Popularity: 6 (history)
Director: | Doug Liman |
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Writer: | Gary Spinelli |
Staring: |
The true story of pilot Barry Seal, who transported contraband for the CIA and the Medellin cartel in the 1980s. | |
Release Date: | Aug 18, 2017 |
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Director: | Doug Liman |
Writer: | Gary Spinelli |
Genres: | Comedy, Drama, Crime |
Keywords | central intelligence agency (cia), drug smuggling, money laundering, pilot, based on true story, drug cartel, illegal drugs, dea agent, 1980s, pablo escobar |
Production Companies | Imagine Entertainment, Universal Pictures, Cross Creek Pictures, Vendian Entertainment, Quadrant Pictures, Hercules Film Fund |
Box Office |
Revenue: $133,511,855
Budget: $50,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Tom Cruise | Barry Seal |
Domhnall Gleeson | Monty 'Schafer' |
Sarah Wright | Lucy Seal |
Jesse Plemons | Sheriff Downing |
Caleb Landry Jones | JB |
Lola Kirke | Judy Downing |
Jayma Mays | Dana Sibota |
Alejandro Edda | Jorge Ochoa |
Benito Martinez | James Rangel |
E. Roger Mitchell | Agent Craig McCall |
Jed Rees | Louis Finkle |
Fredy Yate | Carlos Lehder |
Mauricio Mejía | Pablo Escobar |
Robert Farrior | Oliver North |
Morgan Hinkleman | Christina |
Alberto Ospino | Manuel Noriega |
Felipe Bernedette | Translator |
Daniel Lugo | Adolfo Calero |
Jayson Warner Smith | Bill Cooper (Snowbird #1) |
William Mark McCullough | Pete (Snowbird #2) |
April Billingsley | Stewardess |
Lauren Boyd | Secretary |
Lauren Revard | Teller |
Marcus Hester | Parka |
Mike Pniewski | Willie (State Police) |
Frank Licari | DEA Agent #1 |
Alex Collins | ATF #1 |
Scott Poythress | ATF #2 |
Connor Trinneer | George W. Bush / Texan |
Alpha Trivette | Judge Linkletter |
Kevin L. Johnson | Agent Horace Wainwright |
DeVere Jehl | Plains Clothed Man |
Emilio Sierra | Héctor (Colombian Driver) |
Leon Lamar | Elderly Man |
Tony Guerrero | Federico Vaughan |
Maria Howell | NSC Woman |
Darla Delgado | Customs Agent |
Justice Leak | DEA Agent Winter |
Robert Pralgo | Gary (Cubicle Mate) |
Mickey Sumner | North's Aide Fawn Hall |
Daniel Thomas May | CIA Man |
Chloe Swan Sparwath | LeAnn |
Alex Quarles | Aaron |
Trip McCarthy | Dean |
Zachary Powell | Dean |
Daniel Diaz | Sandinista Soldier |
Byron Wigfall | Contra #1 |
Matt Mercurio | FBI Analyst |
Carlos Lopez Jr. | CIA Station Chief |
Jairo Ordóñez | Scar |
Jeff Olsen | State Trooper |
Stephen Conroy | Military Police / Advisor |
Juan Esteban Ramírez Toro | Antonio (Bull Fighter) |
Lara Grice | Female Reporter (uncredited) |
Sharon Conley | DEA Agent Grace (uncredited) |
Chris Gann | Donor #2 (uncredited) |
Johnny Otto | Pilot (uncredited) |
Kayla Perkins | Waitress (uncredited) |
Michael Mercaldi | Sandinista (uncredited) |
Dan Southworth | Agent Winters (uncredited) |
Bill Billions | Radar Op. #1 (uncredited) |
Ronald Reagan | Self (archive footage) |
Name | Job |
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Rachel Nowik | Art Department Coordinator |
Alanna Smith | Art Department Coordinator |
Douglas Womack | Construction Coordinator |
Kris Peck | Property Master |
Elizabeth Cummings | Supervising Art Director |
Kelley Burney | Set Decoration |
Hayden Bilson | Armorer |
Jody Blose | Script Supervisor |
Jim Garland | Pilot |
Ianthe Jeanne Dugan | Researcher |
Todd Kasow | Music Editor |
Tom Kramer | Music Editor |
Annette Kudrak | Music Editor |
Dan Weil | Production Design |
Patricia Arango | Art Direction |
Christina Eunji Kim | Art Direction |
Justin O'Neal Miller | Art Direction |
María Fernanda Muñoz | Art Direction |
Julianne Jordan | Music Supervisor |
Mercedes Cook | Assistant Costume Designer |
Thom Heyer | Assistant Costume Designer |
Bridget Shields | Assistant Costume Designer |
Abby Walton | Assistant Costume Designer |
Chelsea Staebell | Assistant Costume Designer |
Camila Olarte | Assistant Costume Designer |
Aimee Campolucci | Ager/Dyer |
Pam Aaron | Key Costumer |
Wendy Talley | Key Costumer |
Fran Beaudry | Seamstress |
Libby Culligan | Set Costumer |
Julian Grijalba | Set Costumer |
Alexyz Danine Kemp | Set Costumer |
Olivia Vestina Torres | Set Costumer |
Natasha Romanow | Set Costumer |
Tom Schmitz | Tailor |
Christine Oeurn | Camera Technician |
Christopher TJ McGuire | Steadicam Operator |
Kelly Clear | Gaffer |
Kevin Gazdik | Gaffer |
C. Ashley Sudge | Dolly Grip |
Michael Duarte | Key Grip |
James Selph | Key Grip |
Jerry Chief Parker | Rigging Gaffer |
