 
  Popularity: 7 (history)
| Director: | Joe Wright | 
|---|---|
| Writer: | Anthony McCarten | 
| Staring: | 
| In May 1940, the fate of World War II hangs on Winston Churchill, who must decide whether to negotiate with Adolf Hitler or fight on knowing that it could mean the end of the British Empire. | |
| Release Date: | Nov 22, 2017 | 
|---|---|
| Director: | Joe Wright | 
| Writer: | Anthony McCarten | 
| Genres: | Drama, History | 
| Keywords | world war ii, biography, london underground, based on true story, british politics, british prime minister, british history, dunkirk, 1940s, winston churchill | 
| Production Companies | Focus Features, Working Title Films, Perfect World Pictures | 
| Box Office | Revenue: $150,847,207 Budget: $30,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Gary Oldman | Winston Churchill | 
| Kristin Scott Thomas | Clemmie | 
| Ben Mendelsohn | King George VI | 
| Lily James | Elizabeth Layton | 
| Ronald Pickup | Neville Chamberlain | 
| Stephen Dillane | Viscount Halifax | 
| Nicholas Jones | Sir John Simon | 
| Samuel West | Sir Anthony Eden | 
| David Schofield | Clement Atlee | 
| Richard Lumsden | General Ismay | 
| Malcolm Storry | General Ironside | 
| Hilton McRae | Arthur Greenwood | 
| Benjamin Whitrow | Sir Samuel Hoare | 
| Joe Armstrong | John Evans | 
| Adrian Rawlins | Air Chief Marshal Dowding | 
| David Bamber | Admiral Ramsay | 
| Paul Leonard | Admiral Dudley Pound | 
| David Strathairn | President Roosevelt (voice) | 
| Eric MacLennan | Tom Leonard | 
| Philip Martin Brown | Sawyers | 
| Demetri Goritsas | Cabinet Secretary Bridges | 
| Jordan Waller | Randolph Churchill | 
| Alex Clatworthy | Diana Churchill | 
| Mary Antony | Mary Churchill | 
| Bethany Muir | Sarah Churchill | 
| Anna Burnett | Pamela Churchill | 
| Jeremy Child | Lord Stanhope | 
| Brian Pettifer | Lord Kingsley Wood | 
| Michael Gould | Lord Londonderry | 
| Paul Ridley | House of Commons Speaker | 
| Robin Pearce | Ernle Hastings | 
| Michael Bott | Equerry | 
| Olivier Broche | Reynaud | 
| Mario Hacquard | Daladier | 
| Pip Torrens | BBC Producer | 
| Edmund Wiseman | Actor | 
| Hannah Steele | Abigail Walker | 
| Nia Gwynne | Alice Simpson | 
| Ade Dee Haastrup | Marcus Peters | 
| James Eeles | Maurice Baker | 
| Flora Nicholson | Jessie Sutton | 
| Bronte Carmichael | Young Girl on Tube | 
| Roisin O'Neill | Agnes Dillon | 
| John Locke | Oliver Wilson | 
| Joanna Neary | Margaret Jerome | 
| Richard Glover | Brigadier Nicholson | 
| Tom Ashley | Ramsay Staffer | 
| Joshua Higgott | Reporter | 
| Imogen King | Teenage Girl at Tube Map | 
| Miles Gallant | Naval Map-Room Officer | 
| Faye Marsay | Sybil | 
| John Atterbury | Sir Alexander Cadogan | 
| James Harkness | AD Nicholl (Secretary #1) | 
| Joshua James | W D Wilkinson (Secretary #2) | 
| Charley Palmer Rothwell | Christopher Wilson (Photographer) | 
| Patsy Ferran | Maid | 
| Sarah Flind | Cook | 
| Steffan Donnelly | Back Bencher | 
| Kieran Buckeridge | Cecil Beaton | 
| Johnny Otto | Member of Parliament (uncredited) | 
| Nick Howden-Steenstra | Sentry (uncredited) | 
| Name | Job | 
|---|---|
| Isona Rigau | Assistant Art Director | 
| Ivana Primorac | Makeup Designer, Hair Designer | 
| Nick Gottschalk | Supervising Art Director | 
| Joe Wright | Director | 
| Anthony McCarten | Screenplay | 
| Sarah Greenwood | Production Design | 
| Jacqueline Durran | Costume Design | 
| Flora Moody | Key Hair Stylist, Key Makeup Artist | 
| John Casali | Production Sound Mixer | 
| Matt Robinson | Assistant Art Director | 
| Alex Abelman | Carpenter | 
| Kazu Hiro | Prosthetic Makeup Artist, Hair Designer | 
| Bruno Delbonnel | Director of Photography | 
| Craig Berkey | Supervising Sound Editor, Sound Re-Recording Mixer | 
| Valerio Bonelli | Editor | 
| Chris Murphy | Boom Operator | 
| Robert Sansom | Carpenter | 
| Dan Channing-Williams | First Assistant Director | 
| Warwick Hewett | Visual Effects Producer | 
| Jack Ridout | Lighting Technician | 
| Mike Woodley | Aerial Coordinator | 
| Faujja Singh | Armorer | 
| Katy Lawrence | Production Secretary | 
| Nick Roeten | Stunts | 
| James Collins | Set Designer | 
