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Quantum of Solace

2008 | 106m | English

(488632 votes)

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Popularity: 18 (history)

Details

Betrayed by Vesper, the woman he loved, 007 fights the urge to make his latest mission personal. Pursuing his determination to uncover the truth, Bond and M interrogate Mr. White, who reveals that the organization that blackmailed Vesper is far more complex and dangerous than anyone had imagined.
Release Date: Oct 29, 2008
Director: Marc Forster
Writer: Paul Haggis, Neal Purvis, Robert Wade, Ian Fleming
Genres: Adventure, Action, Crime, Thriller
Keywords killing, undercover, secret agent, mi6, british secret service, intense, powerful, vibrant
Production Companies Columbia Pictures, Metro-Goldwyn-Mayer, EON Productions, B22
Box Office Revenue: $589,593,688
Budget: $200,000,000
Updates Updated: Jul 31, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Daniel Craig James Bond
Olga Kurylenko Camille
Mathieu Amalric Dominic Greene
Judi Dench M
Giancarlo Giannini Mathis
Gemma Arterton Strawberry Fields
Jeffrey Wright Felix Leiter
David Harbour Gregg Beam
Jesper Christensen Mr. White
Anatole Taubman Elvis
Rory Kinnear Tanner
Tim Pigott-Smith Foreign Secretary
Joaquín Cosío General Medrano
Fernando Guillén Cuervo Colonel of Police
Jesús Ochoa Lt. Orso
Lucrezia Lante della Rovere Gemma
Glenn Foster Mitchell
Paul Ritter Guy Haines
Simon Kassianides Yusef
Stana Katic Corinne
Neil Jackson Mr. Slate
Oona Chaplin Perla de las Dunas Receptionist
Brendan O'Hea Forensics Tech
Rufus Wright Treasury Agent
Kari Patrice Coley Hôtel Dessalines Clerk
Sarah Hadland Ocean Sky Receptionist
Jake Seal Bartender on Virgin Flight
Peñarandam Felix Bolivian Taxi Driver
Emiliano Valdés Andean Grand Hotel Receptionist
Daniel da Silva Andean Grand Hotel Porter
Elizabeth Arciniega Mr. White's Girlfriend
Alessio Sossas Carabinieri on Radio
Mark Wakeling MI6 Agent
Susana Albornoz Woman with Bucket
Jacques Duckins Haitian Gang Member
Anthony Hansell Dockside Valet
Karin Lanz Gift Bag Girl
Christian Heller Man with Gift Bag
Dante Concha Investor at Party
Diego Fernández de Córdoba Investor at Party
Edwin Cedeño Investor at Party
Mike Pérez Motorcycle Cop
Juan Carlos Avendaño Motorcycle Cop
Rachel McDowall CIA Flight Attendant
Rodrigo Farrugia Hotel Bolívar Receptionist
Carl Von Malaisé Greene's Driver
Robert Braithwaite Speedboat Captain
Raffaello Degruttola Alfa 2 Driver
Santos Varas Ramos DC-3 Caretaker
Antonio Gil Marchetti Pilot
Luis Antonio Gotti Bureaucrat at Party
Jaime Newball La Paz Bartender
Guillermo del Toro Additional Voices (voice)
Alfonso Cuarón Additional Voices (voice)
Kamil Krejčí Quantum Member
Gustavo Nanez Quantum Member
Erosi Margiani Quantum Member
Uygar Tamer Quantum Member
Alexandra Prusa Quantum Member
Muhamed Gandura Quantum Member
Shamel El-Salhy Quantum Member
Tsedor Gyalzur Quantum Member
Daniel Stüssi Quantum Member
Karine Babajanyan Floria Tosca
Sebastien Soules Baron Scarpia
Brandon Jovanovich Mario Cavaradossi
Martin Busen Sciarrone
Alexandre Krawetz Spoletta
Dale Albright Spoletta
Katia Velletaz Hirtenknabe
Emilia Pountney Hirtenknabe
Derek Lea Haines' Bodyguard (uncredited)
Tatiana Lavrentieva Russian Neighbour (uncredited)
Laila Alina Reischer Company Girl (uncredited)
Rene Costa Plane passenger (uncredited)
Name Job
Laura Veytia Production Coordinator
Matt Chessé Editor
Roberto Schaefer Director of Photography
Louise Frogley Costume Design
Peter N. Brown Supervising Carpenter
James Foster Art Direction
Mark Harris Art Direction
Marco Rubeo Art Direction
Mike Stallion Art Direction
Chris Lowe Supervising Art Director
Tamazin Simmonds Art Department Coordinator
Anna Skrein Art Department Coordinator
Dean Clegg Assistant Art Director
Gavin Fitch Assistant Art Director
Sandra Phillips Assistant Art Director
Joaquin Morales Assistant Property Master
Darryl Paterson Assistant Property Master
Sophie Newman Assistant Set Decoration
Sophie Phillips Assistant Set Decoration
Alessandra Querzola Assistant Set Decoration
John Allen Carpenter
Cathal MacIlwaine Carpenter
Tony Marks Carpenter
John Moolenschot Carpenter
Eddie Murphy Carpenter
Alan Neighbour Carpenter
Anthony Owen Carpenter
Paul Anthony McGill Conceptual Illustrator
Chris Baker Conceptual Design
Catherine Haugh Construction Coordinator
Steve Bohan Construction Manager
Kim Frederiksen Draughtsman
Nicholas Henderson Draughtsman
Shane Harford Dressing Prop
Dougie Lankston Dressing Prop
Terry Royce Dressing Prop
