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Back to the Future

He was never in time for his classes... He wasn't in time for his dinner... Then one day... he wasn't in his time at all.
1985 | 116m | English

(1409523 votes)

TMDb IMDb

Popularity: 21 (history)

Details

Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.
Release Date: Jul 03, 1985
Director: Robert Zemeckis
Writer: Robert Zemeckis, Bob Gale
Genres: Comedy, Adventure, Science Fiction
Keywords clock tower, flying car, car race, lightning, guitar, inventor, journey in the past, invention, time travel, race against time, bullying, love, mad scientist, fish out of water, terrorism, teenage love, destiny, hidden identity, teenage life, changing the past or future, 1950s, suspenseful, admiring
Production Companies Universal Pictures, Amblin Entertainment
Box Office Revenue: $381,109,762
Budget: $19,000,000
Updates Updated: Sep 23, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Michael J. Fox Marty McFly
Christopher Lloyd Emmett Brown
Crispin Glover George McFly
Lea Thompson Lorraine Baines
Claudia Wells Jennifer Parker
Thomas F. Wilson Biff Tannen
Marc McClure Dave McFly
Wendie Jo Sperber Linda McFly
George DiCenzo Sam Baines
Frances Lee McCain Stella Baines
James Tolkan Mr. Strickland
J.J. Cohen Skinhead
Casey Siemaszko 3-D
Billy Zane Match
Harry Waters, Jr. Marvin Berry
Donald Fullilove Goldie Wilson
Lisa Freeman Babs
Cristen Kauffman Betty
Elsa Raven Clocktower Lady
Will Hare Pa Peabody
Ivy Bethune Ma Peabody
Jason Marin Sherman Peabody
Katherine Britton Peabody Daughter
Jason Hervey Milton Baines
Maia Brewton Sally Baines
Courtney Gains Dixon
Richard L. Duran Terrorist
Jeff O'Haco Terrorist Van Driver
Johnny Green Scooter Kid #1
Jamie Abbott Scooter Kid #2
Norman Alden Lou
Read Morgan Cop
Sachi Parker Bystander #1
Robert Krantz Bystander #2
Gary Riley Guy #1
Karen Petrasek Girl #1
George Buck Flower Bum
Tommy Thomas Starlighter
Granville 'Danny' Young Starlighter
David Harold Brown Starlighter
Lloyd L. Tolbert Starlighter
Paul Hanson Pinhead
Lee Brownfield Pinhead
Robert DeLapp Pinhead
Tony Pope 1985 Radio Announcer (voice) (uncredited)
Charles L. Campbell 1955 Radio Announcer (voice) (uncredited)
Huey Lewis High School Band Audition Judge (uncredited)
Hal Gausman Mayor Red Thomas (uncredited)
Deborah Harmon TV Newscaster (uncredited)
Arthur Tovey Wilbur (uncredited)
Tom Tangen Student (uncredited)
Tom Willett Pedestrian in Town Square (uncredited)
Name Job
Robert Zemeckis Director, Writer
Alan Silvestri Original Music Composer, Conductor
Dean Cundey Director of Photography
Arthur Schmidt Editor
Mike Fenton Casting
Bob Gale Writer
Todd Hallowell Art Direction
Deborah L. Scott Costume Design
Charles L. Campbell Supervising Sound Editor
Walter Scott Stunt Coordinator
John Roesch Foley
Gary A. Hecker Foley Artist
Charles Croughwell Stunt Double
Bob Yerkes Stunts
Spiro Razatos Stunts
Bernie Pock Stunts
Max Kleven Stunts
Loren Janes Stunts
Huey Lewis Songs
Kenneth Karman Music Editor
Frank Marshall Second Unit Director
Harry Keramidas Editor
Lawrence G. Paull Production Design
Judy Taylor Casting
