Popularity: 31 (history)
Director: | Frank Darabont |
---|---|
Writer: | Stephen King, Frank Darabont |
Staring: |
Imprisoned in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his long stretch in prison, Dufresne comes to be admired by the other inmates -- including an older prisoner named Red -- for his integrity and unquenchable sense of hope. | |
Release Date: | Sep 23, 1994 |
---|---|
Director: | Frank Darabont |
Writer: | Stephen King, Frank Darabont |
Genres: | Drama, Crime |
Keywords | friendship, corruption, freedom, prison cell, redemption, prison escape, interracial friendship, 1940s, adoring, prison, police brutality, based on novel or book, hope, delinquent, parole board, wrongful imprisonment, framed for murder, voiceover |
Production Companies | Castle Rock Entertainment |
Box Office |
Revenue: $28,341,469
Budget: $25,000,000 |
Updates |
Updated: Aug 03, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Tim Robbins | Andy Dufresne |
Morgan Freeman | Ellis Boyd 'Red' Redding |
Bob Gunton | Warden Norton |
William Sadler | Heywood |
Clancy Brown | Captain Byron T. Hadley |
Gil Bellows | Tommy |
James Whitmore | Brooks Hatlen |
Mark Rolston | Bogs Diamond |
Jeffrey DeMunn | 1946 D.A. |
Larry Brandenburg | Skeet |
Neil Giuntoli | Jigger |
Brian Libby | Floyd |
David Proval | Snooze |
Joseph Ragno | Ernie |
Jude Ciccolella | Guard Mert |
Paul McCrane | Guard Trout |
Renee Blaine | Andy Dufresne's Wife |
Scott Mann | Glenn Quentin |
John Horton | 1946 Judge |
Gordon Greene | 1947 Parole Hearings Man |
Alfonso Freeman | Fresh Fish Con |
Vincent Foster | Hungry Fish Con |
John E. Summers | New Fish Guard |
Frank Medrano | Fat Ass |
Mack Miles | Tyrell |
Alan R. Kessler | Laundry Bob |
Morgan Lund | Laundry Truck Driver |
Cornell Wallace | Laundry Leonard |
Gary Lee Davis | Rooster |
Neil Summers | Pete |
Ned Bellamy | Guard Youngblood |
Joe Pecoraro | Projectionist |
Harold E. Cope Jr. | Hole Guard |
Brian Delate | Guard Dekins |
Don McManus | Guard Wiley |
Donald Zinn | Moresby Batter |
Dorothy Silver | 1954 Landlady |
Robert Haley | 1954 Food-Way Manager |
Dana Snyder | 1954 Food-Way Woman |
John D. Craig | 1957 Parole Hearings Man |
Ken Magee | Ned Grimes |
Eugene C. DePasquale | Mail Caller |
Bill Bolender | Elmo Blatch |
Ron Newell | Elderly Hole Guard |
John R. Woodward | Bullhorn Tower Guard |
Chuck Brauchler | Man Missing Guard |
Dion Anderson | Head Bull Haig |
Claire Slemmer | Bank Teller |
James Kisicki | Bank Manager |
Rohn Thomas | Bugle Editor |
Charlie Kearns | 1966 D.A. |
Rob Reider | Duty Guard |
Brian Brophy | 1967 Parole Hearings Man |
Paul Kennedy | 1967 Food-Way Manager |
James Babson | Con (uncredited) |
Dennis Baker | Old Man on Bus (uncredited) |
Fred Culbertson | Police Officer (uncredited) |
Alonzo F. Jones | Inmate (uncredited) |
Sergio Kato | Inmate II (uncredited) |
Gary A. Jones | Convict (uncredited) |
Name | Job |
---|---|
Julie Lichter | Casting |
Michael Seirton | Set Decoration |
Richie Ford | Rigging Gaffer |
Monty Westmore | Makeup Artist |
Robert C. Lusted | Assistant Editor |
Peter Landsdown Smith | Art Direction |
Roy Bryson | Hairstylist |
Kokayi Ampah | Location Manager, Production Supervisor |
Sue Bea Montgomery | Production Supervisor |
Thomas Schellenberg | Assistant Director |
Bob Williams | Special Effects |
Melissa Taylor | Visual Effects Producer |
Jerry Gatlin | Stunt Coordinator |
Brian 'Buzz' Buzzelli | Grip |
Bill O'Leary | Gaffer |
Dick Hancock | Stunts |
Paul Zydel | ADR & Dubbing |
Kevin Haney | Makeup Artist |
Tommy Morgan | Additional Soundtrack |
Rhonda Yeater | Art Department Assistant |
Jack Evans | Assistant Art Director |
Sebastian Milito | Construction Coordinator |
Dixwell Stillman | Construction Foreman |
Blair Gibeau | Painter |
Antoinette J. Gordon | Set Designer |
Todd Hatfield | Standby Painter |
Robin Brown | First Assistant Camera |
Don Cerrone | Key Grip |
Robert 'Bobby Z' Zajonc | Pilot, Aerial Camera, Aerial Coordinator |
Gerrit Dangremond | Steadicam Operator |
Michael P. Weinstein | Still Photographer |
Carol Buckler | Seamstress |
Jack Hering | Set Dressing Artist |