Tyler Childs | Rigging Gaffer |
Tony Murima | Rigging Grip |
Tommy Donald | Rigging Grip |
Adam Meadows | Video Assist Operator |
Edward Button | Additional Photography |
Eliza Morse | Additional Still Photographer |
Cristen Clark | Lighting Technician |
Killian Clear | Lighting Technician |
Marie Larkin | Hair Department Head |
Jay Ferrara | Hairstylist |
Alice Moore | Hairstylist |
Teresa Morgan | Hairstylist |
Sarah Monzani | Makeup Department Head |
Olga Turrini Bernardoni | Makeup Department Head |
Anthony Brooks | Makeup Artist |
Jamie Cline | Makeup Artist |
Laura Dandridge | Makeup Artist |
Leigh Ann Yandle | Key Makeup Artist |
Bryan T. Evans | Matchmove Supervisor |
Grant Lynch | VFX Editor |
Greg Takacs | VFX Editor |
Chris Hamilton | VFX Editor |
Jae Won D. Lee | Visual Effects Coordinator |
Jennifer Ramos | Visual Effects Coordinator |
Justin Rogers-CdeBaca | Visual Effects Coordinator |
Michael Tanton | Visual Effects Coordinator |
Sara Woomer | Visual Effects Coordinator |
Matt Mayer | Visual Effects Editor |
Jaime Fok | Visual Effects Editor |
Gayle Busby | Visual Effects Producer |
Sarah McMurdo | Visual Effects Producer |
Eric J. Robertson | Visual Effects Producer |
Justin Ball | Visual Effects Supervisor |
Craig Calvert | Visual Effects Supervisor |
Scott Riopelle | Visual Effects Supervisor |
David Fletcher | Special Effects Supervisor |
Thomas Kittle | Special Effects Coordinator |
David K. Nami | Special Effects Coordinator |
Anthony Ortiz | Boom Operator |
Branka Mrkic | Dialogue Editor |
Marko Costanzo | Foley |
Steven Visscher | Foley |
Dave Flynch | Foley Editor |
Paul Hsu | Sound Designer |
Allan Zaleski | Sound Effects Editor |
Bob Chefalas | Sound Re-Recording Mixer |
Tom Fleischman | Sound Re-Recording Mixer |
Seva Solntsev | Sound Re-Recording Mixer |
Philip Stockton | Supervising Sound Editor |
Tif Luckenbill | Digital Intermediate |
Pete Polyakov | Digital Intermediate |
James W. Harrison III | First Assistant Editor |
Arturo Sosa | Assistant Editor |
Robert Grigsby Wilson | Assistant Editor |
Elizabeth Robinson | Key Hair Stylist |
Mario Pérez | Stunt Driver |
Jen Kelley | Local Casting |
Max Calder | Stunt Double |
Niko Dalman | Stunt Double |
Christopher C. Padilla | Stunts |
Tyler Vogt | Stunts |
Ben Prine | Set Medic |
Claire Raskind | Unit Publicist |
Tyler Hohmann | Location Assistant |
César Charlone | Director of Photography |
Kym Barrett | Costume Design |
Gabe Hilfer | Music Supervisor |
Dylan Goss | Aerial Director of Photography |
Kevin Scott | Animation Director |
Gary Spinelli | Writer |
Mindy Marin | Casting |
Jenny Gering | Costume Design |
Frédéric North | Aerial Coordinator |
Alan D. Purwin | Pilot |
Ron Bochar | Supervising Sound Editor |
Michael Paraskevas | Music |
Elena Sanchez | Stunt Double |
Andrew Mondshein | Editor |
Saar Klein | Additional Editor |
Amy Lynn Tuttle | Utility Stunts |
Joey Box | Stunt Coordinator |
Doug Liman | Director |
Christophe Beck | Original Music Composer |
Rita Murphy Harrell | Local Casting |
Dylan Tichenor | Additional Editor |
David James | Still Photographer |
Robert Alonzo | Stunt Coordinator |
Name | Title |
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Ray Angelic | Producer |
Doug Davison | Producer |
Kim Roth | Producer |
Tyler Thompson | Producer |
Alison Winter | Associate Producer |
Brandt Andersen | Executive Producer |
Michael Bassick | Executive Producer |
Ray Chen | Executive Producer |
Terry Dougas | Executive Producer |
Michael Finley | Executive Producer |
Eric Greenfeld | Executive Producer |
Paris Kassidokostas-Latsis | Executive Producer |
Johnny Lin | Executive Producer |
Philip Moross | Executive Producer |
Michael Plank | Executive Producer |
Joshua Skurla | Executive Producer |
Gary Spinelli | Executive Producer |
Marcos Tellechea | Executive Producer |
Andrés Calderón | Co-Executive Producer |
Jean-Luc De Fanti | Co-Executive Producer |
Daniel Lanmi | Co-Executive Producer |
Beely Lee | Co-Executive Producer |
Allen Liu | Co-Executive Producer |
James H. Pang | Co-Executive Producer |
Lauren Selig | Co-Executive Producer |
Brian Grazer | Producer |
Brian Oliver | Producer |
Jill Ahrens | Co-Executive Producer |
Ryan Ahrens | Co-Executive Producer |
Christopher Woodrow | Co-Executive Producer |
Leo Shi Young | Co-Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 42 | 83 | 28 |
2024 | 5 | 42 | 83 | 27 |
2024 | 6 | 38 | 71 | 22 |
2024 | 7 | 40 | 66 | 22 |
2024 | 8 | 36 | 70 | 25 |
2024 | 9 | 24 | 30 | 17 |
2024 | 10 | 35 | 78 | 15 |
