Popularity: 10 (history)
| Director: | Richard Donner |
|---|---|
| Writer: | Mario Puzo, Robert Benton, David Newman, Tom Mankiewicz, Leslie Newman |
| Staring: |
| Mild-mannered Clark Kent works as a reporter at the Daily Planet alongside his crush, Lois Lane. Clark must summon his superhero alter-ego when the nefarious Lex Luthor launches a plan to take over the world. | |
| Release Date: | Dec 14, 1978 |
|---|---|
| Director: | Richard Donner |
| Writer: | Mario Puzo, Robert Benton, David Newman, Tom Mankiewicz, Leslie Newman |
| Genres: | Adventure, Action, Science Fiction |
| Keywords | saving the world, journalist, crime fighter, secret identity, nuclear missile, galaxy, superhero, based on comic, destruction of planet, criminal, sabotage, super power, north pole, midwest, newspaper office, superhuman strength, aftercreditsstinger, save the day, evil genius, rural life |
| Production Companies | Dovemead Films, International Film Production, Alexander and Ilya Salkind Productions |
| Box Office |
Revenue: $300,478,449
Budget: $55,000,000 |
| Updates |
Updated: Oct 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Christopher Reeve | Clark Kent / Superman |
| Margot Kidder | Lois Lane |
| Gene Hackman | Lex Luthor |
| Marlon Brando | Jor-El |
| Ned Beatty | Otis |
| Jackie Cooper | Perry White |
| Glenn Ford | Pa Kent |
| Trevor Howard | 1st Elder |
| Jack O'Halloran | Non |
| Valerie Perrine | Eve Teschmacher |
| Maria Schell | Vond-Ah |
| Terence Stamp | General Zod |
| Phyllis Thaxter | Ma Kent |
| Susannah York | Lara |
| Jeff East | Young Clark Kent |
| Marc McClure | Jimmy Olsen |
| Sarah Douglas | Ursa |
| Harry Andrews | 2nd Elder |
| Diane Sherry Case | Lana Lang |
| Vass Anderson | 3rd Elder |
| John Hollis | 4th Elder |
| James Garbutt | 5th Elder |
| Michael Gover | 6th Elder |
| David Neal | 7th Elder |
| William Russell | 8th Elder |
| Penelope Lee | 9th Elder |
| John Stuart | 10th Elder |
| Alan Cullen | 11th Elder |
| Aaron Smolinski | Baby Clark Kent |
| Billy J. Mitchell | 1st Editor |
| Robert Henderson | 2nd Editor |
| Larry Lamb | 1st Reporter |
| John Cassady | 3rd Reporter |
| John F. Parker | 4th Reporter |
| Harry Scott | 5th Reporter |
| Ray Evans | 6th Reporter |
| Miquel Brown | 8th Reporter |
| Vincent Marzello | 1st Copy Boy |
| Benjamin Feitelson | 2nd Copy Boy |
| Lise Hilboldt | 1st Secretary |
| Leueen Willoughby | 2nd Secretary |
| Rex Reed | Rex Reed |
| Weston Gavin | Mugger |
| Steve Kahan | Officer 1 |
| Ray Hassett | Officer 2 |
| Randy Jurgensen | Officer 3 |
| Matt Russo | News Vendor |
| Colin Skeaping | Pilot |
| Bo Rucker | Pimp |
| Paul Avery | TV Cameraman |
| David Baxt | Burglar |
| George Harris II | Patrolman Mooney |
| John Cording | 2nd Hood |
| Oz Clarke | 4th Hood |
| Rex Everhart | Desk Sergeant |
| Jayne Tottman | Little Girl |
| Frank Lazarus | Air Force One Pilot |
| Brian Protheroe | Co Pilot |
| Lawrence Trimble | 1st Crewman |
| Robert Whelan | 2nd Crewman |
| David Calder | 3rd Crewman |
| Norwich Duff | Newscaster |
| Keith Alexander | Newscaster |
| Michael Ensign | Newscaster |
| Larry Hagman | Major |
| Paul Tuerpe | Sgt. Hayley |
| Graham McPherson | Lieutenant |
| David Yorston | Petty Officer |
| Robert O'Neill | Admiral |
| Robert MacLeod | General |
| John Ratzenberger | 1st Controller |
| Alan Tilvern | 2nd Controller |
| Phil Brown | State Senator |
| Bill Bailey | 2nd Senator |
| Burnell Tucker | Agent |
| Chief Tug Smith | Indian Chief |
| Norman Warwick | Superchief Driver |
| Chuck Julian | Assistant |
| Mark Wynter | Mate |
| Roy Stevens | Warden |
| Noel Neill | Ella Lane (uncredited) |
| Kirk Alyn | Sam Lane (uncredited) |
| Tony Selby | Hood (uncredited) |
| Bruce Boa | General (extended version) (uncredited) |
| David de Keyser | Warden (voice) (uncredited) |
| Richard Donner | Man in Street (extended version) (uncredited) |
| Harry Fielder | Policeman (uncredited) |
| Alan Harris | Man on Daily Planet Rooftop (uncredited) |
