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Dunkirk

When 400,000 men couldn't get home, home came for them.
2017 | 107m | English

(788979 votes)

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Popularity: 8 (history)

Details

The story of the miraculous evacuation of Allied soldiers from Belgium, Britain, Canada and France, who were cut off and surrounded by the German army from the beaches and harbour of Dunkirk between May 26th and June 4th 1940 during World War II.
Release Date: Jul 19, 2017
Director: Christopher Nolan
Writer: Christopher Nolan
Genres: Action, Drama, War
Keywords france, beach, europe, world war ii, evacuation, pilot, british army, allies, army, royal navy, based on true story, survival, rescue mission, military officer, historical fiction, soldier, private, military, dunkirk, 1940s, royal air force, raf, dreary, suspenseful, tense, intense, depressing, awestruck, compassionate, foreboding
Production Companies Warner Bros. Pictures, Syncopy
Box Office Revenue: $527,000,000
Budget: $150,000,000
Updates Updated: Jul 31, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Fionn Whitehead Tommy
Tom Hardy Farrier
Mark Rylance Mr. Dawson
Kenneth Branagh Commander Bolton
Cillian Murphy Shivering Soldier
Barry Keoghan George
Harry Styles Alex
Aneurin Barnard Gibson
Damien Bonnard French Soldier
Lee Armstrong Grenadier
James Bloor Irate Soldier
Tom Glynn-Carney Peter
Jack Lowden Collins
Luke Thompson Warrant Officer
Michel Biel French Soldier 2
Constantin Balsan French Soldier 3
Billy Howle Petty Officer
Mikey Collins Soldier
Callum Blake Stretcher Bearer
Dean Ridge Soldier at the Gap
Bobby Lockwood Able Seaman
Will Attenborough Second Lieutenant
Tom Nolan Lieutenant
James D'Arcy Colonel Winnant
Matthew Marsh Rear Admiral
Adam Long Sub-Lieutenant
Miranda Nolan Nurse
Bradley Hall Sailor
Jack Cutmore-Scott Lifeboat Soldier 1
Brett Lorenzini Lifeboat Soldier 2
Michael Fox Engineer
Brian Vernel Highlander 1
Elliott Tittensor Highlander 2
Kevin Guthrie Highlander 3
Harry Richardson Private
Jochum ten Haaf Dutch Seaman
Johnny Gibbon Junior Naval Officer
Richard Sanderson Heinkel Spotter
Kim Hartman Stewardess
Calam Lynch Deal Sailor
Charley Palmer Rothwell Corporal
Tom Gill Furious Soldier
John Nolan Blind Man
Bill Milner Lone Private
Jack Riddiford Soldier on RN Launch
Harry Collett Boy
Eric Richard Man at Railway Window
Michael Caine Voice on Radio (uncredited)
Johnny Otto Captain Marshall (uncredited)
Nick Howden-Steenstra British Soldier (uncredited)
Name Job
Toby Britton Art Direction
Emmanuel Delis Set Decoration
Kevin Ishioka Supervising Art Director
Eggert Ketilsson Supervising Art Director
Guy Belegaud Construction Coordinator
Joe Ondrejko Construction Coordinator
Steve Gehrke Script Supervisor
Sara O'Donnell Assistant Costume Designer
John Casey Costume Supervisor
Aurélie Dolbeau Set Costumer
Emmanuelle Pastre Set Costumer
R. Adam Chambers Gaffer
Henry Tirl Steadicam Operator, Camera Operator
Paul Corbould Special Effects Supervisor
Charles-Axel Vollard Special Effects Supervisor
Seda Yilmaz Visual Effects Coordinator
Mike Chambers Visual Effects Producer
Matthew Plummer Visual Effects Producer
Marie Korf Special Effects Coordinator
Patricia DeHaney Hair Department Head
Jay Wejebe Makeup Artist, Key Makeup Artist
Eric A. Lewy First Assistant Editor