Jane Feinberg Casting
Ken Chase Makeup Artist
Hal Gausman Set Decoration
Dorothy Byrne Hairstylist
Robert R. Rutledge Supervising Sound Editor
Ralph Nelson Jr. Still Photographer
Barbara Palmer Dixon Assistant Editor
Raymond Stella Camera Operator
Bones Howe Music Supervisor
Clyde E. Bryan First Assistant Camera
John A. Larsen Sound Editor
Arthur F. Repola Post Production Supervisor
Brian Callahan Costume Supervisor
Robert Iannaccone Costume Supervisor
Julie Starr Dresner Set Costumer, Key Costumer
Elizabeth Rabe Hairstylist
Jack Grossberg Unit Production Manager
Alan L. Nineberg ADR Editor
Leanne Moore Production Accountant
Brad Jeffries Choreographer
Lawrence Jordan Assistant Sound Editor
Ernest Depew Construction Coordinator
John Feinblatt Transportation Coordinator
Takeo Ogawa Sound Designer
Kevin Pike Special Effects Supervisor
Laurie Vermont Production Coordinator
Tim Stadler Painter
Gregory Dultz Driver
Albert Hood Electrician
Cameron Birnie Set Designer
Ramon Pahoyo Craft Service
Bonne Radford Production Controller
Ellen Lichtwardt Goodchild Visual Effects
Al Gaynor Scenic Artist
Paul Pav Location Manager
William B. Kaplan Production Sound Mixer
Charlie Mullen Animation Supervisor
David McGiffert First Assistant Director
Ronald Woodward Key Grip
James B. Campbell Orchestrator
Dick Lasley Production Illustrator
John Zemansky Property Master
Earl Sampson Boom Operator
Dic Alexander Grip
Marsha Robertson Unit Publicist
Haleen K. Holt Costume Illustrator
Sonny Pettijohn Apprentice Sound Editor
Steve Tate Second Assistant Camera
Ted Moehnke Pyrotechnician
Warren Franklin General Manager
Joe Pfaltzgraf Assistant Property Master
Larry Singer Supervising ADR Editor
Robert R. Draney Assistant Accountant
Donna K. Baker Rotoscoping Artist
Nina Saxon Title Designer
Mark Walthour Chief Lighting Technician
Darcy Vebber Utility Sound
Ray Gilberti Assistant Camera
Dan Cooper Best Boy Grip
Rob Stevens Assistant Production Coordinator
Thomas Marshall Assistant Chief Lighting Technician
Dennis E. Jones Unit Production Manager
Greg Orloff Foley Mixer
Michael Moore Assistant Editor
Richard Babin Dolly Grip
Donah Bassett Negative Cutter
Alexander Xavier Ponce-Bonano Scientific Consultant
Wes Takahashi Animation Supervisor
Phillip Norwood Visual Effects Art Director
Per Welinder Stunts
Robert Schmelzer Stunts
Jimmy Corona Rooney Stunts
Richard E. Butler Stunts
Pamela M. Eilerson Second Assistant Director
John-Clay Scott Stunts
Terry Haggar Color Timer
S.V. Henson, Jr. Security
Drew Struzan Art Designer
Name Title
Bob Gale Producer
Neil Canton Producer
Kathleen Kennedy Executive Producer
Steven Spielberg Executive Producer
Frank Marshall Executive Producer
Organization Category Person
Golden Globes Best Supporting Actor Christopher Lloyd Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 88 121 76
2024 5 114 132 95
2024 6 111 158 76
2024 7 106 149 76
2024 8 91 162 58
2024 9 78 123 65
2024 10 92 141 59
2024 11 98 177 67
2024 12 78 114 64
2025 1 82 101 68
2025 2 69 111 12
2025 3 28 86 4
2025 4 15 18 13
2025 5 17 27 14
2025 6 15 17 12
2025 7 15 23 10
2025 8 14 18 11
2025 9 16 27 11
2025 10 20 40 14

