Popularity: 6 (history)
Director: | Neil Marshall |
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Writer: | Neil Marshall |
Staring: |
After a personal tragedy, Sarah joins her friends on a caving expedition in the Appalachian Mountains. But when a rockfall traps them deep underground, their adventure turns into a nightmare. As they search for a way out, the group discovers they are not alone—lurking in the darkness are savage, cave-dwelling creatures. With rising tension and dwindling trust, the women must fight to survive against both the predators and each other. | |
Release Date: | Jul 08, 2005 |
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Director: | Neil Marshall |
Writer: | Neil Marshall |
Genres: | Adventure, Horror |
Keywords | mutant, expedition, cave, claustrophobia, trauma, darkness, panic, female friendship, rope, climbing, appalachia, friends, gore, female protagonist, best friend, creature, survival horror, grieving, speleology, camcorder, suspenseful |
Production Companies | Celador Films, Pathe, Northmen Productions |
Box Office |
Revenue: $57,130,027
Budget: $3,500,000 |
Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Shauna Macdonald | Sarah Carter |
Natalie Mendoza | Juno Kaplan |
Alex Reid | Beth O'Brien |
MyAnna Buring | Sam Vernet |
Saskia Mulder | Rebecca Vernet |
Nora-Jane Noone | Holly |
Leslie Simpson | Crawler |
Oliver Milburn | Paul Carter |
Molly Kayll | Jessica Carter |
Craig Conway | Crawler - Scar |
Tristan Matthiae | Crawler |
Mark Cronfield | Crawler |
Stephen Lamb | Crawler |
Catherine Dyson | Crawler |
Julie Ellis | Crawler |
Sophie Trott | Crawler |
Stuart Luis | Crawler |
Justin Hackney | Crawler |
Name | Job |
---|---|
George Cottle | Stunt Driver, Stunt Double |
Neil Marshall | Writer, Director |
Jon Harris | Editor |
David Julyan | Original Music Composer |
Simon Bowles | Production Design |
Alex Bailey | Still Photographer |
Lucy Moles | Construction Coordinator |
Terry Woods | Property Master |
Steve Griffin | Stunt Coordinator |
Maxine Whittaker | Stunt Double |
Kim McGarrity | Stunt Double |
Matt Curtis | Title Designer |
Will Davies | Casting |
Nancy Thompson | Costume Design |
Jason Knox-Johnston | Art Direction |
Jon Marson | Greensman |
Michael Maroussas | Sound Effects Editor |
Jo Hannford | Hairstylist |
Jennifer Wynne | Production Manager |
Danny Sheehan | Supervising Sound Editor |
Nigel Heath | Sound Re-Recording Mixer |
Jim Dowdall | Stunt Coordinator |
Emily Rogers Swanson | Music Editor |
Matthew Collinge | Supervising Sound Editor |
Leigh Took | Visual Effects Supervisor |
John Taylor | Steadicam Operator |
Helen Ingham | Costume Supervisor |
Elizabeth West | Script Supervisor |
Jacques Plante | ADR Supervisor |
Jack Ravenscroft | First Assistant Director |
Jeanette Haley | Post Production Supervisor |
Sergio Bernuzzi | Key Grip |
Howard Watkins | Visual Effects Supervisor |
Amelia Troubridge | Still Photographer |
Vickie Lang | Makeup Supervisor, Makeup Artist |
Andrew Glen | Music Editor |
Yvette Dore | Unit Publicist |
Clare Mahoney | Foley Artist |
Nick Thermes | Sound Mixer |
Matt Carver | Second Assistant Director |
Rodrigo Gutierrez | Second Unit Director of Photography |
Debbie Moore | Production Accountant |
Jennifer Harty | Makeup Supervisor |
Paul Bradburn | Dressing Prop |
Rachel James | Post Production Accountant |
Claire Alderton | Stunts |
Siobhan Coughlan | Stunt Double |
Michael Byrch | Stunt Double |
Paul Mason | Third Assistant Director |
Hannah Godwin | Production Coordinator |
David McKay | Aerial Camera |
Jon Garwes | Focus Puller |
Phil Humphries | Clapper Loader |
Matthew Waving | Camera Trainee |
Ang Richards | Camera Trainee |
Rob Prynne | ADR Editor |
Paul Carter | Foley Editor |
Jason Swanscott | Foley Artist |
John Fewell | Foley Artist |
Julie Ankerson | Foley Artist |
Oliver Brierley | Sound Re-Recording Assistant |
