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It

You'll float too.
2017 | 135m | English

(658422 votes)

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Popularity: 12 (history)

Details

In a small town in Maine, seven children known as The Losers Club come face to face with life problems, bullies and a monster that takes the shape of a clown called Pennywise.
Release Date: Sep 06, 2017
Director: Andy Muschietti
Writer: Stephen King, Cary Joji Fukunaga, Chase Palmer, Gary Dauberman
Genres: Horror, Thriller
Keywords based on novel or book, small town, clown, bullying, abandoned house, murder, flashback, balloon, maine, coming of age, school, creature, fear, summer, killer, missing person, death of brother, well, kids, demonic, town history, scary, frightened
Production Companies New Line Cinema, Vertigo Entertainment, Lin Pictures, KatzSmith Productions
Box Office Revenue: $704,242,888
Budget: $35,000,000
Updates Updated: Aug 11, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Bill Skarsgård Pennywise
Sophia Lillis Beverly Marsh
Jaeden Martell Bill Denbrough
Jack Dylan Grazer Eddie Kaspbrak
Finn Wolfhard Richie Tozier
Jeremy Ray Taylor Ben Hanscom
Wyatt Oleff Stanley Uris
Chosen Jacobs Mike Hanlon
Nicholas Hamilton Henry Bowers
Jackson Robert Scott Georgie Denbrough
Stephen Bogaert Mr. Marsh
Stuart Hughes Officer Bowers
Owen Teague Patrick Hockstetter
Molly Atkinson Sonia Kasprak
Jake Sim Belch Huggins
Logan Thompson Victor Criss
Katie Lunman Betty Ripsom
Geoffrey Pounsett Zach Denbrough
Pip Dwyer Sharon Denbrough
Steven Williams Leroy Hanlon
Elizabeth Saunders Mrs. Starret
Megan Charpentier Gretta
Joe Bostick Mr. Keene
Ari Cohen Rabbi Uris
Anthony Ulc Joe the Butcher
Javier Botet Hobo
Carter Musselman Headless Boy
Tatum Lee Judith
Edie Inksetter Hostess
Martha Gibson Old Woman
Kasie Rayner Field Hockey Girl #1
Isabelle Nélisse Girl in Bathroom
Jocelyn Mattka Another Girl
Donald Tripe Old Man in Car
Liz Gordon Old Woman in Car
Paige Rosamond Dead Girl #1
Neil Crone Chief Borton
Sonia Gascón Mrs. Ripsom
Janet Porter Stanley's Mother
Memo Díaz Capt. 4th of July Clown
Chantal Vachon Girl in Magazine
Roberto Campanella Organ Player Clown
Cyndy Day Pharmacy Cashier (uncredited)
David Katzenberg El Aparato (uncredited)
Bobby Leigh Jonathan (uncredited)
Kate Moyer Esther (uncredited)
Sherry Nelson Woman on Street (uncredited)
Jimmy Star Man in Car (uncredited)
Kelly Van der Burg Abigail (uncredited)
James Magwood Student (uncredited)
Name Job
Steven Kostanski Makeup Artist
Benjamin Perkins Dialect Coach
Stephen King Novel
Jason Ballantine Editor
Rich Delia Casting
Benjamin Wallfisch Original Music Composer
Cary Joji Fukunaga Screenplay
Chase Palmer Screenplay
Kelly Jones Stunt Coordinator
Alec Gillis Makeup Effects Designer
Tom Woodruff Jr. Makeup Effects Designer
Jamie Jones Stunt Coordinator
Roberto Campanella Choreographer
Jeremy Gillespie First Assistant Art Direction
Chad Camilleri Stunts
Neil Davison Stunts
Christina Pitts Jazzar Associate Choreographer
Brent Jones Stunts
Aj Risi Stunts
Vincent Rother Stunts
Tim Williams Conductor
William Conrad Editorial Services
Rosalie Board Set Decoration
Peter Grundy Art Direction
Janie Bryant Costume Design
Jeff Derushie Makeup Artist
Wayne Anderson Sculptor
Daniel Carrasco Creature Design
Linda Dowds Makeup Department Head
Neil Morrill Prosthetic Makeup Artist
Debra Manou Key Hair Stylist
Emily O'Quinn Key Makeup Artist
Robin M. Reelis Production Manager
Sylvain Arseneault Sound Recordist
Glen Gauthier Sound Mixer
Warren Appleby Special Effects Supervisor, Special Effects Coordinator
Stephanie Gorin Casting
Dana Sano Music Supervisor
Dera Veinot Makeup Artist
Stephanie Ingram Hair Department Head
Adam Richard Benish Assistant Director
Adam Bocknek Second Assistant Director
Penny Charter Second Assistant Director
Richard Cowan First Assistant Director
Jordana Lieberman Third Assistant Director
Nick Lopez Third Assistant Director
Andrew Pritchard Third Assistant Director
Brenton Brown Set Dresser
Jon Chan Assistant Art Director
David DeMarinis Leadman
Michael Derrah Storyboard Designer
Eric Deros Set Designer
Adam Dougherty Sculptor
Paul Greenberg Assistant Art Director
Henry Ilola Carpenter
Andrew Lindell Carpenter
John Mackenzie Construction Coordinator
Sandor Mate Carpenter
