Popularity: 13 (history)
Director: | Andrew Stanton |
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Writer: | Andrew Stanton, Pete Docter, Jim Reardon |
Staring: |
What if mankind had to leave Earth and somebody forgot to turn the last robot off? After hundreds of years doing what he was built for, WALL•E discovers a new purpose in life when he meets a sleek search robot named EVE. EVE comes to realize that WALL•E has inadvertently stumbled upon the key to the planet's future, and races back to space to report to the humans. Meanwhile, WALL•E chases EVE across the galaxy and sets into motion one of the most imaginative adventures ever brought to the big screen. | |
Release Date: | Jun 22, 2008 |
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Director: | Andrew Stanton |
Writer: | Andrew Stanton, Pete Docter, Jim Reardon |
Genres: | Animation, Family, Science Fiction |
Keywords | garbage, space travel, dystopia, loneliness, distant future, robot, aftercreditsstinger, duringcreditsstinger |
Production Companies | Walt Disney Pictures, Pixar |
Box Office |
Revenue: $521,311,860
Budget: $180,000,000 |
Updates |
Updated: Aug 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Ben Burtt | WALL·E / M-O (voice) |
Elissa Knight | EVE (voice) |
Jeff Garlin | Captain (voice) |
Fred Willard | Shelby Forthright, BnL CEO |
John Ratzenberger | John (voice) |
Kathy Najimy | Mary (voice) |
Sigourney Weaver | Ship's Computer (voice) |
Lori Alan | Additional Voices (voice) |
Bob Bergen | Additional Voices (voice) |
John Cygan | Additional Voices (voice) |
Pete Docter | Additional Voices (voice) |
Paul Eiding | Additional Voices (voice) |
Donald Fullilove | Additional Voices (voice) |
Teresa Ganzel | Additional Voices (voice) |
Jess Harnell | Additional Voices (voice) |
Sherry Lynn | Additional Voices (voice) |
Mickie McGowan | Additional Voices (voice) |
Laraine Newman | Additional Voices (voice) |
Teddy Newton | Additional Voices (voice) |
Jeff Pidgeon | Additional Voices (voice) |
Jan Rabson | Additional Voices (voice) |
Lori Richardson | Additional Voices (voice) |
Andrew Stanton | Additional Voices (voice) |
Jim Ward | Additional Voices (voice) |
Colette Whitaker | Additional Voices (voice) |
Kim Kopf | Hoverchair Mother (uncredited) |
Angus MacLane | BURN-E (voice) (uncredited) |
Niki McElroy | Pool Mother (uncredited) |
Garrett Palmer | Blond Boy in Commercial (uncredited) |
Name | Job |
---|---|
Bert Berry | Art Direction |
David Fincher | Thanks |
Steve Jobs | Thanks |
Derek Thompson | Storyboard Artist |
Andrew Stanton | Story, Director, Screenplay |
Ben Burtt | Sound Re-Recording Mixer, Sound Designer, Supervising Sound Editor |
Pete Docter | Story |
Thomas Newman | Original Music Composer |
Jim Reardon | Screenplay |
Stephen Schaffer | Editor |
Ralph Eggleston | Production Design |
Leslie Iwerks | Thanks |
Harris Savides | Thanks |
Alan Barillaro | Supervising Animator |
Tom Myers | Sound Re-Recording Mixer |
Tom MacDougall | Music Supervisor |
Mickie McGowan | Casting |
Danielle Feinberg | Director of Photography |
Adam Burke | Animation |
Robert Kondo | Art Direction |
Steve Slanec | ADR Editor |
Al Nelson | Sound Effects Editor |
Matthew Wood | Supervising Sound Editor |
Carlos Baena | Animation |
Everett Downing Jr. | Animation |
Kureha Yokoo | Animation |
George Hull | Visual Development |
Kevin Reher | Casting |
Doc Kane | ADR & Dubbing |
J.A.C. Redford | Orchestrator |
Louis Clichy | Animation |
Michael Semanick | Sound Re-Recording Mixer |
Greg Hyman | Visual Effects Editor |
Natalie Lyon | Casting |
Karen Bradley | Makeup Artist |
Andrea Warren | Production Manager |
Kim Marks | Thanks |
Andrew Jimenez | Visual Effects |
Terry Claborn | Color Timer |
Paul Cichocki | Post Production Supervisor |
Simon Allen | Animation |
Rodrigo Blaas | Animation |
Ellen Moon Lee | Art Direction |
Bob Whitehill | Animation |
Doug Nichols | Editorial Manager |
Nelson 'Rey' Bohol | Set Designer |
Larry Hopkins | Sound Mixer |
Renee Steen | Assistant Editor |
Jason Bickerstaff | Modeling |
Dustin Cawood | Sound Effects Editor |
Gretchen Davis | Makeup Artist |
John Hazelton | Projection |
Derek Williams | Set Dressing Artist |
