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The Fly

Be afraid. Be very afraid.
1986 | 96m | English

(217404 votes)

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Popularity: 7 (history)

Details

When Seth Brundle makes a huge scientific and technological breakthrough in teleportation, he decides to test it on himself. Unbeknownst to him, a common housefly manages to get inside the device and the two become one.
Release Date: Aug 15, 1986
Director: David Cronenberg
Writer: David Cronenberg, Charles Edward Pogue
Genres: Science Fiction, Horror
Keywords mutant, scientist, fly (insect), fly/human hybrid, frightened, toronto, canada, creature, parasite underneath skin, animal research, commanding, experiment, halloween, bodily dismemberment, animal horror, body horror, mutation, remake, psychotic, melting, awestruck, monster, transformation, blunt, disturbed, in-home laboratory, horrified
Production Companies SLM Production Group, Brooksfilms
Box Office Revenue: $60,629,159
Budget: $15,000,000
Updates Updated: Jul 30, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Jeff Goldblum Seth Brundle
Geena Davis Veronica Quaife
John Getz Stathis Borans
Joy Boushel Tawny
Leslie Carlson Dr. Cheevers
George Chuvalo Marky
Michael Copeman 2nd Man in Bar
David Cronenberg Gynecologist
Carol Lazare Nurse
Shawn Hewitt Clerk
Typhoon Baboon (uncredited)
Ann Green Restaurant Patron (uncredited)
Name Job
Ronald Sanders Editor
Carol Spier Production Design
Deirdre Bowen Casting
Rolf Harvey Art Direction
Elinor Rose Galbraith Set Decoration
Ivan Lynch Hairstylist
Shonagh Jabour Makeup Artist
Nick Kosonic Scenic Artist
James McAteer Set Designer
Jane Tattersall Sound Effects Editor
Gerry Humphreys Sound Re-Recording Mixer
Robin O'Donoghue Sound Re-Recording Mixer
David Evans Supervising Sound Editor
Wayne Griffin Supervising Sound Editor
Katherine Kean Animation
Mitchell Rothzeid Animation
Lee Wilson Visual Effects Supervisor
Scotty Allan Gaffer
Robin Miller Additional Photography
Kenneth Post Additional Photography
Attila Dory Still Photographer
Michael Rea First Assistant Editor
Jim Weidman Music Editor
Matthew Wolchock Transportation Coordinator
Gillian Richardson Script Supervisor
Howard Rothschild Location Manager
Prudence Emery Unit Publicist
David Coatsworth Unit Production Manager
Debbie Cooke Production Coordinator
Jack Hooper Negative Cutter
Homer Denison Orchestrator
John Board First Assistant Director
Kim H. Winther Second Assistant Director
Marc Corriveau Property Master
Richard Cadger Dialogue Editor
Marvin Midwicki First Assistant Camera
Donna Mobbs Second Assistant Camera
Joe Curtin Construction Manager
Danielle Fleury Set Dresser
Ian Fraser Head Carpenter
Gary Jack Set Dresser
Nancey Pankiw First Assistant Art Direction
Terry Burke Foley Artist
Bryan Day Production Sound Mixer
Michael LaCroix Production Sound Mixer
Robin Leigh ADR Editor
Louis Craig Special Effects
Ted Ross Special Effects
Mark Manchester Key Grip
Paul Hotte Assistant Property Master
Ian Wheatley Assistant Set Dresser
Donald Engel Carpenter
Pat Calvert Assistant Sound Editor
Michael Followes Assistant Sound Editor
David Giammarco Assistant Sound Editor
Susan Maggi Assistant Sound Editor
Sandra Moffat Assistant Sound Editor
Steve Munro Assistant Sound Editor
Don White ADR Recordist, Foley Mixer
Lesley Mallgrave Visual Effects Supervisor
Tom Bisogno CG Animator
Paul Griffin Senior Animator
Brent Meyer Stunt Double
Sam Bojin Electrician
Charlotte Disher Camera Trainee
David Hynes Dolly Grip
Don Payne Grip
Ian D. Scott Electrician
David Willetts Best Boy Electric
Trysha Bakker Wardrobe Master
Cherie MacNeill Assistant Editor
Carol McBride Post Production Coordinator
Kant Pan Assistant Editor
Susan Shipton Assistant Editor
Richard Bissill Musician
Michael Boddicker Musician
Skaila Kanga Musician
Jonathan Snowden Musician
Doreen Davis Production Accountant
Wayne Fitzgerald Title Designer
Gary Kanew Title Designer
Doron Kernerman Stunt Double
Susan Kinnevy Producer's Assistant
Susan C. MacQuarrie Craft Service
Barbara Mainguy Producer's Assistant
Rick Schmidlin Producer's Assistant
Romuald Sunny Stunt Double
Randy Auerbach Producer's Assistant
Michael Lennick Technical Advisor
Tony Laudati Creature Effects Technical Director
David Cronenberg Screenplay, Director
Howard Shore Conductor, Original Music Composer
Mark Irwin Director of Photography
Denise Cronenberg Costume Design
Hoyt Yeatman Visual Effects Supervisor
Dwayne McLean Stunt Coordinator
Charles Edward Pogue Screenplay
Patricia Rozema Third Assistant Director
Tom Quinn Third Assistant Director
Clark Johnson Special Effects
Chris Walas Creature Design
George Langelaan Short Story
Name Title
Marc Boyman Co-Producer
Kip Ohman Co-Producer
Mel Brooks Producer
Stuart Cornfeld Producer
Organization Category Person
Venice Film Festival Best Picture N/A Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 63 105 41
2024 5 70 107 48
2024 6 55 101 26
2024 7 66 168 42
2024 8 54 89 37
2024 9 38 66 27
2024 10 49 79 33
2024 11 40 56 31
2024 12 37 60 23
2025 1 38 55 31
2025 2 28 42 6
2025 3 12 32 3
2025 4 8 11 5
2025 5 6 12 4
2025 6 6 9 4
2025 7 5 6 4
2025 8 5 7 4
2025 9 7 8 7