Laura Rindner First Assistant Editor
Erwin Godschalk Line Producer
Oliver Goodier Art Direction
Benjamin Nowicki Art Direction
Erik Osusky Art Direction
Samir Moundy Set Decoration
Gary Fettis Set Decorating Coordinator, Supervising Art Director
Kristin Vela Assistant Production Coordinator
Luke Tuck Production Accountant
Géraldine Sérafini Production Coordinator
Christian max Straub Post Production Supervisor
Sean Singery Assistant Director
Samuel Sharpe Production Coordinator
Jonathan Scott Production Coordinator
Sarah Ruemelin Production Office Assistant
Karen Ramirez Production Coordinator
Natalie Moore Production Accountant
Catherine A. McCabe Production Coordinator
Hennie Loosman Production Office Assistant
Gary Kett Assistant Production Coordinator
Olivier Kaczmarek Production Accountant
Oliver Hatcher Production Office Assistant
Robert Guerrero Production Office Assistant
Valérie Farthouat Production Accountant
Austin Elliott Production Office Assistant
Tim McGaughy Driver
Hendrik De Jonker Driver
Derrick Werlé Score Engineer
Carl Rydlund Orchestrator
Ryan Rubin Music Editor
Alan Meyerson Scoring Mixer
Steve Mair Musician
Alex Gibson Supervising Music Editor
John W. Chapman Scoring Mixer
Raquel Wijngaarde Location Manager
Paul Tomlinson Unit Manager
Brian M. O'Neill Location Scout
Ben Piltz Location Manager
Patrick Noordzij Location Manager
Ronan Michel Location Manager
Arnaud Kaiser Location Manager
Benjamin Hendriks Location Manager
Douglas Dresser Location Manager
Thijs Bolle Location Manager
Kostas Theodosiou Digital Intermediate
Scott Wesley Ross Assistant Editor
Pete Polyakov Color Designer
John Lee Associate Editor
Hannah Haidar Post Production Consulting
Gladys Garcia Post Production Assistant
William Fletcher Assistant Editor
Katherine Chou Post Production Assistant
Cesha Ventre Costume Design
Billy Prichard Key Costumer
Krista Guggia Key Costumer
Louis Elman ADR Voice Casting
Thomas Phillips-Howard Animation Director
Stephen Wong First Assistant Camera
Helmut Prein Gaffer
Luc Poullain Aerial Coordinator
Ryan Monro Key Grip
Julien Moine Grip
Hugh McCallum Grip
Doug Lavender Camera Intern
Bob Hall First Assistant Camera
Mike Gerzevitz Underwater Camera
Hugues Espinasse Camera Operator
Martin Elvin Craft Service
Jean-François Drigeard Gaffer
John Curran Grip
Hans Bjerno Aerial Director of Photography
Jesse Beaird Grip
Boris Abaza First Assistant Camera
Mark van Swieten Stunts
Steven Sawicki Stunts
Dalton Rondell Stunts
Cedric Proust Stunts
Sean Morrissey Stunts
Kye Mckee Stunts
Stephanie Louie Stunt Coordinator
Mathew Kaye Stunts
Reid Harper Stunts
Mark Fichera Stunts
Wayne Docksey Stunts
Kevin Derrick Stunts
Tom Boney Stunts
Jeffrey G. Barnett Stunts
Daniel-Konrad Cooper Production Supervisor
David Edouard Assistant Production Manager
Bastien Larue Assistant Production Manager
Christine Raspillère Production Manager
Page Rosenberg-Marvin Production Supervisor
Mark Scoon Executive In Charge Of Production
Nicky Tüske Production Manager
David Witz Unit Production Manager
Willem Quarles van Ufford First Assistant Director
William Pruss First Assistant Director
Nilo Otero First Assistant Director
Eric Richard Lasko Second Assistant Director
Alina Gatti Third Assistant Director
Clément Comet First Assistant Director
Alexis Chelli Second Assistant Director
