Popularity: 8 (history)
| Director: | Steven Spielberg |
|---|---|
| Writer: | Michael Crichton, David Koepp |
| Staring: |
| A wealthy entrepreneur secretly creates a theme park featuring living dinosaurs drawn from prehistoric DNA. Before opening day, he invites a team of experts and his two eager grandchildren to experience the park and help calm anxious investors. However, the park is anything but amusing as the security systems go off-line and the dinosaurs escape. | |
| Release Date: | Jun 11, 1993 |
|---|---|
| Director: | Steven Spielberg |
| Writer: | Michael Crichton, David Koepp |
| Genres: | Adventure, Science Fiction |
| Keywords | exotic island, dna, paleontology, tyrannosaurus rex, triceratops, brontosaurus, electric fence, island, dinosaur, amusement park, theme park |
| Production Companies | Universal Pictures, Amblin Entertainment |
| Box Office |
Revenue: $920,100,000
Budget: $63,000,000 |
| Updates |
Updated: Oct 30, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Sam Neill | Grant |
| Laura Dern | Ellie |
| Jeff Goldblum | Malcolm |
| Richard Attenborough | Hammond |
| Bob Peck | Muldoon |
| Martin Ferrero | Gennaro |
| BD Wong | Wu |
| Joseph Mazzello | Tim |
| Ariana Richards | Lex |
| Samuel L. Jackson | Arnold |
| Wayne Knight | Nedry |
| Gerald R. Molen | Harding |
| Miguel Sandoval | Rostagno |
| Cameron Thor | Dodgson |
| Christopher John Fields | Volunteer #1 |
| Whit Hertford | Volunteer Boy |
| Dean Cundey | Mate |
| Jophery C. Brown | Worker in Raptor Pen |
| Tom Mishler | Helicopter Pilot |
| Greg Burson | Mr. D.N.A. (voice) |
| Adrian Escober | Worker at Amber Mine |
| Richard Kiley | Jurassic Park Tour Voice (voice) |
| Name | Job |
|---|---|
| Alexander Courage | Orchestrator |
| Kim Blanchette | Visual Effects |
| Brian N. Bentley | Compositors |
| Chris O'Connell | Visual Effects Editor |
| Jackie Carr | Set Decoration |
| William James Teegarden | Art Direction |
| Kenneth Wannberg | Music Editor |
| Gary Summers | Sound Re-Recording Mixer |
| Tim Holland | Sound Effects Editor |
| Teresa Eckton | Sound Effects Editor |
| Ken Fischer | Sound Effects Editor |
| Lauren Cory | Assistant Art Director |
| John Villarino | Construction Coordinator |
| John R. Elliott | Construction Foreman |
| Jeff Brown | Greensman |
| Tim Donelan | Leadman |
| Rory Enke | Location Scout |
| Tom Cranham | Production Illustrator |
| Yarek Alfer | Sculptor |
| John Berger | Set Designer |
| Anthony 'AJ' Leonardi Jr. | Standby Painter |
| Raymond Stella | Camera Operator |
| David B. Nowell | Helicopter Camera |
| Murray Close | Still Photographer |
| Sue Moore | Costume Supervisor |
| Alvin S. Cabrinha Jr. | Carpenter |
| Tim Gonzales | Craft Service |
| Cal Roberts | First Assistant Camera |
| Tino Caira | Driver |
| Robert West | Post Production Assistant |
| Jane Goe | Production Controller |
| Timothy Greenwood | Projection |
| Victor Anderson | Propmaker |
| Mark Travis | Security |
| Bruce Lamond | Software Engineer |
| Ron Judkins | Sound Mixer, Sound Recordist |
| Don Feldstein | Stand In |
| Nathalie B. Bollinger | Stunts |
| William F. Hamilton | Systems Administrators & Support |
| Hal Lary | Transportation Captain |
| Denny Caira | Transportation Coordinator |
| Paul Deason | Unit Production Manager |
| Marsha Robertson | Unit Publicist |
| Robert Peluce | Layout |
| Dale Caldwell | Color Timer |
| David Tanaka | Editorial Coordinator |
| Roger Thompson | Electrician |
| Jack S. Schlosser | Gaffer |
| Henry Charleston | Lighting Technician |
| Patrick Marshall | Rigging Gaffer |
| Michael Hirshenson | Casting Associate |
