platt Prop Maker
Peter Lee Props
Marcus Murray Props
Neil Murrum Props
Mike Peel Props
Martin Kotek Set Dresser
Karel Krejník Set Dresser
Martin Asbury Storyboard Artist
Paul Duff Supervising Carpenter
Danny O'Regan Jr. Supervising Carpenter
John Marzano Aerial Director of Photography
Stephen Andrews Assistant Camera
Sacha Jones Assistant Camera
Paul Krumper Assistant Camera
Tiziano Casanova Assistant Camera
Shawn White Chief Lighting Technician
Giovanni Andreotta Clapper Loader
Ross McNamara Clapper Loader
Elvis Pasqual Gaffer
Ty Teiger Property Master
Darren Howton Electrician
Barry McCullagh Electrician
Gary Nagle Electrician
Martin Smith Electrician
Greg Thomas Electrician
Eamonn Fitzgerald Electrician
Martin Tichy Electrician
Paolo Sartori Electrician
Mark Packman Electrician
Oscar Deeks Epk Camera Operator
Leigh Gold First Assistant Camera
Simon Heck First Assistant Camera
František Novák First Assistant Camera
Glyn Williams First Assistant Camera
Robert Palmer First Assistant Camera
Basil Smith First Assistant Camera
Jan Carda Focus Puller
Keith McNamara Focus Puller
Dean Morris Focus Puller
Václav Čermák Gaffer
Vince Madden Gaffer
Ian Buckley Grip
Jim Crowther Grip
Phil Murray Grip
Jan Prokeš Grip
Malcolm McGilchrist Grip
Pavel Proisl Grip
Julian Lord Grip
Paul Hatchman Grip
Luc Poullain Pilot
Kevin Fraser Key Grip
David Maund Key Grip
Tim Dean Libra Head Technician
Robin Brigham Lighting Technician
Joe Knight Lighting Technician
Sam Barnes Second Assistant Camera
Ed Jones Second Assistant Camera
Sarah Woodward Second Assistant Camera
Petr Zavřel Second Assistant Camera
Barny Crocker Second Assistant Camera
Charlie Herranz Second Assistant Camera
Jan Skriečka Second Assistant Camera
Chris Burdon Additional Sound Re-Recording Mixer
Colin Ritchie ADR Editor
Colin Cooper ADR Mixer
Peter Gleaves ADR Mixer
Sandy Buchanan ADR Recordist
Kevin Tayler ADR Recordist
David Mackie Assistant Sound Editor
Michael Pertuso Assistant Sound Editor
Ceri Thomas Assistant Sound Editor
Sam Jones Assistant Sound Engineer
Steve Finn Boom Operator
Simon Firsht Boom Operator
Cyril C. Griffin Boom Operator
Jan Skala Boom Operator
Tomáš Červenka Cableman
Simon Chase Dialogue Editor
Chris Sturmer Dolby Consultant
Paul Munro Boom Operator
Richard Fordham First Assistant Sound Editor
Paul Hanks Foley Artist
Ian Waggott Foley Artist
Iain Eyre Foley Editor
Phillip Barrett Foley Mixer
Nigel Heath Foley Mixer
Alex Joseph Foley Supervisor
Doug Cooper Sound Mix Technician
Philip Jenkins Sound Mix Technician
Chris Munro Sound Mixer
Michal Holubec Sound Mixer
Ian Munro Sound Mixer
Mark Verner Sound Recordist
Rob Playford Music Programmer
Dina Eaton Supervising Music Editor
Richard Gregory Animatronics Designer
Jamie Jackson-Moore Animatronics Designer
Tim Jordan Animatronics Designer
Ian Mitchell Animatronics Designer
Jason Reed Animatronics Designer
Andy Simm Animatronics Designer
Chris 'Flimsy' Howes Animatronics Designer
Massimo Cardajoli Armorer
Chas Cash 3D Animator
Keith Devlin Compositing Supervisor
