 
  Popularity: 8 (history)
| Director: | Robert Zemeckis | 
|---|---|
| Writer: | Robert Zemeckis, Bob Gale | 
| Staring: | 
| The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen. | |
| Release Date: | May 25, 1990 | 
|---|---|
| Director: | Robert Zemeckis | 
| Writer: | Robert Zemeckis, Bob Gale | 
| Genres: | Comedy, Adventure, Science Fiction | 
| Keywords | california, indian territory, sports car, inventor, locomotive, saloon, horseback riding, time travel, outlaw, sequel, mad scientist, native american, shootout, gunfight, train, wild west, cavalry, nostalgic, 1950s, hoverboard, playful, suspenseful, enthusiastic, exhilarated, optimistic | 
| Production Companies | Universal Pictures, Amblin Entertainment | 
| Box Office | Revenue: $244,527,583 Budget: $40,000,000 | 
| Updates | Updated: Aug 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Michael J. Fox | Marty McFly / Seamus McFly | 
| Christopher Lloyd | Doctor Emmett Brown | 
| Mary Steenburgen | Clara Clayton | 
| Thomas F. Wilson | Buford 'Mad Dog' Tannen / Biff Tannen | 
| Lea Thompson | Maggie McFly / Lorraine McFly | 
| Elisabeth Shue | Jennifer | 
| Matt Clark | Bartender | 
| Richard Dysart | Barbwire Salesman | 
| Pat Buttram | Saloon Old Timer | 
| Harry Carey, Jr. | Saloon Old Timer | 
| Dub Taylor | Saloon Old Timer | 
| James Tolkan | Marshal Strickland | 
| Marc McClure | Dave McFly | 
| Wendie Jo Sperber | Linda McFly | 
| Jeffrey Weissman | George McFly | 
| Christopher Wynne | Buford Tannen's Gang / Needles' Gang | 
| Sean Sullivan | Buford Tannen's Gang | 
| Mike Watson | Buford Tannen's Gang | 
| Hugh Gillin | Mayor | 
| Burton Gilliam | Colt Gun Salesman | 
| Bill McKinney | Engineer | 
| Donovan Scott | Deputy | 
| Flea | Needles | 
| J.J. Cohen | Needles' Gang | 
| Ricky Dean Logan | Needles' Gang | 
| Marvin J. McIntyre | Mortician | 
| Kaleb Henley | Strickland's Son | 
| Todd Cameron Brown | Jules | 
| Dannel Evans | Verne | 
| Kevin Holloway | Marty Photo Double | 
| Michael Higgins | Marty Dance Double | 
| Leslie A. Prickett | Celebration Man | 
| Dean Cundey | Photographer | 
| Jo B. Cummings | Pie Lady | 
| Steve McArthur | Festival Man #1 | 
| John Ickes | Festival Man #2 | 
| James A. Rammel | Festival Dance Caller | 
| Michael Klastorin | Townsman #1 | 
| Michael Mills | Townsman #2 | 
| Kenny Myers | Townsman #3 | 
| Brad McPeters | Eyepatch | 
| Phinnaes D. | Toothless | 
| Rod Kuehne | Ticket Agent | 
| Leno Fletcher | Conductor | 
| Joey Newington | Joey | 
| Larry Ingold | Train Fireman | 
| Tim Konrad | Barbwire Salesman's Companion | 
| Glenn Fox | Boy with Gun | 
| Name | Job | 
|---|---|
| Tim Monich | Dialect Coach | 
| Robert Zemeckis | Characters, Director, Story | 
| Dean Cundey | Director of Photography | 
| Alan Silvestri | Original Music Composer | 
| Arthur Schmidt | Editor | 
| Mike Fenton | Casting | 
| Bob Gale | Screenplay, Characters, Story | 
| Joanna Johnston | Costume Design | 
| Jim Morris | Executive In Charge Of Production | 
| Charles L. Campbell | Supervising Sound Editor | 
| Scott Farrar | Visual Effects Supervisor | 
| Alan Howarth | Special Sound Effects | 
| Walter Scott | Stunt Coordinator | 
| Batan Silva | Additional Second Assistant Director | 
| Cara Giallanza | Second Assistant Director | 
| Charles Croughwell | Stunt Double | 
| Ken Ralston | Visual Effects Supervisor | 
| Max Kleven | Second Unit Director | 