Ryan McCaffrey Set Dresser
Rob McCallum Storyboard Designer
Kenny Meinzinger Set Dresser
Sorin Popescu Set Designer
Dave Rosa Painter
Brian van de Valk Carpenter, Construction Foreman
Nicola Weston Art Department Coordinator
Paul Hackner Sound Designer
Steve Switzer Boom Operator
CJ Woodley Boom Operator
Lise Richardson Music Editor
Brett Pierce Music Editor
Glenn Carter Location Scout
Ron McKenzie Location Scout
Randy Morgan Location Manager
Shane B. Scott Script Supervisor
Gail Marks Production Accountant
Brad DeWolde Animal Wrangler
Laurel Bresnahan Studio Teachers
Chris Jenkins Sound Re-Recording Mixer
Sarah Craig McEathron Makeup Department Head
Rose Huggett Hairstylist
Sondra Treilhard Key Hair Stylist
Darin Read Post Production Supervisor
William Waring Second Unit Director
Kyle Brown Concept Artist
Court Chu Concept Artist
Emerson Doerksen Scenic Artist
Henry Fong Concept Artist
Christopher Geggie Property Master
Alan Hemsworth Greensman
Jared Krichevsky Concept Artist
Tania McGowan First Assistant Art Direction
Joshua Min Concept Artist
Rowena O'Connor Assistant Property Master
Scott Patton Concept Artist
Scott Cannizzaro ADR Mixer
Victor Ray Ennis Supervising Sound Editor
Kris Fenske Sound Effects Editor
Paul Flinchbaugh Assistant Sound Editor
Jamie Hardt Sound Effects Editor
James B. Howe Foley Mixer
Kenneth L. Johnson Sound Effects Editor
Vic Kaspar ADR Mixer
Michael Kearns Boom Operator
Mason Kopeikin Foley Editor
Mace Matiosian Foley Editor
Thomas J. O'Connell ADR Mixer
Jesi Ruppel Foley Artist
Joseph T. Sabella Foley Artist
Bernard Weiser Dialogue Editor
Tim Cody Stunts
David Allan Lighting Technician
Sean Bourdeau Best Boy Grip
Robert Cochrane Dolly Grip
Angelo Colavecchia "A" Camera Operator, Steadicam Operator
Jeff DaSilva First Assistant Camera
Michael Galbraith Chief Lighting Technician
Glen Goodchild Dolly Grip
Alex Lawrence Lighting Technician
Doug Novis Rigging Gaffer
Brooke Palmer Still Photographer
Ronald G. Paulauskas Rigging Grip
Ryan Prouse Second Assistant "B" Camera
Benjamin Smith First Assistant "B" Camera
Dean Stinchcombe First Assistant "A" Camera
Rich Sutherland Rigging Grip
Adam Tupper Second Assistant "A" Camera
John Vrakking Key Rigging Grip
Phil Whitfield Assistant Chief Lighting Technician
Coco Kleppinger Casting Associate
Jeff Dineen Key Set Costumer
Ferran Banchs Assistant Editor
Vanessa Galvez Digital Intermediate Producer
Pearce Roemer First Assistant Editor
Hillary Holmes Music Coordinator
David J. Krystal Orchestrator
Krista Colosimo Production Secretary
Joe Everett Unit Publicist
Nicholas Brooks Visual Effects Supervisor
Kendrick Wallace Visual Effects Producer
Bauston Camilleri Stunts
Canaan Davison Stunts
Dustin Faith Stunts
Tom Farr Stunts
Cam Fergus Stunts
Brayden Jones Stunts
Ciara Jones Stunts
Jennifer Murray Stunts
Janine Parkinson Stunts
Avery Queffelec Stunts
Ilora Rosenberg Stunts
Bryan J. Thomas Stunts
Mark Purcell Sound Mix Technician
Lara Ramirez Visual Effects Editor
Katharine Duke Payroll Accountant
Michael Carella "B" Camera Operator, Second Unit Director of Photography
Brice Liesveld Visual Effects Producer
Dan Bronson Costume Supervisor
Brooke Lyndon-Stanford Visual Effects Supervisor
Stephen Nakamura Digital Intermediate Colorist
Claude Paré Production Design
Simeon Wilkins Storyboard Designer
Michael Keller Sound Re-Recording Mixer
Ryan Reed Hairstylist
Andy Muschietti Director
Chung Chung-hoon Director of Photography
Gary Dauberman Screenplay
Marty P. Ewing Unit Production Manager
Richard 'Rico' Emerson Key Grip
Joan Hug-Valeriote Studio Teacher
Salvatore Schiavone Casting Assistant
Name Title
Doug Davison Executive Producer
Seth Grahame-Smith Producer
Roy Lee Producer
Walter Hamada Executive Producer
Dan Lin Producer
Richard Brener Executive Producer
Toby Emmerich Executive Producer
David Katzenberg Producer
Jon Silk Executive Producer
Marty P. Ewing Executive Producer
Barbara Muschietti Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 122 234 76
2024 5 233 289 203
2024 6 206 275 95
2024 7 105 140 70
2024 8 81 123 44
2024 9 61 86 50
2024 10 96 155 61
2024 11 89 146 62
2024 12 67 108 45
2025 1 62 89 47
2025 2 54 73 11
2025 3 15 68 2
2025 4 12 14 10
2025 5 15 25 10
2025 6 16 21 13
2025 7 13 16 11
2025 8 10 14 8
2025 9 11 12 8
2025 10 12 12 11