| Patricia Blau | Executive In Charge Of Production |
| Pam Kaye | Production Accountant |
| Jason Pomerantz | Production Manager |
| Mark Lohff | Production Coordinator |
| Angela Heald | Production Office Coordinator |
| Jules Roman | Production Supervisor |
| Robert Jackson | Boom Operator |
| Shawn Murphy | Scoring Mixer, Sound Re-Recording Mixer |
| Ryan Keely | Digital Compositors |
| Rachel Decker | I/O Supervisor |
| Judith Weaver | Visual Effects Coordinator |
| TyRuben Ellingson | Visual Effects Art Director |
| Douglas Greenfield | Dolby Consultant |
| Luigi Mugavero | Set Dresser |
| Stephen Sfetku | Camera Loader |
| Dave Wachtman | Dolly Grip |
| Ron Cardarelli | Key Grip |
| John Coker | Grip |
| Christina Smith | Makeup Supervisor |
| Robert 'Bobby Z' Zajonc | Aerial Coordinator |
| John T. Kretchmer | First Assistant Director |
| Gary Burritt | Negative Cutter |
| Mark Walthour | Chief Lighting Technician |
| Sherry Marshall | Assistant Production Coordinator |
| Susanna Griffith | Casting Assistant |
| Laurel Ladevich | ADR Editor |
| Sandina Bailo-Lape | Foley Editor |
| Evan Brainard | Mechanical Designer |
| Sara Bolder | Dialogue Editor |
| Jerry Moss | Property Master |
| Dean Drabin | ADR Mixer |
| Ann Hadsell | ADR Recordist |
| Mary Helen Leasman | Foley Editor |
| Dennie Thorpe | Foley Artist |
| Marnie Moore | Foley Artist |
| Geoff Campbell | CG Animator |
| Kelly Porter | Costumer |
| Kenneth Silverstein | Second Second Assistant Director |
| Dan Ondrejko | Head Greensman |
| Maureen Kropf | Set Painter |
| Scott W. Leslie | Swing |
| Phyllis Thurber-Moffit | Textile Artist |
| Donna Jaffe | Assistant Dialogue Editor |
| Thomas R. Homsher | Special Effects Technician |
| Terry Chostner | Visual Effects Camera |
| Michael Gleason | Visual Effects Editor |
| Meredith Garrison | Visual Effects Production Assistant |
| John Connell | Assistant Camera |
| Sid Lucero | Best Boy Grip |
| Randal M. Dutra | Senior Animator |
| Roberto McGrath | Assistant Editor |
| Louis Rivera | Negative Cutter |
| Derek N. Prusak | Stereoscopic Editor |
| Sam Lee | Assistant Location Manager |
| Chris Boardman | Music Arranger |
| Elena Holden Tuens | Assistant Accountant |
| Steve Chandler | Assistant Chief Lighting Technician |
| Bud Heller | Key Rigging Grip |
| Kristen J. Nye | Payroll Accountant |
| J.W. 'Corkey' Fornof | Pilot |
| Kimberly Verros | Production Assistant |
| Lynne Cannizzaro | Production Secretary |
| Erick Aragon | Rotoscoping Artist |
| Sherin Varghese | Stereoscopic Supervisor |
| Jolanda Wipfli | Second Assistant Camera |
| Brian Hawkins | Stereoscopic Technical Director |
| Rusty Hanson | Stunts |
| Larry Davis | Stunts |
| Laura Dash | Stunts |
| Cynthia Madvig | Stand In |
| Michael Lantieri | Special Effects Supervisor |
| Eric H. Sandberg | Costume Supervisor |
| Mitchell Ray Kenney | Costumer |
| Monty Westmore | Makeup Supervisor |
| Lynda Gurasich | Hair Supervisor |
| Martin A. Kline | Assistant Art Director |
| Paul Sonski | Assistant Art Director |
| Masako Masuda | Set Designer |
| Lauren E. Polizzi | Set Designer |
| Carla McCloskey | Second Unit First Assistant Director |
| Caroline Quinn | Art Department Coordinator |
| Steven Spielberg | Director |
| John Williams | Original Music Composer |
| Dean Cundey | Director of Photography |
| Michael Kahn | Editor |
| Janet Hirshenson | Casting |
| Jane Jenkins | Casting |
| Rick Carter | Production Design |
| Michael Crichton | Novel, Screenplay |
| David Koepp | Screenplay |
| Ana Maria Quintana | Script Supervisor |