E.J. Holowicki | Sound Designer |
Kevin Rose-Williams | Assistant Editor |
Gillian Libbert | Line Producer |
Andrew Cadelago | Layout |
Mark Dinicola | Camera Operator |
Tim Best | Master Lighting Artist |
Jim Passon | Color Timer |
Mark Anderson | Thanks |
Justin Wright | In Memory Of |
Jonathan Hadden | Systems Administrators & Support |
Catherine Kelly | Title Designer |
Orlando Orona | Dolly Grip |
Steve Cardellini | Key Grip |
Cynthia Slavens | Post Production Supervisor |
Silvia Palara | Software Engineer |
Kyle Ranson-Walsh | Lighting Coordinator, Script Coordinator |
Noelle P. Case | Editorial Manager |
Anthony J. Greenberg | First Assistant Editor |
Frank Strzalkowski | Gaffer |
Dale Ruffolo | Lighting Artist |
Andrew Pienaar | Master Lighting Artist |
Becky Neiman | Production Coordinator |
Stacy Bissell | Production Coordinator |
Kevin Wallace | Production Manager |
Richmond Horine | Unit Manager |
Thomas Vicari | Scoring Mixer |
Amber Rudolph | Animation |
Jaime Landes Roe | Animation |
Kristoff Vergne | Animation |
Sarah Mercey-Boose | Animation |
Steve Mason | Animation |
Michael Van Eps | Roto Supervisor |
Christopher James Hall | VFX Supervisor |
Edward Hirsh | VFX Supervisor |
Richard E. Hollander | VFX Supervisor |
Jeanmarie King | Visual Effects Producer |
Noah Klocek | Set Designer |
Sophie Vincelette | Set Dresser |
Alison Leaf | Set Dressing Artist |
Luigi Passalacqua | Craft Service |
Samantha Wilson | Craft Service |
Chris Montan | Executive Music Producer |
Erik Forman | Information Systems Manager |
Freesia Pearson | Post Production Assistant |
Daniel Holland | Production Artist |
Axel Geddes | Second Film Editor |
Kiril Vidimce | Software Engineer |
Michael Chann | Software Engineer |
Alden Chew | Software Engineer |
Hayley Iben | Software Engineer |
Ben Jordan | Software Engineer |
Ryan Kautzman | Software Engineer |
Jason Kim | Software Engineer |
Josh Minor | Software Engineer |
Cory Omand | Software Engineer |
Steven Clay Hunter | Supervising Animator |
Nigel Hardwidge | Supervising Technical Director |
Lars R. Damerow | Systems Administrators & Support |
James G. Dashe | Systems Administrators & Support |
Ross Dickinson | Systems Administrators & Support |
Tyler Fazakerley | Systems Administrators & Support |
Remy Galang | Systems Administrators & Support |
James Handelin | Systems Administrators & Support |
Ling Hsu | Systems Administrators & Support |
Jason 'Jayfish' Hull | Systems Administrators & Support |
Jose Ignacio | Systems Administrators & Support |
Chris Lasell | Systems Administrators & Support |
Marty Lew | Systems Administrators & Support |
Matthew Lindahl | Systems Administrators & Support |
BoB 'Naked BoB' Morgan | Systems Administrators & Support |
Will Phan | Systems Administrators & Support |
Auburn C. 'Aubie' Schmidt | Systems Administrators & Support |
Nelson Siu | Systems Administrators & Support |
David Sotnick | Systems Administrators & Support |
Mike Sundy | Systems Administrators & Support |
Andy Thomas | Systems Administrators & Support |
Jay Weiland | Systems Administrators & Support |
Ian Westcott | Systems Administrators & Support |
Janette Nielsen | Assistant Director |
Diego Garzon | Script Supervisor |
Kevin Nolting | Additional Editing |
Tessa Swigart | Assistant Editor |
Jason Hudak | Associate Editor |
Nicholas C. Smith | Associate Editor |
Colin Bohrer | Editorial Manager |
Jess Fulton | Editorial Production Assistant |
Charu Clark | Lighting Artist |
Afonso Salcedo | Lighting Artist |
Julien Schreyer | Lighting Artist |
David Shavers | Lighting Artist |
Eunkyoung Lee Swearingen | Lighting Artist |
Jeremy Vickery | Lighting Artist |
Lloyd Bernberg | Master Lighting Artist |
Brian Boyd | Master Lighting Artist |
Luke Martorelli | Master Lighting Artist |
Marc Sondheimer | Production Accountant |
Zoe Boxer | Production Coordinator |
Susan Frank | Production Coordinator |
Eric Rosales | Production Coordinator |
Joshua Hollander | Production Manager |
Vince Caro | ADR & Dubbing |
Frank Rinella | Foley |
Dennie Thorpe | Foley |
Jana Vance | Foley |
Kevin Sellers | Foley Editor |
Charles Paley | Music Editor |
Kevin Connolly | Musician |
