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A History of Violence Poster

A History of Violence

Tom Stall had the perfect life...until he became a hero.
2005 | 96m | English

(268438 votes)

TMDb IMDb

Popularity: 7 (history)

Director: David Cronenberg
Writer: Josh Olson
Staring:
Details

An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
Release Date: Sep 23, 2005
Director: David Cronenberg
Writer: Josh Olson
Genres: Drama, Crime, Thriller
Keywords philadelphia, pennsylvania, robbery, double life, dual identity, identity, small town, indiana, usa, distrust, hero, fight, self-defense, marriage, irish mob, revenge, family relationships, mistaken identity, diner, lawyer, mobster, attempted robbery, based on graphic novel
Production Companies New Line Cinema, BenderSpink, Media I! Filmproduktion München & Company
Box Office Revenue: $61,477,797
Budget: $32,000,000
Updates Updated: Oct 06, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Viggo Mortensen Tom Stall / Joey Cusack
Maria Bello Edie Stall
Ed Harris Carl Fogarty
William Hurt Richie Cusack
Ashton Holmes Jack Stall
Peter MacNeill Sheriff Sam Carney
Stephen McHattie Leland
Greg Bryk Billy
Kyle Schmid Bobby
Sumela Kay Judy Danvers
Gerry Quigley Mick
Deborah Drakeford Charlotte
Heidi Hayes Sarah Stall
Aidan Devine Charlie Roarke
Bill MacDonald Frank Mulligan
Michelle McCree Jenny Wyeth
Ian Matthews Ruben
R.D. Reid Pat
Morgan Kelly Bobby's Buddy
Martha Reilly Shoe Saleswoman
Jason Barbeck Richie's Thug
Bruce Beaton Richie's Thug
Neven Pajkic Richie's Thug
Brendan Connor Local TV Reporter
Nick Antonacci Local TV Reporter
John Watson Baseball Coach
Don Allison TV Broadcaster
Brittany Payer Motel Girl
Mitch Boughs Kid in Diner
April Mullen Kid in Diner
George King Hospital Well-Wisher
Shawn Campbell Orderly
Viggo Mortensen Tom Stall
Name Job
David Cronenberg Director
Josh Olson Screenplay
Peter Suschitzky "A" Camera Operator, Director of Photography
Howard Shore Original Music Composer
Denise Cronenberg Costume Design
John Wagner Graphic Novel
Goro Koyama Foley Artist
Chris Navarro ADR Recordist
Bryan J. Thomas Stunts
Ronald Sanders Editor
Deirdre Bowen Casting
Heather Meehan Unit Production Manager
Wayne Griffin Supervising Sound Editor
John Stoneham Jr. Stunt Coordinator
Dug Rotstein Script Supervisor
Colin McLellan ADR Mixer
Scotty Allan Chief Lighting Technician
Dusty Reeves Art Department Coordinator
Alastair Gray Dialogue Editor
Carol Spier Production Design
Peter Nicolakakos Set Decoration
Jennifer Dunnington Music Editor
Takashi Seida Still Photographer
Karen Elliott Music Supervisor
Orest Sushko Sound Re-Recording Mixer
Christian T. Cooke Sound Re-Recording Mixer
David Yonson ADR Mixer
Glen Gauthier Sound Mixer
Luisa Cabbidu Extras Casting Coordinator
Zameret Kleiman Extras Casting
Deryck Blake Property Master
Don White Foley Mixer
Gordon White Set Designer
Aaron Weintraub Visual Effects Supervisor
Walter Gasparovic First Assistant Director
Greg DaPrato Set Dresser
Dave Van Zeyl Stunts
Christopher McGuire Stunts
James McAteer Art Direction
Mary-Lou Green-Benvenuti Key Hair Stylist
Clive Turner Sound Effects Editor
Mark Zsifkovits Sound Re-Recording Mixer
Michael O'Farrell Supervising Sound Editor
Matthew McKenzie ADR Mixer
Patricia Cowmeadow Costume Set Supervisor
Candide Franklyn Steadicam Operator, "B" Camera Operator
Vince Locke Graphic Novel
David Neil Trifunovich Special Effects Supervisor
Gordon Lebredt Set Designer
John Furniotis Title Designer
Chris Pizzarelli Key Makeup Artist
Duane Rutkowski VFX Artist
Michael Iwan Techno Crane Operator
Andy Malcolm Foley Artist
Stephan Dupuis Makeup Supervisor
Ciara Brennan Set Costumer
Fiona Campbell Westgate Visual Effects Producer
Jodi A. Tario Assistant Director
Peter Sissakis Special Effects Technician
Dennis Berardi Visual Effects Supervisor
Duncan McLeod Stunt Coordinator
Chad Camilleri Stunts
Glenn Hughes Picture Car Coordinator
Warner Strauss Assistant Location Manager
Name Title
J.C. Spink Producer
Jake Weiner Co-Producer
Roger Kass Executive Producer
Justis Greene Executive Producer
Josh Braun Executive Producer
Kent Alterman Executive Producer
Chris Bender Producer
Cale Boyter Executive Producer
Toby Emmerich Executive Producer
Organization Category Person
Berlin International Film Festival Best Supporting Actor William Hurt Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 27 35 18
2024 5 35 104 17
2024 6 28 46 15
2024 7 30 52 20
2024 8 31 59 20
2024 9 19 27 12
2024 10 26 46 15
2024 11 24 42 17
2024 12 23 34 16
2025 1 24 33 17
2025 2 22 28 4
2025 3 8 24 2
2025 4 6 11 3
2025 5 4 11 3
2025 6 3 6 2
2025 7 3 4 2
2025 8 3 4 2
2025 9 4 6 3
2025 10 7 9 4

Trending Position


Year Month High Avg
2025 10 159 611
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2025 9 699 699
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2025 4 554 688
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2025 3 857 857
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2025 2 684 879
Year Month High Avg
2025 1 743 848

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Reviews

Ruuz
7.0

Probably Cronenberg's most mundane work, but that's not even remotely a knock against _A History of Violence_. I hear tell that fans of the comic don't much like this big screen re-telling, but I've never read it, so I'm gonna go ahead and really enjoy it anyway. _Final rating:★★★½ - I really lik ... ed it. Would strongly recommend you give it your time._

Jun 23, 2021
Geronimo1967
7.0

We start with images of two rather brutal hoodlums who have robbed and massacred the staff at a roadside motel and then sort of follow them into a town where "Tom" (Viggo Mortensen) runs the diner. They stop by one afternoon, intent on causing a bit of mayhem, only to discover that their host is a b ... it more capable of defending himself than they'd anticipated. Quickly "Tom" is lauded as an hero, and wife "Edie" (Maria Bello) and kids "Jack" (Ashton Holmes) and "Sarah" (Heidi Hayes) are proud to have their dad at home. What he hadn't anticipated, though, is that the publicity would attract the attention of one-eyed gangster "Fogarty" (Ed Harris) who arrives and starts calling him "Joey". Who's "Joey"? Well we quickly find out that nothing is as it seems and we gradually begin to realise that the past always has an habit of catching up with you. This is a violent film, but oddly enough I felt it rather visually tame as the pieces start to fall into place and the arrival of William Hurt signals an escalation that cleverly marries the comically menacing with the somewhat predictable conclusion. There's not a great deal of dialogue here, though not quite on the Clint Eastwood scale, and Mortensen holds it together increasingly well as we move along. It's one of the few films that I feel could have added half an hour or so, just so we get to grips a bit better with the characterisations and concomitant baggage, but as it is - it's well worth a look.

Mar 09, 2024