| Bob Yerkes | Stunts | 
| Brian Smrz | Stunts | 
| Ben Scott | Stunts | 
| Jeff O'Haco | Stunts | 
| Gary Morgan | Stunts | 
| Marguerite Happy | Stunts | 
| Debbie Evans | Stunt Double | 
| Ray Gilberti | Camera Operator | 
| Harry Keramidas | Editor | 
| Valorie Massalas | Casting | 
| Judy Taylor | Casting | 
| Margie Stone McShirley | Art Direction | 
| William James Teegarden | Art Direction | 
| Michael Taylor | Set Decoration | 
| Erin M. Cummins | Assistant Art Director | 
| Clyde E. Bryan | First Assistant Camera | 
| Barcie Waite | Assistant Costume Designer | 
| Jerry Sargent | Construction Foreman | 
| Richard Brown | Greensman | 
| Chuck Velasco | Costume Supervisor | 
| Walt Hadfield | Construction Coordinator | 
| Cary Conway | Painter | 
| Tom McCown | Leadman | 
| Sean M. Casey | Still Photographer | 
| Ron Cardarelli | Key Grip | 
| Martin A. Kline | Production Illustrator | 
| Steve Chase | Grip | 
| Beverli Eagan | Set Designer | 
| Dorothy Byrne | Key Hair Stylist | 
| Randy Bostic | Set Dressing Artist | 
| Bonne Radford | Production Controller | 
| Marc Fambro | Carpenter | 
| Keith O'Brien | Transportation Co-Captain | 
| Michael J. Burmeister | Location Manager | 
| Pam Kaye | Production Accountant | 
| Larry Singer | ADR Supervisor | 
| Earl Sampson | Boom Operator | 
| Willie Radcliff | Craft Service | 
| LeighAnna Frostad | Transportation Coordinator | 
| Stephen R. Sheridan | Color Timer | 
| James B. Campbell | Orchestrator | 
| Wes Takahashi | Animation Supervisor | 
| Dorothy D. Fox | Hairstylist | 
| Bron Roylance | Makeup Artist | 
| Judith Weaver | Special Effects Coordinator | 
| Joan Bradshaw | Unit Production Manager | 
| Michael Klastorin | Unit Publicist | 
| Bill Barr | Electrician | 
| Peter C. Barbour | Assistant Sound Editor | 
| Tim R. Lafferty | Propmaker | 
| Albert Romero | Sound Recordist | 
| Dawn Oltman | Editorial Coordinator | 
| Jack Todd | Rigging Gaffer | 
| Kim Bromley | Visual Effects Coordinator | 
| Will Cascio | Stunts | 
| Timothy Eaton | Visual Effects Editor | 
| Tom Cantrell | Lighting Technician | 
| Brad Jeffries | Choreographer | 
| Steve Collins | Transportation Captain | 
| John Bell | Visual Effects Art Director | 
| Michael Mills | Key Makeup Artist | 
| Tom Marchetti | Driver | 
| David McGiffert | First Assistant Director | 
| Patricia Blau | Visual Effects Producer | 
| Martin Cohen | Post Production Supervisor | 
| Robert Bennett | Stand In | 
| Paul Timothy Carden | Sound Editor | 
| Kendall Nishimine | Visual Effects | 
| Brian Wade | Makeup Effects | 
| John Zemansky | Property Master | 
| Janet Fiona Mason | First Assistant Editor | 
| Kenneth Karman | Music Editor | 
| William B. Kaplan | Production Sound Mixer | 
| Jack Tice | Studio Teachers | 
| Byron Berline | Thanks | 
| Alan L. Nineberg | ADR Editor | 
| Vance Piper | Assistant Camera | 
| Kevin Bartnof | Foley Artist | 
| Jessica Gallavan | ADR Editor | 
| Tom Gerard | Additional Sound Re-Recording Mixer | 
| Larry D. Davis | Second Assistant Camera | 
| Ron Fode | Negative Cutter | 
| Scott Ross | General Manager | 
| Loring Doyle | VFX Artist | 
| Colleen Arnaud | Assistant Accountant | 
| Carolyn Tapp | Foley Recordist | 
| Pat Turner | VFX Director of Photography | 
| Kelly Lindquist | Costumer | 
| Jacqueline A. Shea | Assistant Production Coordinator | 
| Mark Walthour | Chief Lighting Technician | 
| Jeff Ackerman | Assistant Property Master | 