| Shane Rimmer | Naval Transport Commander (uncredited) |
| Marco St. John | Mugger's Arm in Alley (uncredited) |
| John B. Gibson | (Uncredited) |
| Brad Flock | Brad |
| Name | Job |
|---|---|
| Jerry Siegel | Characters |
| Mario Puzo | Story, Screenplay |
| Robert Benton | Screenplay |
| Robert Lynn | Second Unit, Second Unit Director |
| David Newman | Screenplay |
| Tom Mankiewicz | Writer |
| Geoffrey Unsworth | Director of Photography |
| Stuart Baird | Editor |
| Lynn Stalmaster | Casting |
| John Williams | Original Music Composer |
| Stuart Craig | Art Direction |
| Yvonne Blake | Costume Design |
| Vic Armstrong | Stunt Coordinator |
| John Glen | Second Unit Director |
| Greg Powell | Stunts |
| David Lane | Second Unit Director |
| Peter MacDonald | Camera Operator |
| John Richardson | Special Effects |
| Roy Button | Second Assistant Director |
| Alex Thomson | Additional Photography |
| Ken Ross | Music Editor |
| Mary Selway | Casting |
| Alf Joint | Stunt Coordinator |
| Alex Stevens | Stunt Coordinator |
| Paul Weston | Stunts |
| Bill Weston | Stunts |
| Leslie Newman | Screenplay |
| Michael Ellis | Editor |
| John Barry | Production Design, Second Unit Director |
| Ernest Archer | Art Direction |
| Philip Bennet | Art Direction |
| Leslie Dilley | Art Direction |
| Norman Dorme | Art Direction |
| Tony Reading | Art Direction |
| Joe Shuster | Characters |
| Norman Reynolds | Art Direction |
| Peter Howitt | Set Decoration |
| Jamie Brown | Makeup Artist |
| Sylvia Croft | Makeup Artist |
| Iloe Elliott | Hairdresser |
| Graham Freeborn | Makeup Artist |
| Kay Freeborn | Makeup Artist |
| Stuart Freeborn | Makeup Supervisor |
| Darby Halpin | Hairdresser |
| Cathy Kevany | Hairdresser |
| Louis Lane | Makeup Artist |
| Nick Maley | Makeup Artist |
| Basil Newall | Makeup Artist |
| Connie Reeve | Makeup Artist |
| Phil Rhodes | Makeup Artist |
| Stella Rivers | Hairdresser |
| Joan White | Hairdresser |
| Robert Simmonds | Production Supervisor |
| Dusty Symonds | Production Manager |
| Steve Cooper | Set Designer |
| Betty Adamson | Wardrobe Supervisor |
| Denis Rich | Visual Effects Designer, Main Title Designer |
| Colin Chilvers | Special Effects Supervisor |
| Norman Bolland | Sound Mixer |
| Roy Charman | Sound Mixer |
| Chris Greenham | Supervising Sound Editor |
| Gordon K. McCallum | Sound Re-Recording Mixer |
| Peter Pennell | Sound Effects Editor |
| Barbara Gillett | Wardrobe Assistant |
| Reg Bream | Draughtsman |
| David Wynn-Jones | First Assistant Camera |
| Mike Fox | Camera Operator |
| Richard Hackman | Stunts |
| David Tomblin | Assistant Director, Second Unit Director |
| Brian Marshall | Sound Mixer |
| Charles Schmitz | Sound Mixer |
| George Dean | Painter |
| Leonard Green | Assistant Dialogue Editor |
| Norman Enfield | Additional Writing |
| Roy Field | Visual Effects Supervisor |
| Les Bowie | Special Effects Supervisor |
| Brian Smithies | Modeling |
| Elaine Schreyeck | Continuity |
| Zoran Perisic | Special Effects |
| Geoffrey Helman | Production Executive |
| Timothy Burrill | Production Supervisor |
| Tim Hampton | Production Supervisor |
| Maria Monreal | Executive Assistant |
| Jeanne Ferber | Executive Assistant |
| Peter A. Runfolo | Production Manager |
| Les Kimber | Production Manager |
| Austen Jewell | Production Manager |
| Derek Meddings | Modeling, Visual Effects Director |
| Chris Coles | Location Manager |
| R.A. MacDonald | Special Effects |
| Michael J. Duthie | Production Coordinator |
| Dominic Fulford | Assistant Director |
| Vincent Winter | Assistant Director |
| Michael Dryhurst | Assistant Director |
| Allan James | Assistant Director |
| Gareth Tandy | Assistant Director |
| Jerry Grandey | Assistant Director |
| Michael Rauch | Assistant Director |
| Bud Grace | Assistant Director |
| Steve Lanning | Second Assistant Director |
| Michael Green | Second Assistant Director |
| Kieron Phipps | Second Assistant Director |