Carl Johnson | Orchestrator |
Thomas Pasatieri | Orchestrator |
Gary K. Thomas | Orchestrator |
Teresa Eckton | Sound Effects Editor |
Shaun Chacko | Animation |
Brett Coderre | Animation |
Jonathen Collins | Animation |
Don Crum | Animation |
Patrick Delage | Animation |
Doug Frankel | Animation |
Guilherme Sauerbronn Jacinto | Animation |
Nancy Kato | Animation |
Patty Kihm Stevenson | Animation |
Ken Kim | Animation |
Bruce Kuei | Animation |
Holger Leihe | Animation |
Austin Madison | Animation |
Michal Makarewicz | Animation |
Paul Mendoza | Animation |
Victor Navone | Animation |
Dan Nguyen | Animation |
Nickolas Rosario | Animation |
Brett Schulz | Animation |
Bob Scott | Animation |
Raphael Suter | Animation |
Rob Duquette Thompson | Animation |
Jean-Claude Tran | Animation |
Ian White | Animation |
Ron Zorman | Animation |
David Park | Animation Department Coordinator |
Sarita White | Animation Department Coordinator |
Chris Chua | Fix Animator |
Curran W. Giddens | Fix Animator |
Tom Zach | Fix Animator |
Brian Christian | Modeling |
John Duncan | Modeling |
Evan Pontoriero | Modeling |
Gary Schultz | Modeling |
Marc Cooper | Shading |
Laura Phillips | Shading |
Juan J. Buhler | VFX Artist |
Tolga Goktekin | VFX Artist |
Chris King | VFX Artist |
Mach Tony Kobayashi | VFX Artist |
Bruce Zick | Visual Development |
Nathan Matsuda | Visual Effects |
Tony Sereno | Sound Mix Technician |
Craig Foster | Graphic Designer |
Kevin O'Brien | Storyboard Artist |
Jeanie King | Visual Effects Producer |
Jason Deamer | Art Direction |
James S. Baker | Storyboard Artist, Conceptual Design |
Martin Rosenberg | Director of Photography |
Jeremy Lasky | Director of Photography |
Susan Bradley | Title Designer |
Juan Peralta | Foley Editor |
Name | Title |
---|---|
Jim Morris | Producer |
Lindsey Collins | Producer |
Thomas Porter | Executive Producer |
John Lasseter | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 98 | 122 | 74 |
2024 | 5 | 97 | 155 | 80 |
2024 | 6 | 100 | 155 | 79 |
2024 | 7 | 99 | 147 | 77 |
2024 | 8 | 98 | 142 | 73 |
2024 | 9 | 77 | 94 | 65 |
2024 | 10 | 109 | 234 | 64 |
2024 | 11 | 88 | 148 | 69 |
2024 | 12 | 85 | 124 | 68 |
2025 | 1 | 88 | 112 | 70 |
2025 | 2 | 76 | 101 | 14 |
2025 | 3 | 27 | 88 | 4 |
2025 | 4 | 16 | 19 | 13 |
2025 | 5 | 14 | 16 | 13 |
2025 | 6 | 13 | 16 | 11 |
2025 | 7 | 14 | 16 | 11 |
2025 | 8 | 12 | 15 | 11 |
2025 | 9 | 14 | 18 | 10 |
2025 | 10 | 13 | 14 | 12 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 174 | 452 |
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2025 | 9 | 90 | 361 |
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2025 | 8 | 130 | 524 |
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2025 | 7 | 112 | 383 |
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2025 | 6 | 138 | 393 |
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2025 | 5 | 110 | 486 |
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2025 | 4 | 151 | 507 |
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2025 | 3 | 51 | 403 |
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2025 | 2 | 90 | 306 |
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2025 | 1 | 95 | 309 |
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2024 | 12 | 127 | 351 |
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2024 | 11 | 167 | 370 |
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2024 | 10 | 210 | 438 |
Year | Month | High | Avg |
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2024 | 9 | 236 | 525 |
Year | Month | High | Avg |
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2024 | 8 | 151 | 387 |
A movie about robots and emotions? Pixar has made the unlikely combo work really well. WALL·E is the lonely robot, the last of his kind, left behind by the humans on Earth. His job - to clean up the garbage the humans have dumped. In 700 years, he seams to have developed one tiny bug - a personal ... ity. Join WALL·E in his interstellar quest to find a partner. WALL·E is short, satirical, dialogue-free and a visual masterpiece. And the fact that it is animated does not make it any less watchable as an adult. It is a must watch for anyone of any age.