Amaury Capel Third Assistant Director
Nicolas Baldino Second Assistant Director
David LeRoy Anderson Makeup Effects Designer
Pascale Bouquière Makeup Artist
Jessica Brooks Makeup Supervisor
Nicola Buck Makeup Supervisor
Charley Collier Makeup Artist
Cheryl Daniels Key Hair Stylist
Kimberly Felix Makeup Artist
Bernard Floch Makeup Artist
Laura Pollock Hairstylist
Melanie Queyrel Carreno Makeup Artist
Elodie Taquet Makeup Artist
Tom Caton Boom Operator
Scott Curtis Foley
Michael Dressel Foley Editor
Russell Farmarco ADR Editor
Dominic Happé Boom Operator
Eilam Hoffman Sound Recordist
Gregg Landaker Sound Re-Recording Mixer
Michael W. Mitchell Sound Effects Editor
Shelley Roden Foley
Unsun Song Sound Re-Recording Mixer
Randy Torres Sound Effects Editor
Michael John Fuller Sound Editor
Warwick Boole Special Effects
Joe McBride Drone Operator
Charlie Pedersen Special Effects
Ben Vokes Special Effects Coordinator
Daniel Llewelyn-Williams Special Effects Supervisor
Daniel Arkin Visual Effects Editor
Ben Cowell-Thomas Visual Effects
Steve Miller Visual Effects Editor
Derrick Mitchell Visual Effects Editor
Emma Rider Visual Effects Supervisor
Sivaprayag Visual Effects Editor
David Schultz Stunts
Matt Thompson Visual Effects Supervisor
Hugo Weng Dialogue Editor
Bryan Thompson Stunts
Peter Albrechtsen Sound Design Assistant
Eric Potter Sound Effects
Fabie Roger-Clech Makeup Artist
Manjari Makijany Production Assistant
Christopher Nolan Writer, Director
Hoyte van Hoytema Director of Photography
Lee Smith Editor
John Papsidera Casting
Nathan Crowley Production Design
Jeffrey Kurland Costume Design
Richard King Supervising Sound Editor
Toby Whale Casting
Andrew Lockley Visual Effects Supervisor
Craig Hosking Aerial Coordinator
Olivier Ligen Key Costumer
Tom Struthers Stunt Coordinator
Travis Quist Stunts
Mark Norby Stunts
Tim Neff Stunts
John Medalin Stunts
Matt Leonard Stunts
Mathieu Lardot Stunts
Shane Geraghty Stunts
Marie Fink Stunts
Zack Duhame Stunts
Clay Cullen Stunts
Allan A. Apone Makeup Artist
Odile Fourquin Key Makeup Artist
Mark Weingarten Sound Mixer
Gary Rizzo Sound Re-Recording Mixer
David Bach ADR Editor
Barbara Harris ADR Voice Casting
Rick Miller Stunts
Tim McGovern Visual Effects Supervisor
Rick Avery Stunts
Melinda Sue Gordon Still Photographer
Andrew Jackson Visual Effects Supervisor
John Bernard Line Producer
Hans Zimmer Original Music Composer
Yvan Quehec Electrician
Luisa Abel Makeup Department Head
Scott R. Fisher Special Effects Coordinator
Andrew Kawczynski Additional Music
Name Title
Jake Myers Executive Producer
Greg Silverman Executive Producer
Andy Thompson Associate Producer
Christopher Nolan Producer
Emma Thomas Producer
Organization Category Person
Academy Awards Best Director Christopher Nolan Nominated
Academy Awards Best Picture N/A Nominated
Golden Globes Best Picture N/A Nominated
SAG Awards Best Director Christopher Nolan Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 75 110 43
2024 5 124 191 98
2024 6 75 117 38
2024 7 53 109 34
2024 8 51 86 32
2024 9 38 56 27
2024 10 42 72 24
2024 11 49 94 28
2024 12 51 87 33
2025 1 57 94 35
2025 2 46 78 9
2025 3 15 54 3
2025 4 31 150 7
2025 5 26 196 8
2025 6 15 63 7
2025 7 8 11 6
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2024 12 44 447
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Reviews