Ian Whiteford Greensman
Paul Duff Head Carpenter
Domenico Reordino Painter
Eddie Wolstencroft Painter
Christopher Young Painter
Barry Gibbs Property Master
John Botton Props
Graham Dale Props
Colin Ellis Props
James Enright Props
Jason Hopperton Props
Peter James Standby Art Director
Martin Asbury Storyboard Artist
Burpo Storyboard Artist
Steve Parker Additional Director of Photography
Ron Goodman Aerial Camera
David B. Nowell Aerial Director of Photography
John Marzano Aerial Director of Photography
Jim Crowther Best Boy Grip
Graham Hall Camera Operator
Peter Robertson Camera Operator
Frank Buono Camera Operator
Robert Binnall Camera Operator
Mark Moriarty Camera Operator
Stefan Stankowski Camera Operator
David Worley Camera Operator
Daniel Nichols Camera Operator
George Peters Camera Operator
Derek Gruszeckyj Camera Operator
Rick James Camera Trainee
Louis Seresin Camera Trainee
Will Morris Camera Trainee
Will Humphris Clapper Loader
Russell Kennedy Clapper Loader
Sebastian Barraclough Clapper Loader
Alan Hall Clapper Loader
Chris Clarke Clapper Loader
Dean Morris Grip, Clapper Loader
David Mackie Assistant Sound Editor, Clapper Loader
Ray Meere Clapper Loader
James Smith Clapper Loader
Sarah Woodward Clapper Loader
Josh Bleibtreu Director of Photography
Alessio Bramucci Electrician
Niall Crawford Electrician
Paolo Sartori Electrician
Martin Smith Electrician
Oscar Deeks Epk Camera Operator
Don Steinberg First Assistant Camera
John Gamble First Assistant Camera
Scott Ronnow First Assistant Camera
Marc Atherfold First Assistant Camera
Jonathan 'Chunky' Richmond Focus Puller
Harry Bowers Focus Puller
Chris Bain Focus Puller
David Cozens Focus Puller
Spencer Murray Focus Puller
Craig Bloor Focus Puller
Oliver Loncraine Focus Puller
Clive Mackey Focus Puller
Robert Palmer Focus Puller
Nathan Mann Focus Puller
Patrick Bramucci Gaffer
Michael McDermott Gaffer
Peter Casey Generator Operator
Pat Garrett Grip
Gary Romaine Grip
Phil Murray Grip
Peter Mathis Grip
Mark Binnall Grip
David Maund Grip
David Rist Grip
Andy Hopkins Grip
David Appleby Key Grip
Gary Hutchings Key Grip
Tim Dean Libra Head Technician
Conor Finlay Lighting Technician
Paul Kelly Lighting Technician
Jamie Mills Lighting Technician
Neil Munro Lighting Technician
Marc Wolff Aerial Coordinator, Pilot
Ronnie Phillips Rigging Gaffer
Shaun O'Dell Second Unit Director of Photography
J.E. Smith Second Assistant Camera
Mark Gilmer Second Assistant Camera
Neil Flaherty Second Assistant Camera
Karen Ballard Still Photographer
Susie Allnutt Still Photographer
Mike Barnett Ultimate Arm Operator
Michael Nelson Ultimate Arm Operator
Tracey Wells Hairstylist
Naomi Donne Makeup & Hair
Andrea Finch Makeup & Hair
Norma Webb Makeup & Hair
Linda DeVetta Makeup & Hair
Eithné Fennel Makeup & Hair
Marilyn Gonzalez Makeup & Hair
Mike Dargan Makeup Artist
Chloe Meddings Makeup Artist
Clare Ramsey Makeup Artist
Paul Engelen Makeup Supervisor
Alex Rouse Wigmaker
Peter Gleaves ADR Mixer
Tim Atkins ADR Recordist
Sandy Buchanan ADR Recordist
Rick Gould ADR Recordist
Yossi Appelbaum ADR Recordist
Murat Elgün ADR Recordist
Ceri Thomas Assistant Sound Editor
Steve Finn Boom Operator
Colin Ritchie Dialogue Editor
Simon Chase Supervising ADR Editor, Dialogue Editor
Dave Croft Foley Artist
Sue Harding Foley Artist
Ian Waggott Foley Artist
Ed Colyer Foley Mixer
Glen Gathard Foley Mixer
Simon Trundle Foley Mixer
Alex Joseph Foley Supervisor
Chris Munro Production Sound Mixer
Christian Joyce Production Sound Mixer
Chris Sturmer Dolby Consultant
Martin Cantwell Sound Designer
James Boyle Sound Designer
Carol Jones Sound Editor
James Harrison Sound Effects Editor
Oliver Tarney Sound Effects Editor
Doug Cooper Sound Mix Technician
Philip Jenkins Sound Mix Technician
Filippo Porcari Sound Mixer
Mark Taylor Sound Re-Recording Mixer
Alessandro Checcacci Sound Re-Recording Mixer
Ingmar Herrera Sound Recordist
Jenny Hawkins Assistant Costume Designer
Valeria Perucci Costume Assistant
Lucilla Simbari Costume Assistant
Lindsay Pugh Costume Supervisor
Javier Arrieta Costumer
Mark Sutherland Costumer
Ciara McArdle Set Costumer
Adam Roach Set Costumer
Tom Ford Tailor
Diana Wyand Wardrobe Assistant
Brendan Handscombe Wardrobe Master
Theo Facey 3D Artist
Felipe Canfora 3D Artist
Sandra Guardado 3D Artist
Jim Gaffney 3D Modeller
Elizabeth Gray Animation
Stafford Lawrence Animation
Alun Knott Camera Operator
Dan Kripac CG Supervisor
Kevin T. Hahn CG Supervisor
Mark Curtis Compositing Supervisor
Gunnar Hansen Compositing Supervisor