| Tamara Catlin-Birch | Set Decorating Coordinator, Art Department Coordinator | 
| Jack English | Still Photographer | 
| Thomas Napper | Second Unit Director | 
| Zak Brogan | Carpenter | 
| Rachel Desmarest | Additional Casting | 
| Mark Appleby | ADR Mixer | 
| Keith Partridge | Foley Mixer | 
| Dario Marianelli | Original Music Composer | 
| Hugo Williams-Ellis | Production Assistant | 
| Lawrence Mason | Production Coordinator | 
| Jo Nielsen | Hairstylist | 
| Madlen Mierzwiak | Hairstylist | 
| Louis Phillips | Executive In Charge Of Production | 
| Stephanie Gibbins | Construction Coordinator | 
| Marie Boon | Art Department Assistant | 
| Joe Howard | Art Direction | 
| Katie Spencer | Set Decoration | 
| Gayle Dickie | Second Assistant Director | 
| Dennis Wiseman | Property Master | 
| Julia Newell | Construction Coordinator | 
| Lottie Geliot | Art Department Assistant | 
| Des Whelan | Camera Operator | 
| Sophie Hart-Walsh | Set Costumer | 
| Jon Baker | Armorer | 
| Jeremy Braben | Aerial Director of Photography | 
| James Collins | Draughtsman | 
| Oliver Goodier | Art Direction | 
| Matt Robinson | Assistant Art Director | 
| Josh O'Neill | Carpenter | 
| Roberto Oliveri | Set Dresser | 
| Jo Wallett | Production Manager | 
| Lucy Sibbick | Prosthetic Makeup Artist | 
| Claire Watson | Costume Coordinator | 
| Chuck Finch | Gaffer | 
| Ben Rothwell | Armory Coordinator | 
| Paul Cotterell | Sound Re-Recording Mixer | 
| Becki Ponting | Supervising Sound Editor | 
| Phoebe Billington | Script Supervisor | 
| Andrea Cripps | Assistant Costume Designer | 
| Paul Carter | Sound Designer | 
| Tommaso Gallone | First Assistant Editor | 
| Sam Dormer | Armorer | 
| Rob Turner | Foley Editor | 
| Dave Clements | Electrician | 
| Jessie Frost | Casting Associate | 
| Alex Jadfard | Digital Compositor | 
| Diana Choi | Wigmaker | 
| Carlos De Carvalho | Second Unit Director of Photography | 
| Patricia Leblanc | Visual Effects Coordinator | 
| Christopher Collis | Visual Effects Editor | 
| Michael Maroussas | Dialogue Editor | 
| Gudjon Kristjansson | Digital Compositor | 
| Anne-Marie Ouellet | Visual Effects Production Assistant | 
| Tracie Donais | Digital Compositor | 
| Laurence Provost | Matte Painter | 
| Bob Kretschmer | Wigmaker | 
| Andrew Jones | Second Assistant "B" Camera | 
| Julian Bucknall | First Assistant "A" Camera | 
| Tim Grover | Post Production Supervisor | 
| Sarah Mooney | Second Assistant Director | 
| Netty Chapman | Assistant Set Decoration | 
| Chris Brough | Carpenter | 
| Peter 'PJ' Newman | Carpenter | 
| Mark Jones | Dressing Prop | 
| Paul Gunner | Painter | 
| Dale Walters | Props | 
| Simon Hutchings | Standby Painter | 
| Hayley Clair Stewart | Costume Assistant | 
| Vanessa Baker | ADR Voice Casting | 
| Adam Penny | Extras Casting | 
| Maikel Popic | Dailies Operator | 
| Charlotte Llewelyn | Digital Intermediate Producer | 
| Rebecca Cronshey | Researcher | 
| Tiffany Tiesiera | Production Executive | 
| Jeff Gomillion | ADR Mixer | 
| Barnaby Smyth | Foley Artist | 
| Johnathan Rush | Sound Mix Technician | 
| Carl St-Pierre | Compositor | 
| Nicolas Chavigny | Matte Painter | 
| Justin Hebert | Rotoscoping Artist | 
| Declan McGuire | Pipeline Technical Director | 
| Michael Frattasio | VFX Artist | 
| Stephane Naze | Visual Effects Supervisor | 
| Phoebe Fraser | Digital Imaging Technician | 
| Stuart Hurley | Electrician | 
| Gabriele Filippelli | Lighting Technician | 
| Tommy Finch | Rigging Gaffer | 
| Emma Woodvine | Dialogue Coach, Dialect Coach | 
| Georgina Millett | Graphic Designer | 
| Christine Whitney | Makeup Supervisor, Hair Supervisor | 
| Steven Morris | Assistant Property Master | 
| Kyle Greenberg | Digital Compositor | 
| Paul Hymns | Key Grip | 
| Alan Perrin | Drone Pilot | 
| Jamie Edgell | Stunt Coordinator | 
| Tom Edmondson | Second Unit First Assistant Director | 
| Carl Alsop | Carpenter | 
| Grant Cort | Carpenter | 
| Terence Harrington | Dressing Prop | 
| Alexander Isaksson | Matte Painter | 
| Morgan Lang | Matte Painter | 
| Dave Wells | Best Boy Grip | 
| Paul Wheeldon | First Assistant "B" Camera | 
| Andrew Burford | Stunts | 
| Aaron Hartley | Second Assistant Director | 