| Vic Smith | Second Assistant Director |
| Keith Lund | Second Assistant Director |
| Michael Hook | Second Assistant Director |
| Patrick Cadell | Second Assistant Director |
| Peter Jacobs | Second Assistant Director |
| Simon Milton | Second Assistant Director |
| Michael Murray | Second Assistant Director |
| Peter L. Bergquist | Second Assistant Director |
| Candace Suerstedt | Second Assistant Director |
| Kay Rawlings | Continuity |
| Doris Martin | Continuity |
| Betsy Norton | Continuity |
| Katya Kolpaktchy | Continuity |
| Josie Fulford | Continuity |
| Rita Davison | Continuity |
| Angela Martelli | Continuity |
| Jack Atcheler | Additional Photography |
| Robert E. Collins | Additional Photography |
| Reginald H. Morris | Additional Photography |
| Sol Negrin | Additional Photography |
| Peter Allwork | Aerial Director of Photography |
| John Harris | Camera Operator |
| James Devis | Camera Operator |
| John Morgan | Camera Operator |
| Gordon Hayman | Camera Operator |
| Geoff Glover | Camera Operator |
| Ken Coles | Camera Operator |
| Ronnie Fox Rogers | Camera Operator |
| Ginger Gemmel | Camera Operator |
| Roy Ford | Camera Operator |
| Jack Lowen | Camera Operator |
| George Pink | Camera Operator |
| Lou Barlia | Camera Operator |
| Charles Marriott | Second Assistant Director |
| James A. Contner | Camera Operator |
| Mike Chevalier | Camera Operator |
| Jack Courtland | Camera Operator |
| Howard A. Anderson III | Camera Operator |
| Rod Parkhurst | Camera Operator |
| John J. Campbell | Assistant Camera |
| Jonathan Taylor | Assistant Camera |
| Trevor Coop | Assistant Camera |
| Peter Versey | Assistant Camera |
| Ronnie Anscombe | Assistant Camera |
| David Lenham | Assistant Camera |
| John Deaton | Assistant Camera |
| Alan Gatward | Assistant Camera |
| Domenic Mastrippolito | Assistant Camera |
| Tom Ryan | Assistant Camera |
| Robert Hathaway | Music Editor |
| Herbert W. Spencer | Orchestrator |
| Arthur Morton | Orchestrator |
| Bob Mullen | First Assistant Editor |
| David Beesley | Assistant Editor |
| Tim Jordan | Assistant Editor |
| Mike Round | Assistant Editor |
| Neil Farrell | Assistant Editor |
| Christopher Morris | Assistant Editor |
| George Akers | Assistant Editor |
| Michael Hopkins | Dialogue Editor |
| Pat Foster | Dialogue Editor |
| Stan Fiferman | Sound Effects |
| John Foster | Sound Effects |
| Russ Woolnough | Visual Effects Assistant Editor |
| Richard Raguse | Sound Mixer |
| Chris Large | Sound Mixer |
| Maurice Fowler | Supervising Art Director |
| Bill Brodie | Supervising Art Director |
| Gene Rudolf | Art Direction |
| Stan Jolley | Art Direction |
| Tony Rimmington | Draughtsman |
| Ted Ambrose | Draughtsman |
| Dennis Bosher | Draughtsman |
| Alan Cassie | Draughtsman |
| Fred Weiler | Set Decoration |
| Ernest Smith | Scenic Artist |
| Bill Beavis | Scenic Artist |
| Larry Cleary | Construction Manager |
| Jack Carter | Construction Manager |
| Harry Kersey | Construction Manager |
| Herman Lowers | Construction Manager |
| Michael Redding | Construction Manager |
| Roy Evans | Construction Manager |
| Terry Reed | Modeling |
| Cyril Forster | Modeling |
| Andrew Kelly | Modeling |
| Jeff Luff | Modeling |
| Tony Dunsterville | Modeling |
| Tadeusz Krzyzanowski | Modeling |
| Roy Spencer | Special Effects Technician |
| Terry Schubert | Special Effects Technician |
| Robert Nugent | Special Effects Technician |
| Joe Fitt | Special Effects Technician |
| Ron Burton | Special Effects Technician |
| Brian Warner | Special Effects Technician |
| Rodney Fuller | Special Effects Technician |
| Michael Dunleavy | Special Effects Technician |
| Jimmy Harris | Special Effects Technician |
| Peter Biggs | Special Effects Technician |
| Frank Richardson | Special Effects Technician |
| Peter Pickering | Special Effects Technician |
| George Ball | Property Master |
| Danny Skundric | Property Master |
| Eddie Francis | Props |
