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Batman

1989 | 126m | English

(425461 votes)

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Popularity: 7 (history)

Director: Tim Burton
Writer: Warren Skaaren, Sam Hamm
Staring:
Details

Having witnessed his parents' brutal murder as a child, millionaire philanthropist Bruce Wayne fights crime in Gotham City disguised as Batman, a costumed hero who strikes fear into the hearts of villains. But when a deformed madman known as 'The Joker' seizes control of Gotham's criminal underworld, Batman must face his most ruthless nemesis ever while protecting both his identity and his love interest, reporter Vicki Vale.
Release Date: Jun 21, 1989
Director: Tim Burton
Writer: Warren Skaaren, Sam Hamm
Genres: Fantasy, Action, Crime
Keywords double life, dual identity, chemical, crime fighter, villain, vigilante, superhero, based on comic, organized crime, mobster, criminal, super power, madness, vigilantism, cautionary, good versus evil
Production Companies Warner Bros. Pictures, The Guber-Peters Company, Polygram Pictures
Box Office Revenue: $411,348,924
Budget: $35,000,000
Updates Updated: Sep 27, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Michael Keaton Bruce Wayne / Batman
Jack Nicholson Jack Napier / The Joker
Kim Basinger Vicki Vale
Robert Wuhl Alexander Knox
Pat Hingle Commissioner James Gordon
Billy Dee Williams Harvey Dent
Michael Gough Alfred Pennyworth
Jack Palance Grissom
Jerry Hall Alicia
Tracey Walter Bob the Goon
Lee Wallace Mayor
William Hootkins Eckhardt
Richard Strange Goon
Carl Chase Goon
Mac McDonald Goon
George Lane Cooper Goon
Terence Plummer Goon
Philip Tan Goon
John Sterland Accountant
Edwin Craig Rotelli
Vincent Wong Crimelord 1
Joel Cutrara Crimelord 2
John Dair Ricorso
Christopher Fairbank Nic
George Roth Eddie
Kate Harper Anchorwoman
Bruce McGuire Anchorman
Richard Durden TV Director
Kit Hollerbach Becky
Lachele Carl TV Technician
Del Baker Napier Hood
Jazzer Jeyes Napier Hood
Wayne Michaels Napier Hood
Valentino Musetti Napier Hood
Rocky Taylor Napier Hood
Keith Edwards Reporter
Leon Herbert Reporter
Steve Plytas Doctor
Anthony Wellington Patrolman at Party
Amir M. Korangy Wine Steward
Hugo Blick Young Jack Napier
Charles Roskilly Young Bruce Wayne
Philip O'Brien Maitre d'
Michael Balfour Scientist
Garrick Hagon Dad
Liza Ross Mom
Adrian Meyers Jimmy
David Baxt Dr Wayne
Sharon Holm Mrs Wayne
Clyde Gatell Other Mugger
Jon Soresi Medic
Elliott Stein Man in Crowd
Sam Douglas Lawyer
Denis Lill Bob the Cartoonist
Paul Birchard Reporter
Paul Michael Cop
Pat Gorman Cop at Axis Chemicals
Chris Andrews Election Ceremony Patron
Stephanie English Woman in Green Coat
Albert Evansky Crimelord #3 (uncredited)
Fred Stroud Party Guest at Wayne Manor (uncredited)
Name Job
Sally Osoba Casting Assistant
Len Alexander Wardrobe Assistant
Philip Clark Special Effects Technician
Sy Holland Stunt Double, Stunts
Ali Asad Assistant Camera
Shirley Walker Conductor
Maggie Choyce Assistant Script
Russ Woolnough Visual Effects Editor
Anton Furst Production Design
Ray Lovejoy Editor
Marion Dougherty Casting
Warren Skaaren Screenplay
Patricia Gregory Grip
Gordon Arnell Publicist
Murray Close Still Photographer
Charles Torbett Property Master
Eddie Butler Sculptor
Victor Anderson Propmaker
Brian Bishop Scenic Artist
Paul Smith Dialogue Editor
Rocky Phelan Foley Editor
Peter Watson Visual Effects Coordinator