Trending Position


Year Month High Avg
2025 10 31 75
Year Month High Avg
2025 9 26 81
Year Month High Avg
2025 8 25 176
Year Month High Avg
2025 7 40 182
Year Month High Avg
2025 6 50 232
Year Month High Avg
2025 5 383 588
Year Month High Avg
2025 4 247 530
Year Month High Avg
2025 3 45 178
Year Month High Avg
2025 2 65 170
Year Month High Avg
2025 1 33 131
Year Month High Avg
2024 12 60 150
Year Month High Avg
2024 11 45 133
Year Month High Avg
2024 10 74 142
Year Month High Avg
2024 9 694 819
Year Month High Avg
2024 8 662 877

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Reviews

IanBeale
8.0

**Entertaining** A man goes back in time to save his mother - or something like that anyway - I was too entertained to fully grasp what was going on. Seriously, this film moves so fast that you will find yourself having to try your hardest to keep up with it. Great movie. Great soundtrack. Gr ... eat performances. A shame that the sequels did not live up to this one. - Ian Beale

Jun 23, 2021
John Chard
10.0

Earth Angel And The Nuclear DeLorean. It's 1984 and director Robert Zemeckis, fresh from the success of Romancing The Stone, is trying to film Back To the Future - a film about a young teenager called Marty McFly who is accidentally sent back in time to 1955 and inadvertently risks the future of ... his family. Zemeckis is troubled by his leading man, Eric Stoltz, who just isn't capturing the youthful teenager exuberance that he wants for Marty McFly. Stoltz is jettisoned and in comes Michael J. Fox who was busy wowing audiences in the hugely popular sit-com Family Ties. Fox had been first choice anyway but couldn't get a release slot from shooting with Family Ties. Luckily the wasted time with Stoltz created an opening for Fox to play Marty McFly as well as work on the show - the result of which would turn out to be one of the most beloved fantasy trilogies of the modern era. It's honestly hard to find anyone who seriously doesn't like Back To The Future part one. The second one has its critics, because, lets face it, it's a bridge between two better films, while the third film loses some people because of its Western themed plot (the heathens that they are). Yet really this trilogy opener is as near perfect cinema for all the family as you could wish to view. It's a water tight script from Zemeckis and Bob Gale that not only encompasses witty time travel paradoxes, but also dares to be dramatic into the bargain. The first 15 minutes contains a real shocker that is as cheeky as it bold, something that really gives Marty's 1955 quest a real urgency that the audience can buy into as the comedy relief then comes in spades. The set pieces are first rate - hello skateboard - hello rock "n" roll 101, and the makers have fun in winking towards other notable sci-fi pictures along the way. Hell they even manage to deal in an Oedipal strand that is tasteful, handled superbly and garners guffaws aplenty. No mean feat that last one actually. Alan Silvestri provides a whirring & pleasing score and the theme song, The Power Of Love, by Huey Lewis & The News, is infectiously enjoyable. Finally it's the cast that seal the deal for why this is as good as it gets for fantasy escapist cinema. Fox, Christopher Lloyd, Lea Thompson, Thomas F. Wilson & Crispin Glover are the perfect quintet, each feeding off each other and doing justice to the excellently constructed story. Made for $19 million, Back To The Future went on to make a worldwide gross of over $381 million, and those are the kind of figures you really can't argue with. It's snappy, happy and down right funny, so really, if you don't like Back To The Future then seek medical help immediately. 10/10

May 16, 2024
ThePeruvianPost
9.0

"Robert Zemeckis remains the beating heart of modern science-fiction films" The first time I have ever redacted a critic was down in 2015, since then, I learned how impressive productions could change lives and start movements throughout the world. Back To The Future represents one of those films ... , such a powerful, inspirational, comical, heartwarming, and innovative one. Probably, McFly and Doc Brown proffer the best duo-interaction I have ever beheld in an 80s film (which, happily, could end up being top-notch of all time). There are almost no blunders to be found because the flick essentially represents an instant classic of cinematic history as if to say, pure perfection. From this moment on, you might be thinking about the reason of having assessed the film as absolute perfection score. First and foremost, we discuss relating to breaking formulas and experiencing new paths, in other words, means opening new cinematic genres and improving them, that is to say, films which leave a significant legacy. Back To The Future follows the proper steps to provide that brand-new feature we were all hoping. Secondly, we balance the film's highest moments and ordinary moments with humour, some 50's nostalgia, some drama and (even) some action moments which results in a win-win the film provides a mixture of genres carefully well-managed and accurately-needed. Third, if the goal is the production of an instant classic, we will need to focus on the cast, because they are the ones who will perform during the whole film, they embody the heroes and villains; therefore, they become fundamental. Michael J. Fox and Christopher Lloyd are the film's core, as excellent as Vince Vaughn-Owen Wilson's 2005 Wedding Crashers, I daresay. Finally, but not least, the soundtrack and the environment, in spite of ending up being complementary, provides not only a trusting reality but an opportunity to show the audience the plot's main incidents. During the display, we will notice the most recurrent spots are the 80's and 50's at school, at traditional coffee shops and the streets, not forgetting the excellent pop-culture references introduced. The audience ought to congratulate Robert Zemeckis' mind and, also, the crucial support of his staff (one of whom was Steve Spielberg) owing to this masterpiece. The montage is proof that everyone who has an incredible imagination is capable of creating chef-d'oeuvres, delivering the audience such an extraordinary time. What is more exhilarating is the fact that then-president Ronald Reagan loved the film to the point that he used famous BTTF quotes, for example, during his 1986 State of Union Adress. What an achievement ladies and gentlemen! (90/100)

Jun 23, 2021
JPV852
9.0

Not sure how many times I've seen this (first time was on VHS ~1986 or 87 I think) but still an incredibly fun sci-fi comedy with Fox and Lloyd working perfectly off one another. Holds up so well each and every time I re-visit. **4.5/5** ...

Jun 23, 2021
SoSmooth1982
6.0

Everyone who's ever seen this movie loves it. We all wish we could go back in time. I know I do. ...

Apr 22, 2023
Arcanum101
8.0

A quintasential '80s movie. A time-jumping rollercoaster ride everyone will enjoy getting on board. ...

May 21, 2023
hamfaceman
9.0

The first time I saw this movie I was 6 or 7 years old and my friend had it on VHS and since then I can't count the number of times I have seen it. Such a fun time travel adventure movie. ...

Jan 05, 2024