Izet Buco Compositor
Judy Barr Digital Compositor
Michael Bell Digital Compositor
Warwick Campbell Digital Compositor
Garrett Honn Digital Compositor
Tristan Porter Digital Compositor
Petra Schwane Digital Compositor
John J. Galloway Digital Compositor
Walter Gilbert Digital Compositor
Jaume Arteman Digital Compositor
Ben Hicks Digital Compositor
Marc Jouveneau Digital Compositor
Sarah Marchant Digital Compositor
John O'Lone Digital Compositor
Martin R. Davison Digital Compositor
Diane Kingston Digital Effects Producer
Marianne Speight Digital Effects Producer
Marco Carpagnano Senior Animator
Steven Godfrey VFX Artist
Brad McGiveron VFX Artist
Eoin Murphy VFX Artist
Paul Denhard Visual Effects Technical Director
Luca Lachin First Assistant Director
Mirek Lux First Assistant Director
Giorgia Marangoni First Assistant Director
Terry Madden Second Unit First Assistant Director
Ben Dixon Second Assistant Director
Martina Götthansova Second Assistant Director
Martin Sebik Second Assistant Director
Terence Madden Second Assistant Director
Brendan Donnison ADR Voice Casting
Reg Poerscout-Edgerton Casting Associate
Annette Borgmann Casting
Solomon Artistes Extras Casting
Jirí Hrstka Extras Casting
Mark Burton Assistant Editor
Jo Dixon Assistant Editor
Martin Hubáček Assistant Editor
Harry Muller Color Timer
Maria Stroka Digital Intermediate Producer
Mark Wright Negative Cutter
Connan McStay Online Editor
Steven Porch Ager/Dyer
Gabriela Horská Assistant Costume Designer
Gabriella Loria Assistant Costume Designer
Maria Tortu Assistant Costume Designer
Dita Valentinova Costume Coordinator
Hana Kučerová Costume Supervisor
Jiřina Eisenhamerová Costumer
Mark Sutherland Costumer
Jenny Hawkins Costume Mistress
Larisa Šrámková Seamstress
Brendan Handscombe Wardrobe Master
Lee Knight Rigging Gaffer
David Appleby Key Grip
Daniel Kleinman Main Title Designer
Mária Hubáčková Costumer
Nicholas Dodd Conductor, Orchestrator
Mike Prestwood Smith Sound Re-Recording Mixer
Thomas Müller VFX Artist
Gino De Rossi Special Effects
Murray Barber Digital Compositor
Drew Jones Visual Effects
Ben Cooke Stunts
Katherine McCormack Wherry Publicist
Štefan Milý Set Dresser
Peter Field VFX Director of Photography
Toby Hefferman Second Assistant Director
Chris Corbould Special Effects Supervisor
Steven Woodcock Set Decoration
Name Title
Barbara Broccoli Producer
Michael G. Wilson Producer
Wayne Anthony Executive Producer
Carl Woebcken Co-Producer
Callum McDougall Executive Producer
Organization Category Person
Academy Awards Best Actress Judi Dench Nominated
Golden Globes Best Actor Daniel Craig Nominated
BAFTA Awards Best Actor Daniel Craig Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 62 98 38
2024 5 105 122 87
2024 6 70 103 47
2024 7 62 92 49
2024 8 57 84 38
2024 9 43 52 32
2024 10 50 89 32
2024 11 55 99 33
2024 12 63 169 37
2025 1 56 81 39
2025 2 42 57 9
2025 3 15 49 4
2025 4 9 13 7
2025 5 21 74 8
2025 6 18 53 8
2025 7 8 10 7
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2025 9 11 12 10