| Sid Lucero | Best Boy Grip | 
| Peter Lonsdale | Associate Editor | 
| Alia Agha | Production Assistant | 
| Michael Meier | Pyrotechnician | 
| Greg Orloff | Foley Mixer | 
| Peter Daulton | Visual Effects Camera | 
| David Hanks | Assistant Camera | 
| Carla Corwin | Second Second Assistant Director | 
| Charleen Richards-Steeves | ADR Mixer | 
| Joni Kearney | Casting Assistant | 
| David Bifano | Music Programmer | 
| Anthony Wong | Assistant Chief Lighting Technician | 
| Bret Culpepper | Technical Advisor | 
| Dave Wachtman | Dolly Grip | 
| Nancy Jencks | Assistant Editor | 
| R.L. Tolbert | Stunts | 
| Jimmy Corona Rooney | Stunts | 
| Jim Pratt | Stunts | 
| Daniel O'Haco | Stunts | 
| Daniel K. Moore | Stunts | 
| Mike H. McGaughy | Stunts | 
| Walt La Rue | Stunts | 
| Robert Jauregui | Stunts | 
| Danny Costa | Stunts | 
| Kathleen Beeler | Rotoscoping Artist | 
| Jennifer Watson-Johnston | Stunt Double | 
| Jolanda Wipfli | Camera Loader | 
| Rick Carter | Production Design | 
| Drew Struzan | Art Designer | 
| Name | Title | 
|---|---|
| Neil Canton | Producer | 
| Bob Gale | Producer | 
| Kathleen Kennedy | Executive Producer | 
| Steven Spielberg | Executive Producer | 
| Steve Starkey | Associate Producer | 
| Frank Marshall | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
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| 2024 | 4 | 50 | 83 | 38 | 
| 2024 | 5 | 47 | 61 | 35 | 
| 2024 | 6 | 43 | 66 | 31 | 
| 2024 | 7 | 53 | 79 | 29 | 
| 2024 | 8 | 41 | 62 | 28 | 
| 2024 | 9 | 41 | 56 | 32 | 
| 2024 | 10 | 49 | 93 | 31 | 
| 2024 | 11 | 37 | 59 | 30 | 
| 2024 | 12 | 36 | 52 | 25 | 
| 2025 | 1 | 36 | 44 | 28 | 
| 2025 | 2 | 30 | 44 | 5 | 
| 2025 | 3 | 14 | 47 | 2 | 
| 2025 | 4 | 7 | 8 | 6 | 
| 2025 | 5 | 6 | 7 | 5 | 
| 2025 | 6 | 6 | 7 | 5 | 
| 2025 | 7 | 6 | 8 | 4 | 
| 2025 | 8 | 6 | 8 | 5 | 
| 2025 | 9 | 6 | 8 | 5 | 
| 2025 | 10 | 7 | 10 | 5 | 
Trending Position
| Year | Month | High | Avg | 
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| 2025 | 10 | 126 | 438 | 
| Year | Month | High | Avg | 
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| 2025 | 9 | 141 | 426 | 
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| 2025 | 8 | 79 | 494 | 
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| 2025 | 7 | 143 | 520 | 
| Year | Month | High | Avg | 
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| 2025 | 6 | 185 | 664 | 
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| 2025 | 5 | 932 | 932 | 
| Year | Month | High | Avg | 
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| 2025 | 4 | 648 | 825 | 
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| 2025 | 3 | 202 | 609 | 
| Year | Month | High | Avg | 
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| 2025 | 2 | 220 | 514 | 
| Year | Month | High | Avg | 
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| 2025 | 1 | 127 | 463 | 
| Year | Month | High | Avg | 
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| 2024 | 12 | 214 | 589 | 
| Year | Month | High | Avg | 
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| 2024 | 11 | 167 | 552 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 10 | 146 | 393 | 