Victor Wade Compositing Supervisor
Rafal Kaniewski Compositor
Patrick Nagle Compositor
Fred Place Compositor
Paul Scott Compositor
David Sjodin Compositor
Shahin Toosi Compositor
Tara Walker Compositor
Rachel Wright Compositor
Richard Stay Compositor
Jo Ann Cordero Belen Compositor
Dean Koonjul Compositor
Sangita Mistry Compositor
Ana Sofia Mestre de Almeida Pereira Compositor
Aaron Barclay Compositor
Grant McKean Compositor
Patrick Zentis Compositor
Steve J. Sanchez Compositor
Brian Kranz CG Artist
Christopher Kilshaw CG Artist
Aysha Madina Lead Animator
Jigesh Gajjar Matchmove Supervisor
Tony Abejuro Matchmove Supervisor
Jerome Fournier Matte Painter
Myles Asseter Modeling
Nic Hatch Pre-Visualization Supervisor
Daniel May Pre-Visualization Supervisor
Natalie Lovatt Visual Effects Coordinator
Anna V. James Visual Effects Coordinator
Szvák Antal Visual Effects Coordinator
Karen Clarke Visual Effects Coordinator
Danielle Morley Visual Effects Coordinator
Philip Greenlow Visual Effects Coordinator
Ross Johnson Visual Effects Coordinator
Kevin Tod Haug Visual Effects Designer
Derek Burgess Visual Effects Editor
Peter Olliff Visual Effects Editor
Chris Coupland Visual Effects Editor
Jeppe N. Christensen Visual Effects Producer
Leslie Lerman Visual Effects Producer
Péter Závorszky Visual Effects Producer
Standish Millennas Visual Effects Producer
Victoria Mowlam Visual Effects Producer
Ben Aghdami Visual Effects Production Assistant
Tim Pounds-Cornish Visual Effects Production Manager
Huseyin Caner Visual Effects Supervisor
Alex Wuttke Visual Effects Supervisor
Jon Thum Visual Effects Supervisor
John Lockwood Visual Effects Supervisor
Steve Street Visual Effects Supervisor
Angela Barson Visual Effects Supervisor
Rob Pizzey Colorist
Darren Rae Colorist
Jamie Payne Colorist
Laurent Treherne Digital Intermediate
Des Carey Digital Intermediate Producer
Rob Farris Digital Intermediate Producer
Erin McGookin Digital Intermediate Producer
Martin Corbett First Assistant Editor
Robin Gonsalves First Assistant Editor
Tom Harrison-Read First Assistant Editor
Rob Gordon Online Editor
Emily Greenwood Online Editor
Anita M. Patel Post Production Coordinator
Phil Ashton Animatronics Designer
Richard Gregory Animatronics Designer
Jason Reed Animatronics Designer
Andy Simm Animatronics Designer
Nick Bonathan Animatronics Designer
Andy Aitken Special Effects Technician
Adam Aldridge Special Effects Technician
Scott Armstrong Special Effects Technician
John Arnitt Special Effects Technician
Steve Benelisha Special Effects Technician
Paul Bentman Special Effects Technician
Gordon Cave Special Effects Technician
Stefano Corridori Special Effects Technician
Nic Curragh Special Effects Technician
Dan Homewood Special Effects Technician
Alex MacBride Special Effects Technician
Steve Mansfield Special Effects Technician
Bruce Mayhew Special Effects Technician
Franco Ragusa Special Effects Technician
Tony Smart Special Effects Technician
Barry White Special Effects Technician
Andrew Warner Special Effects Technician
James Murrell Special Effects Technician
Matthew Johnson Special Effects Technician
Michael Fox Special Effects Technician
Mike Woodley Aerial Coordinator
Massimo Cardajoli Armorer
Alan Hausmann Armorer
Dave Evans Armorer
Susan Chika Anisiobi Assistant Accountant
Steve Barry Assistant Accountant
Claire L. Kenny Assistant Accountant
Alastair McNeil Assistant Accountant
Joyce Noakes Assistant Accountant
Ingrid Simmonds Assistant Accountant
Sarah Stiff Assistant Accountant
Bernardo Galli Assistant Accountant
Peter Ziak Assistant Accountant
Tomas Kreisl Assistant Accountant
Arabella Gilbert Assistant Production Coordinator
Florian Salzmann Assistant Production Coordinator
Bertie Spiegelberg Assistant Production Coordinator
Giorgia Passarelli Assistant Production Manager
Cory Fleming Pilot
Dick 'Skip' Evans Pilot
Peggy Plessas Dialogue Coach
James McGrady Floor Runner
Barry May-Leybourne Health and Safety
Regina Enguídanos-Coronel Legal Services
J.C. Merrill Marine Coordinator
Lance Julian Marine Coordinator
Bruce Benson Pilot
Luis Alvarez Pilot
Glenn Moss Pilot
Frank Moss Pilot
John T. Scanlon Pilot
Steve Hinton Pilot
Marco Mattei Production Accountant
Renate Seefeldt Production Accountant
Gianni Carpentieri Production Accountant
Francesco Antoni Production Assistant
Tom Asquith Production Assistant
Roman Diaz Production Assistant
David Giammarco Production Assistant
Manuel Guijoza Production Assistant
Ben Haigh Production Assistant
Daniel Henriquez-Ilic Production Assistant