Simon Foster
N/A

"Surely the filmmaker’s insistence upon imposing his favourite device upon all his narratives is edging towards Shyamalan-like overkill..." Read the full review here: http://screen-space.squarespace.com/reviews/2017/7/22/dunkirk.html ...

Jun 23, 2021
marchingfreakm17
3.0

I was a little disappointed with this movie. I expected much more. Cinematically it was brilliant and it was an event/action driven movie when left me feeling a little disconnected. We don't know anything about these characters that we see and I personally didn't feel any emotions for the movie, eve ... n though I wanted to. I found myself quite bored halfway through the movie, the whole time I kept expecting more.

Jun 23, 2021
Pierre_D
8.0

Tense film draws you to a doomed group. Those how are veteran war historians will quibble at some parts of Dunkirk, notably the separation of English and French troops in evacuation and the ships used to evacuate them. Dunkirk uses a few conceits to keep you involved. The first, which adds a nota ... ble amount of tension to the film, is a ticking clock in the background moving you to the final day. We see intercut scenes from different periods, prior, during and enacting the rout. Acting is excellent throughout, and versimilitude is achieved with models of aircraft, uniforms, landing stages and so on. Injections of friendship and subsequent loss direct our affection to the sufferers. Harry Styles is more than competent as a young troop and Kenneth Branagh brings integrity and verve to his role as a tired and firm leader. If one oversight might have been addressed, it is the lack of focus on the German side of things in this affair. Our few glimpses are of German fighters and so on, with very explanation of the goings-on at the front. Overall an excellent war movie meant to be among your top ten, if not top five (It will be hard to dislodge All Quiet on the Western Front, Apocalypse Now, Paths of Glory, Saving Private Ryan and Tora Tora Tora!, among others). Recommend highly a good 8/10.

Jun 23, 2021
defjeff
7.0

Dunkirk is a beautiful and unconventional World War 2 epic that is undoubtedly captivating, but it takes risks that may alienate some viewers. When people talk about a film they think it's about the setting, but it's actually about the characters. Saving Private Ryan isn't about World War 2. It ... tells a story about a squad of soldiers tasked with finding a young Private Ryan and getting him back safely to his family. Saying Dunkirk is a film about the Battle of Dunkirk however, is not inaccurate. The setting and characters are one. The choppy waters of the English Channel are equally as important, if not more so than the people who fought and died in them. As much as this makes for an interesting way to make a mainstream war film, it's also the reason why I wouldn't care to sit through it again. In some ways, it feels like watching a documentary with the narration turned off. I walked away impressed, and at the same time emotionally and intellectually unfulfilled.

Jun 23, 2021
Ruuz
4.0

_Dunkirk_ was my best mate's favourite film of 2017. I find it difficult to understand exactly what drew him to this film so strongly. I find it difficult to say anything passionate about _Dunkirk_ at all. I think I arguably felt some tension in the earlier moments, and some of the shots were beauti ... ful... I think? I honestly can't remember. _Dunkirk_ washed over me in the least impactful way possible, and then, like the tide, it was gone. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._

Jun 23, 2021
dezmozegreato
9.0

I want to start by saying I’m tired of seeing the big names in every movie I see, I think at times big name actors can take away from a movie more than benefit. Dunkirk did a great job of allowing us to focus less on the actors and more on the story. I feel this movie put me in the story and allowe ... d to experience first hand some of the lives that were impacted. There wasn’t a lot of character building in this movie, but that’s what I loved, I feel like I was allowed to more so build on the experience over one person’s story. Since we’re not typically used to a movie being experience based over character based, I think some may find this as a flaw. I did not. There were multiple stories and perspectives, all which immerse you into the current situation. Christopher Nolan did a great job of creating an overwhelming feeling of hopelessness throughout the movie, I felt like I could never feel safe and constantly looked for a way out. I was on the edge of my seat for the majority of the movie. **Dunkirk was a great roller coaster ride that allowed a view one may otherwise never experience.**