2024 | 11 | 35 | 74 | 19 |
2024 | 12 | 37 | 56 | 23 |
2025 | 1 | 34 | 62 | 20 |
2025 | 2 | 23 | 37 | 5 |
2025 | 3 | 11 | 30 | 3 |
2025 | 4 | 7 | 9 | 4 |
2025 | 5 | 6 | 7 | 5 |
2025 | 6 | 6 | 8 | 5 |
2025 | 7 | 6 | 15 | 4 |
2025 | 8 | 5 | 7 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 539 | 809 |
Year | Month | High | Avg |
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2025 | 7 | 505 | 711 |
Year | Month | High | Avg |
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2025 | 6 | 318 | 698 |
Year | Month | High | Avg |
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2025 | 5 | 533 | 789 |
Year | Month | High | Avg |
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2025 | 4 | 535 | 755 |
Year | Month | High | Avg |
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2025 | 3 | 691 | 883 |
Year | Month | High | Avg |
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2025 | 2 | 551 | 748 |
Year | Month | High | Avg |
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2025 | 1 | 528 | 821 |
Year | Month | High | Avg |
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2024 | 12 | 641 | 867 |
Year | Month | High | Avg |
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2024 | 11 | 959 | 961 |
Year | Month | High | Avg |
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2024 | 10 | 795 | 926 |
Year | Month | High | Avg |
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2024 | 9 | 648 | 763 |
Year | Month | High | Avg |
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2024 | 8 | 459 | 754 |
_American Made_ is a peculiar film, but a very enjoyable one. It takes a playful, satirical look at the origins of the notorious 'Iran-Contra' affair, through the eyes of pilot Barry Seal. Along the ways we get thrills, laughs, astonishing (true-life) twists and turns and some vivid characters. E ... ven if you followed the public Iran-Contra scandal, you may be unfamiliar with the story of Seal, who started running guns for the CIA years before the familiar public scandal erupted. American Made is a fast, breezy, amoral look at the ins and outs of a covert operation made to go wrong. There's no judgment here; in fact, we come to like Seal's crazy make-it-up-as-you-go-along approach to flying, to crime and to life in general. Tom Cruise is perfectly cast as the cocky, reckless pilot. I've done a fair bit of flying, and I've met one or two hot-shots like (in a lesser degree) the one Cruise portrays. Cruise has lately been playing parts that are much too young for him (e.g. _Jack Reacher: Never Go Back_), but his age works well in this case. In a way, Seal is a guy fighting to stay young. If there's one there's one thing to regret about _American Made_ it's that it carefully avoids most of the political backdrop. We're told that the Sandinistas were evil Russian-backed Communists, which is undoubtedly what the CIA would have said at the time. (Hindsight is more ambiguous.) We're shown, just barely, how the Reagan administration evolved a cockeyed criminal scheme for its own ends, but the film ends where the public Iran-Contra scandal began. Ollie North is a presence in only one or two shots. Nonetheless, Barry Seal's personal story arc is wrapped up perfectly. The ending doesn't let anyone off the hook, but it does leave us questioning our own moral position, as we're inevitably drawn to like and admire Barry Seal, in spite of his total lack of scruples or judgment. Doug Liman directs with his usual flair. He's had a remarkably varied career, ranging from spy-action (_Bourne Identity_) to superheroes (_Jumper_) to political drama (_Fair Game_) to straight-up sci-fi (_Edge of Tomorrow_). _American Made_ stands up very well in that catalog. It's a fun film, a thoughtful film, an unusual film... though its darker side may not appeal to every taste.
It's always kind of fun seeing Tom Cruise in a role where he has to actually act and not just do the action phone-in-emotion thing...because he is capable of being a decent actor and not just a pretty-boy action star. And, in this he was a decent actor. And the result is a very enjoyable and f ... un period piece that has just as much drama as it does action and comedy, which allows the time dedication to slip buy unnoticed. It's actually pretty rare that you can watch a film this long and not really feel like you're watching a long film. The only real downside is that the end hits you a bit abruptly, a bit too abruptly for the build up...but who cares when the build-up is this enjoyable.