Oh, I know you did send me back to the future. But I'm back! I'm back from the future. Doc Brown is back in 1885 in the Old West, soon to be joined by Marty who has found that Doc is in mortal danger from Burford "Mad-Dog" Tannen. Rounding out what turned out to be a hugely popular trilogy, Ba ... ck to the Future Part III restored the core essence heart of Part 1, whilst simultaneously tying up all the threads with a fully formed story. More sedate in its telling (not hard following on from the manic pacing of part 2) part 3 fuses science fiction malarkey with, well, Western malarkey. All played out with the usual array of clever jokes and series reprises - only in a Wild Wild West setting. An interesting point to note is how the roles of Doc & Marty have been reversed from the first film, here Marty is the maniacal plot axis, whizzing around getting into scrapes as Doc ambles around in love, courtesy of the delightfully classic looking Mary Steenburgen as Clara Clayton. Thomas F. Wilson returns for villain duties as Tannen, a Western bully villain pulled straight out of many a classic Oater from way back in the day, and Lea Thompson & Elisabeth Shue ensure the "past" is not forgotten. When Robert Zemeckis and Bob Gale started making Back To The Future in 1985, could they have envisaged that they would make three films and end up with a steam engine time machine in the Wild West? Possibly not, but as part 3 hurtles (literally) towards the suspense laden finale, two things are for certain. One is that they wisely closed the series down with a surefire coda winner. Two is that between them they crafted one of the most entertaining family trilogies to have ever graced the screen. No doubt about the fact that part one is the uniformly class act of the three, but parts two & three themselves reward groups of all ages. Great Scot indeed. 8.5/10
As with Part II, I've come to appreciate this one more, a great blend of sci-fi and western and features once more some fine performances from both Fox and Lloyd, who each do great work portraying different characters (or at least for Lloyd a different time version of Doc Brown). Beyond that, well d ... one set and costume designs and a good enough story to conclude the trilogy. **3.75/5**
"Marty" (Michael J Fox) is stuck in 1955 when he learns of the untimely demise of his mentor "Doc. Brown" (Christopher Lloyd) back in 1885. Luckily, the DeLorean is on hand and back he goes - to the wild west - to try and prevent this calamity. Once there, he has no idea how to get back; a task not ... made any easier by local bully "Mad Dod" (Tom Wilson) who has it in for this meek city boy from day one. Spielberg is at his best with stories like this, and borrowing heavily from the Western film genre - and quite a bit from Clint Eastwood too, we have a quickly paced an amiable adventure film as Fox and Lloyd have to stay alive whilst figuring out how to charge the flux capacitor and get themselves home. Wilson is super as the "baddie" and Mary Steenbergen gives the "Doc" a little bit of love interest as the story ticks along nicely. These three films fit nicely with each other, and happily they all decided to hang up their stetsons after this one. It's still great fun 30 years later, with fun pithy dialogue; loads of great action photography and strong entertaining performances all through. Good fun.
Not my favorite. I didn't really like the 3rd movie because I'm not really into western type movies. ...
Maybe a little better than the second movie, but still not a patch on the first. It's worth a watch for the in-jokes but have a standby movie ready. ...