John Rafique | Special Effects Supervisor |
Andrew Robertson | Video Assist Operator |
Natalie Moore | Assistant Accountant |
Eddie Standish | Location Manager |
Derek Yeaman | Location Manager |
Donald McDonald | Location Assistant |
Mike Baldock | Unit Manager |
Luke Jackson | Unit Manager |
David Taylor | Unit Manager |
Kate Laver | Costume Assistant |
Dean Clegg | Standby Art Director |
Harry Pain | Art Department Assistant |
Michael Kelm | Modeling |
Jim Cornish | Storyboard Artist |
Stuart Conran | Prosthetic Makeup Artist |
Conal Palmer | Prosthetic Makeup Artist |
Robin Pritchard | Prosthetic Makeup Artist |
Jacqueline Fowler | Prosthetic Makeup Artist |
Neil Morrill | Prosthetic Makeup Artist |
Stuart Sewell | Prosthetic Makeup Artist |
Samia Wood | Prosthetics |
Simon Webber | Sculptor |
Stuart Wishart | Animatronics Designer |
Zoe Smith | Property Buyer |
Billy Edwards | Standby Property Master |
Alfie Burgess | Standby Property Master |
Terry Stinson | Dressing Prop |
Jono Moles | Construction Manager |
Henry Jones | Construction Manager |
Graham Baker | Rigging Gaffer |
Andrew Taylor | Gaffer |
Tim Driscoll | Best Boy Electric |
Steve Slocombe | Best Boy Electric |
Ross Grainger | Generator Operator |
Gareth Williams | Electrician |
Bob Milton | Electrician |
Dan Winch | Second Unit First Assistant Director |
John Heald | Grip |
Tony Fabian | Grip |
Alice Hobden | Clapper Loader |
Kate Filby | Clapper Loader |
Ralph Ramsden | Focus Puller |
Ashley Bond | Focus Puller |
Joanna Crow | First Assistant Director |
Ray De-Haan | Stunt Double |
Rob Hunt | Stunt Double |
Lee Sheward | Stunt Double |
Daz Parker | Stunt Double |
David Wheal | Casting Assistant |
Sam McCurdy | Director of Photography |
Gail Stevens | Casting |
Jason Wheeler | Negative Cutter |
Catriona Delbridge | First Assistant Editor |
Name | Title |
---|---|
Christian Colson | Producer |
Ivana MacKinnon | Associate Producer |
Paul Smith | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 39 | 48 | 29 |
2024 | 5 | 42 | 63 | 28 |
2024 | 6 | 40 | 57 | 22 |
2024 | 7 | 38 | 60 | 29 |
2024 | 8 | 31 | 45 | 23 |
2024 | 9 | 29 | 38 | 19 |
2024 | 10 | 32 | 51 | 20 |
2024 | 11 | 36 | 59 | 25 |
2024 | 12 | 32 | 57 | 23 |
2025 | 1 | 36 | 43 | 24 |
2025 | 2 | 28 | 48 | 7 |
2025 | 3 | 10 | 38 | 2 |
2025 | 4 | 9 | 13 | 5 |
2025 | 5 | 7 | 13 | 5 |
2025 | 6 | 5 | 8 | 4 |
2025 | 7 | 5 | 6 | 4 |
2025 | 8 | 5 | 10 | 4 |
2025 | 9 | 5 | 7 | 4 |
2025 | 10 | 5 | 6 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 215 | 642 |
Year | Month | High | Avg |
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2025 | 9 | 181 | 678 |
Year | Month | High | Avg |
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2025 | 8 | 198 | 748 |
Year | Month | High | Avg |
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2025 | 7 | 285 | 689 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 408 | 725 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 326 | 752 |
Year | Month | High | Avg |
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2025 | 4 | 337 | 731 |
Year | Month | High | Avg |
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2025 | 3 | 337 | 704 |
Year | Month | High | Avg |
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2025 | 2 | 527 | 786 |
Year | Month | High | Avg |
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2025 | 1 | 273 | 758 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 623 | 825 |
Year | Month | High | Avg |
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2024 | 11 | 211 | 784 |
Year | Month | High | Avg |
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2024 | 10 | 546 | 828 |
Year | Month | High | Avg |
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2024 | 9 | 889 | 950 |
Year | Month | High | Avg |
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2024 | 8 | 625 | 830 |