Claudia Hofstetter Production Assistant
Iris Huezo Production Assistant
Benjamin Maier Production Assistant
Declan O'Brien Production Assistant
Karla Quintero Production Assistant
Anna-Katharina Schneider Production Assistant
Fernando Silva Production Assistant
Rodrigo Yeye Diaz Production Assistant
Fernanda Gutierrez Production Assistant
Michael Riedacher Production Assistant
Beatriz Garcia Production Assistant
Mario Gotti Production Assistant
Stefania Antonini Production Coordinator
Clarissa Newman Production Coordinator
Simonetta Di Fresco Production Coordinator
Philie Naughten Production Coordinator
Sylvia Kube Production Coordinator
Claudia Cimmino Production Coordinator
Lulu Morgan Production Coordinator
Judy Britten Production Coordinator
Keleigh Slaight Production Coordinator
David Pope Production Executive
Charlie Salmon Production Runner
Margherita Di Tullio Production Secretary
Julian David Birri Production Supervisor
Heather Callow Publicist
Alissa Sullivan Haggis Researcher
Nikki Clapp Script Supervisor
Zoe Morgan Script Supervisor
Charles Bodycomb Supervising Armorer
Paul Medley Security
Asa Sims Security
Nicole Chapman Set Production Assistant
Oliver Dance Set Production Assistant
Stefanie Nieto Cruz Set Production Assistant
Francesco Bonomo Set Production Assistant
Icaro Lorenzoni Set Production Assistant
Daniele Fabrizi Set Production Assistant
Joss Skottowe Supervising Armorer
Pauline Hume Title Designer
Hannah Godwin Travel Coordinator
Sergio Allard Translator
David Rees Color Grading
Donna Williams Stunts
Tina Maskell Stunts
Mirko Zamperla Stunts
David Zamperla Stunts
David Ware Stunts
Arran Topham Stunts
Bahran Soltani Stunts
Craig Frosty Silva Stunts
Nicola Short Stunt Coordinator
Lutz Schleisner Stunts
Valentina Rossi Stuart Stunt Driver
Dave Read Stunts
Marta Pinna Stunts
Alessandro Novelli Stunts
Martin Ivanov Stunt Double, Stunts
Rob Hunt Stunts
Jason Hunjan Stunts, Stunt Driver
Alexandra Grekou Stunts
Patrick Folco Stunt Driver
Darix Folco Stunt Driver
Neil Cunningham Stunts
Aris Comninos Stunts
Sayed Cholamie Stunts
Mauro Caterini Stunts
J Bizel Stunts
Teresa Arteaga Stunts
MK12 Main Title Designer
Regina Calvo Costume Assistant
Jeff Taylor Second Assistant Director
Mark Higgins Stunts
Nikki Berwick Stunts
Paul Haggis Screenplay
Neal Purvis Screenplay
Robert Wade Screenplay
Richard Pearson Editor
Debbie McWilliams Casting
Dennis Gassner Production Design
Ian Fleming Novel
Roberto Libertini Stunts
Paul Inglis Art Direction
Marc Forster Director
Neal Callow Standby Art Director
Greg Baldi Additional Photography
Mark Milsome Camera Operator
Simon Jayes Camera Operator
Chas Bain Camera Operator
George Richmond Steadicam Operator, Camera Operator
Peter Burgis Foley Artist
Gary Powell Stunt Coordinator
Patty Boyd Visual Effects Coordinator
Patrick Malone Digital Intermediate
Craig Hosking Aerial Coordinator
Cliff Fleming Pilot
Tim Jordan Animatronics Designer
Alessandro Borgese Stunts
Bruno Verdirosi Stunts
Angelo Ragusa Stunts
Dominic Preece Stunts
Gianluca Petrazzi Stunts
Peter Pedrero Stunts
Lee Morrison Stunts
Stefano Maria Mioni Stunts, Stunt Driver
Peter Miles Stunts
Nick McKinless Stunts
Maurice Lee Stunts
Derek Lea Stunts
Rowley Irlam Stunt Coordinator
Rob Inch Stunts
Bobby Holland Hanton Stunt Double
Clay Donahue Fontenot Stunts
Ben Cooke Stunt Double, Stunts
Marvin Campbell Stunts
Dan Bradley Second Unit Director
David Arnold Original Music Composer
Fergus Clegg Assistant Set Decoration
Mike Prestwood Smith Sound Re-Recording Mixer
Ged Wright Visual Effects Supervisor
Wade Eastwood Stunts
Anna Pinnock Set Decoration
Peter Field Camera Operator
Paul Munro Boom Operator
Eddy Joseph Supervising Sound Editor
Raisa de Alba Production Coordinator
Katherine McCormack Wherry Unit Publicist
Alicia Keys Theme Song Performance
Jack White Theme Song Performance
Chris Corbould Special Effects Supervisor, Special Effects Coordinator
Kai Martin Stunts
Richard Hansen Stunts
Jake De Witt Stunts
Dani Biernat Stunts
Emanuele Romano Stunts
Name Title
Gregg Wilson Associate Producer
Barbara Broccoli Producer
Anthony Waye Executive Producer
Michael G. Wilson Producer
Callum McDougall Executive Producer
Drew Jones Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 77 160 48
2024 5 196 219 142
2024 6 133 212 42
2024 7 59 85 41
2024 8 49 86 31
2024 9 38 48 33
2024 10 53 100 35
2024 11 47 87 31
2024 12 38 50 31
2025 1 35 52 28
2025 2 30 41 7
2025 3 14 41 3
2025 4 6 7 4
2025 5 5 6 4
2025 6 5 7 5
2025 7 5 6 4
2025 8 6 9 5
2025 9 9 12 7
2025 10 7 18 6