Trending Position


Year Month High Avg
2025 9 505 720
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2025 8 377 680
Year Month High Avg
2025 3 601 745
Year Month High Avg
2025 2 334 630
Year Month High Avg
2025 1 307 713
Year Month High Avg
2024 12 315 689
Year Month High Avg
2024 11 298 716
Year Month High Avg
2024 10 254 649
Year Month High Avg
2024 9 617 785
Year Month High Avg
2024 8 568 825

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Reviews

Wuchak
6.0

_**Slowly turning into a monster, aka slowly succumbing to age**_ An eccentric scientist living in a warehouse laboratory in a big city in the Northeast (Jeff Goldblum) discovers how to teleport objects, which draws the attention of a journalist (Geena Davis). Everything is going fine until he fo ... olishly uses his invention on himself and a pesky fly inadvertently teleports with him. John Getz is on hand as the woman’s editor while Joy Boushel has a notable small role as Tawny. "The Fly" (1986) has a lot of devotees presumably because of director/writer David Cronenberg, but I found it less effective compared to the 1958 version with Vincent Price. Despite the gory state-of-the-art effects, it’s just not as compelling or horrifying (especially that final scene in the original). The one-dimensional locations are also a turn-off: Excluding the great bar scene the whole movie takes place in a grungy lab or a swank office building. The cast trilogy is exceptionally tall. While Goldblum (6’4½”) is serviceable and gives it his all, he’s not leading man material, although he’s fine in secondary roles. And I was never big on Davis, but she’s a’right I guess. At least the two absolutely look & act like they were meant for each other. In its favor, the movie is a metaphor for how aging & disease slowly destroys the body. Despite the sickening visuals, it’s heartbreaking and tragic, which you might not expect in a sci-fi flick about a guy who morphs into a fly. It thankfully avoids the rut of camp and melodrama. The film runs 1 hour, 36 minutes, and was shot in Toronto with studio work done in nearby Kleinburg. GRADE: B-/C+

Jun 23, 2021
Geronimo1967
7.0

Nobody could ever call Jeff Goldbum a versatile actor, but here he is very much in his element as "Brundle". A madcap scientist, he dreams of being able to teleport things just like Willy Wonka does in 1971. He is almost as keen on journalist "Veronica" (Geena Davis) and so offers her exclusive acce ... ss to follow and film his research. That all goes remarkably well - first a scarf, then more animated objects before, finally, himself. Snag is - well a fly just happened to sneak into the pod before the transferal and next thing he and his new dipteral cousin start a journey to the symbiotic relationship from Hell. He can crawl on the ceiling; fly and most impressively - dissolve his victims in his own vomit! David Cronenberg is having great fun with this as is Goldblum. The dialogue is entertaining and there is the most bizarre degree of chemistry between him and Davis who turns in one of her career defining performances. The visual and make-up effects - especially towards the end - offer a fitting denouement to this gory and frequently amusing sci-fi horror film that is nearly, but not quite, as good as the version from 1958. Certainly worth watching on a big screen if you can - somehow it just looks so much better there.

Jul 08, 2022
GenerationofSwine
10.0

What was his electric bill and how did he not blow out every fuse in his building? Telepods must suck up a lot of juice. Anyway, it's fun. It is the typical 80s flick, with a plot that takes all of 5 minutes to get rolling and a cast that was talented and still cheap enough to throw in a sci-fi ... horror flick. But, you know, it's also mindless fun, it's not exactly deep, it's about science, and about the dangers of it, that never really manages to actually examine the dangers of science in any significant way... it's more along the lines of Kafka's Metamorphosis, which has already been examined. But it doesn't matter, because you are watching it for mindless entertainment.

Nov 08, 2023
chandlerdanier
10.0

The Fly is so good. Successful futurism. Seems the Fallout games benefitted. The physical effects are amazing and fun. Do not watch if gore sensitive. Why not build a smaller machine first to test on...flies, instead of going straight to human-sized machines and testing on baboons? They gotta ... be expensive. Mice? The ridiculous nature of the film is a delight. The performances entertain while enhancing the story (narrative). That guy is such an amazing douchebag. The film entertains and engages. Rare. I'm high on science. Gena Davis is beautiful. Would bang if Brundleflymly.

Aug 24, 2024
filmeriod
10.0

David Cronenberg’s The Fly is a grotesque, tragic, and strangely beautiful descent into body horror. What begins as a high-concept sci-fi romance slowly mutates much like its protagonist into something far more disturbing and unforgettable. One of my favorite movies! ...

Jul 09, 2025