Popularity: 4 (history)
Director: | David Cronenberg |
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Writer: | Steven Knight |
Staring: |
A Russian teenager living in London dies during childbirth but leaves clues in her diary that could tie her child to a rape involving a violent Russian mob family. | |
Release Date: | Sep 14, 2007 |
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Director: | David Cronenberg |
Writer: | Steven Knight |
Genres: | Crime, Mystery, Thriller |
Keywords | london, england, tattoo, prostitute, rape, jealousy, parent child relationship, chauffeur, hitman, diary, gangster, human trafficking, midwife, bratva (russian mafia), murder, statutory rape, orphan, brutality, motorcycle, disposing of a dead body, bathhouse, empathy |
Production Companies | BBC Film, Serendipity Point Films, Kudos, Scion Films, Focus Features |
Box Office |
Revenue: $56,106,607
Budget: $51,500,000 |
Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Viggo Mortensen | Nikolai Luzhin |
Naomi Watts | Anna Ivanovna Khitrova |
Vincent Cassel | Kirill |
Armin Mueller-Stahl | Semyon |
Sinéad Cusack | Helen |
Donald Sumpter | Yuri |
Jerzy Skolimowski | Stepan |
Josef Altin | Ekrem |
Mina E. Mina | Azim |
Aleksandar Mikic | Soyka |
Sarah-Jeanne Labrosse | Tatiana |
Lalita Ahmed | Customer |
Tatiana Maslany | Tatiana (voice) |
Tereza Srbova | Kirilenko |
David Papava | Chechen |
Tamer Hassan | Chechen |
Raza Jaffrey | Doctor Aziz |
Elisa Lasowski | Prostitute |
Alice Henley | Prostitute |
Tony Cook | Football Hooligan (uncredited) |
Shannon-Fleur Roux | Maria |
Badi Uzzaman | Chemist |
Doña Croll | Nurse |
Lillibet Langley | Violin Girl |
Mia Soteriou | Azim's Wife |
Radosław Kaim | Head Waiter |
Rhodri Miles | Senior Officer |
Cristina Catalina | Prostitute |
Faton Gerbeshi | Pimp |
Gergo Danka | Junior Waiter |
Michael Sarne | Valery |
Boris Isarov | Russian Boss |
Yuri Klimov | Russian Boss |
Andrzej Borkowski | The Gypsy |
Olegar Fedoro | Tattooist |
Diane Beck | Nurse |
Name | Job |
---|---|
George Cottle | Stunts |
Nina Gold | Casting |
Steven Knight | Screenplay |
Denise Cronenberg | Costume Design |
David Cronenberg | Director |
Howard Shore | Original Music Composer |
Peter Suschitzky | Director of Photography |
Roger Tooley | Steadicam Operator |
Lucy Allen | Stunts |
Goro Koyama | Foley Artist |
Ronald Sanders | Editor |
Deirdre Bowen | Casting |
Charmaine Fuller | Makeup Artist |
Mary-Lou Green-Benvenuti | Hairstylist |
Michael O'Farrell | Supervising Sound Editor |
Alf Tramontin | Steadicam Operator |
Peter Mountain | Still Photographer |
Paul Sacco | Dolby Consultant |
Rebecca Holmes | Art Direction |
Julian Spencer | Stunt Coordinator |
Dave Muscat | Digital Intermediate Editor |
Tony Currie | Dialogue Editor |
Carol Spier | Production Design |
Christine Blundell | Makeup Artist |
Susanna Lenton | Script Supervisor |
Aaron Weintraub | Visual Effects Supervisor |
Mark Zsifkovits | Sound Re-Recording Mixer |
Jennifer Dunnington | Music Editor |
Orest Sushko | Sound Re-Recording Mixer |
Fiona Campbell Westgate | Visual Effects Producer |
Nick Palmer | Supervising Art Director |
Andy Malcolm | Foley Artist |
Nick Iannelli | Digital Intermediate Producer |
Rob Bertola | Sound Effects Editor |
Camilla Stephenson | Location Manager |
Robert J. Dugdale | Scenic Artist |
David Packard | Scenic Artist |
David Broder | Location Manager |
Wayne Griffin | Supervising Sound Editor |
Catherine Palmer | Assistant Art Director |
Prudence Emery | Unit Publicist |
Bruce Bigg | Property Master |
Alastair Gray | Dialogue Editor |
John Roberts | Painter |
