 
  Popularity: 4 (history)
| Director: | Michael A. Simpson | 
|---|---|
| Writer: | Michael Hitchcock, Robert Hiltzik | 
| Staring: | 
| Angela Baker escapes from a mental hospital and surfaces at a summer camp as a counselor who lectures her teenage charges on proper moral behavior. Those teens who break her strict rules -- from the camp chatterbox or a sex-obsessed girl to the boys who are peeping Toms -- are murdered by the impostor in various gruesome ways. As more campers go missing, intrepid counselor Molly begins to piece together the truth. | |
| Release Date: | Aug 26, 1988 | 
|---|---|
| Director: | Michael A. Simpson | 
| Writer: | Michael Hitchcock, Robert Hiltzik | 
| Genres: | Comedy, Horror | 
| Keywords | summer camp, murder, gore, slasher, camp counselor, female serial killer, female psychopath, socialized psychopath | 
| Production Companies | Double Helix Films | 
| Box Office | Revenue: $0 Budget: $465,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Pamela Springsteen | Angela Johnson | 
| Renée Estevez | Molly Nagle | 
| Tony Higgins | Sean Whitmore | 
| Valerie Hartman | Ally Burgess | 
| Brian Patrick Clarke | TC | 
| Walter Gotell | Uncle John | 
| Susan Marie Snyder | Mare | 
| Kendall Bean | Demi | 
| Julie Murphy | Lea | 
| Carol Chambers | Brooke | 
| Amy Fields | Jodi | 
| Benji Wilhoite | Anthony | 
| Walter Franks | Judd | 
| Justin Nowell | Charlie | 
| Heather Binion | Phoebe | 
| Jason Ehrlich | Emilio | 
| Carol Martin Vines | Diane | 
| Jill Jane Clements | Woman in Truck | 
| Tricia Grant | Girl Sent Home | 
| Terry Hobbs | Rob | 
| Name | Job | 
|---|---|
| Michael A. Simpson | Director | 
| Lonnie R. Smith Jr. | Stunt Coordinator | 
| Patrick Kilpatrick | Title Designer | 
| Michael Hitchcock | Writer | 
| Norman Bielowicz | Thanks | 
| Shay Bentley Griffin | Casting | 
| Keith Sherer | Gaffer | 
| Dudley J. Voll | First Assistant Camera | 
| Bill Fibben | Boom Operator | 
| Bill Phillips | Swing | 
| Scott W. Leftridge | Dolly Grip | 
| Alison Deen | Production Secretary | 
| Rene Mitchell | Production Assistant | 
| Suzanne Colley | Still Photographer | 
| Deborah Drust | Extras Casting | 
| Amy Carey | Music Editor, Dialogue Editor | 
| James Oliverio | Original Music Composer, Post Production Supervisor | 
| Hoyt Bilbo | Thanks | 
| Bill Anderson | Thanks | 
| Donald Harden | Thanks | 
| Curtis Beck | Thanks | 
| Kristen McGary | Script Supervisor | 
| John David Allen | Editor | 
| Robert Hiltzik | Writer | 
| Frank Galline | Art Direction | 
| Shad Leach | Set Designer | 
| Catherine Murphy | Second Assistant Director | 
| Mary Ellis | Location Sound Mixer | 
| Dave Elliot | Electrician | 
| Eddie Evans | Best Boy Grip | 
| Tracy Thornton | Wardrobe Assistant | 
| Leslie Peterson | Driver | 
| Jim Clark | Still Photographer | 
| Ethelyn Spires | Catering | 
| Lance Alford | Security Coordinator | 
| Jim Schulte | Assistant Editor | 
| Linda Frascino | Thanks | 
| Floyd Statham | Thanks | 
| Tim Bennett | Thanks | 
| Harold Marks | Thanks | 
| Ed Spivia | Thanks | 
| Bill Mills | Director of Photography | 
| Robert Gillespie | Sound Effects Editor | 
| Jerry Pece | First Assistant Director | 
| Bob Phillips | Unit Production Manager | 
| Norman Andrews | Second Assistant Camera | 
| Jeff Becker | Best Boy Electric | 
| Roger Sherer | Key Grip | 
| Laura Paris | Wardrobe Supervisor | 
| Mark Jamieson | Driver | 
| Danny Robinson | Production Assistant | 
| George Spires | Catering | 
| Greg Poulos | Dialogue Coach | 
| Donna Smith | Thanks | 
| Linda Brenick | Thanks | 
| Dave Straub | Thanks | 
| John Capron | Thanks | 
| Name | Title | 
|---|---|
| Michael A. Simpson | Producer | 
| Stan Wakefield | Executive Producer | 
| Jerry Silva | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 13 | 17 | 10 | 
| 2024 | 5 | 14 | 25 | 10 | 
| 2024 | 6 | 14 | 27 | 9 | 
| 2024 | 7 | 14 | 31 | 8 | 
| 2024 | 8 | 11 | 19 | 6 | 
| 2024 | 9 | 9 | 13 | 7 | 
| 2024 | 10 | 15 | 32 | 7 | 
| 2024 | 11 | 12 | 19 | 8 | 
| 2024 | 12 | 11 | 17 | 7 | 
| 2025 | 1 | 10 | 14 | 6 | 
| 2025 | 2 | 8 | 12 | 3 | 
| 2025 | 3 | 5 | 12 | 1 | 
| 2025 | 4 | 1 | 2 | 1 | 
| 2025 | 5 | 1 | 3 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 1 | 1 | 0 | 
| 2025 | 8 | 1 | 2 | 0 | 
| 2025 | 9 | 2 | 3 | 2 | 
| 2025 | 10 | 4 | 4 | 3 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 8 | 748 | 885 | 
We are Tit Patrol. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._ ...
***All-around improvement on the original perverse youth camp slasher*** About six years after the events of the first film, Angela (Pamela Springsteen) is now an adult camp counselor at Camp Rolling Hills after getting therapy and the operation (if you know what I mean). She carefreely weeds ou ... t all the bad kids and anyone else who might get in the way. The production values of “Sleepaway Camp II: Unhappy Campers” (1988) are all-around superior to the original 1983 slasher. Sure, both are “Friday the 13th” knock-offs, but they’re distinguished by (1.) actual adolescents inhabiting the camp and (2.) the perverse uniqueness of the killer. The only real campy element is Angela’s blithe chippy-ness in carrying out her slaughter spree. Other than that, this plays out like a mid-80’s coming-of-age drama with quality insights and surprisingly fleshed-out characters, which were the attributes of the first film as well. For instance, Molly (Renée Estevez) is very distinguished from Ally (Valerie Hartman) and Mare (Susan Marie Snyder). The mullets and short shorts on guys are amusing. An additional highlight is the kick-axx soundtrack of semi-obscure mid-80’s rock/metal, starting with Anvil’s excellent “Straight Between the Eyes” during the opening credits (only hindered by the juvenile and tasteless lyrics, but what else is new?). “Outta Control” by John Altyn is featured later and Obsession’s “Desperate to Survive” during the end credits. The film runs 1 hour, 20 minutes, and was shot in Bremen, Georgia, about an hour’s drive west of Atlanta. GRADE: B/B-