Bob Ringwood Costume Design
Lynda Armstrong Makeup Artist
Terry Ackland-Snow Art Direction
Jenny Chartres Art Department Assistant
Suzanne Reynolds Prosthetic Makeup Artist
Nigel Phelps Art Direction
Charles Staffell Projection
Billy Merrell Best Boy Electric
John Samworth Boom Operator
Paula Connor Assistant Sound Editor
Michael Dilbeck Music Supervisor
Bob Badami Music Editor
Simon Harris First Assistant Editor
John Evans Special Effects Supervisor
Chuck Finch Gaffer
Brenda Coxon Production Accountant
Pat Harrison Unit Manager
Tony Dunsterville Costume Design
Jamie White Carpenter
Bernie Hagadorn Rigging Grip
Chris Brock Location Manager
Tony Dawe Production Sound Mixer
Don Sharpe Supervising Sound Editor
John Campbell Camera Operator
Jan Jamison Hairstylist
Maurice Gillett Rigging Gaffer
Ken Barker Stunts
Leslie Tomkins Supervising Art Director
Peter Young Set Decoration
Michael Boone Assistant Art Director
Roy Martin Standby Painter
Stuart Godfrey Key Grip
Eddie Stacey Stunt Coordinator
Fred Brown Electrician
Cheryl Leigh Script Supervisor
Margaret Adams Production Coordinator
Eric Tomlinson Scoring Mixer
Michael White Production Illustrator
Les Benson Dressing Prop
Jack Stew Foley Artist
Tommy Nutter Tailor
Les Andrews Dressing Prop
Annie Crawford Wardrobe Supervisor
Robin Demetriou Catering
Chrissie Richardson Assistant Accountant
John Falcini Second Assistant Sound
Janice Body Rotoscoping Artist
Michael King Construction Buyer
Richard Morrison Title Designer
Terry Shane Floor Runner
David Allday Draughtsman
Max Brown Production Runner
Steve Millson Third Assistant Director
Melvin Lind Second Assistant Director
Jonathan Taylor Focus Puller
Roy Clarke Production Driver
Suzie F. Wiesmann Visual Effects Production Manager
Richard Brierley Clapper Loader
Sarah Franzl Stunts
Dorothy Ford Stunts
Terry Cade Stunts
Dave Holland Stunts
Mark McBride Stunts
Jeff Hewitt-Davis Stunts
Nick Powell Stunts
Mark Anthony Newman Stunts
Sean McCabe Stunt Double
Steve Whyment Stunts
Gerry Crampton Stunt Double
Rick Lester Stunts
Terry Forrestal Stunts
Eddie Eddon Stunts
Jim Dowdall Stunts
Clive Curtis Stunts
Graeme Crowther Stunts
Peter Brace Stunts
Marc Boyle Stunts
Leonard Green Assistant Sound Editor
Tim Burton Director
Bob Kane Characters
Roger Pratt Director of Photography
Danny Elfman Original Music Composer
Graham Churchyard Assistant Costume Designer
Nick Dudman Makeup Designer
Derek Cracknell First Assistant Director
Steve Bartek Orchestrator
Peter MacDonald Second Unit Director
Christian Wolf-La'Moy Stunt Driver
Prince Songs
Eddie Powell Stunts
Tracey Eddon Stunts
Richard Graydon Stunts
Chris Webb Stunts
Tip Tipping Stunts
Tony van Silva Stunts
Bill Weston Stunts
Paul Heasman Stunts
Nick Hobbs Stunts
David Lea Stunts
Steve Dent Stunts
Stuart Clark Stunts
Sam Hamm Screenplay, Story
Eddy Joseph Sound Editor
Derek Meddings Visual Effects
Romo Gorrara Stunts
Tom Hegarty Stunts
Name Title
Chris Kenny Co-Producer
Barbara Kalish Associate Producer
Benjamin Melniker Executive Producer
Peter Guber Producer
Jon Peters Producer
Michael Uslan Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 67 90 49
2024 5 92 114 72
2024 6 82 159 49
2024 7 57 88 33
2024 8 59 107 42
2024 9 54 69 39
2024 10 58 90 40
2024 11 50 91 39
2024 12 51 102 31
2025 1 53 97 40
2025 2 35 46 9
2025 3 16 53 3
2025 4 9 12 7
2025 5 8 9 7
2025 6 9 16 6
2025 7 9 12 7
2025 8 8 11 7
2025 9 9 16 7
2025 10 7 8 5