Brian Boggs | Craft Service |
Robert Conrad | Driver |
Dan Goldwasser | Executive Music Producer |
Hope A. Nielsen | Loader |
Mario Simon | Picture Car Coordinator |
Beth Hickman | Production Office Coordinator |
Alan Jacques | Projection |
Earl F. Betts | Propmaker |
Tom Shaw Jr. | Property Master |
Daniel W. Barringer | Stunts |
Fred Culbertson | Transportation Captain |
David Marder | Transportation Coordinator |
David V. Lester | Unit Production Manager |
Ernie Malik | Unit Publicist, Publicist |
Van Scarboro | Video Assist Operator |
Sioux Richards | Script Supervisor |
Patricia A. Galvin | First Assistant Editor |
Jeremy Knaster | Best Boy Electric |
Kurt Dale Hartman | Electrician |
Rex Buckingham | Rigging Grip |
Ramona Sánchez-Waggoner | Production Office Assistant, Executive in Charge of Finance, Production Accountant |
Petra Bach | ADR Supervisor |
Marvin E. Lewis | Boom Operator |
Lori Martino | Assistant Sound Editor |
Bill Bernstein | Music Editor |
Thomas Pasatieri | Orchestrator |
John Stacy | Supervising Sound Editor |
Dennis Baker | Thanks |
Allen Greene | In Memory Of |
Tom Lent | ADR Voice Casting |
Saxon Eldridge | Production Office Assistant |
Michael Vasquez | Production Office Assistant |
Amie Tschappat | Production Office Assistant |
Don Speakman | Craft Service |
Joe Schultz | Production Office Assistant |
Margaret J. Orlando | Production Supervisor |
Mark Moelter | Craft Service |
David McQuade | Set Production Assistant |
Karin Mercurio | Executive in Charge of Finance |
Sophia Xixis | Actor's Assistant |
Jane Estocin | Finance |
James Ellis Deakins | Script Supervisor |
Tom Cotter | Actor's Assistant |
Robert Barnett | Assistant Director |
Therese Amadio | Animal Wrangler |
Chip Vincent | Driver |
David Turner | Driver |
J.D. Thomas | Driver |
Donald Snyder | Driver |
Scott Ruetenik | Driver |
David Orr | Color Timer |
Jack Keller | Sound Recordist |
David Smith | Driver |
Philip Ivey | Key Hair Stylist |
Mickey Guinn | Stunts |
Donnie McFinely | Costumer |
Kris Kearney | Key Costumer |
Michael Greenwood | Second Second Assistant Director |
Paul Wells | Key Costumer |
Shelley Rae Hinton | ADR Editor |
Thomas J. O'Connell | ADR Mixer |
Rick Canelli | ADR Recordist |
Kevin Bartnof | Foley Artist |
Marilyn Graf | Foley Mixer |
Ron Grafton | Foley Recordist |
Tom Morga | Stunt Double |
David Moenkhaus | Additional Second Assistant Camera |
Keith Bunting | Best Boy Grip |
Bruce Hamme | Dolly Grip |
Andy Harris | Second Assistant Camera |
Julie Weiss | Casting Assistant |
Cookie Beard | Wardrobe Assistant |
Taneia Lednicky | Wardrobe Supervisor |
Keith Shaw | Colorist |
Chris Cozzi | Location Assistant |
Arlene Fishbach | Music Consultant |
Linda Weaver | Extras Casting Assistant |
Bruce Bell | Sound Editor |
Kelley Baker | Executive in Charge of Finance |
Tim.L.armstutz | Camera Department Production Assistant |
Elizabeth McBride | Costume Design |
Thomas Newman | Original Music Composer, Conductor |
Richard Francis-Bruce | Editor |
Terence Marsh | Production Design |
Deborah Aquila | Casting |
John R. Woodward | Assistant Director |
Stephen King | Novel, Thanks |
Willie D. Burton | Production Sound Mixer |
Alfonso Freeman | Actor's Assistant |
A. Michael Lerner | Stunts |
Jesse V. Johnson | Set Production Assistant, Third Assistant Director |
Barbara Harris | ADR Voice Casting |
David Leslie Johnson-McGoldrick | Production Assistant |
Frank Darabont | Director, Screenplay |
Dennis Sands | Scoring Mixer |
Ben Scott | Stunts |
Roger Deakins | Director of Photography |
Name | Title |
---|---|
Niki Marvin | Producer |
David V. Lester | Executive Producer |
Liz Glotzer | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Golden Globes | Best Actor | Morgan Freeman | Nominated |
Golden Globes | Best Supporting Actor | William Sadler | Nominated |
Academy Awards | Best Director | Frank Darabont | Nominated |
Academy Awards | Best Picture | N/A | Nominated |
SAG Awards | Best Actor | Morgan Freeman | Nominated |
Venice Film Festival | Best Supporting Actor | William Sadler | Nominated |