Trending Position


Year Month High Avg
2025 10 274 679
Year Month High Avg
2025 9 301 694
Year Month High Avg
2025 8 212 608
Year Month High Avg
2025 7 231 632
Year Month High Avg
2025 6 270 651
Year Month High Avg
2025 5 231 731
Year Month High Avg
2025 4 184 647
Year Month High Avg
2025 3 172 694
Year Month High Avg
2025 2 230 678
Year Month High Avg
2025 1 165 634
Year Month High Avg
2024 12 280 641
Year Month High Avg
2024 11 296 610
Year Month High Avg
2024 10 385 774
Year Month High Avg
2024 9 529 749
Year Month High Avg
2024 8 587 806

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Reviews

Potential Kermode
1.0

**It's a shame that they did this to the Bond films** It's upsetting for Bond fans that Eon productions ran away from the lively, fun formula that sustained the franchise for 40 years. What does it leave us with? Well - this type of Bond film unfortunately. Staggeringly bland and uninteresting. ... If we removed the name Bond from the film we would have no idea that we were watching a Bond movie. It is depressing that they flushed 40 years of fun Bond films down the toilet to satiate people who dislike classic Bond adventures. They reached for a wider audience by going all generic action film to the detriment of the Bond legacy. Who is this unsophisticated, short, blond man in the suit? Unfortunately, _he could be anyone_ - even you or I. Bond is now a lager chugging everyman. Ian Fleming would be furious. No chance of Craig's Bond wearing _a strap on plastic seagull hat_ as Connery did in the classic Goldfinger (1964) - they would not dare make the films that fun and entertaining anymore. It's a shame what they did to the Bond films.