Jun 23, 2021
dshacky90
6.0

Okay first off, who came up with the idea "Let's all cast guys who look exactly the same"? With all the jumping around in the story I could not tell who was where and what was going on half the time. I see what he was trying to do on the cinematic side but it made it difficult as the viewer to ful ... ly follow it all the way. Production value was amazing and some of the scenes were absolutely stunning! Tom Hardy just flying over the coast was amazing. But Tom Hardy could not save this movie. I didn't know who was running where or if this person had died yet and the lack of dialogue was no help at all. Wouldn't watch it again

Jun 23, 2021
Dark Jedi
4.0

I have put off viewing this film for quite a while. The main reason for this is that I am somewhat reluctant watching a movie where the story is pretty well known before you sit down to watch it. However a few days ago I finally did and, given all the hype, I have to say that I expected more, a lot ... more. Sure the movie is a cinematically very well down movie. Acting, camera and all that is excellent. Unfortunately that is all there is. First of all, where the hell did the over-inflated budget go? Dunkirk was a major undertaking with almost 400 000 soldiers involved and hundreds and hundreds of boats. We get to see what? A few columns of soldiers, a handful of boats and three pitiful spitfires against a bomber and two Fock Wulfes. To add to this insult we pretty much get to see the same bloody event over and over from different angles. This is an insult to all the brave men that made this rescue possible. There are a few likable people in the movie. Like the Navy commander and the elderly guy on the pleasure boat steaming to rescue. The rest are either psychotic or morons. Realism? Not so much. Like the scene where a bunch of soldiers are trapped in a boat being shot to pieces. Would any one in their right mind really have thought they could plug dozens and dozens of holes with their hands and then sail across the channel? Then we have the spitfire which runs out of fuel and glides around forever over the beach so the director can get some scenic shots done. Other times fairly large boats gets damaged and flips over in seconds. I would also have expected some pre-story. Some build up. But no, the story starts right away with these measly handful of boats and planes taking for bloody ever to drag themselves over to where they are supposed to go. Quite a disappointment indeed.

May 16, 2024
r96sk
8.0

Very good. <em>'Dunkirk'</em>, as you'd expect given the director, is extremely well made. I particularly enjoyed how the film is shot, the sound editing and the score. It's a watchable story about an event from World War II. I wouldn't, personally, say there's a standout cast performer. I don ... 't mean that negatively, it's just more a film about a group of people rather than individuals - which I assume was the intention. There are still good performances, from the likes of Tom Glynn-Carney and Jack Lowden. It also features star names, including Tom Hardy, Cillian Murphy and Mark Rylance. The music and how the sequences are crafted is what elevates this film up, while the pacing is almost spot on - they could easily have made this 2hr 15mins+, like most war films seem to do, but keeping it at around 1hr 47mins was a smart choice. I do still feel like it could've been greater, yet I still got entertainment from it.

Jun 23, 2021
GenerationofSwine
1.0

It starts off well, with a little glimpse of a British Soldier that was as unprepared as the UK for the war. It's a nice teaser... ...then a little story about the civilian involvement with the evacuation... ...And it all comes with the promise of being a British "Saving Private Ryan." Unfo ... rtunately it ends up being a lot more Michael Bay than Steven Spielberg. that is to say that it looks nice and sleek and professional but is otherwise lacking in a real story. Spielberg managed to tell a story that was both pro-Soldier and anti-war, and that made the whole Normandy Beach until the very end a pleasure to watch. Dunkirk, on the other hand, gives up about 15 Minutes in and decides to just focus on the action with the story being an after thought. In short it's boring.