Trending Position


Year Month High Avg
2025 9 349 749

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Reviews

John Chard
8.0

Vision not fully realised, but still a template of sorts. It could never have lived up to the hype back in 1989, it was hailed as the film to rival the impact of "Jaws" & "Star Wars" as regards historical cinema conventions, it was, we were led to believe, a new age in cinema, or so it seemed. As ... it was, the film went down a treat for the modern cinema going audience, it raked in cash galore and spawned a raft of very inferior sequels, even though ultimately critics of the time were less than impressed. So it makes for something of an interesting experience viewing it again as each decade passes. More so in light of Christopher Nolan's bank busting "Dark Knight" series of films. I remember the hype and marketing campaign (T-Shirts and toys bonanza) that ensured that the film could never live up to the gargantuan hype, and I'm honest enough to say that I was a little underwhelmed on first viewing. Yet time has been very kind to it, now showing that Burton had the nous and foresight to reignite a genre without going purely for kiddie like appeasements. Visually the film still stands up with the best that today's genre pieces can offer, the sets are incredible, with Anton Furst rightly winning the big award for his work here, whilst Burton's dark and deep tone captures the essence of Gotham City and Bruce Wayne's troubled mind perfectly, but does the cast fully realise the potential on offer?. Michael Keaton as the troubled and vengeful Bruce Wayne, is a fine actor and it would only be in time where his take on Wayne the man would be appreciated, as the caped crusader he is outstanding and he set the bar high for all those that followed him. Jack Nicholson has the time of his life camping it up as The Joker, and he steals the film for sure. This is not because he is acting with great poise and class, but purely because in a film calling for the battle of two unhinged characters, he is the one awash in colour and overacting the maniacal side of the character to the max. Kim Basinger looks great but doesn't have to do much as Vicki Vale except say her lines right, pout, look scared when required and scream with conviction, and she does all of these. But really any other actress could have done the same thing - though I'm personally relieved that Sean Young dropped out of the film and thus allowed some other actress to step in. The supporting cast do OK, and the soundtrack by Prince pushes the boundaries of annoying caricature indulgence. Ultimately it's a fun ride, respectful of the source material and giving the comic book genre of fil a shot in the arm. Yet you can't help feeling that there is some great Burton vision here that never got fully realised. And that is a damn shame, and something that Burton himself would come to admit down the line. 8/10

May 16, 2024
KingStradivarius
4.0

This movie is so bad I couldn't even finish it. ...

Jun 23, 2021
JakeWarren
10.0

Yeah, it's good. ...

Jun 23, 2021
Wuchak
4.0

_**Looks good, but surreal and tedious**_ Tim Burton's "Batman" (1989) is _so_ disappointing! Yeah, the costumes, sets, cast, cinematography and music are great, but the story is unrealistic, goofy and, worst of all, dull; in other words, it siphoned! Tim Burton is outstanding with visuals, but h ... e failed to incorporate an interesting story. What good is a BORING film that looks great and doesn't take its subject seriously? This is a quintessential example of style over substance. Most of the high ratings are from people who saw it when they were kids and they're just nostalgic. If they viewed the film objectively as an adult, with respect to the true Batman of the silver/bronze/modern age of comics, they'd have to admit that it's not a good interpretation. Sure, it could be accepted as a sort of an ALTERNATIVE Batman; a friend of mine who's in the comic business said this was the only way he could appreciate it. But if you want to see a serious Batman flick, true to the legend of the Dark Knight, catch "Batman Begins" (2005) and its sequels, they blow this overrated soporific dud out of the water. The movie's overlong at 2 hours, 6 minutes. GRADE: C