Trending Position


Year Month High Avg
2025 10 105 373
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2025 9 70 273
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2025 8 73 292
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2025 7 462 682
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2025 6 428 830
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2025 5 270 653
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2025 4 103 469
Year Month High Avg
2025 3 79 447
Year Month High Avg
2025 2 123 440
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2025 1 135 441
Year Month High Avg
2024 12 159 551
Year Month High Avg
2024 11 40 301
Year Month High Avg
2024 10 89 292
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2024 9 554 854
Year Month High Avg
2024 8 360 675

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Reviews

Simon Foster
N/A

"Skarsgård goes to hell and back to craft a truly malevolent creation, utterly believable as the black soul of King’s cursed small town..." Read the full review here: http://screen-space.squarespace.com/reviews/2017/9/6/it.html ...

Jun 23, 2021
DorkinessForLove
1.0

**This movie went right to the trash.** I cannot believe what Warner Bros has done for this piece of trash. Yes, there have been rave reviews for this movie, but we recommend that you do not mind them, as we should not be teaching children on how to safely get sodomized by a monster. These direc ... tors' brains are also in the trash. Now let's put the MPAA R rating right into the trash where it is supposed to go. Final warning: **Don't let your kids watch trash.**

Jun 23, 2021
Ruuz
7.0

More _Fucked-Up-Coming-of-Age_ than _Monster-Movie-Slasher-Horror_. Which is what it should be, but perhaps not what it's marketed to be. Stephen King's _It_ is one of my all time favourite books, and I don't know that it will ever get a faithful adaptation (totally understandable seeing as the thin ... g is 1200 pages and contains a multi-book spanning mythology of Space Gods and Turtle vomit), but this does a pretty good job of interpreting the feeling of the novel, even if it's not a great adaptation the events as a whole. The kids are all great, Skarsgård makes for a good Pennywise, Pennywise improves as the piece moves forward, and the town is completely believable as "Derry" in the '80s. It may not be all it's purported to be, but is a very impressive film on its own merits. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._

Jun 23, 2021
Rythwik
8.0

If you are gonna watch this movie go to the theatres and watch it...It's way more scarier than Annabelle: Creation and you will have lots of jump scares too. ...