Jan 11, 2023
FilipeManuelNeto
3.0

**Considering the quality and talent of those involved, the budget and all the variables, the film is unforgivably disappointing.** The Dunkirk disaster was one of the opening moments of World War II: in the face of the unstoppable advance of German troops, a mixture of British, Belgian and Frenc ... h soldiers were pushed into the English Channel, fortifying themselves in the French city of Dunkirk. The prospects could not be worse: in a few weeks, hundreds of thousands of exhausted Allied soldiers found themselves surrounded by a powerful Panzer division and under constant attack by German aviation, having no port capable of evacuation, which would be carried out by smaller vessels in the so-called “Operation Dynamo”. And everything indicated that, after France, it would be England that suffered the German invasion, so the British could not be more apprehensive. Despite the fact that the film paints the episode in a positive light (trying to highlight the ability that the British had to successfully evacuate their troops), there is no doubt that Dunkirk was a disaster and is, even today, one of the most humiliating moments of British military history, comparable to a similar situation that occurred in 1809 in A Coruña, where British soldiers also found themselves between the sea and the enemy, this time Napoleon's army. Moreover, this film turns out to be a kind of remake of a film with the same name and the same theme made in the 50s. Directed by Christopher Nolan (a talented and fashionable director), the film has a cast full of strong names in the industry. Mark Rylance has the most prominence in the role of a civilian, owner of a small yacht, who decides to go personally to rescue soldiers with his sons. Tom Hardy also gives us an excellent job, in the role of a British aviator who helps as he can. Cillian Murphy is believable in his work, giving us an idea of the shock a soldier can experience in a combat situation. Harry Styles and Aneurin Barnard also deserve a positive note. Sir Kenneth Branagh stands out, embodying the figure of British stoicism, but I found his character somewhat forced to be more impassive than would be plausible in that situation. Despite its merits, it is an indisputably cold and unexciting film. Anyone expecting incredible shootouts or grandiose battle scenes will be disappointed and have to settle for some good dogfight-style fighter combats and some more tense scenes, but which never materialize in combat scenes worthy of a great war movie. And considering the number of soldiers surrounded there, one would expect to see a crowd of soldiers... however, this only happens occasionally, and it even seems that production has saved on the means. Written in a simplistic way, the script distracts attention and places more emphasis on what is happening in the sea and in the sky, so the German threat is something that we don't quite understand and that the film doesn't waste time explaining. With me, that wasn't a problem, but the worst History students will have to read a little to find out what's going on. The characters are also not developed: there is no concrete villain because the enemy soldiers are collectively, so there is also no undisputed protagonist character. Technically, it has several merits and demerits to consider. On the one hand, it is an authentic visual spectacle thanks to a masterful filming work and a remarkable and very well crafted cinematography. The sound also deserves praise thanks to very good effects, very well-used and, of course, a tense and efficient soundtrack signed by Hans Zimmer (in yet another collaboration with Nolan). Unfortunately, the editing is bad and, if the script already had flaws, the non-linear narrative accentuated them even more, making the film confusing and strange.

May 13, 2023
JN2012
7.0

Yes. ...

Oct 20, 2023
Geronimo1967
7.0

Faced with imminent annihilation, over 400,000 troops are stranded on the beaches of Dunkirk facing bombardment from superior Nazi air and land power. Christoper Nolan manages to condense into the next 95 minutes the grimness of the situation, and the sheer determination of the ordinary soldiers; ho ... w they deal with fear, learn to trust and co-operatate with others from many different nations - as the logistical nightmare that is repatriating them gradually is taking shape. We take the perspective of three individuals as they try to survive and get home and really do get a sense of the existential threat they each face; some more bravely than others. The events are historical fact, but the performances from Fionn Whitehead, Barry Keoghan are superb and perfectly plausible. A great supporting cast with Tom Hardy, Sir Kenneth Branagh and Mark Rylance amongst many all contributed to the authenticity of this expertly photographed (frequently using much more intimate POV-style coverage) production from Oscar nominated Hoyte Van Hoytema. The paucity of script also helped convince of the atrocity of their situation - definitely a case of less being more.

Jun 03, 2024