Popularity: 7 (history)
Director: | David Cronenberg |
---|---|
Writer: | David Cronenberg, Charles Edward Pogue |
Staring: |
When Seth Brundle makes a huge scientific and technological breakthrough in teleportation, he decides to test it on himself. Unbeknownst to him, a common housefly manages to get inside the device and the two become one. | |
Release Date: | Aug 15, 1986 |
---|---|
Director: | David Cronenberg |
Writer: | David Cronenberg, Charles Edward Pogue |
Genres: | Science Fiction, Horror |
Keywords | mutant, scientist, fly (insect), fly/human hybrid, frightened, toronto, canada, creature, parasite underneath skin, animal research, commanding, experiment, halloween, bodily dismemberment, animal horror, body horror, mutation, remake, psychotic, melting, awestruck, monster, transformation, blunt, disturbed, in-home laboratory, horrified |
Production Companies | SLM Production Group, Brooksfilms |
Box Office |
Revenue: $60,629,159
Budget: $15,000,000 |
Updates |
Updated: Jul 30, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Jeff Goldblum | Seth Brundle |
Geena Davis | Veronica Quaife |
John Getz | Stathis Borans |
Joy Boushel | Tawny |
Leslie Carlson | Dr. Cheevers |
George Chuvalo | Marky |
Michael Copeman | 2nd Man in Bar |
David Cronenberg | Gynecologist |
Carol Lazare | Nurse |
Shawn Hewitt | Clerk |
Typhoon | Baboon (uncredited) |
Ann Green | Restaurant Patron (uncredited) |
Name | Job |
---|---|
Ronald Sanders | Editor |
Carol Spier | Production Design |
Deirdre Bowen | Casting |
Rolf Harvey | Art Direction |
Elinor Rose Galbraith | Set Decoration |
Ivan Lynch | Hairstylist |
Shonagh Jabour | Makeup Artist |
Nick Kosonic | Scenic Artist |
James McAteer | Set Designer |
Jane Tattersall | Sound Effects Editor |
Gerry Humphreys | Sound Re-Recording Mixer |
Robin O'Donoghue | Sound Re-Recording Mixer |
David Evans | Supervising Sound Editor |
Wayne Griffin | Supervising Sound Editor |
Katherine Kean | Animation |
Mitchell Rothzeid | Animation |
Lee Wilson | Visual Effects Supervisor |
Scotty Allan | Gaffer |
Robin Miller | Additional Photography |
Kenneth Post | Additional Photography |
Attila Dory | Still Photographer |
Michael Rea | First Assistant Editor |
Jim Weidman | Music Editor |
Matthew Wolchock | Transportation Coordinator |
Gillian Richardson | Script Supervisor |
Howard Rothschild | Location Manager |
Prudence Emery | Unit Publicist |
David Coatsworth | Unit Production Manager |
Debbie Cooke | Production Coordinator |
Jack Hooper | Negative Cutter |
Homer Denison | Orchestrator |
John Board | First Assistant Director |
Kim H. Winther | Second Assistant Director |
Marc Corriveau | Property Master |
Richard Cadger | Dialogue Editor |
Marvin Midwicki | First Assistant Camera |
Donna Mobbs | Second Assistant Camera |
Joe Curtin | Construction Manager |
Danielle Fleury | Set Dresser |
Ian Fraser | Head Carpenter |
Gary Jack | Set Dresser |
Nancey Pankiw | First Assistant Art Direction |
Terry Burke | Foley Artist |
Bryan Day | Production Sound Mixer |
Michael LaCroix | Production Sound Mixer |
Robin Leigh | ADR Editor |
Louis Craig | Special Effects |
Ted Ross | Special Effects |
Mark Manchester | Key Grip |
Paul Hotte | Assistant Property Master |
Ian Wheatley | Assistant Set Dresser |
Donald Engel | Carpenter |
Pat Calvert | Assistant Sound Editor |
Michael Followes | Assistant Sound Editor |
David Giammarco | Assistant Sound Editor |
Susan Maggi | Assistant Sound Editor |
Sandra Moffat | Assistant Sound Editor |
Steve Munro | Assistant Sound Editor |
Don White | ADR Recordist, Foley Mixer |
Lesley Mallgrave | Visual Effects Supervisor |
Tom Bisogno | CG Animator |
Paul Griffin | Senior Animator |
Brent Meyer | Stunt Double |
Sam Bojin | Electrician |
Charlotte Disher | Camera Trainee |
David Hynes | Dolly Grip |
Don Payne | Grip |
Ian D. Scott | Electrician |
David Willetts | Best Boy Electric |
Trysha Bakker | Wardrobe Master |
Cherie MacNeill | Assistant Editor |
Carol McBride | Post Production Coordinator |
Kant Pan | Assistant Editor |
Susan Shipton | Assistant Editor |
Richard Bissill | Musician |
Michael Boddicker | Musician |
Skaila Kanga | Musician |
Jonathan Snowden | Musician |
Doreen Davis | Production Accountant |
Wayne Fitzgerald | Title Designer |
Gary Kanew | Title Designer |
Doron Kernerman | Stunt Double |
Susan Kinnevy | Producer's Assistant |
Susan C. MacQuarrie | Craft Service |
Barbara Mainguy | Producer's Assistant |
Rick Schmidlin | Producer's Assistant |
Romuald Sunny | Stunt Double |
Randy Auerbach | Producer's Assistant |
Michael Lennick | Technical Advisor |
Tony Laudati | Creature Effects Technical Director |
David Cronenberg | Screenplay, Director |
Howard Shore | Conductor, Original Music Composer |
Mark Irwin | Director of Photography |
Denise Cronenberg | Costume Design |
Hoyt Yeatman | Visual Effects Supervisor |
Dwayne McLean | Stunt Coordinator |
Charles Edward Pogue | Screenplay |
Patricia Rozema | Third Assistant Director |
Tom Quinn | Third Assistant Director |
Clark Johnson | Special Effects |
Chris Walas | Creature Design |
George Langelaan | Short Story |
Name | Title |
---|---|
Marc Boyman | Co-Producer |
Kip Ohman | Co-Producer |
Mel Brooks | Producer |
Stuart Cornfeld | Producer |
Organization | Category | Person | |
---|---|---|---|
Venice Film Festival | Best Picture | N/A | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 63 | 105 | 41 |
2024 | 5 | 70 | 107 | 48 |
2024 | 6 | 55 | 101 | 26 |