| Gavin Hosler | Carpenter | 
| Thomas Moriarty | Dressing Prop | 
| Jamie Davies-Evans | Painter | 
| Dean Morris | Props | 
| Matthew Bailey | Standby Carpenter | 
| Bonnie Radcliffe | Costume Assistant | 
| Geo Pavlov | Costume Illustrator | 
| Alice O'Donoghue | Casting Assistant | 
| Charlie Summerville | Dressing Prop | 
| Karl Koroscik | Props | 
| Emma MacDevitt | Standby Art Director | 
| Joel Christopher | Costume Assistant | 
| John Usher | Costume Assistant | 
| Charlie Rotheram | Extras Casting | 
| Cherri Arpino | Dailies Manager | 
| Matt Adams | Digital Intermediate | 
| Giles Dumper | Pilot | 
| Sanjay Sharma | Production Executive | 
| Samuel Harman | Production Secretary | 
| Elliot Wood | Extras Casting | 
| Jenny-Jayne Webb | Digital Intermediate Editor | 
| Ian Creed | Marine Coordinator | 
| Tom Hingston | Title Designer | 
| Tanya Mellotte | Payroll Accountant | 
| Daniel Budd | Production Accountant | 
| Oskar von Unge | Assistant Sound Editor | 
| Chris Robins | Sound Mix Technician | 
| George Spensley-Corfield | Special Effects Technician | 
| Tiago Barbosa | Digital Compositor | 
| Samuel Rousseau | Rotoscoping Artist | 
| Shenouda Isaac Nazer | Rotoscoping Artist | 
| Miguel Algora | VFX Artist | 
| Nicholas Bennett | Visual Effects Supervisor | 
| Mark Kozlowski | Digital Imaging Technician | 
| Perry Cullen | Electrician | 
| Josh Milne | Libra Head Technician | 
| Mike King | Lighting Technician | 
| Neal Champion | Special Effects Supervisor | 
| Shailendra Kumar Pandey | Compositor | 
| Maxime Moreira | Modeling | 
| Yuliia Kondratova | Rotoscoping Artist | 
| Marc-Olivier Rouleau | Pipeline Technical Director | 
| Yan Caspar Hirschbuehl | VFX Artist | 
| Peter Marsden | Digital Imaging Technician | 
| David Cormack | Electrician | 
| Duncan Steven | Grip | 
| Filippo Giansante | Lighting Technician | 
| Ane Stubberud | Assistant Accountant | 
| Oliver Stotter | Production Assistant | 
| Angela Moneke | Production Assistant | 
| Joshua Jason | Publicist | 
| Jacqueline Rathore | Hairstylist | 
| Abby Vickers | Production Assistant | 
| Oliver Cockerham | Production Coordinator | 
| Sasha Gibson | Unit Publicist | 
| Heather Manson | Makeup & Hair | 
| Jina Jay | Casting | 
| David Malinowski | Prosthetic Makeup Artist | 
| Cristian Knight | Stunts | 
| David Pearce | Second Assistant "A" Camera | 
| Name | Title | 
|---|---|
| Eric Fellner | Producer | 
| Anthony McCarten | Producer | 
| Lisa Bruce | Producer | 
| Douglas Urbanski | Producer | 
| Tim Bevan | Producer | 
| James Biddle | Executive Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Picture | N/A | Nominated | 
| Academy Awards | Best Actor | Gary Oldman | Won | 
| Academy Awards | Best Actor | Daniel Day-Lewis | Nominated | 
| Golden Globes | Best Picture | N/A | Nominated | 
| Golden Globes | Best Actor | Gary Oldman | Nominated | 
| Golden Globes | Best Director | Joe Wright | Nominated | 
| BAFTA Awards | Best Actor | Gary Oldman | Won | 
| BAFTA Awards | Best Supporting Actor | Willem Dafoe | Won | 
| SAG Awards | Best Actor | Gary Oldman | Won | 
| SAG Awards | Best Director | Gary Oldman | Nominated | 
Popularity History
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| 2024 | 4 | 37 | 59 | 20 | 
| 2024 | 5 | 42 | 92 | 24 | 
| 2024 | 6 | 30 | 50 | 18 | 
| 2024 | 7 | 31 | 60 | 19 | 
| 2024 | 8 | 29 | 48 | 21 | 
| 2024 | 9 | 25 | 39 | 16 | 
| 2024 | 10 | 26 | 48 | 17 | 
| 2024 | 11 | 25 | 33 | 18 | 
| 2024 | 12 | 24 | 36 | 16 | 
| 2025 | 1 | 30 | 54 | 21 | 
| 2025 | 2 | 20 | 35 | 4 | 
| 2025 | 3 | 11 | 32 | 2 | 
| 2025 | 4 | 7 | 11 | 3 | 
| 2025 | 5 | 6 | 13 | 4 | 
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| 2025 | 7 | 3 | 4 | 2 | 
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| 2025 | 9 | 5 | 6 | 4 | 
| 2025 | 10 | 5 | 8 | 3 | 
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| 2025 | 9 | 786 | 892 | 
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| 2025 | 4 | 364 | 766 | 
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| 2024 | 11 | 788 | 869 | 
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| 2024 | 9 | 713 | 774 | 