Jun 23, 2021
Frank Ochieng
N/A

Something certainly rings true in the horror thriller **It** that capitalizes on that common known fear that clowns are creepy annoyances to those that have an intense phobia towards them. In the case of **It’s** dastardly powder-faced joyboy or shall we say corrosive killjoy Pennywise the Dancing C ... lown, he definitely takes the cake in terms of his treacherous tendencies to quiet the unsuspecting kiddies in devious fashion. Here is a tip, parents, do not invite the poisonous Pennywise to your kids’ birthday party any time soon to blow up balloons and sing songs. This is just a friendly little warning. There is more to elaborate on regarding the sicko circus funnypants freak later. Director Andy Muschietti (‘Mama’) delves into this surprisingly delicious twisted and terrorizing tale of a killer clown that gets his jollies off snuffing the lives out of rural-based youngsters in this calculating frightfest that pushes all the right buttons of panic and perversion. Skilfully edgy and traumatically tasty, **It** is a refreshing throwback to old-fashioned gory-minded gems where the boundaries of old-fashioned scare tactics were designed not only by the actual act of homicidal happenings but the mere suggestive nature of the heinous hedonism taking place. Polished and gripping in its shadowy and shifty overtones, **It** is convincingly probing as an absorbing psychological character study with an off-kilter sense of defiance in its naughty commentary on youthful innocence being compromised. Based on the novel from famed hair-raising author Stephen King, **It** delivers the solid, sordid goods of a wild and wicked imagination following the acidic exploits of a menacing clown in the aforementioned Pennywise (played with penetrating and devilish aplomb by Bill Skarsgard from ‘Atomic Blonde’) whose murderous methods of slaughtering the young has been a staple signature in his madness for centuries now. The surviving tykes in the quaint town of Derry, Maine must now safeguard themselves from the makeup-wearing whackjob and figure out a way to terminate the baggy-panted beast before he continues to strike again and victimize another doomed child. The backstory behind Pennywise’s existence is that he is some shape-shifting demon that emerges from the sewers only to target the unlucky rugrat in his immediate path while conniving, and conducting his blood-thirsty ways. However, there are a group of children that refuse to play dead for the demented clown and the quest to create an ill-advised showdown with the deplorable Pennywise would prove to be a very violent and mentally scarring experience in the process. The story centres around young Bill (Jaeden Lieberher, ‘Allegiant’) and his early encounter with the sadness of unknowingly witnessing Pennywise’s wrath as it was inferred that the clown had to do with the demise of his precious little brother, George (Jackson Robert Scott), who never returned after enthusiastically wanting to work on a fun project in the basement. This haunting revelation sticks with poor Bill until this very day. Nowadays, Bill must cope with the typical obstacles at school avoiding bullies and dealing with the pitfalls of peer pressure and needing to belong to a group of trusty associates. Thus, Bill is able to cement close relationships with the town’s other free-spirited youngsters. Still, there is that hovering myth about the mysterious sewers and, yes, the evil-minded Pennywise is at the forefront of fearful concern for Bill and the bunch. In fact, the gang will succumb to their collection of fears, paranoia and hesitation as the suburban legend of the creep-seeking clown clouds each of the kids’ tainted psyches. The ensemble of young actors in **It** all register accordingly with their characters’ childhood shock in trying to overcome the overwhelming and petrifying mindset that has invaded their sensibilities. Lieberher has an authentic raw turn as the lead lad invested in the bizarre boundaries of matching wits with the demonic chalk-skinned trickster and his committed craziness. The other supporting cast of exposed kiddies on this adventurous train wreck of terror includes Sophia Lillis (’37’), Finn Wolfhard (from television’s ‘Stranger Things’), Jeremy Ray Taylor (‘Alvin And The Chipmunks: The Road Chip’), Wyatt Oleff (‘Guardians Of The Galaxy”), Chosen Jacobs, Jack Dylan Grazer (‘Tales Of Halloween’) and Nicholas Hamilton (‘Captain Fantastic’). There is no doubt that Skarsgard’s clown of corrosion in Pennywise steals the show with his nefarious nature blistering shamelessly in seedy-minded elation. Clearly, Skarsgard chews the tarnished scenery with his abominable costumed cretin tip toeing on the unassuming sidelines while striking gory goosebump moments for his pubescent prey on screen and the twitchy audience off screen. Sure, **It** suffers from the conventional trappings of cheesy false alarm jolts and the obligatory lurking in the dark sequences are arbitrarily tossed in as an aftermath for the legitimate lunacy of our star-making crazed and corruptible clown to perform his showboating insanity. Besides, what horror showcase has not welcomed the invitation of the overused and abused jump-scare techniques highlighted by a jittery soundtrack? Still, Muschietti and screenwriters Chase Palmer, Cary Joji Funkunga and Gary Dauberman manage to supply the infectious and insidious **It** with well-executed scary shenanigans, well-paced anxiety, wavering vulnerability and decent acting on behalf of the performers that aptly brought to life the eerie visions and vitality of King’s complex, creative mind. Truly **It** is one of the best harrowing and in-depth horror/psychological thrillers to emerge in 2017. Also this titillating tale of cautionary kiddie chaos may be one of King’s formidable movie adaptions since the effective tension-filled, off-the-wall brilliance of 1990’s _Misery_. **It** (2017) Warner Bros. Pictures and New Line Cinema 1 hour 35 minutes CAST: Bill Skarsgard, Jaeden Lieberher, Sophia Lillis, Finn Wolfhard, Jeremy Ray Taylor, Wyatt Oleff, Chosen Jacobs, Nicholas Hamilton and Jack Dylan Grazer DIRECTOR: Andy Muschietti WRITERS: Chase Palmer, Cary Joji Funkunaga, Gary Dauberman MPAA Rating: R GENRE: Horror/Mystery & Suspense Critic’s Rating: *** stars (out of 4 stars) (c) **Frank Ochieng** 2017