Judy Farr | Set Decoration |
Paul Herbert | Stunt Coordinator |
Name | Title |
---|---|
David M. Thompson | Executive Producer |
Paul Webster | Producer |
Jeff Abberley | Executive Producer |
Julia Blackman | Executive Producer |
Robert Lantos | Producer |
Stephen Garrett | Executive Producer |
Tracey Seaward | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 35 | 55 | 26 |
2024 | 5 | 39 | 69 | 25 |
2024 | 6 | 37 | 68 | 21 |
2024 | 7 | 40 | 59 | 21 |
2024 | 8 | 28 | 48 | 19 |
2024 | 9 | 23 | 34 | 16 |
2024 | 10 | 45 | 105 | 16 |
2024 | 11 | 28 | 73 | 16 |
2024 | 12 | 25 | 41 | 18 |
2025 | 1 | 28 | 37 | 16 |
2025 | 2 | 20 | 37 | 4 |
2025 | 3 | 8 | 26 | 1 |
2025 | 4 | 3 | 4 | 2 |
2025 | 5 | 3 | 4 | 2 |
2025 | 6 | 3 | 4 | 2 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 3 | 4 | 2 |
2025 | 9 | 4 | 6 | 3 |
2025 | 10 | 4 | 4 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 630 | 641 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 701 | 833 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 956 | 956 |
Year | Month | High | Avg |
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2025 | 5 | 858 | 923 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 791 | 791 |
Year | Month | High | Avg |
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2025 | 3 | 847 | 901 |
Year | Month | High | Avg |
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2025 | 2 | 513 | 729 |
Year | Month | High | Avg |
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2025 | 1 | 712 | 853 |
Year | Month | High | Avg |
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2024 | 12 | 734 | 773 |
Year | Month | High | Avg |
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2024 | 11 | 169 | 554 |
Really dumb boring movie. I'm just glad that I got this movie for free and didn't have to waste money on this garbage movie. ...
"Anna" (Naomi Watts) in the well meaning midwife who wants to repatriate a recently orphaned child with the family of it's deceased mother. All she has to go on is a diary, in Russian, so she takes it to her uncle "Stepan" (Jerzy Skolimowski) who doesn't really want anything to do with it! There's a ... nother clue, though - a card that leads her to a restaurant where she meets "Semyon" (Armin Mueller-Stahl), his rather obnoxious son "Kirill" (Vincent Cassel) and his henchman "Nikolai" (Viggo Mortensen). She gets the older man to agree to do some translating for her, but in the meantime her uncle has also decided to have a go after all - and what "Anna" soon discovers sends a shiver down her spine! She now has an idea as to the paternity of the child, but given what she is now experiencing, she faces quite a quandary in knowing what is best (and safest) to actually do. As she and her own family become more embroiled in the perilous antics of London's gangland activities, it might be that she needs to rely a little on "Nikolai" - the only piece on the board that might be able to help. What now ensues is a well acted and scripted story of power, violence brutality and family - and woe-betides anyone who crosses the hierarchy from the mother country. Watts is on good form here and of the men, Mortensen competently takes the top billing - but it's Cassel - usually a good character actor - who stands out here as the vodka-swilling and truly odious brute, and as the denouement looms the tension is palpable and the conclusion anything but predictable. This works better on a big screen if you can as that evokes a better sense of a London with an evil underbelly, but either way it's still at the better end of the vicious crime genre.