| Douglas Noakes | Production Accountant |
| Graham Henderson | Assistant Accountant |
| Bob Penn | Still Photographer |
| Douglas Luke | Still Photographer |
| Ruth Morley | Costumer |
| Helen Gill | Wardrobe Assistant |
| Eddie Silva | Wardrobe Assistant |
| Austin Cooper | Wardrobe Assistant |
| Janet Tebrooke | Wardrobe Assistant |
| Colin Wilson | Wardrobe Assistant |
| Elvira Angelinetta | Wardrobe Assistant |
| Maurice Gillett | Chief Lighting Technician |
| John Tythe | Chief Lighting Technician |
| Ray Evans | Electrician |
| Ray Meehan | Electrician |
| John May | Electrician |
| Harry Woodley | Electrician |
| Bert Bosher | Electrician |
| Freddie Webster | Electrician |
| Jack Thetford | Electrician |
| George Lane Cooper | Stunts |
| Wendy Leech | Stunts |
| Stuart Fell | Stunts |
| Richard E. Butler | Stunts |
| Doug Ferris | Matte Painter |
| Ray Caple | Matte Painter |
| Liz Lettman | Matte Painter |
| Eric Tomlinson | Scoring Mixer |
| Peter Watson | Visual Effects Editor |
| Alexander Courage | Orchestrator |
| Richard Donner | Director |
| Colin Wilson | Assistant Editor |
| Pat McDermott | Hairdresser |
| James Payne | Stand In |
| Name | Title |
|---|---|
| Ilya Salkind | Executive Producer |
| Charles F. Greenlaw | Associate Producer |
| Pierre Spengler | Producer |
| Organization | Category | Person | |
|---|---|---|---|
| BAFTA Awards | Best Director | Richard Donner | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 156 | 350 | 89 |
| 2024 | 5 | 375 | 506 | 311 |
| 2024 | 6 | 262 | 425 | 115 |
| 2024 | 7 | 93 | 175 | 46 |
| 2024 | 8 | 56 | 103 | 36 |
| 2024 | 9 | 51 | 67 | 35 |
| 2024 | 10 | 55 | 108 | 38 |
| 2024 | 11 | 59 | 110 | 43 |
| 2024 | 12 | 64 | 101 | 35 |
| 2025 | 1 | 62 | 103 | 43 |
| 2025 | 2 | 41 | 61 | 9 |
| 2025 | 3 | 24 | 62 | 3 |
| 2025 | 4 | 9 | 11 | 6 |
| 2025 | 5 | 9 | 12 | 7 |
| 2025 | 6 | 10 | 14 | 7 |
| 2025 | 7 | 21 | 34 | 11 |
| 2025 | 8 | 11 | 15 | 9 |
| 2025 | 9 | 9 | 12 | 6 |
| 2025 | 10 | 7 | 10 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 121 | 528 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 123 | 385 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 33 | 190 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 18 | 80 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 49 | 228 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 70 | 415 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 112 | 453 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 147 | 569 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 102 | 453 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 103 | 405 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 42 | 360 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 138 | 542 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 368 | 554 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 166 | 420 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 164 | 588 |
Man of Steel - Film Full of Love The planet Krypton is doomed, all life there is soon to be over. Jor-El, knowing that the planet Earth has the same atmosphere, rockets his baby son there post haste. On Earth, the infant grows up to find that he has super human powers that must be hidden from the ... ordinary Earthlings, he hides away as mild mannered reporter Clark Kent and transforms into Superman whenever evil and wrong doing needs taking care of. I would think most people have either seen Superman:The Movie, or at the least heard everything about it. It's one of those films that sticks out in cinema history as a defining point, and some like me would say a high point as well. I recently revisited the film for the first time in about 5 years and had such a wonderful time with it, the moment John Williams exhilarating score kicks in a get goosebumps and start to believe a man can really can fly. The expectation level on release of the film in 1978 was enormous, one can not understate the hugely iconic love that the DC Comic