A must watch, will watch again, and definitely recommend for everyone, all ages. The first 30 minutes or so of this movie are pure and perfect magic. They establish the world, Wall-E, the human race with next to no dialogue. Wall-E and Eve meeting is wonderfully trip of social anxiety in diff ... erent personalities and a great metaphor for living together while being different. Once on the axiom, the entire movie shifts seemlessly, and it is one heavy metaphor after the next about America and the human race without it once being the focus of the story. If you ever needed a movie that "does" and not "says", this is your example, it's how world building should be done. While I think I could literally talk about this movie for hours, I don't want to spoil anything else by talking about it here other than this is a near perfect movie to me. Watch, enjoy, be well.
Wonderful. <em>'WALL·E'</em> is beautifully made, despite a relatively simple premise and no real cast to speak of. A big reason for its charm is the strong message and adorable lead characters - WALL·E (Ben Burtt) and EVE (Elissa Knight). The run time of 98 minutes flies by, with a cool end c ... redits coming at the conclusion. Its animation is utterly superb, while I also like the mix of real-life footage (featuring Fred Willard as Shelby Forthright) into things. Jeff Garlin and Sigourney Weaver work well in their minor roles. Not at the top of my personal Disney animated productions, but just about inside the top ten up until this point. Lovely film.
**WALL·E is a surprisingly charming story that will warm your heart and make you chuckle.** WALL·E is a feel-good movie about a robot full of heart and full of love. WALL·E is the Ted Lasso of Pixar characters, puppy dog loyalty and eternally optimistic. WALL·E’s blundering kindness gives hope to ... so many jaded characters and inspires them to step up and care. WALL·E and EVE are delightful and adorable characters with a story told by an unbelievable screenplay that compels and engages even with such little dialogue. And with a 3-year-old who loves this movie, this parent appreciates the small amount of dialogue, making it more pleasant background noise as my daughter watches it for the 327th time. The animation is superb, and the story is fantastic. WALL·E is one of Pixar’s best in a catalog of masterpieces.
I reckon that despite many efforts made with way more worthy tones, this is probably one of the most effective stories depicting the dangers of mankind's indifference to our planet and it's future - and it's potently and charmingly effective. Our eponymous robot spends it's time packaging up waste i ... nto cubes, stacking them, then retreating to it's home of an evening before the storms hit! The planet has been decimated - only his friendly locust survives to keep him company. One fateful day, though, another craft arrives and it's occupant "EVE" is soon a-scanning and making friends - after a shaky start - with her more indigenous pal. Things take quite a turn when "EVE" discovers what it was sent to find - a life form. In this case a tiny shoot. Alarm bells ring and shortly afterwards a spaceship arrives to collect "EVE" and the foliage. Not about to be left behind, the ship soon has a stowaway and we are presented with an explanation of just what happened to humanity - now, basically, a bunch of armchair-bound, boneless globules of flesh - who think they've been on an intergalactic cruise for the last seven hundred years! Can they all get back to Earth and sow the seeds of humanity's redemption? Well not without a little bit of automated interference and some fun escapades that are engaging and touching. The fate of our race is in the hands of these two mechanical creations - but the broader meaning here is clear as a bell. If we continue to treat the planet like it is our own personal garbage dump, then we will reap what we sow! Entertaining and thought-provoking without resorting to simplistic pontification, politicisation or lawlessness. Well worth a watch.
"Wall-E" stands out as Pixar at its finest, delivering a captivating story with minimal dialogue and a strong focus on the journey and bond between two robots. Despite the lack of extensive verbal communication, the film successfully conveys a heartfelt narrative centered around love and adventure. ... Disney's bold approach to storytelling in "Wall-E" pays off, engaging viewers of all ages by emphasizing visual storytelling and drawing attention to the nuances of the characters' actions and emotions. By immersing audiences in a wordless narrative, the movie prompts viewers to invest in the story and characters on a deeper level, creating a more immersive and rewarding viewing experience. The universe created in "Wall-E" and the development of its characters leave a lasting impact, establishing them as timeless and iconic figures that resonate with audiences long after the credits roll. However, one drawback is the lack of continuation or further exploration of these beloved characters beyond the initial film. Unlike many Disney classics that offer ongoing character development and glimpses into their lives over time, "Wall-E" leaves fans with no additional insights or follow-up stories to enrich the characters' journeys. While "Wall-E" excels in creating a memorable and engaging story, the absence of further development or continuation for its characters leaves a sense of unfulfilled potential. Despite this, the film's lasting impact and enduring charm solidify its status as a beloved classic in the Pixar and Disney canon.