Jun 23, 2021
John Chard
7.0

If we refused to do business with villains, we'd have almost no one to trade with! Quantum of Solace is directed by Marc Forster and written by Paul Haggis, Neil Purvis and Robert Wade, suggested from the stories written by Ian Fleming. It stars Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi ... Dench, Giancarlo Giannini, Gemma Arteton & Jeffrey Wright. It is the 22nd film of the James Bond series. Following on straight from Casino Royale, we find James Bond thirsting for revenge on those he believes responsible for Vesper Lynd's death. Is Quantum Of Solace a great action film? Yes it surely is, is it however a great James Bond picture? Not quite, apparently, given the often venomous reaction to it from some Bond fan quarters. You wonder if Quantum Of Solace is a victim of Casino Royale's soaring success? A film that even surprised the many Daniel Craig haters. Were these internet warriors preying for a bad Bond film purely to further their argument that Craig should not be Bond? Did QOS give them smug satisfaction? Actually no it didn't, the box office and longevity of professional critiques proves this fact. Further viewings of QOS show it to be very astute in the Bond universe, where much of the charges of it not being fun enough etc just do not stick. As for not being Bondian enough? Opening car chase, a pursuit on foot that ends in a quite exhilarating rope dangle punch up, speedboat chaos, aeroplane peril with free-falling! Not Bond enough? Seriously? While it's also great to see Bond active on a motorcycle again. The Casino Royale rebooted and re-suited offering was popular because it had an earthy make over, Daniel Craig's Bond is a fallible human being brimming with egotistical ruggedness. It's much of the same here in Quantum, where he is forced to go rouge, something that again has proved to be an itchy narrative thrust with sections of the Bond faithful. Yet as serious as he is, driven by pangs of annoyance, revenge and unanswered questions, Bond does have time to lay out a quip, there is some fun stuff their, honestly, Mother. Personally I enjoy the dark half of this Bond, "I don't have any friends", he wouldn't care", and "how many is that now?", these are moments nearly as good as the interwoven opera blood bath and Bond drinking away his demons with 6 high velocity cocktails. Then there is Craig. Ah, Craig, Daniel Craig, again perfect in the tux and kicking arse with streetwise credibility, each scar on his nicely formed body a testament to this new rugged Bond of the people. That he rises above a relatively muddling script is testament to not only his acting ability, but also his new found acceptance in this most iconic of cinematic roles amongst the British institution that is James Bond. The rest of the cast are a mixed bunch, Jeffrey Wright & Giancarlo Giannini are again merely making up the numbers, though the last gets to give Bond one of the film's darkest and cold inducing moments. Judi Dench of course does her usual solid M performance, swearing and growing the balls she hinted at previously, while Olga Kurylenko is very much a sparky Bond girl to savour; even if the sub-plot involving her almost feels like it was shoe-horned into the script as an added extra. Elsewhere there are problems. Casino Royale, had on the surface a weak villain, a man merely playing cards to pay off a more evil source, but he was effective. Sadly here in the Quantam universe the main villain is a hindrance to the picture. Mathieu Amalric's Dominic Greene does a good line in smarmy, but he's so weak the film nearly crumbles under the weight of his banality. The people at the house of Bond need to realise that little fish villains are only OK if we get the big daddy shark showing his/her face later in proceedings, for if this trend continues I fear the franchise could well lose the edge so well built up in Royale, and Gemma Arteton is pretty, but pretty ineffective. The locations are sumptuous, mind, and the sets are Bondian delights, with the title sequence certainly hitting the spot in spite of the quite dreadful Jack Black and Alcia Keys' theme song that accompanies the sequence. A homage to a former great Bond film sequence is respectful but a touch lazy, but QOS still overcomes its failings to be up above many action pictures of the last decade; this in spite of it being very slim line at an hour and 45 in length. Crucially, though, it pulses with Bond aggression and egotistical nous, just as Fleming wanted it. But this only comes out with further viewings... Skyfall will be the next venture for Bond, regardless of quality we know that it will fail to appease every Bond fan on the planet. That's just the way it is with the series, so many want so many different things from their Bond. But I feel this is a good period for Bond, they do have the right man wearing the tux and as a character he is well tuned into the times, both politically and cinematically, it's now up to the makers to fuse the two and deliver a film to fully realise the rebooted franchise's potential and maybe, just maybe, win the dissenters' trust. 7/10