| Richard Hymns | Supervising Sound Editor |
| Ken Levine | Location Manager |
| Gary Rydstrom | Sound Re-Recording Mixer, Sound Designer |
| Janet Healy | Visual Effects Producer |
| Phil Tippett | Visual Effects |
| Michele Panelli-Venetis | Second Assistant Director |
| John Bell | Art Direction |
| Tom Boyd | Musician |
| Michael Silvers | Dialogue Editor |
| Christopher Boyes | Assistant Sound Designer, Foley Recordist |
| Patricia Tallman | Stunt Double |
| Jim Morris | General Manager |
| Ken Peterson | Assistant Property Master |
| Brian Smrz | Stunts |
| R.A. Rondell | Stunts |
| Pat Romano | Stunts |
| Norman Howell | Stunts |
| Donna Evans | Stunts |
| Armen Ksajikian | Musician |
| Dennis Muren | Visual Effects Supervisor |
| Stan Winston | Special Effects |
| Fríða Aradóttir | Hair Supervisor |
| Mark 'Crash' McCreery | Concept Artist |
| Les Larson | Stunts |
| Gary Epper | Stunts |
| George Lucas | Post Production Supervisor |
| Gary Hymes | Second Unit Director, Stunt Coordinator |
| Lloyd Ahern II | Additional Photography |
| Steve Williams | CG Animator |
| Mark A.Z. Dippé | Visual Effects Supervisor |
| Gary McLarty | Stunts |
| Name | Title |
|---|---|
| Lata Ryan | Associate Producer |
| Kathleen Kennedy | Producer |
| Gerald R. Molen | Producer |
| Colin Wilson | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 46 | 76 | 27 |
| 2024 | 5 | 46 | 71 | 34 |
| 2024 | 6 | 41 | 63 | 31 |
| 2024 | 7 | 43 | 64 | 32 |
| 2024 | 8 | 39 | 66 | 25 |
| 2024 | 9 | 33 | 41 | 24 |
| 2024 | 10 | 39 | 67 | 25 |
| 2024 | 11 | 38 | 67 | 28 |
| 2024 | 12 | 39 | 76 | 28 |
| 2025 | 1 | 49 | 73 | 33 |
| 2025 | 2 | 56 | 90 | 11 |
| 2025 | 3 | 21 | 63 | 1 |
| 2025 | 4 | 13 | 23 | 8 |
| 2025 | 5 | 10 | 12 | 8 |
| 2025 | 6 | 11 | 16 | 7 |
| 2025 | 7 | 21 | 28 | 15 |
| 2025 | 8 | 12 | 15 | 10 |
| 2025 | 9 | 9 | 12 | 7 |
| 2025 | 10 | 7 | 9 | 6 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 5 | 62 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 3 | 59 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 19 | 58 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 11 | 38 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 16 | 61 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 32 | 100 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 24 | 110 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 26 | 133 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 28 | 102 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 63 | 119 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 64 | 144 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 45 | 130 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 103 | 173 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 60 | 92 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 65 | 113 |
If you somehow missed this movie and have never seen it then watch it immediately. As a young boy of 9 on my way to the cinema I wasn't at all prepared for the on-screen awesomeness I was about to witness, one of the defining movies of my childhood and of the modern age. With special effects that si ... mply blew any and all previous dino movies out of the water, compelling story and the odd comic moment such as the Mr Arnolds arm it really did make that evening something I will remember forever. So successful it went on to spawn 3 sequels, the second was enjoyable, the third not so much. The newest Chris Pratt one, I'll leave that for you but its worth a watch, especially if you want to wash the taste of the 3rd one out of your mouth. It gave me nightmares for weeks, really really wonderful nightmares.