May 16, 2024
accioconnor
8.0

It is a movie that looked interesting, but I wasn't necessarily anticipating, because it had the potential to be awful. After seeing it, I can say that while it is good, I don't think it's nearly as good as other people are saying it is, and it had the potential to be. Starting off with the good, th ... e film has some fantastic performances from the kids. I think the best performances in the film are from Andy Skaarsgard (or however you spell it) for Pennywise, and the kid who had asthma. I don't know his name, and I haven't seen him in anything before, but he stole the show. The movie also has some pretty scary moments. The scene inside of the house is one of the scariest scenes of the year, and there are lost of images that were genuinely disturbing. While the films was full of cheesy dialogue, the conversations between the kids are extremely entertaining and captivating. When it came to characters, MOST of the characters are well done and fleshed out. And that leads me to one of the 4 things that keep this film from being great in my eyes. Some characters, such as the bullies and Stan, and bland and have no back story. Therefore, whenever they are put in danger, it isn't nearly as scary as with other characters. Another reason I didn't love this film is the rock fight scene. Basically, the Losers Club stumbles upon the bullies and they throw rocks at each other. The rocks seemingly bounce off of their head without any problems like a trampoline. No one gets killed, or even knocked out. Overall, it was a very bad scene. For the most part the special effects were pretty good. However, the leper outside of the creepy house was awful. The costume would be great if it were for a haunted house or prank, but not for a big budgeted horror movie. When it came on screen I literally thought it was a bully playing tricks on him. And the last problem I have with the film is that the police are seemingly nowhere, along with parents. *Mild spoilers* One of the bullies murders his dad, a police officer, and then around a few scenes later, the son dies too. The bullies like to go around thereatening kids with knives and carving H's into their bellies. I think we would see at least one police officer investegating something in the film, and if not, I think my parents would notice if one day I came home and there was a gigantic blood pool on my shirt. Overall, It is a very fun movie. There are certainly better movies out there, but with this, I have an urge to go watch it again in theaters. It is a perfectly fun popcorn flick. Score: 7.5/10

Jun 23, 2021
tmdb21730811
8.0

Great acting, memorable characters. One of the best (horror?) films I've watched. ...

Jun 23, 2021
SoSmooth1982
10.0

Greatest remake of a movie ever made in my opinion. Even way scary then the original. Remade the death scenes way better as well. Love it! ...

Jul 05, 2023
Geronimo1967
7.0

Every 27 years, the town of Derry experiences sudden, violent and inexplicable mayhem. In 1989, a group of school children rather unkindly called "The Losers Club" decide it is for them to investigate just what has happened. Led by "Bill" (Jaeden Martell) whose younger brother was a victim, these br ... ave kids are soon on the trail of the shapeshifting "Pennywise" - a being from another dimension who frequently takes the shape of a clown. Question is - are these youngsters any match for this lethal and despicable foe? Andy Muschietti has done well here with this film. He manages to combine the more traditional spookiness of the old dark house, with a group of likeable characters who demonstrate the benefits of trust and teamwork as they take on this evil. As with most good horror films, the seemingly invincible must have a weakness, otherwise the plot becomes unsustainable - and this one allows the youngsters to define and exploit this whilst still maintaining enough shock moments and sense of menace to keep the thing interesting. The dialogue isn't the best, but that is not so important here - it's still a really well paced and genuinely scary story that engenders fear from something so outwardly benign as a clown - normally the symbol of joy and happiness. I rarely jump at the cinema nowadays, but this does work!

May 29, 2024