May 16, 2024
DanDare
7.0

Quantum of Solace had to follow Casino Royale which rebooted the Bond franchise with critics as well as with some of the public with a youthful, angry Bond. Quantum of Solace starts 20 minutes after the events of Casino Royale with a fast edited but choppy car chase sequence. This is the first hi ... nt that Bond is following the Bourne films as co-editor Richard Pearson previously edited one of the Bourne films. This also highlights director's Marc Forster inexperience in making action films as many of the action sequences are hard to follow because of the way it has been edited. The film was also hampered by the 2008 writer's strike. This meant that film went into production without a full working script which also meant that the director and even Daniel Craig allegedly wrote scenes for the film. It might explain the short running time. The film unveils Quantum as a shady organisation with tentacles everywhere even in the heart of the British security services. The setting in Bolivia with disputes about water gives the film a political edge with a cynical look at corporations making dicey alliances with dictatorships to mutually exploit the people and plunder resources. Forster gives the film some intriguing set pieces such the opera scene which is the meeting point for Quantum operatives which Bond infiltrates. The short running time means the film is not overblown but with Craig at the helm it is kept lean and mean.

Jun 23, 2021
JPV852
7.0

Probably liked this a bit more than the last time I saw this ('08 or '09) but still a sizable step down from Casino Royale, although I do appreciate that this is a direct sequel (whereas it seems most Bond movies are standalone). The plot isn't the best nor is the villain, albeit Mathieu Amalric doe ... s have the creep-factor going for him. The action sequences are good but not enough quieter moments. Plus, the (kind of) twist at the end regarding Vesper really cheapened that character, having her being duped like that, seems out of character given how perceptive she was with Bond. In any case, still a solid enough movie as a whole and I absolutely love Olga Kuryenko, shame she never really took off. **3.25/5**

Jun 23, 2021
Wuchak
6.0

_**Decent Bond flick marred by ridiculous quick-editing**_ Bond seeks justice for the death of his woman in the previous film as well as those responsible for an assassination attempt on M (Judi Dench). The trail leads from mountainous northern Italy to the rooftops of Siena, Italy, to London to ... Haiti and finally to the secluded desert of Bolivia and Dominic Greene (Mathieu Amalric), a world-renowned developer of green technology. Greene is intent on securing a barren area of Bolivia in exchange for assisting General Medrano stage a coup there (Joaquín Cosio). Since the CIA looks the other way, only 007 stands in Greene's way with assistance from a retired spy and two formidable beauties (Olga Kurylenko and Gemma Arterton). M wonders if she can trust Bond or if his need for vengeance has corrupted him. Released in 2008, "Quantum of Solace" is the second of five Bond films with Daniel Craig as Agent 007. Craig makes for a unique James Bond and I appreciate the serious vibe of his installments. The problem with "Quantum of Solace," the 23nd Bond film (if you count 1983's non-Eon "Never Say Never Again"), is the rapid-fire editing during the action scenes. Take, for instance, the opening chase-sequence that takes place on the tollway that leads through mountain tunnels from Nice through Monte Carlo and down to Portofino in Italy. It's a spectacularly scenic area. Unfortunately you won't see much of it here, just quick flashes; more importantly, you'll hardly understand what's going on due to the moronic fast editing. The camera switches about 3 or 4 times per second! I'm sure the filmmakers think such quick angle changes convey energy, but when it's done this fast all it does is confuse, disorient and ANNOY the viewer. It wouldn't be so bad if this was the only sequence like this but, no, after Bond's initial meeting with M (Judi Dench) there's another ridiculous rapid-fire action scene. The filmmakers need to get a grip that James Bond is not a mindless action hero. He's too smart for that; he's the ultimate 'cool' attitude. Violence for him is an irritation resorted to only when necessary. He exists for the mental play, the checkmate and, later, the martini, shaken, not stirred; the beautiful woman too, of course. The only way the average viewer can successfully make it past the 25-minute mark of "Quantum of Solace" and enjoy the movie is if s/he drinks a pot of heavily-caffeinated coffee beforehand. If you do this it's an entertaining Bond picture with some effective sequences, like when Bond and Camille find themselves stuck in the remote desert after surviving a thrilling aerial combat, plus Olga (Camille) and Gemma (Strawberry Fields) are top-of-the-line, but the annoying quick-editing in the action scenes heavily mars the flick and prevents it from being in the top tier of the franchise. The film runs 1 hour, 46 minutes, and was shot in England, Italy, Austria, Spain, Panama (standing in for Haiti), Chili (the Atacama Desert) and Baja California (the last two standing in for Bolivia). GRADE: C+/B-