I love it. There are movies coming out right now, 25 years later, with triple the budget (even _Jurassic_ movies) where the effects just cannot hold a candle to _Jurassic Park_. If that was the **only** thing it had going for, it would be enough for me to recommend this movie for all, but make no mi ... stake, _Jurassic Park_ is **great** with or without them (but thank God it's with). _Final rating:★★★★ - Very strong appeal. A personal favourite._
"Life finds a way… to let us enjoy dinos in theaters" Filthy rich millionaire John Hammond (Richard Attenborough) is about to open a dinosaur theme park. He invites a couple of experts to satisfy his investors. During a preview tour things go awfully wrong. While ‘Jurassic Park’ is too simplis ... tic to be a perfect movie it is blockbuster cinema at its very best. Spielberg grabs you by the throat from the get go and you instantly know you’re in for quite a ride. The story is simple but effective. Author Michael Crichton did his very best to make the cloning dinosaurs part plausible. When you have living giant meat-eaters in your amusement park it’s not hard to come up with something which causes things to go south so fast before you can say T-rex. The movie works because it doesn’t take itself too seriously. The characters are somewhat underdeveloped but their main purpose is to serve as dino treats. The Ian Malcolm character (Jeff Goldblum) is of little use but he’s funny. Grumpy Dr. Grant (Sam Neill) is the perfect counterpart. You can’t help but root for these characters. What makes the movie stand out are the ground-breaking special effects. Even to this day it’s remarkable what ILM and Stan Winston’s crew achieved. Although a 'Jaws' approach would have perhaps worked better (Love the shot of the T-rex’ leg in the mud) the dinos look so realistic. What ‘Jurassic Park’ does have in common with 'Jaws' is John Williams’ score. Although not as ominous and iconic as 'Jaws', Williams went for wonderment this time around. Perhaps not regarded as his most famous work it’s amazing. When the experts travel to the island Williams’ score does indeed give you a sense of wonderment. The scene where the visitors first lay eyes on the dinosaurs is movie magic. Rereleased for its 25th anniversary it’s safe to say we rarely have had more fun in the cinema than while watching 'Jurassic Park'.
This is my idea of a perfect movie. I mean, it's not perfect, perfect, but it's pretty close. To start off the score is just amazing and iconic and really drives the awe of this film. And these characters are developed so quickly but are also so good. All of the actors give fantastic performances. S ... am Neill, Jeff Goldblum, Laura Dern, and Richard Attenborough give classic performances and even the supporting actors like Wayne Knight, Samuel L. Jackson, and especially Bob Peck as Muldoon. What really struck me this time I watched it was how the action really doesn't even start until halfway through the movie, and then from there the action is nonstop. I think that since it was paced like this, it allows us to get attached to the characters which makes the action so much more impactful and suspenseful. And even with that first hour that is primarily dialogue, it's still so engaging since the script is tightly written, it has some compelling conversations on the control that humans have, is well shot, and has some humor that feels natural in the dialogue and is in character. The humor is never forced in situations that are tense unless it's expected form that character, like Ian Malcolm. And then that second half... my God, it's so good. This isn't an action movie to me, it's a suspenseful thriller. There's no humans fighting dinosaurs, exploding cars and planes, and the action is used relatively sparingly. The CGI is also used sparingly and only when it is needed. Both the practical effects and CGI look great still. Speilberg really crafted amazing characters, tense scenes like with the Tyrannosaurus breakout and the Raptors in the kitchen, and iconic shots. This was my favorite movie as a kid because of the cool-looking dinosaurs, and is still one of my favorites because of it's insanely great characters and suspenseful scenes.