BAFTA Awards | Best Picture | N/A | Nominated |
BAFTA Awards | Best Actor | Morgan Freeman | Won |
BAFTA Awards | Best Director | Frank Darabont | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 129 | 162 | 106 |
2024 | 5 | 142 | 167 | 115 |
2024 | 6 | 147 | 212 | 114 |
2024 | 7 | 162 | 240 | 115 |
2024 | 8 | 162 | 251 | 126 |
2024 | 9 | 160 | 268 | 131 |
2024 | 10 | 200 | 318 | 127 |
2024 | 11 | 206 | 274 | 164 |
2024 | 12 | 181 | 220 | 157 |
2025 | 1 | 175 | 196 | 159 |
2025 | 2 | 166 | 223 | 37 |
2025 | 3 | 62 | 199 | 5 |
2025 | 4 | 43 | 62 | 32 |
2025 | 5 | 33 | 42 | 29 |
2025 | 6 | 30 | 34 | 27 |
2025 | 7 | 31 | 58 | 25 |
2025 | 8 | 30 | 43 | 24 |
2025 | 9 | 29 | 31 | 27 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 39 | 106 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 58 | 185 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 48 | 202 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 31 | 159 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 45 | 180 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 48 | 187 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 59 | 229 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 76 | 287 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 61 | 206 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 46 | 172 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 37 | 179 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 83 | 174 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 78 | 121 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 73 | 175 |
very good movie 9.5/10 محمد الشعراوى ...
Some birds aren't meant to be caged. The Shawshank Redemption is written and directed by Frank Darabont. It is an adaptation of the Stephen King novella Rita Hayworth and Shawshank Redemption. Starring Tim Robbins and Morgan Freeman, the film portrays the story of Andy Dufresne (Robbins), a banke ... r who is sentenced to two life sentences at Shawshank State Prison for apparently murdering his wife and her lover. Andy finds it tough going but finds solace in the friendship he forms with fellow inmate Ellis "Red" Redding (Freeman). While things start to pick up when the warden finds Andy a prison job more befitting his talents as a banker. However, the arrival of another inmate is going to vastly change things for all of them. There was no fanfare or bunting put out for the release of the film back in 94, with a title that didn't give much inkling to anyone about what it was about, and with Columbia Pictures unsure how to market it, Shawshank Redemption barely registered at the box office. However, come Academy Award time the film received several nominations, and although it won none, it stirred up interest in the film for its home entertainment release. The rest, as they say, is history. For the film finally found an audience that saw the film propelled to almost mythical proportions as an endearing modern day classic. Something that has delighted its fans, whilst simultaneously baffling its detractors. One thing is for sure, though, is that which ever side of the Shawshank fence you sit on, the film continues to gather new fans and simply will never go away or loose that mythical status. It's possibly the simplicity of it all that sends some haters of the film into cinematic spasms. The implausible plot and an apparent sentimental edge that makes a nonsense of prison life, are but two chief complaints from those that dislike the film with a passion. Yet when characters are this richly drawn, and so movingly performed, it strikes me as churlish to do down a human drama that's dealing in hope, friendship and faith. The sentimental aspect is indeed there, but that acts as a counterpoint to the suffering, degradation and shattering of the soul involving our protagonist. Cosy prison life you say? No chance. The need for human connection is never more needed than during incarceration, surely? And given the quite terrific performances of Robbins (never better) & Freeman (sublimely making it easy), it's the easiest thing in the world to warm to Andy and Red. Those in support