Jun 23, 2021
mooney240
7.0

**Batman 1989 burst on the scene shattering the box office and rewriting the rules of comic book films with dark characters and high stakes in ways no superhero movie had seen before.** Superhero movies of the 70s and 80s were bright and colorful, goofy and optimistic, champions of truth, Justice ... , and the American Way. Movies like Superman, Supergirl, the original Captain America, and even Adam West’s Batman all fit this vibe and aesthetic, with many overly campy but charming. This made Tim Burton’s darker, more violent Batman a huge gamble. Warner Bros literally sank every last penny they had into the movie as the studio was collapsing and going out of business. A dark superhero film with murder and blood? Michael Keaton? Mr. Mom himself as Batman? It was a massive risk with a tremendous payoff! Warner Bros survived and thrived off the enormous box office profits, and Batman reinvented the superhero genre showing that adults could enjoy superhero movies too. Even though Batman 1989 is a little dated and campy now, it broke every mold when it was released. Michael Keaton proved himself as the incredible star and bankable actor that he is. Jack Nicholson’s Joker stood as the iconic standard for villains for decades. Kim Basinger’s Vicki Vale is still one of the best Batman love interests to date. Tim Burton saved superheroes and movie studios with this dark reinvention of the comic book genre. It’s a true superhero classic.

Feb 10, 2023
SoSmooth1982
10.0

There will never be a greater batman or movie ever. The original is still the only good batman movie out there. They keep trying but they had it right the 1st time, and they messed it up now. ...

Apr 24, 2023
Arcanum101
8.0

Probably one of the first serious attempts at bringing a comic to the big screen with a decent budget. The vision of the world is brilliant. Keaton's Batman is spot on and the Prince soundtrack ties the whole thing together perfectly. Unfortunately, Tim Burton's flamboyance lets things down in the e ... nd. But still the most memorable Batman to date. Although Ben Affleck's jaded, grumpy and bulked-out depiction of the character in Batman V Superman is my favourite.

May 28, 2023
Geronimo1967
6.0

"Batman" never was my favourite superhero, and although Michael Keaton tries hard here to inject a little soul into the character, I'm afraid I found Jack Nicholson's totally over-the-top "Joker" to be just annoying and the whole film to be little underwhelming. "Gotham City" is essentially an urban ... jungle under the boot of the menacing "Grissom" (Jack Palance). He and his sidekick "Napier" (Nicholson) - who only has a limited grasp on his sanity - have a bit of a falling out, though, and the latter man is soon swimming in a vat of deadly chemicals... The result? Well his madness is now completely unleashed on his former boss then on the entire city as he attempts to gain complete control. Luckily for DA "Harvey Dent" (Billy Dee Williams) and Police Commissioner "Gordon" (Pat Hingle) the city might just have a chance of salvation in the form of our eponymous, black leather-caped, crusader. Equipped with a bullet-proof car, a super-charged motor bike and some heavy duty kevlar body armour he vows to take on the criminal element and restore some sort of order. He, too, has his demons - which we learn about as the story develops, and it seems they can only be tempered by his loyal retainer "Alfred" (Michael Gough). As the stakes rise, it soon becomes a man-to-man combat scenario that I found all rather too theatrical. The visual effects are solid, the audio and lighting also work well to create an at times intimidating atmosphere, but I just found myself missing the point. There can be no doubt that Nicholson's performance as an actor is outstanding, but for me it created a relentless, almost pantomime-style, character that as it persisted just rather left me looking around the cinema wondering what Burt Ward was doing nowadays. Groundbreaking it was in 1989. In 2023 - well I'm not at all sure. It does look good, though!

Oct 22, 2023
kevin2019
8.0

"Batman" certainly can't be beaten just for pure entertainment value. It was a high profile event movie and you can immediately understand why with a stellar cast such as this one on board along with director Tim Burton - just fresh from the successful "Beetlejuice" (1988) at the time - behind the c ... ameras. They have unquestionably produced a fast paced feast for the eyes in every way possible and Gotham City itself is a shadowy, sinister, and menacing place. It is also an extremely good idea to completely remove it from the light hearted and garishly coloured television series and pretty much make the primary colour black with the only exception being The Joker's overly colourful costumes which perfectly reflect the clownish exterior of this truly ruthless and cold blooded killer. This film deserved to do well and it will probably remain a highly enjoyable guilty pleasure for many more years to come.

Jul 18, 2024