MORE REVIEWS @ https://www.msbreviews.com/ Many films age quite well, but Jurassic Park (1993) undoubtedly holds up better than most. From its memorable score to the still impressive animatronics, without forgetting its iconic characters, Steven Spielberg truly is a magnificent filmmaker. Remains ... as suspenseful as ever. Rating: A+
This is one of relatively few movies that I have watched more than twice, so obviously I like it. My most recent viewing came because I ran across the remastered version and decided to watch it again after many years. I was never one of those kids who was into dinosaurs growing up. I was more int ... o DC comic book heroes and their TV counterparts. But I like how realistic monsters and dinosaurs are looking since I started watching these films as an adult. It was awesome the first time I watched it, and Jurassic Park still seems like the finest example of special effects up until that point. As far as the plot and the story details are concerned, however, it is quite ordinary. A man who doesn’t like children becomes their caretaker when danger threatens them; an embittered consultant dabbles in corporate theft; a wisecracking chaos theorist who proves to be correct in a few predictions, though it is never explained why he was chosen to evaluate the theme park in the first place. And like the security personnel in the old Star Trek episodes, several characters are earmarked for destruction so the the core of characters we are supposed to care about can all survive. But I am not dissing all of this, just saying that the story is a rather ordinary framework to display the awesome graphics of dinosaurs in motion. But the humor is good, Jeff Goldblum is great (but then I even like him in Apartment.com commercials) and it is all well done. It is just that the film will never make one of my top 10 lists and, finally at this late date, I may have watched it for the last time.
**Overall : Unparalleled storytelling blends nostalgia and terror, producing one of the most extraordinary adventures ever on screen.** Jurassic Park's groundbreaking special effects blended practical effects with cutting-edge computer-generated imagery, resulting in such realistic creatures that ... even many modern-day effects. Spielberg brought dinosaurs to life, capturing the imagination of every young child while still delivering thrills and scares. It's a beautiful combination of fantasy, adventure, and sci-fi terror. Jurassic Park set a new standard for storytelling and effects that inspired filmmakers to dream bigger and audiences to expect the magnificent.
The classic jurassic park movie. It's a theme park where the dinosaurs eventually break out of. Once they taste human flesh they can't get enough of it. ...
A cracking film about a team of archaeologists sent to evaluate a theme park with a difference. It has end-to-end thrills and some truly groundbreaking special effects. The acting is, however, another matter entirely. Sam Neill and Laura Dern as well as the truly irritating children, deserve to be e ... aten (preferably as early on in the film as possible) and Richard Attenborough's accent - well goodness only knows where that is supposed to come from. Bob Peck and Jeff Goldblum hold up their end of the bargain rather better and the dinosaurs are just magnificent. John Williams does his stuff with the score, too - all contributing to something you must see.
Jurassic Park (1993) is one of those rare films that perfectly blends story, spectacle, and emotion. Directed by Steven Spielberg, it’s a true benchmark in movie history, and honestly, it’s hard to find anything about it that doesn’t impress. From the opening moments, the tension and wonder pull you ... in, setting the stage for a thrilling adventure that doesn’t let go. The pacing is spot-on, balancing moments of awe with bursts of heart-pounding intensity. Every scene feels meticulously crafted, showcasing Spielberg's masterful ability to make even the quiet moments count. The performances are exceptional, with each actor bringing a sense of realism and humanity to their roles. You truly believe these are real people reacting to an extraordinary situation, which is what makes it so easy to connect with the story. The visual effects, a mix of animatronics and early CGI, still hold up today, which is a testament to how much care went into this production. John Williams' iconic score deserves its own spotlight. It amplifies every scene, whether it’s filled with wonder, suspense, or quiet reflection. It’s the kind of music that stays with you long after the credits roll. What really makes Jurassic Park timeless is how it captures the imagination. It’s not just about the thrills or the groundbreaking effects but also the themes that make you think about humanity’s role in nature and the consequences of pushing boundaries. Everything, from the cinematography to the set design, feels immersive, transporting you to a world that’s both beautiful and terrifying. It’s no wonder this film continues to be celebrated. It is simply one of the finest examples of filmmaking ever made