I have no idea why people are raving about this film, it's a bit crap, it's probably Oldman weakest performance to date, and the cinematography is terrible. Churchill with Brian Cox in the lead role is a FAR superior film on the subject. ...
As with many of the biopics I've seen recently, _Darkest Hour_ is more focussed on delivering you the facts than getting you involved with the characters. It is an interesting idea to have the majority of the story revolve around the of whether or not to sue for peace. That as a core concept in so m ... uch as the question of "Do I take the guarantee of saving my country or do I take the risk of saving the world?" and beyond that "Is there even a right answer to that question? And who am I to decide something this big?" is a great philosophical centre for a movie. But I never felt like I knew why any of these people had the answers that they gave. I get that in a historical context, these aren't characters they are real life people, so they answers they had are the answers we see, but again, we are only given the _what_, not the _why_. Except you can throw all of that away because here comes Gary Oldman in his Oscar nominated transformation to make this movie 100% worth watching. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
It's 1940, and Hitler is attempting to take over Europe. The film takes an interesting look at Winston Churchill's first five weeks as Prime Minister. The acting in this movie is quite accomplished; good actors bring insight and depth to the characters. Overall, it's a well-done, engrossing film. ... Gary Oldman's performance as Winston Churchill was very good indeed, and his delivery of Churchill's speeches alone make watching the movie worthwhile!
I saw this film at TIFF on the big screen and loved it. There's not a weak member of the cast. I really loved the way the photography reflected the sense of gloom that would have been felt by the people facing a new war. Big thumbs up, gives a strong sense of the time and place. ...
Gary Oldman was superb as Churchill. ...
I thought I might have seen this a couple pf years ago, but I still enjoyed it. There have been a few movies about Churchill’s rise to power at the outset of World War II. This one seems to cover the least amount of ground, focusing on his thought processes, the political climate and his personal li ... fe leading only up to the beginning of the Dunkirk evacuation. I thought there were two things the film did well with its strong writing and actor portrayal: the first was to present Churchill, a larger than life character, as just a life-size person, with the foibles and weaknesses he carried around with him. The other strength was in building depth into some of the secondary characters. His new aide typist, for example, is ready to quit after Churchill yells at her unfairly. It would have been easy to rehabilitate him for that temper tantrum by having him soften towards her and convince her to stay on. Instead she leaves the building, is handed an important communication from the king, and decides for herself to stay on and do the job. Churchill is the focal point pf the film, but again and again he shares the limelight onscreen with others like this, such as the extended scene in the subway. So within it’s narrow focus, I think the movie does a great job telling the story of this interlude from history.
A tour de force from Gary Oldman as he portrays Winston Churchill in his first few months of office at the start of WWII. Oddly enough though, aside from a few brief appearances from Kristin Scott-Thomas, the rest of the cast in this historical biopic are really quite unremarkable. The speeches are ... delivered magnificently; but there are too many speculative machinations going on - not least those involving King George VI - that do bring the credibility of this into question. There was plenty of accurately documented reportage from this time to enable Anthony McCarten to pen an entertaining script based more on the facts of this unsteady period of Churchill's premiership; Dunkirk; his relationship with Halifax & Roosevelt etc. rather than invent storylines. The attention to detail is superb and Oldman well deserved his second Oscar.