2024 | 7 | 66 | 168 | 42 |
2024 | 8 | 54 | 89 | 37 |
2024 | 9 | 38 | 66 | 27 |
2024 | 10 | 49 | 79 | 33 |
2024 | 11 | 40 | 56 | 31 |
2024 | 12 | 37 | 60 | 23 |
2025 | 1 | 38 | 55 | 31 |
2025 | 2 | 28 | 42 | 6 |
2025 | 3 | 12 | 32 | 3 |
2025 | 4 | 8 | 11 | 5 |
2025 | 5 | 6 | 12 | 4 |
2025 | 6 | 6 | 9 | 4 |
2025 | 7 | 5 | 6 | 4 |
2025 | 8 | 5 | 7 | 4 |
2025 | 9 | 7 | 8 | 7 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 505 | 720 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 377 | 680 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 601 | 745 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 334 | 630 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 307 | 713 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 315 | 689 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 298 | 716 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 254 | 649 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 617 | 785 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 568 | 825 |
_**Slowly turning into a monster, aka slowly succumbing to age**_ An eccentric scientist living in a warehouse laboratory in a big city in the Northeast (Jeff Goldblum) discovers how to teleport objects, which draws the attention of a journalist (Geena Davis). Everything is going fine until he fo ... olishly uses his invention on himself and a pesky fly inadvertently teleports with him. John Getz is on hand as the woman’s editor while Joy Boushel has a notable small role as Tawny. "The Fly" (1986) has a lot of devotees presumably because of director/writer David Cronenberg, but I found it less effective compared to the 1958 version with Vincent Price. Despite the gory state-of-the-art effects, it’s just not as compelling or horrifying (especially that final scene in the original). The one-dimensional locations are also a turn-off: Excluding the great bar scene the whole movie takes place in a grungy lab or a swank office building. The cast trilogy is exceptionally tall. While Goldblum (6’4½”) is serviceable and gives it his all, he’s not leading man material, although he’s fine in secondary roles. And I was never big on Davis, but she’s a’right I guess. At least the two absolutely look & act like they were meant for each other. In its favor, the movie is a metaphor for how aging & disease slowly destroys the body. Despite the sickening visuals, it’s heartbreaking and tragic, which you might not expect in a sci-fi flick about a guy who morphs into a fly. It thankfully avoids the rut of camp and melodrama. The film runs 1 hour, 36 minutes, and was shot in Toronto with studio work done in nearby Kleinburg. GRADE: B-/C+
Nobody could ever call Jeff Goldbum a versatile actor, but here he is very much in his element as "Brundle". A madcap scientist, he dreams of being able to teleport things just like Willy Wonka does in 1971. He is almost as keen on journalist "Veronica" (Geena Davis) and so offers her exclusive acce ... ss to follow and film his research. That all goes remarkably well - first a scarf, then more animated objects before, finally, himself. Snag is - well a fly just happened to sneak into the pod before the transferal and next thing he and his new dipteral cousin start a journey to the symbiotic relationship from Hell. He can crawl on the ceiling; fly and most impressively - dissolve his victims in his own vomit! David Cronenberg is having great fun with this as is Goldblum. The dialogue is entertaining and there is the most bizarre degree of chemistry between him and Davis who turns in one of her career defining performances. The visual and make-up effects - especially towards the end - offer a fitting denouement to this gory and frequently amusing sci-fi horror film that is nearly, but not quite, as good as the version from 1958. Certainly worth watching on a big screen if you can - somehow it just looks so much better there.
What was his electric bill and how did he not blow out every fuse in his building? Telepods must suck up a lot of juice. Anyway, it's fun. It is the typical 80s flick, with a plot that takes all of 5 minutes to get rolling and a cast that was talented and still cheap enough to throw in a sci-fi ... horror flick. But, you know, it's also mindless fun, it's not exactly deep, it's about science, and about the dangers of it, that never really manages to actually examine the dangers of science in any significant way... it's more along the lines of Kafka's Metamorphosis, which has already been examined. But it doesn't matter, because you are watching it for mindless entertainment.
The Fly is so good. Successful futurism. Seems the Fallout games benefitted. The physical effects are amazing and fun. Do not watch if gore sensitive. Why not build a smaller machine first to test on...flies, instead of going straight to human-sized machines and testing on baboons? They gotta ... be expensive. Mice? The ridiculous nature of the film is a delight. The performances entertain while enhancing the story (narrative). That guy is such an amazing douchebag. The film entertains and engages. Rare. I'm high on science. Gena Davis is beautiful. Would bang if Brundleflymly.
David Cronenberg’s The Fly is a grotesque, tragic, and strangely beautiful descent into body horror. What begins as a high-concept sci-fi romance slowly mutates much like its protagonist into something far more disturbing and unforgettable. One of my favorite movies! ...