aren't faring too bad either. Bob Gunton is coiled spring smarm as Warden Norton, James Whitmore is heart achingly great as the "Birdman Of Shawshank," Clancy Brown is menacing as antagonist Capt. Byron Hadley, William Sadler amusing as Heywood & Mark Rolston is impressively vile as Bogs Diamond. Then there's Roger Deakins' lush cinematography as the camera gracefully glides in and out of the prison offering almost ethereal hope to our characters (yes, they are ours). The music pings in conjunction with the emotional flow of the movie too. Thomas Newman's score is mostly piano based, dovetailing neatly with Andy's state of mind, while the excellently selected soundtrack ranges from the likes of Hank Williams to the gorgeous Le Nozze di Figaro by Mozart. If you love Shawshank then it's a love that lasts a lifetime. Every viewing brings the same array of emotions - anger - revilement - happiness - sadness - inspiration and a warmth that can reduce the most hardened into misty eyed wonderment. Above all else, though, Shawshank offers hope - not just for characters in a movie - but for a better life and a better world for all of us. 10/10
Make way for the best film ever made people. **Make way.** ...
There is a reason why this movie is at the top of any popular list your will find. Very strong performances from lead actors and a story line from the literary brilliance of Stephen King (and no, its not a horror). Sufficient drama and depth to keep you interested and occupied without stupefying y ... our brain. It is the movie that has something for everyone.
It's still puzzling to me why this movie exactly continues to appear in every single best-movies-of-all-time chart. There's a great story, perfect cast, and acting. It really moves me in times when I'm finding myself figuring out things with my annual tax routine reading <a href="https://www.buzzfee ... d.com/davidsmithjd/what-is-form-w-2-and-how-does-it-work-3n31d">this article</a>, and accidentally catching myself wondering what my life should be if circumstances had changed so drastically. This movie worth a rewatch by all means, but yet, there's no unique vibe or something - there are thousands of other ones as good as this one.
I will not say that the film is predictable, because it is not quite so, due to the fact that we only know Andy’s intentions at the end, and during the film, it is important to understand that there was not a hint of it, but let's not forget our guys who so imprudently localized it. I will not be th ... e first, but the word 'redemption' is translated as 'redemption'. I don’t know the reason why our localizers decided to spoil the impression to all Russian-speaking people.
First time seeing this in probably close to 20 years, maybe longer. Forgot how excellent of a movie this was, amazing all around from the performances, Morgan Freeman and Tim Robbins especially, with a roller coaster of emotions. The writing (from Stephen King's novel) direction from Frank Darabont ... was precise and just all around fantastic. This is the very rare 5 star movies I've given but it is easily one of the best movies, right up there in my book with The Godfather. **5.0/5**
No 1 movie for all the time ...
This is much more predictable and Hollywood than a King novel. This story of another man wrongfully in prison for murder joins the list of about every other movie about a man sent to prison for murdering his wife. And therein lies the problem. Most of the time, the killer is the husband, and most ... of the time the right man is in prison. Juries are now doomed to consist of several people who are brainwashed by this constant propaganda Hollywood gives us and think accordingly. People are not gods. They are souls and spirits that can only withstand so much brainwashing. Add to that, the story plods along with really nothing new to add. It's a very formula movie. I won't say it is a "bad movie". Those are ones I give 1 or 2 out of 10. But 3/10 is what I call the very boring, unimaginative, safe, non thought provoking movies that you forget about quite quickly.
This movie is great ...