Jun 23, 2021
msbreviews
3.0

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/quantum-of-solace-spoiler-free-review "Quantum of Solace is one of the biggest disappointments of the respective decade, holding a titanic drop in quality compared to its predecessor. Daniel Craig's dedicated performance isn't en ... ough to save an over-violent James Bond flick, packed with terribly handled action sequences - shaky cam and quick cuts may be the worst technical combo in cinema - and an uninspiring, utterly boring narrative. Both the villain and the new Bond girls return to being easily forgettable cliches. Despite boasting the shortest runtime of the entire franchise, I couldn't wait for this unexpectedly poor sequel to reach its underwhelming ending. A stain that the next installment would fortunately clean…" Rating: D

Sep 27, 2021
Geronimo1967
6.0

Whilst there is certainly loads of action in this rather procedural outing for "James Bond" (a rather uncharismatic Daniel Craig) there is a real dearth of a substantial story. Picking up from "Casino Royale" (2006), this film sees our super-spy capture elusive "Mr White" (Jesper Christiansen) only ... to have him escape in the most treacherous of fashions - putting all in MI6 at risk. Pretty quickly, "007" is on the trail of the ostensibly benign millionaire "Greene" (Mathieu Amalric) and as the escapades gather pace we realise that the industrialist has a cunning plan to manipulate a crime consortium of global proportions; to take over the government of Bolivia and to control the ebb and flow of one of that nation's most crucial resources. Thing is, though, that this is all just too weak. The story is just lacklustre and undercooked. The efforts of the baddies - Amalric, Anatole Taubman as henchman "Elvis" and a straight-from-central-casting Joaquín Cosio as the scheming "Gen. Medrano" just to don't create any sense of menace or peril. Far too much time is spent swinging from scaffolding, or trashing a rather impressive set for a performance of "Tosca" rather than creating a solid story with twists and turns. Again, the character of "M" (Dame Judi Dench) has much more of a role, and sacrilegious as it may be, she just isn't very good at it. She seemed to be wearing the same clothes for most of her scenes, too! The dialogue is rather dry, no fun innuendo or double-entendre and though quite spunky, Olga Kurylenko is no natural as "Camille", a girl with an axe to grind (ideally into the general's skull). It ends a bit like "Licence to Kill" (1989) and, indeed, is all just a bit too much of an hybrid of the other films to offer much by way of distinction. Good to see an Aston Martin back on screen, but otherwise this rather curiously titled film offers very little to write home about.

Sep 17, 2022
jw
5.0

I'll make it quick. I watched this movie, and after some while I realised, I had seen this one before. It's so forgettable, you can skip it without loss. Expect disappointment if you do watch it. It's just a run-off-the-mill action flick, basically. ...

Oct 13, 2022
GenerationofSwine
1.0

Well, I loved the theme song, I honestly thought it didn't fit well with the Bond franchise (like the theme of The Living Daylights) but over all I really liked it as a rock song. And Olga Kurylenko I thought was a great Bond girl, plus they brought back Jeffrey Wright as Felix (and it's a reboot ... so it's OK he has his legs) but it was nice seeing the same person play Felix twice in a row wasn't it? But Q, M, and Moneypenny were conspicuously absent weren't they? The plot was pretty convoluted (even for a Craig Era Bond) the action was super choppy because in 08 we were moving into that choppy means action trope that never should have been, and overall the movie stank. Plus, this is the first time we really got to see Craig's Bond who hates being Bond character come front and center and, honestly, that is the worst way to play Bond.

Jan 11, 2023
mooney240
8.0

**High expectations harmed Quantum of Solace's reputation from the get-go but considering this film as the end of Casino Royale allows it to shine.** Many find Quantum of Solace a disappointing entry in the Daniel Craig Bond era, but I beg to differ. When viewed as a stand-alone film, I can under ... stand frustrations with a meager storyline. But when considered the conclusion of Casino Royale, this movie becomes much better. Casino Royale ends with Bond suffering a significant loss, and Quantum allows him to take revenge. Bond is still grappling with a broken heart and is less interested in the standard Bond romantic escapades than usual. In fact, the main Bond girl of the movie is more of a partner in the film than a romantic prospect. The opening fight sequence, the action, the stunts, and the locations are some of the franchise's best. The expectations following Casino Royale were so high that Quantum of Solace never stood a chance (much like Spectre following Skyfall), but when Quantum is coupled with Casino Royale, more depth and development are added to both films.

Feb 10, 2023
drystyx
3.0

Try not to fall asleep while watching this movie. This movie is as dull as the title, so it has that going for it. It's "true" advertising. This one sort of takes over where Casino Royale left off. Bond does more detective work than action in this one. Well, that's okay. At least we aren't overly ... depressed. We just fall asleep. 007 wants revenge, and it appears that this movie tries to be an "anti revenge" movie, but it flails too much to do that.

Apr 17, 2023
2_Fast-22
7.0

A film that is hated by the random but is one I like. ...

Nov 23, 2024