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2025 5 56 376
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2025 1 106 390
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2024 12 195 496
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2024 11 181 391
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2024 10 238 473
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2024 9 208 454
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Reviews

Potential Kermode
3.0

**2006 - the year they turned Bond into a common soccer hooligan.** In 2006, the film makers - no longer under the watchful eye of the late Cubby Broccoli decided to run away from making James Bond movies. They also cast a short blonde man as 007. They screwed with the gun barrel and the tone of ... the once lively, over the top and amusing series was now one of tedium. It's all over for Bond films now unless they decide to make real Bond films again and not this monotonous and bland rubbish. It's shame that Cubby was not still around to keep Eon Productions in line and stop them ruining 40 years of hard work. - Potential Kermode

Jun 23, 2021
John Chard
9.0

Arrogance and self-awareness seldom go hand in hand. Casino Royale is directed by Martin Campbell and adapted by Neil Purvis, Robert Wade & Paul Haggis from a story written by Ian Fleming. It stars Daniel Craig, Eva Green, Mads Mikkelsen, Judi Dench, Jeffrey Wright & Giancarlo Giannini. It's the ... 21st film in the James Bond franchise. Plot finds Craig as Bond, newly promoted to 00 status, he is thrust into the murky world of high financed terrorism. One of the hardest series of films to get right, with some of the most committed of fans, is that of the James Bond series. To wit, there will never ever be a Bond film that will appease every fan across the board. The complaints will range from not enough gadgets, too far removed from Fleming's essence, not serious enough and vice a versa: too darn serious. Then there is the usual round of arguments concerning the leading man stepping into the tuxedo, for every Bond fan ready to fight to the death in the name of Sean Connery, I'll find you another prepared to back Timothy Dalton's take on the Martini swigging legend. Once it became clear that Pierce Brosnan had run his course as Bond, bowing out with the super silly Die Another Day in 2002, the pressure for any new Bond, both the actor and the makers, was immense. 2006 and time had moved on, and we live in different cinema times, spy movies are a different breed to what went before, The Bourne Identity had raised the bar. The news filtered thru that Bond was to be rebooted and that Daniel Craig was the man to be Bond. The howls of derision could be heard from as far as the tropical locations so in keeping with a James Bond plot. Too Blonde, too craggy faced, not tall enough, and why reboot a much loved franchise anyway? It was war and the heat was turned up to full. Casino Royale still has its critics, but as majorities go as regards a Bond film, this one has the biggest sway. Sure, the Daniel Craig haters will not be bowed, they can't after all lose face after such a vitriolic campaign against his casting, but few, I suspect, can seriously deny Casino Royale is not a magnificent Bond movie. Just a peak at the Worldwide box office figures shows you how well received it was, making nearly $600 million, those are figures that do not lie. The truth is that Casino Royale has almost everything you could wish for from a Bond movie, and a little more. Gorgeous locations, beautiful women and reams of action; where, the stunt department reach new heights. It's also refreshingly in keeping with Fleming's original story, only major difference here is that the makers have upgraded it to a post 9/11 world. There's nods to traditional franchise staples, whilst also neatly streamlining some of the previous film's comedy scene fillers. Smart villain too, Mads Mikkelsen's Le Chiffre, complete with creepy eye issue and loyal girlfriend, is a villain not trying to blow up the world because he's mad, but trying to outwit Bond to stay alive! That's great stuff that keeps a Bond thriller alive and well. But for all the energy and pyrotechnics (there's enough in this one film to have filled half a dozen of previous Bond entries), a Bond film can only succeed if the leading man is up to scratch. Thankfully, and joyously, Craig nails it, both in physicality, swagger and raw egotistical aggression. More telling is that Craig's Bond is more human that what we are used too, at one time suave and appearing unruffled, the next, bruised battered and emotionally conflicted. This is a new and rounded Bond, given impetus by Craig's powerful presence. He is helped by Eva Green putting brains and slinkiness into Vesper Lynd, a Bond girl to turn Bond's head in a way not seen since Diana Rigg's Tracy di Vicenzo in OHMSS. Though one of the film's rare missteps is to under write the part. Felix Leiter also gets a quality tune up in the form of Jeffrey Wright, Judi Dench's M kicks arse and Giancarlo Giannini adds a touch of continental class as Bond's Montenegro contact René Mathis. Layered over the top is a nifty score by David Arnold, blending traditional Bond flavours with high energy bursts and Phil Meheux's photography brings optical delights in the Bahamas, Czech Republic and Italy. Opening with the best chase sequence in the whole franchise and closing with an ultimate Bond moment, this is reboot supreme. It's high energy with intelligent humanistic smarts and Bond is back: blonder, brutal and most assuredly better. 9/10

May 16, 2024
krismdb
8.0

i liked Daniel Craig more as the right bond with action, charm, cunning all in one ...