Tim Robbins is wealthy banker "Andy Dufresne" who finds himself sentenced to life imprisonment after his wife and her lover are found murdered. The handsome "new fish" is initially the target of the "sisters" who would use him as they would like - but he fights back and gradually establishes a frien ... dship with prison "scrounger" Morgan Freeman ("Red"). When he overhears the beastly prison guard captain bemoaning some tax problems, he, rather riskily, volunteers to help find a tax-free solution and is soon advising pretty much the whole place - including "Warden Norton" (Bob Gunton) on all things financial - some above board, some less so. The film is set over a period of over ten years, and depicts some of the most brutal aspects of prison life; but also some it's more hopeful. It deals with violence and desperation but also of bonding and lasting friendships and loyalties that long term close-confinement engender. Frank Darabont elicits the best from his three principals superbly, with added venom provided by guard captain Clancy Brown and humanity from prison librarian James Whitmore - one of the few who actually does make parole. The last half hour is up there with the best cinema has ever had to offer, and this - again on a big screen - is a must see adaptation of one of Stephen King's lesser known, but better, stories that delivers a redemption never, quite, anticipated by the prison service!
**Watched it 32 times** Call me obsessed, but I have watched this movie 32 times (and counting) over the past 2 decades. One may wonder why? It is because every time I watch this movie, I learn something new from it. For example, despite being such a good friend of Red, Andy never shares his plan ... with him. This taught me that discipline and focus is vital for success. I can not praise enough the tight plot, direction, acting and everything. On my favorite movies list, this one certainly tops the chart.
Amazing movie ...
This movie is an absolute masterpiece, blending deep emotion and powerful storytelling. It follows the journey of a banker wrongfully imprisoned, whose enduring hope and resilience inspire everyone around him. His friendship with a fellow inmate is heartwarming and beautifully portrayed, capturing t ... he essence of human connection. The film explores themes of redemption and the strength of the human spirit, leaving a lasting impact. With unforgettable performances and a story that resonates on so many levels, it’s a film that stays with you long after the credits roll. I can’t help but give it a 10/10.
Simple, I would say, beauty in the art of cinematography and storytelling. ...
The Shawshank Redemption is a timeless masterpiece, blending powerful performances with a poignant narrative about hope and friendship. Tim Robbins and Morgan Freeman deliver unforgettable performances, creating a deeply emotional story of resilience and redemption. With its captivating plot and pro ... found themes, it remains one of the greatest films ever made.
The Shawshank Redemption is one of those timeless classics that pulls you in with its heartfelt storytelling and remarkable performances. At its core, it’s a story about hope, friendship, and the resilience of the human spirit, set against the bleak backdrop of Shawshank prison. Tim Robbins as Andy ... Dufresne and Morgan Freeman as Red deliver deeply moving performances, capturing the bond that grows between two men confined by walls but freed by hope. Every scene feels purposeful, and the script, adapted from Stephen King’s novella, is simply brilliant in how it weaves small moments into a powerful narrative. One of the most unforgettable parts of the movie is Brooks’ storyline. Watching him leave the world he knew, only to find himself unable to adapt to a society that had progressed beyond his comprehension, is heartbreaking every time. It’s a stark reminder of how institutionalization can strip people of their ability to live freely, even after they've served their time. That moment, along with Red’s own journey, adds a bittersweet layer of realism to the story’s broader themes of freedom and redemption. The direction by Frank Darabont is masterful, turning what could have been a straightforward prison drama into something deeply profound. The setting of Shawshank feels both oppressive and oddly serene, perfectly capturing the tone of the story. The simplicity of the plot is its strength, allowing the characters and their emotional arcs to take center stage. With its pitch-perfect pacing, poetic dialogue, and an uplifting finale, The Shawshank Redemption remains a film that resonates on every rewatch. It’s not just a movie; it’s an experience.
**Wow amazing movie ** ...
Morgan Freeman plays a little red haired Irishman and no one cares. No one cares, and now when people across the globe read this segment in Different Seasons, they read it in Morgan Freeman's voice. It's sort of impossible not to. It was a race swap that not a single person complained about. ... It didn't really change the movie and one of the big reasons why it didn't change the movie was because the movie wasn't about the race swap and owning the fans of the IP like most every other race swap that people complain about and other people call them political buzz words for not loving... presumably while they secretly agree the movie's crap. THIS IS HOW YOU DO IT HOLLYWOOD!! I kind of want to be a dick and say that the reason this movie is so popular is because of Morgan Freeman's narration, I mean, you could give the guy an instruction manual to read and people would love it. But then it's more than that. The movie is popular because it's satisfying. The good guys win, the bad guys lose, it tells a good story in a competent and compelling way. It's pretty much what everyone wants in a movie... and as much as I usually hate King, the novella is satisfying and what everyone wants from a story. So well done. You'll like this, and you'll like it because it is that good.