character of Superman had. A worldwide search for the right actor to don the red and blue cape was underway, Clint Eastwood, Burt Reynolds, Ryan O'Neal, Nick Nolte and Charles Bronson were all at times linked with the hot role, whilst James Caan and Robert Redford are confirmed to have passed after being offered the job. All of those great names now seem remarkably stupid choices, and that is purely down to the man that did take on the gargantuan role that was bursting at the seams with expectation. That Superman:The Movie worked (and still does with each passing decade) is down to the wonderful efforts of Christopher Reeve. Reeve positively nailed both sides of the character, making it his own, he is all muscles and square jaw in the cape and then showing wonderful comic ability as the bumblingly frustrating Clark Kent. Sure the supporting cast all contribute grandly, but Reeve carries the picture and lifts it to triumphant heights. Gene Hackman has the time of his life camping it up as super villain Lex Luthor, Ned Beatty & Valerie Perrine flesh out Luthor's cohorts with comedy and sexiness respectively, whilst Margot Kidder is a pure joy as core character of the piece, Lois Lane. Asked to play a love interest but a fiercely strong woman at the same time, Kidder breezes through it and radiates a beauty that couples nicely with Reeve's broadness. Marlon Brando was paid $4 Million for what is little more than a prologue walk on part, but the big name he brought to the party ensured the paying customer went through the doors in droves, but on leaving the cinema it was Reeve's name that most were talking about. Full of outlandish sequences and cheeky comic book ideals, Superman is lasting the test of time as an endearing classic of the genre, it may have been surpassed by quite a few of the more modern exploits by Spiders and Bats, but it was once the Daddy of them all. From x-ray eyes to catching bullets, to pushing nuclear missiles into space and wooing Lois in the sky, Superman:The Movie is a special treat, and oh how I love you so. 9/10 Christopher Reeve RIP.
_**"Miss Teschmacher!"**_ I didn't catch "Superman" (1978) until over 25 years after its release. It's a great superhero flick with a lot of wit, well worthy of its reputation. Although a couple of things are understandably dated, like the flying sequences and Clark Kent's glasses (which are so B ... AD they're laughable), the movie definitely stands the test of time despite being shot in 1977. "Superman" may be a comic-booky superhero flick, but it's also a powerful piece of SCI-FI cinema. The outstanding Krypton sequences of the first half hour confirm this. These scenes are highlighted by the magnificence of Marlon Brando playing Superman's father Jor-El. So, if you're a serious Sci-Fi fan, don't skip "Superman" just because you assume it's some mere superhero flick. No, it's more, much more. The screenplay seems to have been written with little concern of cost so many are the great F/X sequences. Speaking of Brando, you can't beat the cast, starting with newbie Christopher Reeve knocking it out of the ballpark in the starring role. I'd like to point something out that is hardly ever mentioned: Lex Luthor's girlfriend, Miss Teschmacher, played by Valerie Perrine, is jaw-droppingly voluptuous! Watch out for the pool scene where Ms. Perrine is wearing a green one-piece bathing suit. The film is a little long at 2 hours, 23 minutes, but it doesn't overstay its welcome. GRADE: A
This movie will stand to the End of Time. This film is an absolute Masterpiece. The Writers & Director knew what they were doing. Christopher Reeve is a Powerhouse. He portrayed this Character So Well! He played Clark Kent & Superman as 2 Different Characters while being the Same Person. Margot Kidd ... er was Fantastic as Lois Lane. Gene Hackman and Valerie Perrine were Great as Lex Luthor & Eve Teschmacher. The Entire Cast was Phenomenal. This Film will always get a 10/10.