Jun 23, 2021
JPV852
9.0

Great James Bond movie and perfect debut for Daniel Craig. He may, at least in the last couple outings, resent the role, he makes for a bruiser version of the character. Pierce Brosnan is still my favorite as his movies came out in the 90s (i.e. the years for watching Bond movies), but this was an a ... ll around great film, not to mention the lovely Eva Green coming on to the scene. **4.5/5**

Jun 23, 2021
Wuchak
8.0

_**Daniel Craig debuts as Bond**_ Based on Ian Fleming’s novel, “Casino Royale” (2006) goes back to the beginning with James Bond (Daniel Craig) earning his 00 status with MI6. ‘M’ (Judi Dench) then sends Bond after a private banker who funds terrorists (Mads Mikkelsen), which leads to action in ... Madagascar, a poker game & romance in the Bahamas, thwarting the destruction of a prototype airliner in Miami, a high-stakes tournament at the Casino Royale in Montenegro and a thrilling finale in Venice. Caterina Murino and Eva Green also appear on the feminine front. Craig is more rough-hewn than Pierce Brosnan and more akin to Timothy Dalton, albeit without the smirk. Craig has the gravitas to pull-off the role and is utterly convincing. Let's face it, James Bond flicks aren’t that deep. They may have convoluted plots, but there's little character depth and no heavy subtext commenting on the human condition. They're spy thrillers with an ultra-cool protagonist, beautiful women, spectacular locations, amazing gadgets, global political intrigue, gambling matches, wild action and megalomaniac villains. That's it. Yet they're very entertaining, which is why the series has been such a hit since 1962 when "Dr. No" was released. Yet, with the exception of "On Her Majesty's Secret Service" (1969), there's very little character depth. Take James himself: Women to him are only meaningful as (1) a sexual dalliance or (2) a means to fulfill his mission. I mention this to point out how "Casino Royale" boldly changes this. The film has character depth and shows why Bond is the way he is. For instance, there are a couple amazing conversations between James and his potential woman in the story, Vesper (Eva Green), and they're full of insights. The dialog is snappy & intriguing and the performances are right-on. By the way, someone complained that all the women in Bond flicks are loose and willing to sleep with any man at the drop of a hat. No, they're just willing to sleep with James Bond, lol. I'm not saying it's right, but it does reflect the alluring charisma of the suave Mr. Bond. There are some thrilling action sequences, like the long, unrelenting chase at a construction site after the title credits, but there are also some quality dramatic segments. For instance, the main poker match at the titular casino is well-staged and suspenseful. "Casino Royale" strikes me as a mixture of the first half of "Goldfinger" with the serious tone of "The Living Daylights" & "Licence to Kill.” Don't expect the comic booky approach of "You Only Live Twice," the cartoonish-ness of “Diamonds are Forever” or the science-fiction (and sometimes goofiness) of "Moonraker.” The film runs 2 hours, 24 minutes, and was shot in the Czech Republic, Venice, Bahamas and England. GRADE: A-/B+

Jun 23, 2021
msbreviews
8.0

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/casino-royale-spoiler-free-review "Casino Royale is a near-perfect debut of Daniel Craig as the new James Bond. This brutal version of the famous protagonist is beautifully interpreted by Craig, who contradicted the naysayers at ... the time of release and delivers a phenomenal performance as the iconic 007. His witty humor, irresistible charm, and excellent line deliveries find a close match in Eva Green's take of the "Bond girl", whose intelligence and strong attitude puts aside any generic, formulaic traits. Mads Mikkelsen is outstanding as always as the vulnerable antagonist, but his impact on the overall picture is slightly underwhelming. The action set pieces are worthy of belonging to blockbusters of today, holding impressive stunt work and cinematography. Martin Campbell creates one of those films I can't pinpoint any flaws. Bond fans will feel delighted." Rating: A-

Sep 26, 2021
AstroNoud
10.0

From the breathtaking stunts in the opening chase to the suspenseful high-stakes poker game, ‘Casino Royale’ gets everything right, introducing Craig as a tougher, grittier and more realistic Bond. James Bond. 10/10 ...

