 
  Popularity: 2 (history)
| Director: | Sally Mattison | 
|---|---|
| Writer: | Catherine Cyran | 
| Staring: | 
| After a hard day of volleyball at the beach, a teen whose parents are away decides to have a slumber party with her girlfriends. Their boyfriends predictably show up to scare them, but a stranger from the beach is also seen lurking around the house. Soon the group begins experiencing an attrition problem. | |
| Release Date: | Sep 07, 1990 | 
|---|---|
| Director: | Sally Mattison | 
| Writer: | Catherine Cyran | 
| Genres: | Comedy, Horror | 
| Keywords | slasher, woman director | 
| Production Companies | Concorde Pictures | 
| Box Office | Revenue: $1,242,995 Budget: $350,000 | 
| Updates | Updated: Aug 10, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Keely Christian | Jackie | 
| Brittain Frye | Ken | 
| Michael Harris | Morgan | 
| David Greenlee | Duncan | 
| Brandi Burkett | Diane | 
| Hope Marie Carlton | Janine | 
| Maria Claire | Susie | 
| Maria Ford | Maria | 
| Garon Grigsby | Michael | 
| Devon Jenkin | Sarah | 
| David Kriegel | Tom | 
| David Lawrence | Frank | 
| Lulu Wilson | Juliette | 
| Yan Birch | Weirdo | 
| Alexander Folk | Davis | 
| Wayne Grace | O'Reilly | 
| Marta Kober | Pizza Girl | 
| Ron Smith | Uncle Billy | 
| Name | Job | 
|---|---|
| Sally Mattison | Director | 
| Jürgen Baum | Director of Photography | 
| Tim Amyx | Editor | 
| Jamie Sheriff | Original Music Composer | 
| Catherine Cyran | Screenplay | 
| Patrick J. Statham | Stunt Coordinator | 
| Merritt Yohnka | Stunts | 
| Debbie Lynn Ross | Stunts | 
| Jennifer Jones | Stunt Double | 
| Rodman Flender | Executive In Charge Of Production | 
| Michele Weisler | Production Manager | 
| Chris Edmonds | First Assistant Director | 
| Mike Upton | Second Unit First Assistant Director, Production Manager, Second Assistant Director | 
| Juan A. Mas | Second Assistant Director | 
| Diane H. Newman | Script Supervisor | 
| Ann English | Production Coordinator | 
| Michael A. Broz | First Assistant Camera | 
| D.J. Harder | Second Assistant Camera | 
| Bill V. Robbins | Sound Mixer | 
| Robert Perry | Boom Operator | 
| Mike Ozier | Gaffer | 
| Marshall Adams | Gaffer | 
| Tom Schmieder | Best Boy Electric | 
| Jerry McNally | Electrician | 
| Doug Weinmann | Electrician | 
| Scott Whited | Key Grip | 
| Rick Jacobson | Best Boy Grip | 
| Sandra Araya Jensen | Costume Designer | 
| Susan Crandall | Wardrobe Assistant | 
| Desne J. Holland | Makeup Artist, Hairstylist | 
| Tricia Sawyer | Assistant Makeup Artist | 
| Suzy Evans | Assistant Makeup Artist | 
| Peter Janson | Assistant Makeup Artist | 
| Dean Jones | Special Effects Makeup Artist | 
| Starr Jones | Special Effects Makeup Artist | 
| Stephanie Lytar | Production Design | 
| Tamara Murphy | Set Dresser | 
| Tim Roth | Property Master | 
| Gary Randall | Set Designer | 
| Joseph Nemcik | Construction Coordinator | 
| Malcolm Abbey | Still Photographer | 
| Jeremy Stanford | Second Unit Director | 
| Wally Pfister | Second Unit Director of Photography | 
| Jeffrey Porter | Second Unit Director of Photography | 
| Ronnie Dennis | First Assistant Camera | 
| Linda Morgenstern | First Assistant Camera | 
| Harry Zimmerman | First Assistant Camera | 
| Steven Meizler | Second Assistant Camera | 
| Jon Hall | Gaffer | 
| Keith Barefoot | Key Grip | 
| Kevin Hanson | Key Grip | 
| Jennifer Stark | Script Supervisor | 
| Pamela Winn-Barnett | Post Production Supervisor | 
| Esther P. Russell | Post Production Coordinator | 
| Michael Thibault | Additional Editing | 
| Julie Dole | Assistant Editor | 
| Dennis Patterson | ADR Recordist, Sound Re-Recording Mixer, Sound Designer | 
| Michael Clark | Sound Effects Editor, Sound Re-Recording Mixer, Sound Designer | 
| Monette Holderer | Sound Re-Recording Assistant | 
| Ken Regan | Sound Effects Editor, Foley Mixer | 
| Edmund J. Lachmann | Dialogue Editor | 
| Glenn Garland | Dialogue Editor | 
| Shari Novek | Assistant Dialogue Editor | 
| Joe Earle | Sound Effects Editor | 
| Paul Di Franco | Music Supervisor | 
| Xavier Du Bois | Music Coordinator | 
| Catherine Harper | Foley Artist | 
| Laura Macias | Foley Artist | 
| Name | Title | 
|---|---|
| Catherine Cyran | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
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**_By-the-numbers third instalment lacks the imagination of the previous one_** Five teen girls hold a slumber party when the parents of one of them are out of town. As several guys crash the party someone with a huge drill and murderous intent also invades the proceedings. "Slumber Party Mass ... acre III" (1990) starts out promising, but becomes routine by the midpoint and never recovers, which isn’t helped by increasing tastelessness. While it’s arguably on par with the first film from 1981 (which I slightly prefer), it lacks the impressive creativity of 1987’s part II, which had pizzazz. A marginally more effective slasher with the same plot is the contemporaneous "Sorority House Massacre II.” Protagonist Keely Christian (Jackie) stands out in the female cast and looks sublime on the beach, followed by Lulu Wilson (Juliette). Meanwhile winsome Devon Jenkin is featured in a small part as Sarah. The brunette with the over-the-top hair, Maria, is showcased the most, but she didn’t appeal to me, although it’s a matter of taste. The film runs 1 hour, 27 minutes, and was shot at Venice Beach (beach sequence), Venice (the interiors of the house at Roger Corman's studio) and northern Los Angeles (the house exteriors). GRADE: C
Which one was this? I can't really remember. I do, however, know it was the movie where they hire a lot of women and require them all to take their clothes off. I recall a shower scene in there somewhere. And then I remember the women running around screaming in undies that are really only wor ... n in the bedroom. Was there a plot? Not really, it was just an excuse for nudity and undies. But, you already knew all of that when you sat down to watch this. Because, honestly in film making, they aren't really trying to pass it off as anything other than an excuse to film young naked breasts and you don't really get anything but that. So, why are you reading this? You know exactly what this movie is about. You knew that before you even clicked on this review. But, at least the review is as honest as the movie. If you are expecting more than that, there is something seriously wrong with you.