John Williams' epic overture is used to good effect to help illustrate the pretty stellar cast (Christoph Reeve gets only third billing) as this story opens with us on the icebound planet of "Krypton" where "Jor-El" (Marlon Brando) is encouraging his high council members to pass sentence on the trea ... cherous "Gen. Zod" (Terence Stamp) and his co-conspirators. This all seems somewhat pointless as we soon discover that their planet is about to be decimated by it's nearby sun. It's only "Jor-El" and his wife "Lara" (Susannah York) who have the vision to build their son an escape pod and just in the nick of time launch him into space: destination Earth. Fortunately, he arrives under the very noses of the kindly Glenn Ford and Phyllis Thaxter who, after a timely demonstration of his strength, decide to adopt their foundling. Skip forward many years and we start to appreciate the frustrations this young man faces - never being able to use his powers for good (or even American football). Tragedy strikes and to the city he goes where he finds work working for the irascible "Perry White" (Jackie Cooper) at the renowned "Daily Planet". He also realises that he is now free to don his red cape, remove his geeky spectacles, and become the world's first flying, strong-man, super-hero. These antics attract plenty of attention - not least from his colleague "Lois" (Margot Kidder) and from arch crook "Lex Luthor" (Gene Hackman). The former wants an interview (amongst other things); the latter wants to destroy him so he can carry his out his dastardly plan to redefine the geography of California. Some solidly entertaining contributions from Ned Beatty, Valerie Perrine and Marc McClure all help the consistently under-rated Reeve to own the part with a charismatic charm and to convey a quickly paced action adventure that also allows Hackman (perhaps just a bit over-scripted) to play a fun role as a baddie with megalomanic tendencies and a brain to boot. The visual effects have held up remarkably well and though I didn't quite love the ending, this is a strong and confident outing for Reeve that resists the temptation to overly moralise, and delivers us an enjoyable series of good vs. evil escapades that are well worth a few hours in front of a big screen with proper sound.
<em>'Superman'</em> is imperfect, though has an undeniable charm to it and a straightforwardness that I actually appreciated whilst watching. It's a film that feels broken in pieces and then glued back together, like each stage of the movie almost feels unconnected to the other. We get the backst ... ory in a decent sized chunk, then a long bit for Clark's early Earth life, then he turns into the titular character and we have a hefty portion of him doing his superhero things consecutively and then the antagonist finally rears his head. I know that sounds like every film ever, but whilst viewing it does feel oddly constructed. The humour is also quite wooden, while Lex Luthor is incredibly cartooney. None of what I'm saying is criticism though, because I had a very pleasant time watching this 1978 production. It's just a really nice experience from start to end, albeit one that is rough around the edges. Gene Hackman's portrayal of Luthor is excellent. I like Jesse Eisenberg's Lex in the DCEU flick, but I do prefer this version - just due to how fun he is, it works well. I actually wish we got more of a direct Superman v. Luthor movie, to be honest. Perhaps that's coming in the sequels, I guess I'll soon find out. Christopher Reeve fits the main character strongly, admittedly I kinda enjoyed his performance as Clark Kent a tad more. Margot Kidder, Ned Beatty, Valerie Perrine and Jackie Cooper stand out on a notable support cast; which also includes one Marlon Brando, someone I had only previously seen in <em>'The Godfather'</em> - gotta watch more! For a two hour plus thing, this goes by remarkable quickly - despite the aforementioned clunkiness. I have a clock near the television and any time I looked across it was closer and closer to the conclusion. As true a sign as any that I enjoyed this one. Now to check out the follow-ups!