Popularity: 9 (history)
| Director: | Neil Marshall |
|---|---|
| Writer: | Neil Marshall |
| Staring: |
| After a personal tragedy, Sarah joins her friends on a caving expedition in the Appalachian Mountains. But when a rockfall traps them deep underground, their adventure turns into a nightmare. As they search for a way out, the group discovers they are not alone—lurking in the darkness are savage, cave-dwelling creatures. With rising tension and dwindling trust, the women must fight to survive against both the predators and each other. | |
| Release Date: | Jul 08, 2005 |
|---|---|
| Director: | Neil Marshall |
| Writer: | Neil Marshall |
| Genres: | Adventure, Horror |
| Keywords | mutant, expedition, cave, claustrophobia, trauma, darkness, panic, female friendship, rope, climbing, appalachia, friends, gore, female protagonist, best friend, creature, survival horror, grieving, speleology, camcorder, suspenseful |
| Production Companies | Celador Films, Pathe, Northmen Productions |
| Box Office |
Revenue: $57,130,027
Budget: $3,500,000 |
| Updates |
Updated: Nov 09, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Shauna Macdonald | Sarah Carter |
| Natalie Mendoza | Juno Kaplan |
| Alex Reid | Beth O'Brien |
| MyAnna Buring | Sam Vernet |
| Saskia Mulder | Rebecca Vernet |
| Nora-Jane Noone | Holly |
| Leslie Simpson | Crawler |
| Oliver Milburn | Paul Carter |
| Molly Kayll | Jessica Carter |
| Craig Conway | Crawler - Scar |
| Tristan Matthiae | Crawler |
| Mark Cronfield | Crawler |
| Stephen Lamb | Crawler |
| Catherine Dyson | Crawler |
| Julie Ellis | Crawler |
| Sophie Trott | Crawler |
| Stuart Luis | Crawler |
| Justin Hackney | Crawler |
| Name | Job |
|---|---|
| George Cottle | Stunt Double, Stunt Driver |
| Neil Marshall | Writer, Director |
| Jon Harris | Editor |
| David Julyan | Original Music Composer |
| Simon Bowles | Production Design |
| Alex Bailey | Still Photographer |
| Lucy Moles | Construction Coordinator |
| Terry Woods | Property Master |
| Steve Griffin | Stunt Coordinator |
| Maxine Whittaker | Stunt Double |
| Kim McGarrity | Stunt Double |
| Matt Curtis | Title Designer |
| Will Davies | Casting |
| Nancy Thompson | Costume Design |
| Jason Knox-Johnston | Art Direction |
| Jon Marson | Greensman |
| Michael Maroussas | Sound Effects Editor |
| Jo Hannford | Hairstylist |
| Jennifer Wynne | Production Manager |
| Danny Sheehan | Supervising Sound Editor |
| Nigel Heath | Sound Re-Recording Mixer |
| Jim Dowdall | Stunt Coordinator |
| Emily Rogers Swanson | Music Editor |
| Matthew Collinge | Supervising Sound Editor |
| Leigh Took | Visual Effects Supervisor |
| John Taylor | Steadicam Operator |
| Helen Ingham | Costume Supervisor |
| Elizabeth West | Script Supervisor |
| Jacques Plante | ADR Supervisor |
| Jack Ravenscroft | First Assistant Director |
| Jeanette Haley | Post Production Supervisor |
| Sergio Bernuzzi | Key Grip |
| Howard Watkins | Visual Effects Supervisor |
| Amelia Troubridge | Still Photographer |
| Vickie Lang | Makeup Supervisor, Makeup Artist |
| Andrew Glen | Music Editor |
| Yvette Dore | Unit Publicist |
| Clare Mahoney | Foley Artist |
| Nick Thermes | Sound Mixer |
| Matt Carver | Second Assistant Director |
| Rodrigo Gutierrez | Second Unit Director of Photography |
| Debbie Moore | Production Accountant |
| Jennifer Harty | Makeup Supervisor |
| Paul Bradburn | Dressing Prop |
| Rachel James | Post Production Accountant |
| Claire Alderton | Stunts |
| Siobhan Coughlan | Stunt Double |
| Michael Byrch | Stunt Double |
| Paul Mason | Third Assistant Director |
| Hannah Godwin | Production Coordinator |
| David McKay | Aerial Camera |
| Jon Garwes | Focus Puller |
| Phil Humphries | Clapper Loader |
| Matthew Waving | Camera Trainee |
| Ang Richards | Camera Trainee |
| Rob Prynne | ADR Editor |
| Paul Carter | Foley Editor |
| Jason Swanscott | Foley Artist |
| John Fewell | Foley Artist |
| Julie Ankerson | Foley Artist |
| Oliver Brierley | Sound Re-Recording Assistant |
| John Rafique | Special Effects Supervisor |
| Andrew Robertson | Video Assist Operator |
| Natalie Moore | Assistant Accountant |
| Eddie Standish | Location Manager |
| Derek Yeaman | Location Manager |
| Donald McDonald | Location Assistant |
| Mike Baldock | Unit Manager |
| Luke Jackson | Unit Manager |
| David Taylor | Unit Manager |
| Kate Laver | Costume Assistant |
| Dean Clegg | Standby Art Director |
| Harry Pain | Art Department Assistant |
| Michael Kelm | Modeling |
| Jim Cornish | Storyboard Artist |
| Stuart Conran | Prosthetic Makeup Artist |
| Conal Palmer | Prosthetic Makeup Artist |
| Robin Pritchard | Prosthetic Makeup Artist |
| Jacqueline Fowler | Prosthetic Makeup Artist |
| Neil Morrill | Prosthetic Makeup Artist |
| Stuart Sewell | Prosthetic Makeup Artist |
| Samia Wood | Prosthetics |
| Simon Webber | Sculptor |
| Stuart Wishart | Animatronics Designer |
| Zoe Smith | Property Buyer |
| Billy Edwards | Standby Property Master |