Jan 18, 2022
Geronimo1967
7.0

As reboots go, this is probably the best I've seen. Daniel Craig takes up the mantle of Ian Fleming's "007" in this two-part thriller that starts off at break neck speed and rarely drops below third gear for almost 2½ hours. Having just attained his licence to kill status - after disposing of the do ... uble-crossing "Dryden" (Malcolm Sinclair), he is now hot on the trail of a courier in an African republic. After a chase of pretty epic proportions that sees them leaping from buildings and cranes before "Bond" finally manages to trash an embassy, he obtains a cellphone with just one word. What does it mean? Well now he must use all of his roughly hewn skills to find out - a challenge that takes him via the Bahamas to Miami where he has two thwart a daring attack at the airport on a brand new airliner, that would bankrupt the manufacturer and make someone $100m. That someone is now seriously annoyed - and in quite considerable danger themselves, so phase two of the story starts - and this is where it gets interesting. Off to the beautiful land of Montenegro for the ultimate game of poker. Staked by a rather wary HM Government, he is put in the capable hands of "Vesper" (Eva Green) and with the help of local fixer "Mathis" (Giancarlo Giannini) faces his new nemesis "Le Schifre" (Mads Mikkelsen). Quite literally - winner takes all. The story here is strong, the plot has twists - especially towards the end; there is loads of action, gadgets - a cracking Aston Martin; and loads of glamour. That latter element was largely missing during the Dalton/Brosnan eras for this suave and debonaire super-spy. Craig exudes a classiness about him, and Green likewise as she quickly realises that his is a dangerous business. Mikkelsen makes for a good baddie - so much of his acting is done through his expressions, and here he radiates a sort of measured menace that proves quite effective as the story reaches it's rather painful climax! David Arnold has written a score that nods to the John Barry sweeping and orchestral style of the early films and the writing doesn't waste time trying with the puerile double-entendres that dogged some of the earlier outings for "Bond". The one man missing, rather notably, is "Q" and "Moneypenny" has become a bloke called "Villiers" (Tobias Menzies) working for Dame Judi Dench's no-nonsense "M". The denouement is as action packed as the rest of it, and it introduces us to the idea that there is an organisation out there guiding so much of the criminal fraternity. A spectre of things to come, perhaps? Let's hope this is a sign of a new and improved vivacity for this tiring franchise. This is a very good re-start.

Sep 06, 2022
GenerationofSwine
6.0

It honestly wasn't bad and I really hate Daniel Craig as James Bond, he seems to be the only person on earth that does NOT want to be James Bond. And it kind of sucks watching someone play Bond that doesn't look like he wants to be there. And then there is the fact that they rebooted the franchis ... e, and I am not a fan of that either. And, well, the film had 3 endings didn't it? I mean, literally there were two natural endings but they milked it for a third one. So by the time you get around to ending three you're screaming "enough already!" However, it started strong. I mean, it started REALLY strong even for a reboot. And it made the clever move of keeping the same M, and that helped stop the people like me that hate reboots from grumbling too much. It did away with Q and the over-the-top gadgets and, yeah, Python Q wasn't good plus every Bond has his own feel. So what was left was a solid action movie with mostly great acting (especially from the Villains) that was great... up until it SHOULD have ended the first time.

Jan 11, 2023
drystyx
1.0

Depressingly predictably Hollywood. This is hardly a 007 movie, and can't be called a "film". It's just the same Hollywood formula of contriving a story to be as depressing as possible. The same formula Hollywood had prided itself on since about 1965. It's very dull, and there's no imagery. 007 ... films once had exotic scenery that was done in a cinematic way. No more. This has absolutely nothing to do with Daniel Craig. It doesn't matter who plays 007 when the writer and director are control freaks for hatefulness. If you can stay awake through the dull scenery and ridiculous lines (Bond even says it doesn't matter what cards you have in a poker game. This movie goes beyond "retarded"), then you wonder what the plot is. Bond goes through a kidnapping ordeal and losing in cards, and he's obviously a victim of card cheating, but this genius doesn't suspect that. Then, we get the predictable ending that is so Hollywood. This movie would be the worst Bond movie ever if not for "A View to a Kill".

Apr 17, 2023
2_Fast-22
10.0

This generally considered the best Bond film and for me it's top 3. ...

Nov 23, 2024