| Alfie Burgess | Standby Property Master |
| Terry Stinson | Dressing Prop |
| Jono Moles | Construction Manager |
| Henry Jones | Construction Manager |
| Graham Baker | Rigging Gaffer |
| Andrew Taylor | Gaffer |
| Tim Driscoll | Best Boy Electric |
| Steve Slocombe | Best Boy Electric |
| Ross Grainger | Generator Operator |
| Gareth Williams | Electrician |
| Bob Milton | Electrician |
| Dan Winch | Second Unit First Assistant Director |
| John Heald | Grip |
| Tony Fabian | Grip |
| Alice Hobden | Clapper Loader |
| Kate Filby | Clapper Loader |
| Ralph Ramsden | Focus Puller |
| Ashley Bond | Focus Puller |
| Joanna Crow | First Assistant Director |
| Ray De-Haan | Stunt Double |
| Rob Hunt | Stunt Double |
| Lee Sheward | Stunt Double |
| Daz Parker | Stunt Double |
| David Wheal | Casting Assistant |
| Sam McCurdy | Director of Photography |
| Gail Stevens | Casting |
| Jason Wheeler | Negative Cutter |
| Catriona Delbridge | First Assistant Editor |
| Name | Title |
|---|---|
| Christian Colson | Producer |
| Ivana MacKinnon | Associate Producer |
| Paul Smith | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 39 | 48 | 29 |
| 2024 | 5 | 42 | 63 | 28 |
| 2024 | 6 | 40 | 57 | 22 |
| 2024 | 7 | 38 | 60 | 29 |
| 2024 | 8 | 31 | 45 | 23 |
| 2024 | 9 | 29 | 38 | 19 |
| 2024 | 10 | 32 | 51 | 20 |
| 2024 | 11 | 36 | 59 | 25 |
| 2024 | 12 | 32 | 57 | 23 |
| 2025 | 1 | 36 | 43 | 24 |
| 2025 | 2 | 28 | 48 | 7 |
| 2025 | 3 | 10 | 38 | 2 |
| 2025 | 4 | 9 | 13 | 5 |
| 2025 | 5 | 7 | 13 | 5 |
| 2025 | 6 | 5 | 8 | 4 |
| 2025 | 7 | 5 | 6 | 4 |
| 2025 | 8 | 5 | 10 | 4 |
| 2025 | 9 | 5 | 7 | 4 |
| 2025 | 10 | 7 | 10 | 4 |
| 2025 | 11 | 8 | 10 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 82 | 440 |
| Year | Month | High | Avg |
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| 2025 | 10 | 215 | 653 |
| Year | Month | High | Avg |
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| 2025 | 9 | 181 | 678 |
| Year | Month | High | Avg |
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| 2025 | 8 | 198 | 748 |
| Year | Month | High | Avg |
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| 2025 | 7 | 285 | 689 |
| Year | Month | High | Avg |
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| 2025 | 6 | 408 | 725 |
| Year | Month | High | Avg |
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| 2025 | 5 | 326 | 752 |
| Year | Month | High | Avg |
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| 2025 | 4 | 337 | 731 |
| Year | Month | High | Avg |
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| 2025 | 3 | 337 | 704 |
| Year | Month | High | Avg |
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| 2025 | 2 | 527 | 786 |
| Year | Month | High | Avg |
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| 2025 | 1 | 273 | 758 |
| Year | Month | High | Avg |
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| 2024 | 12 | 623 | 825 |
| Year | Month | High | Avg |
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| 2024 | 11 | 211 | 784 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 546 | 828 |
| Year | Month | High | Avg |
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| 2024 | 9 | 889 | 950 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 625 | 830 |
A group of six friends are heading off on one of those subterranean caving expeditions that just make me crave wide open spaces. The thing is, though, that one of their number takes them to somewhere hitherto unexplored - without telling them - and so once they start to squeeze their bodies and thei ... r kit into these unforgiving spaces, they have no idea where they are going nor what to expect. Not long into their expedition, they encounter some cave paintings and signs that perhaps someone had been there before after all, but instead of turning tail and getting back to the surface they press on to encounter something(s) altogether unexpected, gruesome and hungry. Now maybe one day, someone will make a group disaster thriller that presents us with characters about whom we might actually care, but this is certainly not one of them. The group have their standard mix of baggage, dysfunctional relationships, grudges and mistrust but given little effort is made to develop their characterisations we can just sit back and watch some eerily crafted photography, seriously effective acoustics and some inspired use of light and darkness that expose the vulnerabilities of human beings when not aground, up on two legs, with all five senses working in our favour rather than contributing to an increasing degree of panic amidst this more and more hysterical band of women. I wouldn’t say that any of the actors really stand out here, it could be anyone donning the high-vis jackets and carrying a rope. Indeed the personalities here are largely irrelevant to a truly claustrophobically effective story of what lurks beneath and how unwelcoming it can be to those who stray. Will any of them make it back to the daylight? Well, I hope not!